Powerful vocals, rapid-fire rap, and Filipino instruments: ABS-CBN artist CARMELLE brings these elements to “Eurovision Song Contest Asia 2026” as she represents the Philippines in Bangkok, Thailand on November 14.
Behind the country’s song entry, “Sobra-Sobra,” are Mat Olavides and Nica del Rosario, songwriters whose credits include hits by BINI and Sarah Geronimo. For them, the competition is a chance to show Asian audiences the different sounds and performers that Filipino music has to offer.
“I hope CARMELLE’s journey can show the rest of the world that world-class Filipino talent comes in all shapes and sizes. We are not limited to one sound nor one kind of performer,” said Nica, who co-wrote BINI’s “Huwag Muna Tayong Umuwi” and “Karera” and Sarah Geronimo’s “Tala.”
Sobra-Sobra composers Mat Olavides and Nica del Rosario with Carmelle (middle). Photo credit to Nica del Rosario IG
That vision comes through in “Sobra-Sobra,” which pairs a message of confidence and self-worth with a lively mix of musical influences.
“May Filipino elements like kulintang and kubing, but we also incorporated Latin influences. I think that combination reflects how Filipino music has always been shaped by different cultures while still developing its own identity,” said Mat, who co-wrote BINI’s “Salamin, Salamin” and co-produced “Pantropiko.”
The composers believe the song can connect with listeners even if they do not speak Filipino.
“It’s about knowing your worth, being confident in who you are, and not letting other people define you. Kahit iba-iba ang language and culture natin, I think those are emotions and experiences that many people can relate to,” Mat explained.
“The energy of the song also makes it fun and easy to connect with, even if you don’t understand every word,” he added.
For Nica, its message also speaks to women across the region.
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“‘Sobra-Sobra’ is a song that can empower women all over Asia. I believe that all women go through a lot of the same struggles despite race and culture,” she said.
Bringing these elements together is CARMELLE, whose voice and performance style give the Philippine entry its character.
“CARMELLE’s distinct high and powerful belt and her rapid-fire rapping are also performance elements that are very Filipino that we hope the Asian audience can appreciate,” Nica shared.
CARMELLE earned the chance to represent the country in the inaugural Eurovision Asia after besting nine other contenders at the Philippine Selection Night on August 30. She will compete against entries from Bangladesh, Bhutan, Cambodia, Laos, Malaysia, Mongolia, Nepal, South Korea, Thailand, and Vietnam.
ABS-CBN serves as the competition’s official broadcast partner in the Philippines. Catch CARMELLE as she brings “Sobra-Sobra” to “Eurovision Song Contest Asia 2026” on November 14 through ABS-CBN platforms.
“Disney On Ice presents Let’s Dance!” brings a special holiday sing-along for the first time at the SM MOA Arena with new seats added.
The brand-new production makes a Philippine-exclusive holiday sing-along with audience
Embrace the warmth of the holidays as Goofy and Donald invite you to a magical holiday celebration when Disney On Ice presents Let’s Dance! comes to the SM Mall of Asia Arena in Pasay City from December 18 to January 3.
Groove into the holiday season with Mickey and pals.
Since 2016, Feld Entertainment has brought the magic of Disney On Ice to the SM Mall of Asia Arena, making the continued holiday tradition span to generations across the country. Through cutting-edge figure skating, high-flying acrobatics, unexpected stunts, thrilling special effects, eye-catching costumes, and stunning set designs, the show has since become a magical spectacle for the holidays.
This year, Disney On Ice is embracing that holiday tradition with a very special surprise!
Goofy and Donald bring a Philippine-exclusive sing-along this holiday season.
Each family will experience a one-of-a-kind Disney On Ice experience with an unforgettable Holiday Sing-Along featuring Goofy and Donald. Best of all, this experience is included with all show tickets. Create lasting memories during this festive adventure!
Ride the waves together with Prince Eric and Ariel.
Fans of the show can also expect a lot in this all-new production with Mickey and friends spinning the DJ booth, transforming Disney hits into vibrant, magical moments. The show will also feature our favorite Disney characters as they dream along with Asha and Valentino, laugh out loud with Timon and Pumbaa, and feel the ocean vibes with Ariel and her crew.
Watch as the majestic story of Frozen 2 featuring Anna, Elsa and Olaf come to life.
Audiences will also enjoy singing in harmony with Elsa and Anna, swaying to the rhythm of the waves with Moana, and watching the fun take off when Stitch grabs the spotlight for the very first time!
As the holiday tradition is nearing, Disney On Ice presents Let’s Dance! opened new premium seats for all shows at the SM Mall of Asia Arena.
WHERE:SM MALL OF ASIA ARENA
WHEN:
December 18, Friday3:00PM7:00PM
December 19, Saturday11:00AM3:00PM7:00PM
December 20, Sunday11:00AM3:00PM7:00PM
December 22, Tuesday1:00PM5:00PM
December 23, Wednesday1:00PM5:00PM
December 25, Friday11:00AM3:00PM7:00PM
December 26, Saturday11:00AM3:00PM7:00PM
December 27, Sunday11:00AM3:00PM7:00PM
December 29, Tuesday1:00PM5:00PM
December 30, Wednesday11:00AM3:00PM7:00PM
January 1, Friday1:00PM5:00PM
January 2, Saturday11:00AM3:00PM7:00PM
January 3, Sunday11:00AM3:00PM7:00PM
TICKETS: www.ticketmaster.ph
It’s easier than ever to experience the Disney magic. With a variety of ticket options, choose what fits best for an enchanted experience.
Tickets are now available to the general public. Get your tickets now via www.ticketmaster.ph.
To purchase tickets online, simply log in to www.ticketmaster.ph and create an account. If you are already a registered member, proceed to the Disney On Ice event page and select Cebu or Manila to view available seats and choose from the full range of ticket prices.
Reimagine what’s possible as the greatest Disney stories come to life on ice!
Metrobank proudly joins Disney On Ice presents Let’s Dance! as its official bank partner, reinforcing its commitment to bringing cardholders closer to world-class entertainment and unforgettable family experiences.
For more info about Disney On Ice, follow Disney On Ice’s social media channels: Facebook, Twitter, Instagram, & TikTok. Subscribe to the Disney On Ice YouTube Channel at www.youtube.com/DisneyOnIce
SM Mall of Asia Arena
SM Mall of Asia Arena is the preferred venue for world-class shows and premier sporting events, delivering best-in-class facilities, seamless service, and game-changing experiences that elevate the live entertainment industry.
For more information, visit www.sm-arena.com or follow @MOAArena on social media.
A fashionable house inspired by old Manila architecture, a legendary nightclub recreated from photographs and personal accounts, and a mirror ball that brings two different worlds together. In Bongga Ka, ’Day!: The Annie Batungbakal Musical, the Newport Performing Arts Theater becomes a slice of 1970s Manila, moving from the stylish interiors of House of Pasion to the disco nightlife of Coco Banana.Ohm David
Behind these settings is Ohm David, a seasoned Filipino scenographer whose work has shaped the visual storytelling of notable stage productions. For Bongga Ka, ’Day!, David brings this experience in theatrical design and architectural spaces to his interpretation of 1970s Manila, drawing from historic buildings, vintage photographs, and personal memories.
His creative starting point was the mirror ball, whose fragmented reflections offered a way to capture the many sides of the same city. “All those tiny mirrors reflect different perspectives of the exact same space. In each mirrored square, you see something entirely different,” Ohm explained. That idea helped shape two contrasting settings, each offering a different view of Manila’s fashion, culture, and nightlife.
Dressing up House of Pasion
In the musical, House of Pasion, the fashion house owned by Aurora Pasion (alternately played by Jackie Lou Blanco and Ring Antonio), introduces Annie Batungbakal (Atasha Muhlach) to a world of fashion and creativity.
To develop the setting, Ohm explored Quiapo and Escolta, taking inspiration from the architectural character of the historic Manila districts. He paired these influences with a more modern aesthetic, incorporating colors popular in the 1960s and 1970s, cleaner lines, and a spacious layout.
But beyond the period details, Ohm wanted the fashion house to reflect Annie’s experience of working there.
“I reimagined it as a dollhouse because, even though Annie dreaded waking up early for work, the House of Pasion was ultimately her playground,” Ohm said.
Comeback of Coco Banana
Manila’s legendary Coco Banana presented a different challenge. Unlike the fictional House of Pasion, the nightclub was a real part of the decade’s disco scene, but finding clear references to its interiors was difficult.
“Recreating Coco Banana proved challenging, tricky as it was exciting, because most existing photographs were either blurry or focused on patrons rather than the venue,” Ohm recalled.
The production team pieced together the club’s appearance from the limited photographs available, including images of its floors, walls, windows, and doors. People who had frequented the original venue also shared their memories, while dramaturg Eric dela Cruz interviewed someone familiar with its layout, decorations, and atmosphere.
The research provided enough detail to establish the club’s character, while leaving room for theatrical interpretation.
“So I would say it was 50 percent based on the actual place and 50 percent on imagination,” Ohm said.
The resulting set preserves the character of the old residence that once housed the club. Dark wooden walls and traditional capiz windows provide the backdrop, while disco decorations bring the nightlife setting to life.
“In fact, if you removed its mirrorball and tinsel, it would simply look like a wooden home,” Ohm explained.
The combination gives Coco Banana a distinctly Filipino character, rather than the look of a usual disco club.
Manila, remembered and reimagined
House of Pasion and Coco Banana may share the same decade, but Ohm used contrasting design styles to give each its own personality.
“First, I used color to create a stark visual contrast between the two spaces,” Ohm shared.
House of Pasion’s cleaner lines, brighter palette, and spacious interiors reflect a fashionable and more contemporary environment. Coco Banana’s darker wooden finishes and traditional architectural details, meanwhile, recall the older residential structure transformed into a nightclub. The result is a stage that moves between two different sides of 1970s Manila, giving audiences a look at the city’s fashion and nightlife through the world of Annie Batungbakal.
For those who experienced the decade, the settings may bring back familiar places and memories. For younger theatergoers, they offer a glimpse of the Manila that inspired the musical’s story and Hotdog’s songs.
“For both, I want them to see versions of themselves within the world we created through the set. I want them to enjoy and to have a good time!” Ohm said.
From House of Pasion’s fashionable interiors to Coco Banana’s disco floor, Bongga Ka, ’Day! brings together different images of Manila’s past, creating a world where the city’s familiar sights return to the stage.
Newport World Resorts, in association with VIVA Communications and The Philippine STAR, reunites for Bongga Ka, ’Day!: The Annie Batungbakal Musical featuring Hotdog’s timeless hits. The show, staged with PETA Plus, closes on October 31, 2026, at the Newport Performing Arts Theater.
Tickets for the last few remaining shows are available online and at all TicketWorld outlets and at the Newport World Resorts Box Office: PHP 4500 (SVIP), PHP 4000 (VIP), PHP 3,400 (GOLD), PHP 2,400 (SILVER), and PHP 1,300 (BRONZE).
Discover more to love about an all-original Filipino production with a special discount of 15% off on Bongga Ka, ’Day!: The Annie Batungbakal Musical tickets through the Discover More To Love website www.tourism.gov.ph using promo code BKDXDOT. Audiences can also enjoy 15% off tickets through the Department of Trade and Industry’s Malikhaing Pinoy platform at www.malikhaingpinoy.ph/calendar/ using promo code MPXBKD, in support of Filipino creativity and the country’s creative industries.
Learn more about the artists and the production through Newport World Resorts (@newportworldresorts), VIVA Communications Inc. (@vivaartistsagency), and The Philippine STAR (@philippinestar) on Facebook, Instagram, and TikTok.
In 2025, Marit Larsen and Marion Ravn gave M2M the ending the duo never got: the first headlining tour of their career that sold out across Asia and numerous countries around the world. Now comes TWO, a brand new global tour that will start in March 2027 in Singapore, Manila, Hong Kong, Jakarta, and reaching Mexico. MANILA will be on April 2, 2027 at the Araneta Coliseum. Tickets will go on-sale on Saturday, October 24 at 10AM via TicketNet.com.ph and TicketNet outlets nationwide. Presented by Wilbros Live.
“The Better Endings Tour exceeded our wildest dreams. We had no idea how full those rooms would be, or how natural and beautiful it would feel to get the band back together, hearing thousands of people singing these songs at the top of their lungs,” says Marit Larsen. “What was dreamt up as just that – a better ending – ended up sparking a whole new thing that we can’t help wanting to investigate further. I think we both knew, sitting on the floor backstage after our last show, that we had to keep going.”
TWO is built on the songs that made M2M a global phenomenon – “Don’t Say You Love Me”, “Mirror Mirror”, “Pretty Boy” and “The Day You Went Away” among them. But anyone expecting a repeat of 2025 will be surprised. The show has been reworked and reimagined, and will include new songs.
“In this new chapter, we dive deeper into what merging two very connected, yet undeniably different souls and songwriters can mean. We continue to bring different elements to the table, as we always have, but it turns out this time around our shared vision keeps pulling us towards each other. There is some magic there,” says Marion Ravn.
The name says it all: two childhood friends from Lørenskog, Norway, who found worldwide success as teenagers, went their separate ways and found their way back to each other. A second tour. And, for the fans who missed out last time, a second chance.
“At last, it feels like we’re writing the rest of our story together, side by side, the TWO of us.”
Follow @WilbrosLive on Facebook, Twitter, Instagram and TikTok.
LE SSERAFIM Curates an Exclusive Watch List of Favorite Asian Series for Viki’s Global Fan Community
Rakuten Viki, K-pop group LE SSERAFIM. “Viki Pass It On” celebrates the passionate fan communities helping drive the global popularity of Asian entertainment, with strong resonance across Southeast Asia. The campaign features a video spot running on CTV and major social and digital channels, alongside an exclusive watch list curated by LE SSERAFIM featuring the group members’ favorite Asian series.
Created in partnership with creative agency UNFOLD, “Viki Pass It On” launches today across key global markets. The campaign reflects the way Asian entertainment travels through fandom, as viewers discover new shows, share recommendations and introduce them to their own communities. Watch the spot here.
The campaign launches as Viki’s audience approaches 130 million registered users and follows the recent premiere of Viki’s original K-drama co-production Dive into You. Next up is the debut of another co-production, The Painted Soul, a Korean animated series coming to Viki on October 21.
The ad spot brings this fan culture to life. As LE SSERAFIM prepares to take the stage, the members pass around a mobile device, with each spotlighting a favorite Viki show that reflects her personality, from addictive K-dramas and swoon-worthy C-dramas to variety shows. Each handoff captures a familiar experience among fans: finding a show you love and immediately wanting someone else to watch it too.
“Asian entertainment, from K-pop to Korean and Chinese dramas, has found a passionate global audience because of the extraordinary talent behind it, the compelling stories, and the fans who share it with each other,” said Karen Paek, vice president of Marketing at Viki. “This campaign is a tribute to those fans, and we’re proud to celebrate them alongside LE SSERAFIM.”
LE SSERAFIM has built a strong following across Southeast Asia, with the region playing a prominent role in the group’s expanding global presence. Their 2026 PUREFLOW world tour includes stops in Singapore and Manila, with Manila hosting two shows in December following the group’s sold-out 2025 concert in the Philippines.
Formed in 2022, LE SSERAFIM consists of KIM CHAEWON, SAKURA, HUH YUNJIN, KAZUHA, and HONG EUNCHAE. The group recently released the single album Made My Night, while continuing to reach audiences worldwide through major live appearances, including a headline performance at BlizzCon® 2026 and the iHeartRadio Music Festival, where they became the first K-pop girl group to take the festival stage.
Viki is available to watch for free (with advertisements) or without advertisements through tiered subscriptions of Viki Pass Standard and Viki Pass Plus, and is available on web and several platforms via desktop, mobile, streaming devices, and connected TVs.
Japanese singer-songwriter Takase Toya is set to make his Philippine concert debut tomorrow, Friday, October 16, 2026, at Teatrino Promenade in Greenhills. The intimate show marks a key stop on his TAKASE TOYA ASIA TOUR 2026 “∞,” bringing his genre-blending music to Filipino fans for the first time. Opening the night is fellow Japanese artist Fumiya Sato, with KAIA’s Angela joining as a special guest for a rare J-pop meets P-pop moment.
Born on November 26, 1996, in Aichi Prefecture, the heart of Japan, Takase Toya has built a career as a true independent force. He writes his own lyrics, composes the melodies, and handles the recording. His sound mixes electronic energy, R&B warmth, and pop sensibility into something that feels personal yet universal. Tracks like “Doushite” (feat. Emi Noda) have racked up massive streams, helping him reach over a million monthly listeners on Spotify and chart across more than 80 countries. In 2026 he was named to Forbes JAPAN’s 30 Under 30, and he also runs his own company, TTT Inc.
Ahead of the Manila date, Toya shared his thoughts with quiet excitement. “It’s my first time to hold a concert in Manila. I’m so excited to be there. Thank you for your time! I’m happy to be here.”
For Filipino audiences discovering him for the first time, Toya offers a simple but telling introduction. As a singer-songwriter, he takes full control of the creative process. While writing lyrics, he sees himself as a translator of emotions. He compares the role to a convenience store, something people turn to for their daily needs. Through his songs, he wants to put into words what people are feeling and living through right now, creating music that ordinary listeners can recognize as their own.
That idea of connection runs through his latest work. His previous album, 8 (released in 2025), dug into his personal life and experiences. The new album ∞ (Infinity), out in August 2026, continues that thread while reflecting his growth as an artist. Toya links the concept to the Japanese eto (the 12-year zodiac cycle) and to the looping nature of infinity itself, life’s endless round of ups and downs. Through the music he wants to keep expressing those emotions and reaching more people along the way.
What is he most looking forward to with Filipino fans? The answer is straightforward and warm. “I heard that Filipinos sing very well. I’m excited to hear the audience sing along loudly to my songs.” The live show itself, he says, is meant to feel like an amusement park, a place where people can enjoy different kinds of rides. His music never stays in one genre, and as a multi-instrumentalist he will move between guitar, keyboard, and vocals. Sharing the stage with KAIA’s Angela only adds to the sense of discovery.
Among the songs he is especially eager to perform is “Doushite,” the track that has connected most strongly with listeners in the Philippines. “The song I want Philippines to listen to is ‘Doushite’ because it is the most streamed song there. I’m excited to see and hear everyone’s reaction when I perform it.”
Preparing for an overseas show versus a home date in Japan brings its own contrasts, and Toya describes them with a striking metaphor.
Japanese audiences, he says, often feel like they are hidden under layers of clothing at the start. As the night goes on they gradually peel those layers away and show their true colors, an image of a more reserved, slowly unfolding energy. Overseas fans, by contrast, arrive already open and high-energy, as if fully exposed from the first note. As the show continues they seem to put on clothes, and by the end they leave fully dressed. The difference is cultural, but the goal remains the same: creating a night people can feel and remember.
Tomorrow night at Teatrino, that exchange begins in earnest. For many in the audience it will be the first time hearing Toya’s music live. For the artist, it is the first chance to meet the Filipino fans who have already been streaming his songs and waiting for this moment. Between the opening set, the special guest appearance, and Toya’s own mix of instruments and emotions, the evening promises to be both personal and expansive—exactly the kind of connection he has spent years trying to build.
Earth remains his base, as he often says. On October 16, that base expands a little further, one song and one loud sing-along at a time.
Check out his answers during our Zoom interview:
Q1: For Filipino audiences discovering your music for the first time, how would you introduce yourself and describe your musical style?
Takase Toya: “As a singer-songwriter, I take charge of everything – from writing the lyrics, composing the melody and recording the songs. While writing the lyrics, I’d like to think of myself as a translator of emotions. Just like a convenience store where people buy their daily needs, he wants to connect with people by creating music that everyday people can resonate with.
He wants to be the person who can translate people’s emotions, just like buying from the convenience store so in everyday life, he can explain what people feel and what people are experiencing right now through his music.
Q2: Tell us about your latest album ∞ (Infinity) and how it reflects your growth and evolution as an artist.
Takase Toya: His previous album called 8, released in 2025, explores his personal life and experiences. His latest album ∞ (Infinity) is a continuation of that idea, and a reflection of his growth as a musician. He mentioned the Japanese concept of eto (干支) which is a repeating 12-year cycle, and likens it to the concept of infinity – how life’s cycle of ups and downs goes around and around. Through his music, he wants to continue expressing his emotions and connecting with more people.
Q3: What are you most excited about in meeting your FIlipino fans?
Takase Toya: “I heard that Filipinos sing very well. I’m excited to hear the audience sing along loudly to my songs.”
Q4: Any special performances or surprises you can share with us?
Takase Toya: He likens his live performance to an amusement part, a venue where people can enjoy different kind of rides. His music doesn’t focus on one genre. As a multi-instrumentalist, he’ll be playing guitar, keyboard and singing.
Philippine Concerts: Which songs are you most excited to perform and why?
Takase Toya: “The song I want Philippines to listen to is “Doushite” because it is the most streamed song there. I’m excited to see and hear everyone’s reaction when I perform it.”
Philippine Concerts: How do you prepare differently for an overseas show compared to preparing for local shows in Japan?
Takase Toya: He gave an interesting metaphor for the Japanese and overseas crowds’ contrasting attributes. In Japan, he says, it feels like the crowd are hidden in layers of clothing, but as the show goes on, they slowly take each piece off and show their true colors. This is an allusion to the Japanese crowd’s guarded demeanor. It takes a while for them to immerse themselves in the music. Overseas fans, on the contrary, appear to be fully naked from the start of the show. Their energy is high from the first strike, and they are very open in expressing themselves. As the show unravels, it’s as if they put on clothes, and at the end, they leave fully clothed.
Through nine years of music, milestones, and shared moments, Ben&Ben’s Spotify journey shows how songs can continue to resonate with listeners long after their release.
As Ben&Ben celebrates nine years of music with the release of Nine, Spotify traces the band’s journey in its The Come Up series, exploring how their songs have continued to find listeners and new meaning, across nearly a decade.
Ben&Ben’s journey offers a different perspective on success. Rather than being defined by a single milestone, it is reflected in the enduring life of their music that continues to resonate across different chapters of the band’s journey and their fans’ lives.
Across different chapters of Ben&Ben’s Spotify journey, iconic songs continue to resonate with listeners and find new meaning across generations. In 2017, while still a duo, they became one of six Philippine artists featured in Spotify’s Early Noise program, introducing their music to listeners looking for emerging local acts. A year later, “Kathang Isip” marked another milestone in their discovery, reaching 10 million streams and landing on the cover of Pinoy Chart-Toppers, bringing the band to a wider OPM audience. By 2020, Ben&Ben had become Spotify Philippines’ Most Streamed Artist, reflecting how early discovery had translated into a deeper fan base and wider reach.
Listeners also found new ways to engage more closely with the band and their music on Spotify. For “Pebble House, Vol. 1: Kuwaderno”, Spotify launched Pebble House Corners, giving fans a virtual tour of the band house where the album was made and bringing them closer to the world behind the songs. By 2024, the band’s recognition as a decade definer at Spotify Philippines’ 10th anniversary reflected how their music had become a lasting part of Filipino music culture.
“Lifetime (Reimagined)” brought an earlier song into the band’s latest chapter, with Ben&Ben featured on the cover of Hot Hits Philippines. Now part of Nine, the track offers an example of how familiar music can find new moments of connection with listeners.
“Nine years of making music has also meant nine years of growing alongside our listeners, especially the Liwanag community. We’ve seen songs we wrote years ago become part of very different moments in our listeners’ lives, sometimes in ways we never could have imagined when we first made them. NINE is both a love letter to our listeners and a celebration of our friendship. It’s such an amazing feeling to see our songs growing with our listeners and continuing to live with them,” shared Ben&Ben.
For Spotify, Ben&Ben’s journey shows how a song can outlive its release, finding new listeners while taking on new meaning for those who have stayed with it. “Ben&Ben’s journey shows how a song can keep growing beyond the moment it was released. For Filipino listeners, music often becomes a way to remember a person, mark a milestone, or express something they can’t quite say themselves. Those connections give a song a reason to stay and to be shared with someone who hasn’t heard it yet. It reflects a uniquely powerful aspect of music fandom: how songs take on different meanings across stages of life while remaining part of a shared cultural experience. That’s why Spotify continues to create spaces for both discovery and deeper fan connection, helping listeners stay connected to the music and artists they love,” said Chesca Tan, Lead Editor for Spotify Philippines.
Read more about Ben&Ben’s journey in The Come Uphere.
In the busy rhythm of Quezon City, JM Bayna moves through life with a quiet kind of presence. At 5’10”, the Filipino-Chinese artist, also known to some as Michael Yu as his screen name to films, carries himself with the ease of someone who has learned to stand comfortably in his own skin.
Singer, songwriter, model, and film production artist, he wears many titles, but the one that feels closest to him is simply “storyteller.” He got the chance to be coached by Raymond Gorospe and writes and sings songs that don’t demand your attention so much as invite you to sit with them for a while.
What makes JM’s work feel personal is how honestly it reflects the person behind it. He is open about living with vitiligo, referring to himself as a vitiligo warrior. There is no performance of struggle in that description, just a steady acknowledgment of something that has shaped how he moves through the world. That same steadiness shows up in his music. He doesn’t write to impress; he writes to connect.
Since 2026, JM has been releasing original material across major music streaming platforms, including Spotify, Apple Music, and Amazon Music and in a relatively short span he has already put out six projects including albums, EPs, singles, and remixes that have reached listeners far beyond the Philippines. His songs move easily between English and Tagalog, never feeling like translations of each other but rather two sides of the same honest conversation. The bilingual approach feels natural, the way it does for many young Filipinos who live between languages without thinking twice about it.
His 2026 singles paint a clear picture of the emotional range he works in. “Alam Mo Ba” and “Bakit iniwan mo ako” carry the weight of unanswered questions and the ache of leaving. “Minuto” and “Bawat sandali ikaw” slow everything down, capturing the intimacy of small, ordinary moments that somehow become everything. “Life” and “Photograph” lean reflective, while “Love is kind” offers something gentler, an affirmation rather than a plea. And then there’s “Hindi ako susuko,” his new single dropping soon.
JM is more than a recording artist. He has stepped into film production, extending the same understated presence into other creative spaces. Yet music remains the center. The fact that he writes his own material matters. You can hear the difference. These aren’t songs built purely for charts; they sound like pages pulled from a private notebook and set to melody.
In a music landscape that often rewards volume and spectacle, JM Bayna has taken a different path. He lives and creates in Quezon City, keeps releasing work at his own pace, and trusts that the right listeners will find the songs when they need them. There is something quietly powerful in that approach, an artist who doesn’t chase the spotlight so much as he builds a space where people can recognize pieces of themselves.
JM Bayna is still early in his journey, but the foundation is already clear: original songs that speak in two languages, a public identity that doesn’t shy away from vulnerability, and a creative spirit that refuses to be limited to one role. For those who have found his music, the experience is simple and lasting. It feels less like discovering a new artist and more like meeting someone who already knows the words you’ve been trying to say.
Japanese singer-songwriter Rol3ert released “With you,” the advance single from his debut full-length album meet me in my head, out October 21. The song features Malaysian singer-songwriter and producer Johnson, making it Rol3ert’s first collaboration with a Southeast Asian artist on record, and a unique male-to-male duet in which both voices share the same longing.
The music video, shot in Singapore in May with a local production team, premiered on October 10.
“With you” was written at SONG BRIDGE 2025, a songwriting camp held in Kyoto in May 2025 as part of the MUSIC WAY PROJECT, a co-creation initiative by CEIPA and TOYOTA GROUP to support the global growth of the Japanese music industry. Co-written with an internationally diverse group of creators, it is the first international collaboration to come out of SONG BRIDGE. The song portrays the two opposing sides of memory, a guiding light and binding chains, through the bittersweet lyric 「咲ききれないまま枯れるのを待つだけ」 (“left unbloomed, only waiting to wither”) and the contrasting shades of Rol3ert’s and Johnson’s vocals. Beneath its smooth, urban sound runs a quiet struggle.
Rol3ert is heading to Southeast Asia to share the song with fans in person. From October 28 to November 1, he will make his first-ever promotional trip to Indonesia and the Philippines. On Wednesday, October 28, a week after his debut album is out, he will play his first-ever show in Indonesia, Rol3ert “meet me in my head” Showcase & Fan Meet, at Houma Jakarta. Doors open at 18:30 WIB and the show runs from 19:00 to 20:30 WIB. The room is small on purpose: he will perform album tracks, talk, and stay afterwards to meet everyone who came. Entry is free, dinner is included, and there is merch to be won on the night. Seats are limited, so RSVP is required.
Rol3ert will also be in Manila for promotion and a confirmed live appearance on October 31. Stay tuned to his social media for further details.
Spanning 14 songs written and sung in both Japanese and English, meet me in my head brings together fan favourites including “meaning,” “savior,” “Boy,” “Kodoku,” and “HOPE” with brand new songs. It is his first release on CD alongside digital formats, mastered by Mike Bozzi (Bernie Grundman Mastering), whose credits include Childish Gambino’s “This Is America” and Jung Kook’s “Seven (feat. Latto).”
Album tracklist Done meaning Boy Aftertaste i won’t see you anymore savior Realized Kodoku say my name – album version – sweet tear- album version- With you (how could i be) honest? HOPE dreams
He will celebrate the album at home with “Rol3ert Live Tour 2026 ‘meet me in my head,’” at Osaka’s BIG CAT on November 6 and Tokyo’s Spotify O-EAST on November 12.
The Southeast Asia trip follows a breakout year. In June, Rol3ert took home the Rising Radio Artist of the Year Award at MUSIC AWARDS JAPAN 2026, and on Spotify, Taipei has overtaken Tokyo as his No.1 city in the world by listeners. It is a chance to bring that growing overseas response face to face with fans in Jakarta and Manila.
About Rol3ert
Born in the United States in 2005 and raised in Japan, Rol3ert debuted in 2025 with a cross-cultural sound blending English lyricism and J-pop-influenced melodies. Over the summer of 2025, he performed at major festivals including FUJI ROCK FESTIVAL ’25 and SWEET LOVE SHOWER 2025, and in October was honoured with the Best Breakthrough Artist award at the Tokyo Alter Music Awards.
Following viral covers surpassing 4 million views, he broke through with “(how could i be) honest?” and “savior,” which was selected for Spotify’s New Music Friday in 22 countries. In 2026, Rol3ert was selected for Spotify Japan’s RADAR: Early Noise 2026, named one of Japan’s 25 representatives in Rolling Stone’s global “Future of Music” project, chosen for “SPACE SHOWER NEW FORCE,” sold out his headline show at Shibuya WWW X, and received the Rising Radio Artist of the Year Award at MUSIC AWARDS JAPAN 2026. He also performed at SUMMER SONIC 2026 in Tokyo and Osaka, and overseas in South Korea, Singapore and Taiwan.
With a growing listener base across Southeast Asia including Indonesia, Thailand, the Philippines, Malaysia and Singapore, Rol3ert is now bringing his music to the region in person for the first time.
The holiday season is turning up the volume at SM Mall of Asia Arena, the most loved venue for live entertainment in the Philippines, where fans can experience world-class productions and maxed-out experiences with some of the biggest names in music and entertainment.
Disney On Ice presents Let’s Dance! is bringing some groove to the holiday season.
As one of the country’s premier live entertainment destinations, SM Arena-managed venues continue to be the preferred venue of leading local and international artists bringing their tours to the Philippines. From global pop and rock acts to K-pop superstars and family entertainment, the world-class venue has become a stage for some of the biggest and most anticipated live shows in the country.
This holiday season, the most loved venue is ready to deliver another lineup of unforgettable live experiences. Fans can look forward to international acts, high-energy performances, spectacular productions, and magical holiday moments, all taking center stage at the Arena.
Check out this line up of international acts touring the iconic venue:
Charlie Puth Whatever’s Clever! World Tour | October 14
Get ready for an evening of chart-topping pop as Grammy-nominated singer-songwriter Charlie Puth brings his Whatever’s Clever! World Tour to Manila. Known for hits including “We Don’t Talk Anymore,” “Attention,” “One Call Away,” and “Left and Right,” Puth is set to deliver a live experience featuring songs from his latest studio album alongside fan favorites from his career.
Multi-platinum, multi-Grammy Award-winning singer-songwriter Jason Mraz returns to Manila for his Asia Tour 2026. With more than two decades in the music industry, Mraz continues to connect generations through timeless hits and heartfelt songs, making his return to the Arena a must-see experience for longtime fans and a new generation of listeners.
American pop-rock and indie-pop band LANY brings its soft by lany the world tour is also coming to SM Seaside Cebu Arena. Known for fan favorites including “ILYSB” and “Malibu Nights,” the band will showcase music from its sixth studio album, offering fans an intimate take on its signature sound and emotional storytelling.
5 Seconds of Summer: Everyone’s a Star! World Tour | November 11-12, 29
Australian pop-rock favorites 5 Seconds of Summer are bringing their Everyone’s a Star! World Tour to Manila. Known for global hits including “She Looks So Perfect” and “Amnesia,” the band will perform songs from its sixth studio album alongside fan favorites from its celebrated career.
South Korean indie rock band Wave to Earth returns to Manila with The Pieces Tour. Daniel Kim, John Cha, and Shin Dong-gyu have built a dedicated global following with their distinctive blend of lo-fi, dream-pop, and alternative sounds. Fans can expect another atmospheric live performance at the Arena.
2026 LE SSERAFIM Tour Pureflow in Manila | December 5 & 6
K-pop powerhouse LE SSERAFIM is set to take over the Arena with its 2026 Tour Pureflow in Manila. The two-day show brings the group back to one of the Philippines’ premier concert venues for an exciting celebration of its music, performance, and global fandom.
The Redline NCT 127 5th Tour NEO City: Manila | December 12 Tickets coming soon
Closing the year with a high-energy K-pop spectacle, NCT 127 brings its fifth tour, The Redline, to Manila. Fans can look forward to powerful performances, crowd favorites, and new stages as the group brings its global tour to the Arena.
Disney On Ice presents Let’s Dance! | November to December
The holiday season gets even more magical with Disney On Ice presents Let’s Dance! Families and fans of all ages can join Mickey and friends as they remix beloved Disney tunes and bring stories from The Little Mermaid, Moana, The Lion King, Frozen 2, and Wish to life on the ice.
With music, colorful production numbers, beloved characters, and spectacular performances, Disney On Ice delivers a magical live experience for families and Disney fans looking to make the holidays extra memorable.
Make Every Show Count with SM Ticketmaster
From international concert tours to family entertainment, SM Mall of Asia Arena continues to bring world-class live experiences closer to Filipino audiences.
As the most loved venue for some of the country’s biggest shows, the Arena continues to be the stage of choice for artists and productions from the Philippines and around the world. With every performance, fans can expect the scale, production, and energy that make live entertainment truly maxed out.
And with SM Ticketmaster, getting event-ready is easier than ever.
Create an SM Ticketmaster account to discover upcoming shows, manage your tickets, and secure your seats to the live experiences you want to see.
This holiday season, make your plans count. Catch your favorite artists, discover new experiences, and celebrate the season with live entertainment at SM Mall of Asia Arena.
BINI continues to make waves internationally as the first Filipino act to represent Asia in the Favorite Global Music Star category of Nickelodeon’s Kids’ Choice Awards 2026. The nation’s girl group also marked its debut at the renowned Vevo Studios in the US.
The girls are nominated alongside international artists Taylor Swift, Zara Larsson, Olivia Dean, Tyla, Karol G, and Tame Impala. Previous Asian nominees in the category include K-pop acts BIGBANG, BTS, BLACKPINK, and Stray Kids.
“Very grateful, honored, and blessed. Iyon naman po talaga yung goal namin so ngayon it’s very humbling at nakakataba ng puso kasi naisip kami na mag-present sa Asia,” BINI Stacey shared in an interview with TV Patrol.
Adding to the group’s international milestones, BINI also delivered a performance of “Blush,” their maiden project on Vevo Studios in Los Angeles. The video is now available on the group’s official YouTube channel.
These achievements follow BINI’s wins for Artist of the Year and Tour of the Year for the “Signals” World Tour at the Filipino Music Awards 2026.
The group is also preparing for “Bloom Membership Day” on October 21, with online and offline activities for fans with Weverse membership, including livestreams, one-on-one fancalls, and an intimate studio audience experience.
BINI will continue its “Signals” World Tour in Singapore on October 25 and Taiwan on November 15. The group is also set to headline major music festivals in 2027, beginning with the inaugural Asia Pop Girl Fest alongside HANA and 4EVE. The festival will take place in Chiba, Japan, on January 22 and 23; Bangkok, Thailand, on February 13; and SM Mall of Asia Arena on February 19. BINI will also perform at LaLaLa Fest Manila 2027 alongside British singer Olivia Dean and OPM acts Up Dharma Down, Lola Amour, and Sunkissed Lola.
There’s something special that happens when a theater company has been living and breathing its craft for years. You don’t just watch actors hit their marks, you feel them. That lived-in quality is exactly what makes “Rizal 3000”, the Philippine Stagers Foundation’s bold new original musical, land with such force.
The show moves fluidly between two distinct worlds. One is the familiar era of José Rizal, his convictions, his writings, and his sacrifice. The other is the year 3000, a chilling future where an authoritarian regime has outlawed history itself. Books are banned, education is rewritten, and the national hero has been erased from collective memory.
Johnrey Rivas as José Rizal.
Written and directed by highly-acclaimed artist, Vince Tañada, the musical weaves several deep themes together, each one rooted in the question that drives the entire story: What if a nation forgets its heroes?
Elia Olano as Eden and Peter Parker Tañada as Franchesco.
At the heart of this future is Iosephus, the last historian who risks everything to keep Rizal’s legacy alive, and his son Franchesco, who stumbles upon a hidden diary that begins to reawaken an entire nation. The dual timeline never feels gimmicky. Instead, it sharpens the themes of memory, truth, identity, freedom, and sacrifice until they cut cleanly across centuries.
Vince Tañada as losephus and Vean Olmedo as Leone
Vince Tañada himself plays losephus, alternating with Vance Larena. Johnrey Rivas, John Arcenas, and Ken Intano take turns as Rizal. James Ramada, Peter Parker Tañada, and Toby Nicanor share the role of Franchesco. From Manila the production set out on a nationwide tour that continues through April 2027, carrying the story into cities and towns where many young people will encounter Rizal this way for the first time.
Vocally, the ensemble is outstanding but stage is too small for the entire cast. Original Filipino music by Pipo Cifra is delivered with clarity, power, and heart.You can hear the training and the care in every note.
What elevates the production is the cast’s complete ownership of the material. You can see the years of stage work in every moment. The acting doesn’t feel performed; it feels lived. It sits in their bodies, their voices, their instincts. Hats off especially to Johnrey Rivas, Vincent Tañada, and Vean Olmedo. They’re totally comfortable on stage. Their scenes flow with a natural ease that only comes from deep trust and shared experiences on stage. It’s my first time seeing these three share the stage in this way, and they’re all excellent. Tañada, as both writer-director and performer, carries the weight of Iosephus with quiet authority and vulnerability. Olmedo’s presence cuts through with clarity and emotional precision. Together they create a living current that pulls the audience along.
One of the best parts is how the show mixes heavy moments with light ones. The comedy is sharp and lands at just the right time. The jokes feel natural, not stuck on for laughs, and they never take away from the serious parts. Everything flows together smoothly.
The costumes help a lot too. From the moment a character steps onstage, you know exactly which century you are in. The historical costumes evoke the late 19th century with dignity and detail, while the year 3000 designs feel sleek, controlled, and slightly unsettling, futuristic without tipping into cartoonish sci-fi. The visual distinction is so clear and consistent that the time shifts never confuse; they simply transport.
PhilStagers has long positioned itself as a “national mobile theater,” and Rizal 3000 feels purpose-built for that mission. The Philippine Stagers Foundation has long used theater as a tool to educate the youth and keep history alive.
After the success of earlier works such as “Bonifacio Ang Supremo”, the company continues that mission by looking forward rather than only backward. It treats the stage as a place where the past and the future can speak to each other, and where young audiences can feel the weight and the hope of Rizal’s ideals in a new way.
The company has already set its sights on the Visayas region as part of a wider tour, determined to bring the production to audiences far beyond Metro Manila. That ambition matters. This is not a show that belongs only in polished theaters; it is meant to travel, to meet students and communities where they are, and to keep the conversation about memory and nationhood alive in places where it might otherwise fade.
For those still in Metro Manila, remaining 2026 performances are scheduled as follows:
October 15 – Novaliches Convention Center (Novadeci), Quezon City – 8 AM, 11 AM, 2 PM, and 5 PM
October 23–24 – St. Scholastica’s College, Manila – 8 AM, 11 AM, and 2 PM
November 29–30 – SM North EDSA, Quezon City – 8 AM, 11 AM, and 2 PM
Tickets are priced at ₱500 and may be purchased through advance reservation or as walk-ins, subject to availability. For reservations and inquiries, contact Jacky Aquino at 0976 501 5558.
Rizal 3000 does not simply retell a familiar story. It places that story in conversation with a possible future and asks whether we are still willing to remember.
“Mutlwoh (Patay Na Patay Sa’yo)” premiered as one of seven full-length films
Due to massive public demand, “Multwoh (Patay na Patay Sa’yo)” has announced a nationwide theatrical run, with screenings in 13 Ayala Cinemas across the country. Named the audience’s choice from seven full-length films that participated in the Puregold CinePanalo festival, “Multwoh” was a blockbuster smash with sold-out screenings being reported all over the metro.
Due to massive public demand, “Multwoh (Patay na Patay Sa’yo)” hasannounced a nationwide theatrical run.
Coming off one of the most successful Puregold CinePanalo runs to date, “Multwoh” was not only a hit with audiences but among critics as well. The film reaped four awards during the festival’s annual awards night: Always Panalo award, Panalo sa mga Manonood, Panalo sa Production Design, and Panalo sa Brand Intrusion.
“Multwoh (Patay na Patay Sa’yo)” was awarded the Panalo sa mga Manonood along with three other awards at the Puregold CinePanalo Film Festival Awards Night.
With accolades and rabid audiences behind it, “Multwoh” is now coming to theaters nationwide, including cinemas in Cebu, Cagayan de Oro and more.
Sassa Gurl and Joao Constancia star in this supernatural tale of love and loss.
What made “Multwoh” such a monster hit?
For one, the film was driven by the star power of its viral lead Sassa Gurl, as well as the crew’s sensational promotional maneuvers. On top of various press interviews and online appearances, Sassa Gurl gamely slid into a coffin in a public display that was meant to sow intrigue among cinema fans about the film’s premise.
Sassa Gurl received a Panalong Aktres nomination for her performance in “Multwoh (Patay na Patay Sa’yo).”
While receiving the audience choice award at the Puregold CinePanalo Awards Night, Rodina Singh spoke on the importance of viewers choosing queer stories.
“Multwoh (Patay na Patay Sa’yo)” will screen in 13 Ayala Cinemas nationwide.
“To me as a filmmaker, this [Panalo sa Manonood award] feels the most validating among all the awards for tonight,” said Singh. “Sumali po ako sa pagpepelikula na ang tanong sa samin, ‘may manonood ba ng kwentong gusto niyong ikwento?’
“Multwoh (Patay na Patay Sa’yo)” was not only a hit with audiences but among critics as well, garnering much acclaim through its festival run.
Sa pangatalong pagkakatoon, sasabihin ko po na ang ‘Multwoh’ ay nahigitan na ang lahat ng screenings ng una ko pang pelikula at pangalawa.”
The film’s success speaks to the hunger that Pinoy audiences have for diverse stories. Far from alienating audiences with its queer characters and unabashedly proud tone, “Multwoh” has been a commercial dynamo attracting viewers of all ages and backgrounds.
“Multwoh (Patay na Patay Sa’yo)” has been a commercial dynamo attracting viewers of all ages and backgrounds.Viral superstar Sassa Gurl plays the leading role of Marcel in “Multwoh (Patay na Patay Sa’yo).”The vibrant and ghostly world of “Multwoh (Patay na Patay Sa’yo)” wasrewarded with a Panalo sa Production Design award.Screenings for “Multwoh (Patay na Patay Sa’yo)” were regularly sold out throughout its initial festival run.The unabashed queer themes in “Multwoh (Patay na Patay Sa’yo)” did not alienate audiences but instead drew in rabid fans.Joao Constancia and Sassa Gurl in their leading roles in “Multwoh (Patay na Patay Sa’yo).”“Multwoh (Patay na Patay Sa’yo)” returns to the big screen for an extended run starting October 21.Sassa Gurl stars as Marcel, a deceased college student looking to settle her unfinished business on earth.Since hitting the big screen as part of the Puregold CinePanalo Film Festival, “Multwoh (Patay na Patay Sa’yo)” has been a monster hit among audiences.Fans from Manila all the way to Cagayan de Oro will once again get the chance to enjoy “Multwoh (Patay na Patay Sa’yo)” on the big screen.
“Multwoh (Patay na Patay Sa’yo) returns to the big screen starting October 21 at Glorietta, Trinoma, Market! Market!, Fairview Terraces, Ayala Malls Manila Bay, Ayala Malls Circuit, Ayala Malls Feliz, Ayala Malls Cloverleaf, Ayala Malls Marquee, Ayala Malls Harbor Point, Ayala Malls Center Cebu, Ayala Malls Centrio, and Ayala Malls Central Bloc.
Whether it’s the butterflies that come with having a crush, the uncertainty of holding on to someone, or simply finding the strength to keep moving when life gets tough, music has a way of putting our feelings into words. These freshly dropped music videos from ABS-CBN Music artists Brent Manalo and Heath Jornales and P-pop groups AJAA, AZTER, and WRIVE bring different emotions and experiences to life, each telling a story that viewers can relate to in their own way.
Brent and Analain Salvador play two co-workers who quietly harbor feelings for each other in the music video for “Pareho Tayong Nahihiya,” directed by John “Sweet” Lapus. Set in a coffee shop where the two work together, the story follows their subtle interactions as they navigate their mutual attraction without ever finding the courage to confess what they truly feel. The song was composed and produced by StarPop label head Roque “Rox” Santos and was released as part of Brent’s “Lover Boy” EP.
Heath puts his own take on love and longing into “Back to You,” a heartfelt track about caring for someone who keeps slipping away and choosing to return despite the distance. The Kapuso singer-actor stars alongside his mom, Kayla Davies, in the music video, where he makes an effort to express his care while harboring feelings for someone special. Composed by Heath himself and produced by Rox Santos, the song is among the standout tracks from his debut EP.
New P-pop boy group AZTER brings its “univerZity” concept to life in the music video for “Parang May Mali,” which is set inside a classroom and reflects the school-inspired theme of the group’s debut album. The setting serves as a backdrop for the song’s story about feeling stuck in love while still holding on to hope that things can eventually fall into place. Written by Roel Rostata, Patrick Rodriguez, and John Reinard Fernandez, the track gets a dynamic visual treatment through choreography by Cedrick Mateo and AZTER’s Kean. The music video was directed by Edrex Clyde Sanchez.
WRIVE brings a contemporary take to Gloc-9’s hiphop track “Sumayaw Ka,” encouraging listeners to take a break from their worries, enjoy the moment, and keep moving forward. Originally composed by Gloc-9, the new version, which features Cianne Dominguez, is produced by Darren Cashwell and WRIVE member Russu.The music video features the five-piece P-pop group dancing and playing around in a closed room while dressed in cool denim ensembles. Its visualizer shifts between high- and low-angle shots, creating a CCTV-inspired perspective.
AJAA brings the excitement of meeting someone special to life in “KAKABAKABA,” a track from their latest EP “4:ÜS,” that highlights the nerves that come with being around someone you like—and how those jitters can fade when you’re together. The MV follows the group inside a thrift shop as they try to win over their special someone, eventually leading to a prom-inspired celebration where they get to spend time together. Composed by Dennis Campañer and produced by Gab Tagadtad, “Kakabakaba” was directed by Mark Putian and gives the song a playful visual treatment that matches its youthful charm.
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Check out these new music videos from AJAA, AZTER, Brent, Heath, and WRIVE available on ABS-CBN Star Music YouTube channel.
A beloved childhood classic is making its way back to the big screen as The Land Before Time comes exclusively to select Robinsons Movieworld branches this October 9 to 11, October 16 to 18, and October 23 to 25.
Originally released in 1988 and directed by acclaimed animator Don Bluth, The Land Before Time is a timeless animated adventure that has captivated generations with its heartfelt story of friendship, courage, loss, and hope.
At just 1 hour and 9 minutes, the film delivers an emotional journey that balances wonder, humor, and touching moments that continue to resonate with audiences of all ages. With its memorable characters and storytelling, The Land Before Time continues to capture the imagination of generations.
The story follows Littlefoot and his group of young dinosaur friends, the Quintuplets, as they navigate a world filled with both wonder and danger in search of their families and a new home. More than just a dinosaur adventure, The Land Before Time is a story about growing up, finding courage in difficult moments, and discovering that the journey becomes easier when shared with friends. Its memorable characters, beautiful animation, and enduring message have helped make it a cherished classic for generations.
For ’80s and ’90s kids, the film offers a chance to revisit a treasured childhood favorite on the big screen, while younger audiences and first-time viewers can discover the timeless adventure of Littlefoot and his friends for the first time. Together, families can experience the magic of a classic animated film that continues to bring generations closer.
The film will screen exclusively at select Robinsons Movieworld branches, including Opus Premier Cinemas, Robinsons Magnolia, Robinsons Antipolo, Robinsons Galleria Ortigas, Robinsons Tuguegarao, and Robinsons Galleria Cebu.
Experience the journey with Littlefoot and his friends on the big screen! Watch The Land Before Time this October exclusively at Robinsons Movieworld. For more information, visit www.robinsonsmovieworld.com or follow Robinsons Movieworld on social media. Tickets are available at https://bit.ly/TheLandBeforeTimeAtRMW.
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