Note: This event has been rescheduled. More details soon!
The stage is set for one of the most anticipated live music events of the year as WONDERFUL MOMENTS Music Festival officially unveils its all-star lineup, promising two unforgettable nights of music, passion, and Filipino talent.
Organized by IME Philippines and Myriad Events, this year’s festival aims to spotlight the best of Original Pilipino Music (OPM) by bringing together generations of artists and fans in a celebration of sound, culture, and creativity.
Happening on December 6 and 7, 2025, at the SMDC Festival Grounds, the festival will gather some of the most celebrated and influential names in the local music scene.
Leading the powerhouse lineup is BINI, the nation’s girl group phenomenon, joining an incredible roster of OPM icons and chart-toppers including Sarah Geronimo, Ely Buendia, Bamboo, Parokya ni Edgar, Cup of Joe, Gloc-9, Kamikazee, Dionela, Arthur Nery, Over October, Adie, Earl Agustin, Amiel Sol, PBB Artists, ALAMAT, and Denise Julia.
From iconic hits that shaped generations to viral anthems that define today’s OPM sound, WONDERFUL MOMENTS Music Festival promises an electric celebration of diversity in Filipino music — uniting pop, rock, hip-hop, and R&B fans under one sky.
With an impressive lineup that blends veteran legends and rising stars, this festival is set to be a landmark event in the Philippine live music scene, bringing thousands of fans together for a weekend of pure musical euphoria.
Music lovers are encouraged to mark their calendars for December 6 and 7, 2025, as the SMDC Festival Grounds transform into the ultimate destination for live music and celebration. Stay tuned for ticketing details and further announcements through the official social media pages of IME Philippines, Myriad Events, and WONDERFUL MOMENTS Music Festival.
The countdown is officially on! With just 30 days remaining until global superstar Jason Derulo hits the stage, the hype for his one-night-only concert in Manila is reaching fever pitch.
Presented by L-Squared Productions, the singer of chart-smashers like “Savage Love” and “Swalla” is set to light up the SM Mall of Asia Arena on Saturday, November 22, 2025, for what promises to be a spectacular display of music, dance, and sheer pop perfection.
This highly anticipated return—his first Manila show in nearly a decade—will deliver the full, electrifying production of his critically acclaimed world tour, bringing the party energy from his recent stops in South America and Eastern Europe straight to the heart of the Philippines.
What to Expect
Filipino fans can expect nothing less than a full-scale, theatrical experience, based on rave reviews from his recent global performances.
Non-Stop Hit Parade
Concert review pages and setlist data from festivals like The Town 2025 in São Paulo, Brazil, confirm a powerhouse lineup of his biggest hits. Crowd favorites that drew the loudest applause and engagement include classics like “Talk Dirty,” “Want to Want Me,” “Wiggle,” and the viral phenomenon “Savage Love (Laxed – Siren Beat).”
The Nu King Vibe
Alongside the classics, the setlist is packed with cuts from his latest album, Nu King, including the highly anticipated live performance of his collaboration with Michael Bublé, “Spicy Margarita.” The track has kept dance floors moving across all tour locations, with over 20 public performances to date.
Viral Performance Stunts
Derulo’s shows are known for grand, unexpected moments. At his recent Saint Petersburg stop, he incorporated local pop culture in a viral performance—staging a dance sequence to a popular Russian song that instantly became a social media sensation.
With his flair for local customization, Manila fans might just be treated to a Pinoy-inspired surprise this time around.
An Extended Concert Experience: The Afterparty Upgrade
The party doesn’t end after the concert! For an extended experience, L-Squared Productions is offering an exclusive upgrade package — the Jason Derulo Afterparty Pass — available as an upgrade for eligible VIP, Lower Box Premium, and Patron ticket holders for only ₱5,999.
This is the VVIP experience — a level of access few fans ever get. Ticket holders are invited to join a private gathering to hang out, toast, and chill with Jason Derulo in a relaxed atmosphere built for personal connection.
The Afterparty Pass includes:
Exclusive Jason Derulo Afterparty event ticket
Official wristband
Afterparty shirt
Bottomless drinks
Curated Jason Derulo music playlist
Situated right in the heart of the city, the Afterparty venue offers effortless access to Manila’s best dining, shopping, and nightlife — the perfect way to keep the energy going after the show.
Ticket Information
Tickets for JASON DERULO LIVE IN MANILA are still available — but selling fast — via SM Tickets outlets nationwide and online at the official SM Tickets website.
Ticket Prices:
Patron (Seated): ₱11,500
SVIP (Standing) with Bar Lounge Access: ₱10,750
LB Premium with Bar Lounge Access: ₱10,750
VIP (Standing): ₱8,500
LB Regular: ₱7,500
Upper Box: ₱4,500
Don’t Just Watch the Show—Own the Moment!
This is the biggest party Manila has been waiting for. This is Jason Derulo — LIVE!
Win big with OREO x BABYMONSTER and stand a chance to win exciting prizes, including a trip to Korea for two!
The OREO x BABYMONSTER collaboration caused a splash in Southeast Asia, hyping up MONSTIEZ and fans across the region with this surprise collaboration!
Launching limited-edition cookie drops, exclusive collectible photocards of the BABYMONSTER members, cookies personally designed by BABYMONSTER members, and even releasing a bespoke song by OREO and original choreography performed by BABYMONSTER, OREO x BABYMONSTER is a joyous celebration with a little something for everyone—snackers looking out for the next new OREO flavor, MONSTIEZ excited for the surprise BABYMONSTER drop, and K-pop dance enthusiasts with a new choreo to lend their special twist to.
To keep the love—and the beat—going, OREO is also announcing a host of activations across the region with opportunities for consumers to win big!
#TwistLickDance and Stand A Chance To Win BABYMONSTER Merchandise
OREO x BABYMONSTER reimagined the beloved Twist, Lick, Dunk ritual into #TwistLickDance, inviting fans across Southeast Asia to show off their best dance moves on TikTok and groove along to BABYMONSTER.
To participate in the #TwistLickDance challenge, consumers simply have to:
Step 1: Film yourself with an OREO x BABYMONSTER pack in hand, showing off how OREO x BABYMONSTER makes you move
Step 2: Post on TikTok and tag Oreo. Use the hashtag #OREOxBABYMONSTER #OREOPH #TWISTLICKDANCE
The most liked entries win prizes so make sure to get your squad together to like your post!
Buy To Win A Trip To Korea
Dreamed of going on an all-expenses-paid trip to Korea? With OREO x BABYMONSTER, you and a special someone stand the chance to make that dream come true!
Buy a participating pack of OREO x BABYMONSTER cookies and take a selfie with the OREO X BM cookie embossment onto http://www.oreobm.com to enter yourself into the lucky draw. The grand prize winner will win the coveted trip to Korea for two. But fret not if you don’t win the grand prize—there’s plenty of other prizes up for grabs, including BABYMONSTER merch to add to your DRIP.
The contest will run from 1 October to 07 December 2025. The winners will be announced in December 2025.
Download Personalized BABYMONSTER Mobile Wallpapers From The Microsite
MONSTIEZ can download personalized mobile wallpapers of your favorite BABYMONSTER member, perfect for your lock screen. Simply visit http://www.oreobm.com and create an account. Upon successful creation, users will be prompted to choose their favorite member, and they can download the personalized wallpaper of that member from the microsite.
For more information and updates on the OREO x BABYMONSTER collaboration, fans can go to http://www.oreobm.com and follow OREO on social media to join the #TwistLickDance conversation using #TwistLickDance, #OREOxBABYMONSTER, and #OREOPH.
Rising OPM star Beza Trestiza has officially stepped into the spotlight with her debut single, HPR (Higit Pa Rito), under the Ascend family. This release is part of her Unfolding Dreams artist launch and is a heartfelt anthem that celebrates passion, purpose, and self-belief. Beza’s journey from being a student performer to a professional singer-songwriter is one of hard work and honesty that really connects with people.
Before her first performance, we talked to Beza, a new voice in the OPM scene, about the music that inspires her, her pre-performance rituals, and the real-life story behind her first single, Higit Pa Rito (HPR). Beza talked about her inspirations, goals, and the passion that drives her journey in a private and honest conversation.
Beza’s love for OPM comes through when she talks about the artists who have influenced her sound. She really liked Janine Teñoso because her style of telling stories is similar to her own. “Grabe ang genre niya,” Beza said with excitement, explaining how Teñoso’s ability to mix stories with music inspires her own work. She wants to play music with Teñoso or record with him so they can combine their storytelling skills. “Para ding nagkukwento na nilagyan ng melody,” she said, explaining how her song HPR is similar in that it captures feelings that fans can relate to deeply.
Beza also talked about her current Spotify obsession, the upbeat, colorful music of Cup of Joe. But when it comes to singing, Morissette Amon is her biggest idol. Beza said, “Since bata pa po ako, ina-idolize ko na siya,” and she said Amon’s Ang Huling El Bimbo was her favorite performance piece. The song’s emotional depth and high energy make it a great way for Beza to show off her own dynamic stage presence.
Beza’s way of performing is as sincere as her music. She talked about her ritual before a performance, which includes a moment of prayer and reflection. “Praying is something I do all the time, but it doesn’t mean I’ll do a perfect job.” “You have to work for it,” she said. Her prayer is simple but deep: she asks for help to get through the preparation and hard work she’s put in, hoping to connect with her audience in a real way. “Please help me with what I’m preparing,” she said, stressing her desire to make the performance meaningful for everyone.
Higit Pa Rito: A Song That Speaks to the Heart
Beza uses her influences to make a song that is both very personal and something that everyone can relate to. The song combines her talent for telling stories with a happy melody that makes people feel things. Beza said that fans have connected with HPR’s honesty, which shows how much she put into it. “It’s like telling a story with music,” she said, echoing what she likes about her OPM idols.
Feel the heart and soul of BEZA in her debut single HPR (Higit Pa Rito).
Beza’s first OPM song is a bold move that shows her authenticity, passion, and talent. This is the start of an exciting new chapter. Higit Pa Rito is more than just a song; it’s a message about her dreams and a call to others to follow theirs.
Charlie Puth has announced details on his forthcoming fourth studio album, Whatever’s Clever!, set for release on March 6, 2026 via Atlantic Records.
Offering the first taste of what’s to come, the multi-award-winning, Diamond-certified artist and multi-instrumentalistreleases “Changes,” a timeless and uplifting single showcasing exactly what Puth does best; offering infectious hooks, sing-out-loud choruses and signature piano solos enough to lift even the heaviest of hearts and feet.
Described as a “potential hit single” by Rolling Stone Magazine, “that lands somewhere between Eighties Steve Winwood and Jackson’s “Human Nature,” “Changes” signifies a career-defining chapter is upon us, and Charlie Puth is back and better than ever. Stepping into his own with co-producer BloodPop, the internationally acclaimed GRAMMY® and Golden Globe nominated artist shines in an entirely new light, offering his bravest, boldest and most honest body of work to date.
Accompanying the new single is an official music video directed by Charlotte Rutherford, playfully incorporating nods to a long-gone pre-digital era, Charlie reflects on “Changes” bothpersonal andprofessional with a sweet cameo from his real life wife Brooke Sansone.
Watch the official music video for “Changes” HERE.
Last month, Puth kicked off a series of sold-out underplay residencies starting at Blue Note New York, where The New Yorker observed the chart-topping popstar seemed most “at home” at the legendary jazz club. Performing to a sold-out crowd twice a night, Puth welcomed special guests including his idols Babyface and Jimmy Jam onto the stage, as well as Emmy-nominated Broadway star Anthony Ramos. Tonight, his sold-out Blue Note Los Angeles residency begins with more surprise guests in store. Fans can livestream his first performance tonight at 7PM on TikTok. RSVP HERE
More exciting news to come.
BLUE NOTE LOS ANGELES UNDERPLAYS October 16 – Blue Note Los Angeles – 7pm & 9:30pm – SOLD OUT October 17 – Blue Note Los Angeles – 7pm & 9:30pm – SOLD OUT October 18 – Blue Note Los Angeles – 7pm & 9:30pm – SOLD OUT October 19 – Blue Note Los Angeles – 7pm & 9:30pm – SOLD OUT
Whatever’s Clever! is out March 6, 2026 via Atlantic Records. Pre-order/add/saveWhatever’s Clever!HERE
About Charlie Puth GRAMMY-nominated and multi-platinum singer/songwriter/producer Charlie Puth has proven to be one of the industry’s most consistent hitmakers and sought-after collaborators across multiple genres. To date he has amassed over 35 billion career streams, nine multi-platinum singles (including “Attention,” “We Don’t Talk Anymore,” “See You Again” & more), four GRAMMY nominations, three Billboard Music Awards, a Critic’s Choice Award, and a Golden Globe nomination. Puth is currently working on his highly anticipated fourth studio album, the follow-up to 2022’s CHARLIE which featured platinum-certified hit single “Light Switch” and “Left and Right” featuring Jung Kook of BTS. Meanwhile, his 2021 co-penned/produced single “Stay” for The Kid Laroi and Justin Bieber reigned #1 on the Billboard Global 200 chart for eleven weeks, and his collaboration with Gabby Barrett on their “I Hope (Remix)” earned him his fourth top 10 charting track on the Billboard Hot 100.
The country’s most awaited band competition is back! Red Horse Beer Pambansang Muziklaban 2025 is once again giving local musicians the stage to showcase their talent, prove their skills, and stake their claim as the next great Filipino band.
For over two decades, Pambansang Muziklaban has been a launchpad for aspiring artists, providing a platform for original Filipino music, and helping shape some of the most recognized names in the industry including Mayonnaise, who was crowned Pambansang Muziklaban Grand Champion in 2004. This year, the search continues as new groups bring their unique sound and energy to the spotlight.
Recruitment is now officially open through online registration at
https://tinyurl.com/PML2025BandRegistration. Bands from across the country are invited to join, share their music, and battle it out for the chance to make their mark on the national stage.
Participants will not only gain exposure and experience but also the chance to play in front of passionate crowds and alongside established artists who once stood where they are now, fueled by the same dream, driven by the same fire. Red Horse Beer, the No.1 Extra Strong Beer in the World, through Pambansang Muziklaban, celebrates the spirit of winners: bold and unstoppable. Every performance is a test of courage and talent, and only the most driven will rise to the top.
The competition will unfold across several stages, from online screening to live eliminations, and semi-finals, and culminating in the Grand Finals, where the best of the best will battle it out for the ultimate title of Pambansang Muziklaban 2025 Champion. Winners will take home prizes, performance opportunities, and a place in Pambansang Muziklaban’s legendary roster of champions.
For more details, updates, and announcements, check out the official Red Horse Beer Muziklaban Facebook pagewww.facebook.com/redhorsebeermuziklaban. The stage is waiting. Will your band be the next Pambansang Muziklaban 2025 champion?
ICYMI: Maya, the #1 Fintech Ecosystem and #1 Digital Bank in the Philippines, just dropped its newest Pink Glitter Edition Maya Visa Card, and everyone is raving about it. This isn’t just another card in your wallet, it’s the card you’ll want to carry, use, and show off every single day.
All glitter. No filler. The Pink Glitter Edition Maya Visa Card delivers on all fronts: design, function, and benefits. Its matte glitter finish gives it a premium, polished look while ensuring it slides smoothly into ATMs and payment terminals for easy, worry-free transactions.
It’s the perfect mix of style and smarts: cool enough to match your everyday aesthetic, practical enough to keep your finances on track, and designed so that even the little things including your daily coffee run, a grocery haul, or weekend shopping spree, actually work for you.
And it’s not just about looks. This globally accepted debit card lets you pay, shop, and withdraw anywhere Visa is accepted, all while helping your money grow with up to 15% p.a. interest on Maya Savings.
Your Ticket to Once-in-a-Lifetime Moments Using the Pink Glitter Maya Visa Card doesn’t just reward you financially, it could literally take you places. From October 1 to November 11, every swipe with this glittery card could take you straight to the BLACKPINK [DEADLINE] World Tour in Manila. Thanks to Visa and Maya, your everyday spending might just score you VIP fan packages or even daily ticket giveaways!
The Pink Glitter Maya Visa Card isn’t your only way in. You can also use:
The Maya Black Visa Credit Card — a sleek, numberless card that gives you instant miles and global airport lounge access for no annual fees. Perfect for travelers and lifestyle enthusiasts .
The Maya Visa Landers Cashback Everywhere Credit Card — your cashback card for everyday purchases. Earn 5% at Landers, 2% on dining, and 1% on everything else every time you swipe.
Here’s how to join:
Open the Maya app and go to the Tickets tab.
Tap “Join today’s giveaway” to start earning entries for the monthly and daily giveaways.
Get and/or use your Maya Visa Landers Credit Card, Maya Black Visa Credit Card, or Maya Visa Debit Card to earn raffle entries
A minimum spend of ₱500 in a single transaction qualifies you for one daily entry.
With Maya, your everyday doesn’t have to stay ordinary. It’s your go-to that makes spending smarter, saving easier, and moments more rewarding, whether you’re chasing miles, cashback, or the concert of your dreams.
Stay updated by visiting maya.ph or mayabank.ph, and follow @mayaiseverything on Facebook, Instagram, YouTube, and TikTok. Maya Philippines, Inc. and Maya Bank, Inc. are regulated by the Bangko Sentral ng Pilipinas (www.bsp.gov.ph). Deposits are insured by PDIC up to ₱1 million per depositor.
The Aurora Music Festival is reaching new heights as it teams up with Converge, the country’s leading fiber internet provider, as its official partner and event presenter.
This partnership celebrates the shared mission of connecting Filipinos—not only through technology but also through music, art, and cultural experiences that bring people together.
As Converge continues to expand its presence in people’s everyday lives, its participation in Aurora underscores the brand’s commitment to being part of the moments and passions that matter most. Festival-goers can look forward to exciting on-ground activities and interactive experiences that embody Converge’s dynamic spirit and dedication to Filipino creativity.
The partnership takes center stage at these festival dates:
Aurora Music Festival Davao 2025, happening this October 25, 2025, at Crocodile Park Concert Grounds
Aurora Music Festival Cebu 2025, set this November 22, 2025, at City di Mare Cebu, and of course,
next year’s Aurora Music Festival Clark 2026!
Each Aurora weekend brings together spectacular live performances, dazzling hot air balloons, flavorful food stalls, and captivating art installations, offering an unforgettable celebration of Filipino artistry and culture.
With Converge as a proud event presenter, this collaboration goes beyond connectivity—it’s about strengthening the ties that unite communities and championing the vibrant spirit of Filipino talent.
With three songs in Spotify’s Top 200 charts, releasing a couple of new singles, an upcoming tour, and his first headliner event, Jan Roberts has had an eventful year.
Hailing from Bicol, Jan began his rise to fame on Tiktok, with millions of views and thousands of fans interacting on his posts. As a graduate in the performing arts, Jan began writing during the pandemic in 2020 and gained recognition through online busking on Discord. Recently, he has been making waves in the local music scene by carving out his own path.
Jan’s breakthrough came with the viral success of his track “Sagip,” which peaked at #3 on the Spotify PH Viral 100 charts and has since garnered over 24 million streams. The simplicity of his guitar melodies complements his raw, honest lyrics, moving audiences and cementing his reputation as a rising star. Following that success was “Hirap Kalimutan,” which achieved 500,000 streams on Spotify and had its lyric video trend at #23 on YouTube in its first week of release. Recently, he achieved yet another milestone: his three tracks, “Hirap Kalimutan,” “Sagip,” & “Patalang,” all entered the Spotify Top 200 charts at the same time. This further solidified his place in the OPM scene and is undoubtedly one to watch.
“Sobrang mixed emotions hindi ko minsan maramdaman kung ano yung dapat ko mafeel sa bilis at dami ng nangyayari, lalo na this is my dream and passion. Hindi ko pa rin maabsorb na wow ang dami na pala talagang nakakaalam ng songs ko at sobrang thankful ako sa lahat ng sumusuporta saakin. Walang katapusang pasasalamat. Masaya ako ngayon sa journey ko.” – Jan Roberts on his journey as an artist.
His most recent release, “Tanaw,” gained 100,000 streams in its first three days. “Tanaw” is a heartfelt waltz song about an endless love. No matter what happens or who comes along, they always end up with each other. Like dancing with the one you love, the song feels warm and timeless, as if every step is a promise. “Tanaw” is a song for those who believe that in the end, there will only ever be one person they’ll keep in sight.
“Kahit lumipas ang panahon at kumupas ang ganda, ikaw pa rin ang tanaw sa dulo ng mga alaala.” – Jan Roberts about “Tanaw.”
An advance screening event for the song’s music video will happen on October 17, 2025, at Backspacer Records in Pasig, where some of his superfans will get the opportunity to be among the first to watch it before its release on October 18, 2025.
His out-of-town fans will get an opportunity to watch and listen to him play his hits live during his tour, “Gabay Tuwing Naliligaw,” going to different provinces like Pampanga, Laguna, Batangas, Nueva Ecija, Cavite, and Rizal. The tour will be the lead-up to his first headlining show and official merch launch on November 29, 2025, at 123 Block in Mandala Park, Mandaluyong City, with guest artists like The Ridleys, Any Name’s Okay, Eliza Maturan, and so much more. Tickets are now available for sale, with more details on Jan’s social media.
Despite the busy schedule and back-to-back tour and performances, Jan is just beginning. Fans and OPM lovers should definitely keep Jan within their sights.
A mesmerizing entry into the RnB/Soul genre, Diorama’s NINO has just released his latest single, “Flutter, Lover,” a song that talks about personal aspirations, and a partner who’s got your back. When asked about the concept, NINO shared a poetic vision: “While writing, I was imagining myself lying in bed while looking up at a butterfly fluttering delicately above me. I wanted to be like the butterfly, free enough to hover in the air and be confident despite all my fragility.” A common theme of NINO’s songs, surrendering yourself to its melody and dreamy lyrics will put you in a daze — much like the gentle beat of a butterfly’s wings. His unique vocals paired with his imaginative lyrical narrative is a day dreaming combo.
More than the “flutter” portion of the song, “lover” reframes it through an intimate lens—as NINO puts it, “In another lens, I see the butterfly as my partner. Someone who exudes beauty, whom I admire deeply and inspires me to become a better version of myself.” Whether you’re drawn to the whimsical “flutter” side, the heartfelt “lover” perspective, or the blend of both emotional spectrums, “Flutter, Lover” will reel you in with its playful, sincere, and intimate vibes. Stream “Flutter, Lover” now on your favorite platforms, and follow NINO and Diorama FM on all social media platforms for updates.
Flutter, Lover NINO Hook: Flutter, lover Flutter, lover Discover your truest color Verse: Climbing up that tree Eating up all those leaves Make sure you take real good care of your gleam Wrapping yourself up into a cocoon You will soon come to bloom Then you’ll see what I mean Chorus: You’re so beautiful You light up my room The way you’re floating up in the air Makes my despair go away Bridge: Please stop glowing the way you are My heart can only take so much Verse: The way you part your hair From up above you stare The way you ride my vibes You make me come alive Your wings they hypnotize I realize I can’t deny You’re putting me under your spell Chorus: You’re so beautiful You light up my room The way you’re floating up in the air Makes my despair go away Hook: Flutter, lover Flutter, lover Show me your deepest colors Outro: You’re so beautiful You light up my room (Yeah)
If you’re into sing-along pop anthems, 2000s nostalgia, and international headliners with radio-friendly hits, Playback’s Pop It Up! Music Festival is set to deliver. Happening on November 21, 2025 at the SM Mall of Asia Arena in Pasay, the one-night event brings together three major acts: Blue, Vanessa Carlton, and David Archuleta. Fans can expect an evening of harmonies, piano ballads, and timeless pop moments designed to bring back memories while creating new ones.
What is Playback?
Playback is a nostalgia-driven festival brand that curates throwback concert experiences featuring beloved international acts. With themed lineups ranging from pop to punk and emo, the series has become a go-to event for fans who want to relive the golden eras of their favorite music. More than just concerts, Playback festivals are full-scale experiences, often including merchandise booths, photo areas, and interactive fan activities.
The Lineup
Blue (UK) The iconic British boy band—Simon Webbe, Duncan James, Antony Costa, and Lee Ryan—rose to fame in the early 2000s with polished pop and R&B hits like All Rise, One Love, and their collaboration with Elton John, Sorry Seems to Be the Hardest Word. Their smooth vocals, coordinated performances, and enduring catalog make them festival favorites, especially for fans who grew up in the boy-band era.
Vanessa Carlton (US) Known worldwide for her piano-driven anthem A Thousand Miles, Vanessa Carlton brings a touch of intimacy and artistry to the lineup. Her blend of pop songwriting with lush arrangements and heartfelt lyrics ensures a memorable performance. Fans can expect a mix of her classic hits alongside selections from her later albums, which showcase her evolution as a songwriter.
David Archuleta (US) Catapulted to fame on American Idol, David Archuleta captured hearts with his soaring vocals and pop ballads. His debut single Crush remains a fan favorite, while his heartfelt stage presence has helped him build a dedicated following. His set is expected to deliver both nostalgia and fresh energy, combining classics with newer material.
Together, the three acts promise a well-balanced show—uplifting pop, emotional ballads, and irresistible sing-along moments.
Venue and Tickets
The festival takes place at the SM Mall of Asia Arena, one of Manila’s premier indoor venues with a seating capacity of up to 20,000. Ticket options typically range from general admission and upper box seating to premium VIP and SVIP packages.
Ticket prices, inclusive of ticketing charges:
SVIP (Reserved Seating): ₱9,950
VIP (Reserved Seating): ₱8,600
Lower Box Premium (Reserved): ₱7,800
Lower Box Regular (Reserved): ₱6,900
Upper Box Premium (Reserved): ₱5,975
Upper Box Regular (Reserved): ₱4,950
General Admission (Reserved Seating): ₱3,700
What to Expect at the Festival
The Pop It Up! experience goes beyond the music. Playback shows are known for creating an atmosphere where fans can celebrate together, complete with:
Sing-along performances of timeless hits from the early 2000s.
Festival extras such as official merchandise, photobooths, and themed installations.
Meet-and-greet opportunities for select packages
Diverse crowd energy, ranging from longtime fans of the acts to younger audiences discovering the music for the first time.
Production-wise, the concert will focus on strong live vocals and audience interaction, ensuring that the music—not just the spectacle—takes center stage.
Getting There and Tips
Located within the SM Mall of Asia complex in Pasay, the arena is accessible by car, ride-hailing services, and public transport. Given the heavy traffic during major concerts, arriving early is highly recommended. The venue has multiple entrances, strict security checks, and specific bag policies, so fans are advised to travel light and check official guidelines in advance.
A few helpful tips:
Charge your phone fully and bring a power bank for photos and videos.
Keep both digital and printed copies of your ticket.
If you purchased VIP or meet-and-greet passes, bring a valid ID and follow call times closely.
Why You Shouldn’t Miss It
Playback: Pop It Up! is more than just a concert—it’s a chance to revisit the music that defined an era. With the harmonies of Blue, the timeless piano melodies of Vanessa Carlton, and the heartfelt vocals of David Archuleta, the night promises to be both nostalgic and uplifting. For pop fans in Manila, this is the ultimate throwback festival of 2025.
With lush, experimental production and disarmingly honest lyrics, Owusu delivers a compelling mixtape about heartbreak, loss, and identity
Filipino-Ghanian artist Jewel Owusu has released her new mixtape project, the end of everything on all digital music platforms worldwide.
The eight-track EP captures the fragility, resilience, and transformation that come with endings—be it ordinary or life-altering—but experienced through the turbulent lens of youth.
At once poetic and piercing, the end of everything explores what it means to come undone and be rebuilt, weaving existential reflection with sonic experimentation. Owusu’s songwriting unearths the nuanced devastation of loss, heartbreak, and disillusionment, but with hope still clinging behind the trail.
“When you’re young, everything from minor inconveniences to life-shattering moments can feel equally devastating, as if the world is collapsing around you,” shares the Australia-based pop act. “This project captures the journey of coming to terms with an imperfect reality, uncovering the cracks in relationships, worldviews, and expectations that once seemed unshakable.”
The art of endings
Across its eight songs, the end of everything transforms endings into a kaleidoscope of emotion and experience, with each track serving as a mirror for the different ways we lose and rediscover ourselves. From the grief-laden stillness of “this is the end” to the aching surrender of “don’t let me go” and the existential unraveling of “self-importance,” Owusu delivers a collection that feels deeply personal and universally resonant.
Described as the project’s anchor points, “slip away” and “self-importance” reveal a more vulnerable side of Jewel Owusu. “The former captures the sonic and emotional atmosphere I wanted for the EP,” she says. “It conveys isolation and the feeling of being out of place while growing up. The latter, on the other hand, reflects on how humans create meaning to cope with existence and death, and how those beliefs can sometimes lead to a heightened sense of ego.”
The recurring motif of the mouse threads through the project’s conceptual heart, a metaphor for fragility and endurance amidst chaos. In Owusu’s world, the mouse represents tact and survival, a symbol of power within powerlessness. It embodies the emotional landscape of the record: the tension between fear and resilience, control and surrender.
A sonic evolution
Produced alongside a cohort of talented collaborators, including HAMLEY, Dylan Guy, Aria Wood, Dugong, and Jarrod Jeremiah, the EP marks a remarkable pivot for Owusu in terms of songwriting and sound. Known for her genre-blending approach and tender storytelling, she expands her sound on the eight-track mixtape through textured production, layered vocal effects, and experimental arrangements, all while retaining her pop appeal.
“This project is definitely an evolution of my sound. I experimented a lot with vocal production, pushing my voice in new ways,” Owusu reflects. “My collaborators and I played around with different types of distortion and layered a lot of FX into the backing vocals, which is something I had not explored as deeply before. A great example is the final track, ‘cut my hand,’ where so many of the textures were created using my voice.”
Working closely with HAMLEY, who also mixed the entire project, gave the EP a unified, cohesive sound while preserving its emotional volatility. The result is a collection of songs the feels cinematic yet intimate, built from a palette of melancholic synths, subtle percussions, and affecting vocal performances that oscillate between fragility and defiance.
Following the shimmering, playful tones of her previous EP, Jool Wave, Owusu now ventures into darker, more introspective territory. “Jool Wave was a lot more experimental and leaned into a cute, bubbly sound,” she shares. “The End of Everything has a grittier sonic soundscape that matches its themes. I feel like I’m growing into an artist who is more honest in their writing—unafraid to say exactly what I think.”
That honesty is what makes the end of everything so arresting. Each track feels like a page torn from a private journal, confessional set to soundscapes that shimmer between melancholy and transcendence. Whether reflecting on the end of belief, love, ego, or belonging, Owusu reveals the moment when endings give birth to renewal—the realization that even in the ruins, something soft remains.
“I hope that listeners feel a sense of hope on the other side of whatever they’re going through,” she says. “Even the darkest moments will eventually pass.”
Track list – the end of everything: 1. this is the end Written and performed by Jewel Owusu Produced by Jarrod Jeremiah and Jewel Owusu 2. don’t let me go Written and performed by Jewel Owusu Produced by HAMLEY 3. mouse Written and performed by Jewel Owusu Produced by Jewel Owusu, Dylan Guy and Aria Wood 4. spark Written and performed by Jewel Owusu Produced by Aria Wood 5. slip away Written and performed by Jewel Owusu Produced by Jewel Owusu and Dylan Guy 6. self-importance Written and performed by Jewel Owusu Produced by Dugong Jr 7. bed Written and performed by Jewel Owusu Produced by HAMLEY 8. cut my hand Written by Jewel Owusu and Craig Bishop Ngatupuna
About Jewel Owusu
Jewel Owusu has always felt like she lives in the space in between—between sounds, between cultures, and between versions of herself that are constantly shifting.
As a Filipino-Ghanaian artist and producer, she’s forging a new path in alternative electronic pop—one that’s as unfiltered and dynamic as she is.
Born in Hong Kong and raised in New Zealand, Jewel’s music is a melting pot of influences. Combining elements of electronic, dance, indie pop, rock, and more, her sound blends every experience that inspires her.
Now based in Melbourne, Australia, Jewel has been garnering eyes through international shows, showcases at SXSW Sydney and Music Matters in Singapore, national tours, and an overflowing headline show.
She has been recognized as an artist to watch, won Triple J Unearthed’s collaboration competition, and caught the eye of major outlets such as Rolling Stone, Complex, Colors Studio, MTV, Triple J, and TikTok.
In Jewel’s world, music and visuals are more than just art—they are spaces for transformation and self-expression, where imperfection is not only welcomed but celebrated.
Proving their status as one of the most important forces in Original Pilipino Music (OPM) today, Cup of Joe has concluded their three-night sold-out Stardust concert at the Smart Araneta Coliseum, making history as the first Filipino band to achieve five sold-out shows at the Big Dome in a single year.
The band’s unprecedented achievement came on the heels of their earlier SILAKBO concert in May, and Stardust marked another milestone in their rise from Baguio-based musicians to record-breaking artists now preparing for a world tour.
The three-day spectacle opened on October 10 with promising singer-songwriter dana paulene setting the stage, followed by a thunderous surprise appearance from Gloc-9, widely regarded as a pioneer of Pinoy hip-hop. Together, Cup of Joe and Gloc-9 performed the iconic “Bagsakan,” blending rap and pop-rock in one explosive performance that immediately set the tone for the concert series. The Araneta Group also paid tribute to the band’s growing legacy by inducting Cup of Joe into the Araneta Coliseum Wall of Fame, where their image now stands alongside those of legendary acts who have defined Philippine music history.
On October 11, Stardust showcased Cup of Joe’s versatility and reverence for OPM traditions. Jayda energized the crowd with her bold single “Action!” before the band delivered a mix of fan favorites and unexpected covers, including One Direction’s “Night Changes.” The night reached its peak when the APO Hiking Society joined the band onstage for a heartfelt performance of “Panalangin” and Cup of Joe’s own “Alas Dose,” creating a once-in-a-lifetime collaboration between OPM icons across generations.
The finale on October 12 was no less historic. Keanna Mag of Vicor Music opened with her signature hits “to the bone” and “Takipsilim,” as well as her new single “Babalik.” Later, Cup of Joe surprised fans with a nostalgic cover of the Backstreet Boys’ “I Want It That Way,” before welcoming Yeng Constantino, one of the most influential voices of modern OPM. Together, they performed Constantino’s hit “Jeepney Love Story” and Cup of Joe’s “Wag Na Lang,” closing the concert run with the perfect balance of nostalgia and fresh energy.
Across all three nights, Cup of Joe performed their signature tracks “Tingin,” “Misteryoso,” “Ikaw Pa Rin Ang Pipiliin Ko,” “Estranghero,” “Sandali,” and their career-defining hit “Multo.” With over 11.6 million monthly listeners, Cup of Joe is currently the most-streamed Filipino band on Spotify. “Multo” alone has shattered multiple records, including the longest-running No. 1 song on Spotify Philippines’ Daily Chart, where it reigned for over six months, and the highest single-day streams in Spotify PH history with 2.3 million plays in 24 hours.
Their streaming dominance was officially recognized during Stardust by Believe Music Publishing, which awarded the band for surpassing 4 billion all-time streams across all digital platforms — a landmark never before reached by a Filipino act. Simultaneously, Billboard Philippines honored Cup of Joe for “Multo,” which spent an unprecedented 27 consecutive weeks at No. 1 on the Billboard Philippines Top 100, making it the longest-running chart-topper in the country’s history.
These accolades cement Cup of Joe’s reputation as not only one of the most popular but also one of the most record-breaking Filipino groups of all time. Their impact bridges platforms, generations, and genres, uniting millions of listeners under their music.
Following their historic Araneta run, Cup of Joe is set to embark on their world tour, expanding their reach to international audiences. The tour kicks off on October 31 at the Saban Theater in Los Angeles, followed by shows at the Graton Resort and Casino in San Francisco (Nov 1–2), the Chinese Cultural Center in Calgary (Nov 7), Edmonton Expo Centre (Nov 8), Transcona Country Club in Winnipeg (Nov 14), Chandos Pattison Auditorium in Vancouver (Nov 15), and The Arena Pickering Casino Resort in Toronto (Nov 16). The tour will culminate on November 29 at the Coca-Cola Arena in Dubai.
To mark this milestone era, Cup of Joe also launched pre-orders for the vinyl edition of their acclaimed album SILAKBO, available until October 31 through bit.ly/SILAKBOvinyl. Official merchandise was made available at The Big Dome throughout the Stardust concert series, giving fans an opportunity to take home a piece of history.
From their induction into the Araneta Wall of Fame to receiving historic awards for streaming and chart achievements, and from electrifying collaborations with Gloc-9, APO Hiking Society, and Yeng Constantino to preparing for their first-ever global tour, Cup of Joe’s Stardust run was more than just a concert series — it was a landmark moment for OPM. As the band looks to bring their music to international stages, they carry with them not only their record-breaking success but also the pride of elevating Filipino music for the world to see.
LAMC Presents FRANZ FERDINAND live in Singapore for a one-night-only concert on December 5, 2025 (Friday) at Fort Gate @ Fort Canning Park! This marks Franz Ferdinand’s long-awaited return to the Lion City, coming on the heels of their latest album, The Human Fear — a bold new chapter in their genre-defying journey. Fans can expect a thrilling mix of fresh material, chart-topping hits and all-time favorites like “Take Me Out,” “Do You Want To,” and “No You Girls.”
Ticket prices: SGD$168 – Standard | SGD$158 – Group Bundle (3 or more tickets) | SGD$30 – Priority Entry Tickets will be available via Sistic at www.sistic.com.sg. For all updates, follow LAMC on social media and visit www.lamcproductions.com.
Get ready to dance, shout, and lose yourself in the music. Experience the unstoppable, electrifying energy of rock icons FRANZ FERDINAND live!
About The Artist: FRANZ FERDINAND Franz Ferdinand — The Human Fear Ever since their beginnings, throwing illegal parties in condemned Glasgow buildings, Franz Ferdinand have been defined by a fresh, unfading, forward-facing outlook. A transgressive art-school perspective, but with a love of a big song. A big riff. A big idea. Somewhat contrary. Unafraid to dance. Unafraid to think. Unafraid to fear.
Their sixth studio album, The Human Fear, courses with an energy that makes you feel very much alive. Fear makes you feel alive. Awake. A life without fear is a life asleep. Fear is what shows us our humanity. It’s why we search for it in horror films or extreme physical activities. The most life-defining moments are shaped by fear: acknowledging, accepting, or overcoming it. All the good stuff is inseparable from fear. Commencing a relationship. The necessary vulnerability.Ending a relationship. Leaving an institution. Getting on that stage. To overcome fear, whether it’s fear of commitment, leaving an institution, or of isolation… What a buzz. What a reward.
While writing these new songs — many of which, beneath the immediacy of their choruses and melodies, allude to some fairly deep-set human fears — Franz Ferdinand released Hits To The Head, a retrospective of the previous 18 years. It sharpened the band’s perspective, allowing them to understand the essence of what made them work, while liberating them from the past. When you know who you are and are comfortable with it, you are free to go somewhere new. At this point in their career, Franz Ferdinand definitely know who they are, and are relishing the vigour that comes with accepting that.
There was a lot of writing before any recording. Then editing and arranging. For a swan to glide serenely, the feet have to kick like a motherfucker below the surface. The idea was to have a songbook before anything was recorded. No jamming. Texture, sonics and studio innovation are fine and thrilling, but superficial indulgence without good, solid songs.
Then the execution as rapidly as possible at AYR Studios, fuelled by the same agility that defined the songs on Hits To The Head. Few takes. The band in the room, playing together. That indescribable thing that happens when they do. The thrill of recording “The Birds” — one of the first songs they recorded — or thrashing out “The Doctor”’s deliriously energetic riff in about six minutes flat. Many of the vocals are the live takes, and those that aren’t were recorded under piles of coats, pillows and blankets in various bedrooms and cupboards across Paris, London, and Glasgow.
Overseeing the recording was producer Mark Ralph, a familiar collaborator who Franz Ferdinand worked with before on Right Thoughts, Right Words, Right Action. He gets it. Every reference, no matter how obtuse. Effortless. A very easy relationship. A great musician himself — a classical guitar child prodigy turned jazz musician turned pop producer to the stars — but also a good laugh. It has to be a laugh. It needs to be fun: even if the subject matter is dark, the joy of making it brings it to life. His perspective was invaluable.
At the heart of Franz Ferdinand is the relationship between Alex Kapranos and bassist Bob Hardy. They formed the band while working in a kitchen together, initially as an idea, then dredging Glasgow for accomplices. It is still the ideas which excite them before any of the music is made. Julian Corrie’s presence as a collaborator is also strong on this record. Fingers faster than an arpeggiator. Then there’s the dirt and attitude of Dino Bardot’s guitar and the sharp freshness of Audrey Tait’s beat, both of whom are on a full Franz Ferdinand album for the first time.
The cover artwork was inspired by Hungarian artist Dóra Maurer’s self-portrait 7 Twists. The visual side of the band has always been as important to them as the sound, and Maurer’s work appealed because it does exactly what they want from their music: a striking immediacy that is impossible to ignore, but with a depth and vulnerability that bears many returns and satisfactory repetition.
Maybe this is a set of songs about fear. But maybe all that chat about Human Fear is superfluous. Maybe this is just a set of bangers from an era-defining band continuing their unquestionably living legacy. Is that something to be afraid of?
Living a life awake. There is nothing that makes you feel more awake than The Human Fear.
FRANZ FERDINAND // Singapore Show Fact Sheet Event Franz Ferdinand – Live in Singapore Date December 5th, 2025 (Friday) Time 8:00 pm Venue Fort Gate @ Fort Canning Park Organized By LAMC Website www.lamcproductions.com Tickets Standard: SGD$168 Group Bundle (3 or more tickets) – SGD$158 Priority Entry: SGD$30 Tickets from www.sistic.com.sg
BINIfied on November 29, 2025, 6pm at the Philippine Arena.
BINI brings all your favorite eras to the Philippine Arena this Nov 29, 2025, for a truly ICONIC Year-End Party!
BINIfied Ticket Prices: VIP SEATED – P12,360 LOWER BOX A REGULAR – P7,725 LOWER BOX B PREMIUM – P5,665 LOWER BOX B REGULAR – P4,635 UPPER BOX A – P3,090 UPPER BOX B – P2,060 GEN.AD – P875
Tickets available at Ticketnet Outlets or online at ticketnet.com.ph
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