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  • Maki and James Reid take a chance on love with first collaboration, “luck”

    Maki and James Reid take a chance on love with first collaboration, “luck”

    OPM singer-songwriter Maki continues to expand the emotional universe of his ongoing “pink era” with the release of “luck,” a new collaboration featuring singer-actor James Reid. The track marks the first musical partnership between the two artists, bringing together Maki’s introspective songwriting and James’ genre-blurring pop sensibilities in a reflective anthem about the uncertainties of falling in love.

    Released under Tarsier Records, “luck” explores romance through the metaphor of a gamble, portraying love as a leap of faith where certainty is elusive and vulnerability becomes the greatest risk. Rather than promising happy endings, the song embraces the unpredictability of emotional connection, suggesting that the willingness to take a chance is, in itself, an act of hope.

    Musically, “luck” blends alternative and indie-pop influences, pairing understated production with melodic hooks that allow both artists’ distinct vocal styles to complement one another. Maki’s heartfelt delivery anchors the song’s emotional core, while James adds a polished, contemporary edge that reflects his evolution as one of OPM’s most versatile pop artists.

    The collaboration also highlights Maki’s growing presence on the international songwriting stage. He co-wrote the track with acclaimed producers and songwriters Gaby Ramirez, Pontus Kalm, Greg Shilling, and Shintaro Yasuda, whose collective credits span some of today’s biggest global acts, including Ariana Grande, BTS, LE SSERAFIM, aespa, and BINI. Their contributions help shape a polished yet emotionally grounded sound that bridges contemporary pop with Maki’s signature storytelling.

    “Luck” serves as the latest chapter in Maki’s “pink era,” a creative phase that began with the release of “habangbuhay pansamantala.” While that single introduced a softer and more emotionally vulnerable side of the artist, the new release broadens the narrative by examining the courage required to pursue love despite the possibility of heartbreak. Together, the songs suggest an artist increasingly interested in documenting the complexities of human relationships through a cohesive sonic and visual identity.

    The release follows a period of growing international visibility for Maki. Earlier this year, he brought his music to audiences in Indonesia and Singapore through his “KOLORCOASTER” tour, performing fan favorites such as “Dilaw,” “Namumula,” and “kahel na langit.” During the tour’s Indonesia stop, he also appeared on the country’s popular comedy program Lapor Pak!, introducing his personality and music to a broader regional audience.

    For James Reid, “luck” adds another dimension to a career defined by constant reinvention. Over the past decade, the singer-songwriter has cultivated a sound that blends alternative pop, R&B, and contemporary OPM, establishing himself as one of the country’s most forward-thinking recording artists. Earlier this year, he released the single “Richest Man Alive” and continues to balance his music career with acting, currently starring in the ABS-CBN primetime series Someone, Someday.

    With “luck,” Maki and James Reid deliver more than a long-awaited collaboration. The single brings together two artists from different creative spaces to examine the emotional uncertainty that accompanies love, offering a thoughtful and understated addition to today’s OPM landscape. As Maki’s “pink era” continues to unfold, the collaboration signals an artist growing more confident in both his storytelling and his willingness to explore new creative partnerships.

  • Janine Berdin expands her breakout era with MORE LAB SONGS NG MGA TANGA, sets sights on first headline concert

    Janine Berdin expands her breakout era with MORE LAB SONGS NG MGA TANGA, sets sights on first headline concert

    In an era when many debut albums disappear from public conversation within weeks, Janine Berdin’s LAB SONGS NG MGA TANGA has done the opposite: it has continued to grow.

    Months after its release, the album remains one of the year’s most resonant OPM records, propelled by sustained word-of-mouth support and the viral rise of “What If I Miss You For the Rest of My Life?” What began as a deeply personal collection of songs about love, heartbreak, and emotional uncertainty has gradually evolved into a project with unexpected international reach, finding listeners in the United States, the United Kingdom, and other parts of the world.

    Rather than treating that momentum as a fleeting viral moment, Berdin is extending the life of the album with MORE LAB SONGS NG MGA TANGA, a deluxe edition that functions as both a continuation of the original record and a thank-you to the fan community that embraced it from the start.

    The expanded release adds four new songs—”Friendship Over,” “Mirisi,” “PROMISE!!!,” and “Uneasy”—alongside a live studio version of “What If I Miss You For the Rest of My Life?” Together, the tracks widen the emotional scope of the album while preserving the candid storytelling that made the original resonate so strongly with listeners.

    At the center of the deluxe edition is “PROMISE!!!,” which arrived ahead of the full release and quickly emerged as one of Berdin’s most emotionally exposed recordings. The song traces the fragile territory between heartbreak and obsession, capturing the desperation of trying to hold on to a relationship that is already slipping away.

    Opening the new chapter is “Friendship Over,” an intimate pop confession that transforms the quiet pain of growing apart into something universally relatable. Berdin’s songwriting remains sharply observant, balancing humor, self-awareness, and emotional honesty without collapsing into melodrama.

    “Mirisi” stands out as one of the project’s most ambitious moments. Effortlessly moving between English, Tagalog, and Bisaya, the track highlights Berdin’s multilingual storytelling and reflects a broader reality of contemporary Filipino music, where identity and emotion are often expressed across multiple languages within a single song.

    The updated version of “Uneasy” brings a different energy to the collection. Crunchy guitars, punchy drums, and soaring hooks give the song a more urgent, pop-rock edge, amplifying its portrayal of emotional confusion and mixed signals that blur the line between friendship and romance.

    Closing the deluxe set is the long-requested Live in the Studio version of “What If I Miss You For the Rest of My Life?” Stripped back to its bare essentials, the performance foregrounds Berdin’s voice and allows the song’s vulnerability to land with even greater intimacy, emphasizing why it connected so deeply with audiences online.

    The release also arrives ahead of a major career milestone: Berdin’s first-ever headline concert on Oct. 7. Framed as the culmination of the LAB SONGS NG MGA TANGA era, the show is expected to bring together the community of fans who have adopted the album’s stories as part of their own emotional lives. More than a live performance, the concert represents a gathering point for the ever-growing “mga tanga” community that has formed around Berdin’s music.

    For Berdin, the deluxe edition feels less like a repackaging and more like a document of an artist in motion. It captures a songwriter who trusted her own voice, embraced specificity instead of chasing trends, and discovered that the most personal stories can often travel the farthest.

    That journey has already begun to extend beyond the Philippines. The viral success of “What If I Miss You For the Rest of My Life?” has generated millions of streams and inspired thousands of fan-created videos across social media, while also attracting attention from international artists and audiences. The growing global response suggests that Berdin’s appeal lies not in novelty, but in the emotional clarity of her songwriting.

    As MORE LAB SONGS NG MGA TANGA arrives, it becomes clear that Berdin is no longer simply promoting a debut album; she is building a creative world that listeners continue to return to long after the first play. If this chapter has established anything, it is that Janine Berdin’s breakthrough is not a moment that has already passed—it is a story that is still unfolding.

  • Ariana Grande blossoms into a new era with the release of eighth studio album petal

    Ariana Grande blossoms into a new era with the release of eighth studio album petal

    Ariana Grande has officially entered a new chapter in her career with the release of petal, her eighth studio album, out now via Republic Records. Arriving after months of anticipation, the record marks the pop icon’s first full-length musical project since 2024’s eternal sunshine and showcases a renewed artistic direction shaped by vulnerability, introspection, and emotional honesty.

    Executive produced and co-written by Grande alongside longtime collaborator ILYA, petal builds on the creative momentum of her previous work while exploring new sonic and lyrical territory. The album is led by “hate that i made you love me,” which introduced listeners to the project’s emotional landscape ahead of its release and set the tone for an era centered on growth, reflection, and transformation.

    With petal, Grande continues to refine her signature blend of polished pop and contemporary R&B while embracing richer, more cinematic production. Throughout the album, layered vocal arrangements, intimate songwriting, and expansive instrumentation underscore a body of work that balances mainstream appeal with a more personal artistic vision, further demonstrating her evolution as both a songwriter and producer.

    The release follows a remarkable period in Grande’s career that saw her expand her influence beyond music. Since the arrival of eternal sunshine, the three-time Grammy Award winner has earned widespread acclaim for her portrayal of Glinda in Jon M. Chu’s Wicked films, receiving nominations from the Academy Awards, Golden Globe Awards, BAFTA Awards, Critics Choice Awards, and Screen Actors Guild Awards. Collectively, Wicked and Wicked: For Good have grossed more than $1.2 billion worldwide, becoming the highest-grossing film franchise adapted from a Broadway musical.

    Despite her growing success in Hollywood, petal signals that music remains at the heart of Grande’s creative identity. The album arrives as another milestone in a career defined by commercial success and artistic reinvention. Over the past decade, Grande has amassed more than 125 billion streams worldwide, earned eight consecutive platinum-certified albums, and scored nine No. 1 singles on the Billboard Hot 100, cementing her place among the defining pop artists of her generation.

    Beyond the album, Grande continues to expand her creative portfolio. She recently completed production on Universal Pictures’ Focker-In-Law, starring alongside Ben Stiller and Robert De Niro, is set to make her West End debut in a 2027 revival of Sunday in the Park with George opposite Jonathan Bailey, and will appear in Warner Bros.’ animated adaptation of Dr. Seuss’ Oh, the Places You’ll Go! as well as an upcoming season of FX’s American Horror Story.

    With petal, Grande delivers an album that reflects both artistic confidence and personal growth, reaffirming her ability to evolve without losing sight of the emotional storytelling that has long defined her music. As she balances a flourishing career across music, film, and theater, the record stands as the beginning of yet another ambitious chapter for one of pop’s most enduring voices.

  • SB19 doubles down on artistic freedom with genre-defying new single “LAWLESS”

    SB19 doubles down on artistic freedom with genre-defying new single “LAWLESS”

    After commanding international attention with a breakout performance at Lollapalooza Chicago, SB19 returns with “LAWLESS,” a swaggering, genre-bending single that reframes the group’s identity through themes of creative autonomy, reinvention, and defiance. Premiered live during the quintet’s historic set at one of the world’s most celebrated music festivals, the track signals not just another comeback, but a declaration of intent from a group increasingly unconcerned with convention.

    While much of SB19’s recent catalog has explored resilience, ambition, and personal growth, “LAWLESS” shifts the narrative toward liberation. The song adopts the language and imagery of the outlaw—not as an act of rebellion for rebellion’s sake, but as a metaphor for artists choosing to exist outside predetermined boundaries. “I’m lawless, better be cautious,” the members proclaim, transforming the archetype of the fugitive into one of fearless self-determination and creative agency.

    That ethos extends well beyond the lyrics. Sonically, “LAWLESS” is among SB19’s most adventurous releases to date, refusing to settle within the familiar confines of contemporary P-Pop. Built on thunderous percussion, cinematic arrangements, and arena-ready hooks, the track seamlessly merges hip-hop bravado with polished pop sensibilities while weaving in elements of Western film scores, surf rock guitar textures, and larger-than-life sound design. Rather than treating these influences as stylistic novelties, the production integrates them into a cohesive soundscape that feels theatrical without sacrificing accessibility.

    The result is a song that thrives on tension and contrast. Rugged guitars collide with sleek electronic production, while swagger-filled verses give way to soaring melodic refrains. Every shift in arrangement reinforces the central idea of unpredictability, reflecting a band that has become increasingly comfortable challenging both audience expectations and the conventions of mainstream pop.

    The accompanying music video further expands the single’s conceptual world by reimagining the mythology of the Wild West through SB19’s distinctly playful lens. Borrowing visual cues from classic Western cinema, the video embraces the aesthetics of outlaws, dusty landscapes, and high-stakes showdowns, only to subvert them with self-aware humor, stylized choreography, and cinematic spectacle. The group’s trademark charisma keeps the visuals from becoming overly serious, striking a balance between homage and parody while reinforcing the song’s central message of rewriting one’s own narrative.

    The release also arrives at a defining moment in SB19’s trajectory. Their widely praised appearance at Lollapalooza Chicago marked another milestone in the group’s steady expansion onto the global stage, placing Filipino pop alongside internationally recognized acts in one of music’s most influential festival circuits. Rather than using that momentum to play it safe, “LAWLESS” demonstrates a willingness to take even greater creative risks, positioning artistic evolution—not commercial predictability—as the driving force behind the group’s next chapter.

    Written by John Paulo Nase (RADKIDZ), Joshua Daniel Nase (RADKIDZ), Josh Cullen Santos, Tomas Costanza, Tim Gent, and Charles Anthony Rangel, the single benefits from a collaborative songwriting process that mirrors its expansive sonic identity. Production from John Paulo Nase, Joshua Daniel Nase, and Tomas Costanza embraces maximalism without overwhelming the song’s core melodies, while Emil Dela Rosa’s mixing and mastering preserve clarity amid the track’s densely layered instrumentation.

    As P-Pop continues to gain international visibility, “LAWLESS” stands as another example of how Filipino artists are broadening the genre’s sonic vocabulary while remaining rooted in strong storytelling and performance. For SB19, the single is less about rejecting rules than it is about redefining them on their own terms—a confident statement from a group intent on charting its own course, regardless of where the boundaries once stood.

    “LAWLESS” is now available on all major digital streaming platforms worldwide via Sony Music Entertainment, accompanied by its official music video.

  • 11 YEARS OF LEADING THE PPOP MOVEMENT — AND WE’RE JUST GETTING STARTED

    11 YEARS OF LEADING THE PPOP MOVEMENT — AND WE’RE JUST GETTING STARTED

    From humble beginnings to a full-blown cultural movement, the PPOP Music Awards (Philippine Popular Music Awards or PPMA) is stepping into its 11th year louder, prouder, and more powerful than ever.

    What started in intimate venues like the Luneta Auditorium and small event spaces has now evolved into one of the biggest nights in Filipino pop culture—proving that PPOP isn’t just a genre, it’s a movement. Today, PPMA stands as the first and only award-giving body dedicated to celebrating the best of Pinoy Pop—spotlighting the artistry, impact, and global potential of Filipino talent.

    And let’s be real—PPOP is having its moment. From dominating local charts to making waves internationally, this rise is fueled by a passionate community and a vision that never backed down. Leading that vision is PPOP advocate and founding chairman Yuan Quiblat, who continues to champion Filipino music with a simple but powerful reminder: “Patuloy nating tangkilikin ang mga awiting gawa mismo ng mga kapwa nating Pilipino—dahil tayo-tayo rin ang magtutulungan.”

    Now, as the movement reaches a historic milestone, the 11th PPOP Music Awards is leveling up in a major way—heading to its biggest stage yet: the iconic Araneta Coliseum (Big Dome).Happening on October 18, 2026, this year’s show promises not just awards, but a full-on celebration of music, culture, and community.

    Produced and presented by Noble Life International as part of its 20th anniversary, the night blends entertainment with purpose—music and wellness coming together in one unforgettable experience.Expect a powerhouse lineup of PPOP artists from Luzon, Visayas, and Mindanao—uniting as one to celebrate Filipino excellence and world-class talent.This isn’t just an awards night.It’s a statement.PPOP is here. And it’s only getting bigger.

  • Full House Theater Company announces Manila staging of & Juliet

    Full House Theater Company announces Manila staging of & Juliet


    Full House Theater Company (FHTC) is ready to make Manila roar with the upcoming staging of the Tony Award-nominated musical & Juliet. The production provides a fresh take on Shakespeare’s classic story using some of pop music’s greatest hits. Audiences can look forward to & Juliet as part of FHTC’s 2027 theater season.


    Created by the Emmy-winning writer from Schitt’s Creek, this hilarious new musical flips the script on the greatest love story ever told. & Juliet asks: “What would happen next if Juliet didn’t end it all over Romeo?” Get whisked away on a fabulous journey as she ditches her famous ending for a fresh beginning and a second chance at life and love — her way.


    Juliet’s new story bursts to life through a playlist of pop anthems as iconic as her name, including “Since U Been Gone,” “Roar,” “…Baby One More Time,” “Larger Than Life,” “That’s the Way It Is,” and “Can’t Stop the Feeling!” — all from the genius songwriter/producer behind more #1 hits than any other artist this century.


    This coming-of-age jukebox musical features a book by David West Read and music and lyrics by Max Martin and Friends. It began in London’s West End, then moved to Broadway in 2022, where it received nine Tony Award nominations, including Best Musical, for the 2022–2023 season.
    & Juliet is presented through special arrangement with Music Theatre International (MTI), New York, NY, USA. All authorized performance materials are also supplied by MTI. www.mtishows.com.

  • fitterkarma to headline biggest concert yet with debut album showcase at the Metropolitan Theater

    fitterkarma to headline biggest concert yet with debut album showcase at the Metropolitan Theater

    Filipino alternative band fitterkarma is taking its biggest step yet as a live act, announcing its first major solo concert at one of the country’s most storied performance venues.

    The four-piece outfit will stage kung tayo’y nasa isang horror na pelikula, tiyak ako ang una mong papatayin: The Album Concert on Sept. 19 at the Metropolitan Theater Manila, marking the band’s most ambitious headline production to date. Produced by fitterkarma and GNN, the one-night show celebrates the release of the band’s long-awaited debut full-length album, which arrives two weeks before the concert.

    Rather than presenting a traditional setlist, fitterkarma will perform the album in full, giving audiences the opportunity to experience the record exactly as it was intended—from its opening moments to its emotional conclusion.

    For vocalist and guitarist Joao de Leon, hearing the songs performed live is integral to understanding the album.

    “Witnessing the record live will be a more fulfilling experience,” de Leon says. “For me, watching the songs performed live is the best way to experience it because music being played live has no limits, reaching and releasing your emotions, and the record is meant to be felt above all.”

    The concert also promises to elevate fitterkarma’s theatrical live identity through an expanded stage production, exclusive arrangements created specifically for the event, and a special collaboration with The Manila String Machine. The orchestral ensemble, which has previously worked with the band in the studio, will join fitterkarma onstage to bring new depth to the album’s cinematic soundscapes.

    Guitarist Lory, also known as Mikee Mendoza, believes presenting the album in its intended sequence offers a different kind of listening experience than individual songs released online.

    “I think hearing any album in the order intended by the artist is an experience in itself,” Mendoza says. “Aside from the studio album itself, we hope to elevate that experience by bringing it into a live setting and doing justice to the recorded versions of our tracks.”

    The collaboration with The Manila String Machine, he adds, felt like a natural extension of the band’s creative process.

    “Since we’ve already worked with them on several recordings, it only felt natural to have them join us onstage for the album launch.”

    Since forming in 2023, fitterkarma has emerged as one of the Philippines’ fastest-rising alternative acts, carving out a distinct identity through music that blends alternative rock with Philippine folklore, horror imagery, and theatrical storytelling.

    Their breakout singles “Kalapastangan” and “Pag-ibig ay Kanibalismo II” became major streaming successes, both reaching No. 1 on Spotify Philippines’ Top 50 chart and the Billboard Philippines Hot 100, establishing the band as one of the country’s most talked-about new acts.

    Ahead of the concert, fitterkarma has also unveiled its latest single, “Purgatoryo,” offering listeners another glimpse into the sonic direction of the forthcoming album. The track embraces a darker, more atmospheric palette, layering noise rock and shoegaze influences over the melodic songwriting that has become one of the band’s defining characteristics.

    With its debut album finally arriving and its largest headline concert on the horizon, fitterkarma is preparing to bring its music to life on a scale it has yet to attempt—transforming one of Manila’s most iconic theaters into the setting for an immersive performance that bridges live music, visual storytelling, and theatrical production.

    Tickets for kung tayo’y nasa isang horror na pelikula, tiyak ako ang una mong papatayin: The Album Concert are now available via Ticketmelon.

    Ticket prices are as follows:

    • Orchestra – ₱2,999 (includes Soundcheck Access, Meet and Greet, and Signed Poster)
    • Orchestra Side – ₱2,199 (includes Soundcheck Access and Signed Poster)
    • Loge – ₱2,199 (includes Soundcheck Access and Signed Poster)
    • Orchestra Back – ₱1,666 (includes Poster)
    • Balcony – ₱999 (General Admission)
  • SB19 and Live Nation Philippines Celebrate a Year of Historic Milestones Culminating in Lollapalooza

    SB19 and Live Nation Philippines Celebrate a Year of Historic Milestones Culminating in Lollapalooza

    (July 31, 2026: Manila, Philippines) In the span of just one year, SB19 and Live Nation Philippines (LNPH) have redefined what is possible for Filipino artists on the global stage, marking a series of unprecedented achievements that continue to elevate Original Pilipino Music (OPM) worldwide.

    The partnership began with history in the making as SB19 became the first Filipino act to sell out the Philippine Arena for two consecutive nights, drawing one of the largest crowds ever by a local artist. More than a sold-out concert, it was a defining cultural moment that demonstrated the growing influence and commercial power of Filipino music.

    The momentum continued in April with “Wakas at Simula: Homecoming,” where over fans from different parts of the world gathered in the Philippines to celebrate SB19’s journey. The event became more than a homecoming—it was a global reunion, showcasing the international reach of the group’s passionate fanbase and reinforcing the Philippines as a destination for world-class live entertainment.

    Now, the partnership reaches another milestone as SB19 takes the stage at Lollapalooza, becoming the first Filipino group to perform at one of the world’s most prestigious music festivals. Serving as the Philippines’ Tourism Ambassadors, their historic appearance—fresh on the heels of their new single, Lawless, dropping on July 31—represents another significant step in bringing Filipino talent to a global audience and underscores the growing international recognition of OPM.

    For Rhiza Pascua, Managing Director of Live Nation Philippines, the journey has always been about building sustainable global opportunities for Filipino artists.

    From record-breaking concerts in their hometown to historic performances on the world’s biggest stages, SB19’s journey continues to inspire a new era for OPM, one where Filipino artists are no longer just participating in the global music scene, but helping shape and defining it.

  • Hiyaaah! Stephen Chow Kicks Off a New Era with “KUNG FU SOCCER” (功夫女足), Scoring in Philippine Cinemas on August 19!

    Hiyaaah! Stephen Chow Kicks Off a New Era with “KUNG FU SOCCER” (功夫女足), Scoring in Philippine Cinemas on August 19!

    Photo credit: Encore Films 

    Why choose between Kung fu and soccer when you can have both?
    Get ready for a high-energy cinematic showdown as acclaimed filmmaker Stephen Chow returns to the sports-comedy genre with his latest action-packed adventure, “KUNG FU SOCCER” (功夫女足), coming in Philippine cinemas on August 19.
    Following the global success of “Shaolin Soccer,” Stephen Chow brings audiences a brand-new story filled with gravity-defying martial arts, spectacular football action, comedy, and an inspiring film about teamwork, friendship, and believing in the impossible.

    Watch the official trailer
    Zhang Xiaofei | Photo credit: Encore Films

    Starring Zhang Xiaofei, Dilraba Dilmurat and Zhang Yixing, “KUNG FU SOCCER” introduces audiences to the Emei Women’s Football Team, a determined group who prove that age, doubts, and setbacks cannot stop those who dare to chase their dreams.

    Dilraba Dilmurat | Photo credit: Encore Films

    Whether you are a football fan, a longtime Stephen Chow fan, or simply looking for an entertaining movie experience for the whole family, “KUNG FU SOCCER” promises big laughs, thrilling action, and inspiring moments that prove the greatest victories are achieved when a team believes in one another.

    Photo credit: Encore Films

    Encore Films Philippines invites everyone to experience the fun, laughter, action, and heart of “KUNG FU SOCCER” as it kicks off in Philippine cinemas, August 19.

    Stay in the game and follow Encore Films Philippines on Facebook and @encorefilmsph on Instagram for the latest kicks, updates, and upcoming releases.

  • Comedy Exports: Alex Calleja and The Comedy Crew Bring Pinoy Humor to Melbourne, Sydney, and Singapore

    Comedy Exports: Alex Calleja and The Comedy Crew Bring Pinoy Humor to Melbourne, Sydney, and Singapore

    The Philippines’ premier stand-up comedian Alex Calleja is set to debut a brand-new comedy special to Filipinos in Australia and Singapore this August and September.

    The international tour starts Down Under with “Good Times sa Australia (GTA)” with a pair of shows at the Bunjil Place Theatre on August 29 in Melbourne and the Darling Quarter Theatre on August 30 in Sydney. Calleja will be joined by The Comedy Crew’s Israel Buenaobra, Grease Junio, Dawit Tabonares, and Marlon Cadag.

    The group then heads to the Lion City for “Happy 4 All sa Singapore” on September 19 at the Alliance Française Theatre where Calleja will be joined by Buenaobra, Tabonares, Jimberly Villanueva, and Ramon Cabochan.

    “Masaya ang international tour na ‘to kasi dito ko ilalabas yung set ko para sa pangatlong Netflix special. Sila ang makaka-buena mano,” Calleja said.

    His previous comedy specials, “Tamang Panahon (2025)” and “Past Is Past (2026),” were all recorded during his birthday shows. Both were globally released by Netflix and hit number 1 in the streaming giant’s charts.

    Calleja also explains that shows abroad are important to TCC’s advocacy to bring a slice of home to Pinoys overseas, relieving their homesickness and work-related stress through shared laughter.

    Tickets for “Good Times sa Australia” and “Happy 4 All sa Singapore” are now on sale. For ticket links and more information, visit alexcalleja.com and thecomedycrew.com.

    For more information, contact:

    Alex Calleja or Israel Buenaobra

    hello@thecomedycrew.com

    0945 753 3679

  • Rivermaya to headline two-city UK tour with Britain’s Got Talent finalist Matty 

    Rivermaya to headline two-city UK tour with Britain’s Got Talent finalist Matty 

    Filipino rock icon Rivermaya will bring its timeless hits to the United Kingdom this October through a two-city concert tour, with Britain’s Got Talent 2026 finalist Matty J joining the band as the special guest artist.

    Presented by Enchanting Events Ltd., Rivermaya Live in the UK 2026 will kick off on Saturday, October 3, 2026, at Circuit Kingston in London before heading to Viva Blackpool in Blackpool on Sunday, October 4, 2026.

    “Experience the timeless OPM hits of Rivermaya together with the incredible talent of Matty J in a concert celebration that promises to be bigger, better, and unforgettable,” the organizer said.

    Fresh from his standout run on Britain’s Got Talent 2026, where he finished fourth, and known for his role in Jesus Christ Superstar, Matty J will share the stage with Rivermaya as the tour’s special guest artist.

    Fans can expect Rivermaya to perform many of the songs that have defined the OPM scene for decades, making the tour a must-see event for Filipinos overseas and music lovers alike.

    Tickets are now on sale. For ticket inquiries and reservations, contact +44 753 447 9702.

  • Puregold’s SB19 Lollapalooza watch party slots snapped up in less than 30 minutes

    Puregold’s SB19 Lollapalooza watch party slots snapped up in less than 30 minutes

    SB19’s historic appearance at Lollapalooza has sparked overwhelming excitement among Filipino fans, with all 300 slots for Puregold’s A’Tin A’Tin Lang watch party filling up in less than 30 minutes.

    The rapid sellout underscores the anticipation surrounding the P-pop group’s milestone performance as the first Filipino act ever to perform at the world-famous music festival.

    Set to be held at Puregold Qi Central, the watch party will give lucky attendees a one-of-a-kind late-night viewing experience inside a Puregold store, surrounded by fellow A’Tins.

    Fresh from headlining a sold-out Araneta Coliseum during Puregold’s OPM Con Generations 2026, SB19 is now set to make history at Lollapalooza. The group will perform on the festival’s opening day alongside an international lineup that includes 5 Seconds of Summer, sombr, Audrey Hobert, and Lorde.

    Fans attending the A’Tin A’Tin Lang watch party will watch the performance via livestream direct from Chicago’s Grant Park. With SB19’s set scheduled for 4 a.m. Philippine time, Puregold Qi Central will transform into the ultimate overnight gathering place for fans cheering on the P-pop supergroup as they represent the Philippines on one of the world’s biggest music festival stages.

    For Puregold Senior Marketing Manager Ivy Hayagan-Piedad, the watch party reflects the retailer’s continued commitment to championing original Pinoy music.

    “At Puregold, we take pride in championing Filipino talent and celebrating every milestone that brings our country closer to the global stage,” Hayagan-Piedad said. “SB19’s historic achievement as the first Filipino act to perform at Lollapalooza is more than a win for the group—it is a proud moment for the entire nation and for every Filipino artist striving to share their craft. We’re very happy to mount this watch party, and see Puregold Qi Central filled with the pride and unwavering support as we cheer on SB19 and continue to stand behind all Filipino artists who are raising the Philippine flag to the world.”

    For updates, like @puregold.shopping on Facebook, subscribe to the Puregold Channel on YouTube, and follow @puregold_ph on Instagram and X, and @puregoldph on TikTok.

  • yung kai announces Manila stop for biggest Asia tour to date

    yung kai announces Manila stop for biggest Asia tour to date

    Canadian alternative indie-pop artist yung kai is returning to the Philippines this November as part of his biggest Asian tour yet, bringing his stay with the ocean, i’ll find you: Asia 2026 tour to the New Frontier Theater on Nov. 9.

    The Manila concert is one of nine stops on the singer-songwriter’s upcoming regional tour, which follows a successful North American run and marks his long-awaited return to Asia after selling out his first headlining tour across the region in 2025.

    The tour opens on Oct. 30 in yung kai’s hometown of Shanghai before making stops in Bangkok, Singapore, Kuala Lumpur, Manila, Taipei, Hong Kong, Seoul, and Tokyo, where it concludes on Nov. 19.

    Fans attending the Manila show can look forward to live performances of some of yung kai’s most recognizable songs, including the viral hit “blue” and fan favorite “teach me how to dance.”

    Sharing his excitement about returning to the region, yung kai said, “Asia don’t you worry… yung kai is back!!!!!”

    Since making his debut in 2022, yung kai has quickly emerged as one of indie pop’s rising names, earning a global following through his dreamy, emotionally driven sound. Drawing inspiration from artists such as keshi and Wave to Earth, he blends influences from his Chinese and Canadian upbringing into music that bridges Eastern and Western storytelling.

    His breakthrough came in 2024 with “blue,” which has accumulated more than 2 billion streams worldwide and earned Gold certifications in both the United States and Canada. Last year, he released his debut album, stay with the ocean, i’ll find you, while embarking on his first sold-out headlining tour. Earlier this year, he was nominated for Breakthrough Artist of the Year at the JUNO Awards.

    Tickets for the Manila show will be released through several presale windows before the general sale. The artist presale runs on Aug. 6 from 12 p.m. to 11:59 p.m. through yung kai’s official Discord community. Mastercard cardholders can access a special presale from Aug. 7 at 10 a.m. until Aug. 8 at 10 a.m., while Live Nation Philippines members may purchase tickets during the Live Nation presale on Aug. 8 from 12 p.m. to 11:59 p.m.

    General ticket sales begin on Aug. 9 at 12 p.m. via TicketNet outlets and online.

    The Manila stop is presented by Live Nation Philippines.

  • JAZPER TIONGSON GOES THROUGH CHAPTERS OF LIFE IN DEBUT EP “MGA KABANATA”

    JAZPER TIONGSON GOES THROUGH CHAPTERS OF LIFE IN DEBUT EP “MGA KABANATA”

    Six heartfelt tracks about love, healing, and new beginnings

    Singer-songwriter, host, and content creator Jazper Tiongson reflects on the different chapters of love, self-discovery, and new beginnings in his debut extended play (EP), “Mga Kabanata,” released under Star Music.

    Describing the project as one of his most personal yet, Jazper shared, “This album is the most honest I’ve ever been. I’ve spent years living these stories before finally writing and recording them. Every track represents a different season of my life, and I hope listeners find pieces of their own journey in them.”

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    Leading the six-track release is “Binabaliw,” a soaring pop anthem that captures the intoxicating feeling of being completely consumed by love. The EP also features “Tunay na Ikaw,” “Patinig-Ibig,” “Deck,” “Anamat,” and “Bahaghari,” all written by Jazper and produced by Adonis Tabanda.

    Before pursuing a career in entertainment, Jazper worked in the corporate advertising industry. His journey took a different direction after a hosting opportunity led him to meet Miss Universe 2015 Pia Wurtzbach, whose encouragement became the turning point that inspired him to pursue hosting and music full-time.

    “I always had that aching for my passion which is hosting and music but I never had the confidence to do it. Back then, I was hosting a show where I met Pia Wurtzbach and that time I was looking for a sign if I should do this full time. After the show, I got a message from her asking if I’m open to be one of the hosts of Miss Universe Philippines,” he shared.

    Since then, Jazper has established himself as a host, singer-songwriter, and content creator, steadily building an audience through his engaging online content and live hosting gigs. In 2025, he released his debut single “HELLO UNIVERSE,” an uplifting anthem about believing in yourself and chasing your dreams.

    Listen to Jazper’s “Mga Kabanata” EP out now on all digital streaming platforms. For more details, follow Star Music on Facebook, X (Twitter), Instagram, TikTok, and YouTube.   

  • Demon Slayer: Kimetsu no Yaiba Infinity Castle Now Streaming Netflix

    Demon Slayer: Kimetsu no Yaiba Infinity Castle Now Streaming Netflix

    Record-breaking anime film arrives in 23 APAC markets, including Taiwan, Thailand, Indonesia and the Philippines.

    Photo courtesy of Netflix

    After a historic theatrical run as the highest-grossing anime film in history globally, Demon Slayer: Kimetsu no Yaiba Infinity Castle l is now available on Netflix across 23 markets in Asia-Pacific, including Thailand, Indonesia and the Philippines. 

    The film set national box office records in several of the markets now welcoming it to Netflix: it became the highest-grossing anime film ever released in Thailand,  and posted the biggest grossing Japanese anime film of all time in the Philippines and Indonesia. During its opening weekend in the Philippines, the film garnered approximately $4.2 million (PHP 238 million)—making it the biggest anime opening of all time in the country, outperforming blockbusters across genres including horror and superhero titles. (Seasia.co)

    The Infinity Castle arc has been the most anticipated storyline among Demon Slayer fans for years, with excitement building steadily since the franchise’s Netflix debut. The story unfolds with the Demon Slayer Corps drawn into the Infinity Castle. As preparations for the final battle intensify, Muzan Kibutsuji attacks the Ubuyashiki Mansion, plunging Tanjiro and the Hashira into a mysterious space.

    Japanese anime titles are widely watched, with more than half of our members today having watched at least one anime title. Members watched a wide range of titles, from originals like Cosmic Princess Kaguya! to established franchises such as Jujutsu Kaisen: Culling Game Part 1, STEEL BALL RUN: JoJo’s Bizarre Adventure: 1st STAGE and BAKI-DOU. Jujutsu Kaisen: Culling Game Part 1 held Malaysia’s weekly Top 10 for 13 consecutive weeks, the longest run of any Japanese title in Southeast Asia this half, while STEEL BALL RUN reached the weekly Top 10 in both Thailand and Vietnam. BAKI-DOU broke into the Philippines’ chart, signaling an appetite for Japanese anime that extends well beyond the biggest global franchises.

    New to the franchise? All five seasons of Demon Slayer: Kimetsu no Yaiba and Demon Slayer -Kimetsu no Yaiba- The Movie: Mugen Train are now streaming on Netflix in the Philippines, the perfect place to catch up before Demon Slayer: Kimetsu no Yaiba Infinity Castle I.