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  • BAMBOO RETURNS TO RECORDING WITH “ALON,” A HAUNTING NEW SINGLE ABOUT PAIN, RESILIENCE, AND NEW BEGINNINGS!

    BAMBOO RETURNS TO RECORDING WITH “ALON,” A HAUNTING NEW SINGLE ABOUT PAIN, RESILIENCE, AND NEW BEGINNINGS!

    After 11 years away from releasing new music, Bamboo returns with “Alon,” a haunting new single that marks a fresh chapter in the career of one of Philippine music’s most enduring voices. More than a return to the recording studio, the release reflects a period of personal growth, reflection, and renewed creative purpose—one shaped by years of allowing life to unfold beyond music.

    “Alon” also marks Bamboo’s return to PolyEast Records through its sub-label, filtered music, renewing a partnership that began in 2004. Following the band’s success, Bamboo pursued a solo career, releasing No Water, No Moon (2011) and Bless This Mess (2015) under PolyEast Records, formerly EMI Philippines. Both albums showcased his evolving musical sensibilities and versatility as a recording artist and songwriter.

    More than two decades after their partnership began, Bamboo reunites with the label for a new chapter in his musical journey. The renewed partnership was formalized through a contract signing on October 26 at the PolyEast Records/filtered music office in Quezon City, paving the way for fresh creative possibilities with the release of “Alon.”

    “It’s about time, I thought, to release something new,” Bamboo shares. “The reason why there’s a little bit of space is because there’s a life to cover. There are certain things in life that you have to prioritize. In the helter-skelter pace of working in music, you have to deliberately keep hitting that pause button, ask yourself what’s real and reflect on purpose.”

    For Bamboo, the years away from releasing music were not necessarily about stepping away from his craft. Life simply had to take its place. During that time, he continued to stay close to music through collaborations with fellow artists, live performances, touring across different parts of the Philippines and bringing his music to audiences around the world.

    Written by composer and keyboardist Ria Osorio, “Alon” finds Bamboo exploring a different direction while confronting the complexities of human emotion. Though its sound carries a haunting quality, he does not see the song as an expression of sadness alone. Instead, he hears a resistance to pain—a choice to face difficult emotions without allowing them to overshadow the joy of living.

    “When Ria first gave me the song, she had said that she had me in mind when she had written it,” Bamboo shares. “I feel the pain of the song, the emotion, pero I don’t accept it as a sad song. I accept it as a song as if I’m resisting sadness.”

    That perspective reflects where he is in life today: choosing joy, surrounding himself with people who matter, and finding fulfillment in the simple act of making music. “I choose to live with a lot of joy these days. I choose to be with people who I like to be with,” he says. “It’s the best job in the world because I get to play with friends.”

    The making of “Alon” reflects Bamboo’s instinctive approach to music, placing atmosphere and emotion at the forefront. After the initial recording, however, he felt that the song’s treatment and overall sound weren’t quite right. He decided to revisit its demo roots, exploring a different sonic direction and introducing a new section to the arrangement. The result is a stripped-down electronic sound layered with textured guitar elements, bringing together Bamboo, Osorio, and guitarist Ardie de Guzman in shaping the song’s final form.

    “Alon was years in the making. I didn’t want to simply release a song for the sake of putting something out there. Songs are something you have to live with. I had to find meaning, and at this point in my career I just didn’t want to settle until I found the sound I wanted.”

    The song’s emotional depth extends into Alon’s live performance video inspired by the feeling of an art installation. Built around people, movement, and visual interpretation, the concept invites viewers to discover their own meaning in the performance.

    Rather than offering a literal interpretation of the lyrics, the visual treatment reflects the shared experiences that shape a life. Bamboo hopes the song will also resonate with younger listeners, reminding them that difficult emotions are a natural part of living and can become opportunities for self-understanding and growth.

    With “Alon,” Bamboo embraces the freedom to experiment and discover where his music will lead, without committing to a predetermined direction. “This is just the beginning again,” he says. “A blank slate, and we’ll see again. Di ko rin alam eh (I don’t know either), which I love.”

    For Bamboo, music remains deeply connected to his life, family, and the people he has worked with throughout his career. His return is not simply about releasing new material, but about rediscovering the possibilities of making music on his own terms.

    “Alon” is now available on all major digital streaming platforms released by filtered music. Listen to Bamboo’s latest single and experience his long-awaited return to recording at this link. Follow Bamboo on his official social media channels for the latest updates.

  • LUKE MEJARES PUSHES MUSICAL BOUNDARIES WITH NEW SINGLE “TAMA NA”

    LUKE MEJARES PUSHES MUSICAL BOUNDARIES WITH NEW SINGLE “TAMA NA”

    One of the most respected R&B voices in the country, Luke Mejares returns to recording with “Tama Na,” a new single under PolyEast Records that showcases a more honest, confrontational side of artistry.

    Written by Arnie Mendaros, the track captures the emotional toll of a relationship strained by constant arguments and the desperation to save a love worth fighting for. Moving through frustration, fear and determination, “Tama Na” follows a narrator pleading with his significant other to put an end to pointless fights before they destroy what they have built together.

    For Mendaros, the song reflects a familiar reality in many relationships.

    “So many relationships end this way. That’s why he’s begging her to stop, before it’s too late and everything is lost.” Says writer Arnie Mendaros.

    Beyond its relatable narrative, “Tama Na” marks a shift in Luke’s musical direction, allowing him to push beyond conventional love songs and heartbreak narratives to a wider range of emotions through his music.

    “Unlike my past tracks, “Tama Na” is much more confrontational and raw. The vocals and lyrics require a much more vulnerable, exhausted delivery than anything l’ve done before.” Luke shares.

    Musically, the song draws inspiration from 1980s and 1990s Motown, blending  soul and R&B and pop with distinctly OPM sensibility. Influenced by artists such as Michael Jackson, Prince and The Stylistics, the track combines classic musical influences with a contemporary approach to Filipino pop and soul.

    “Sonically, I wanted to mirror the emotional tension of the lyrics. I was heavily influenced by pop, R&B & Motown drawing inspiration from artists like Michael Jackson, Prince, and The Stylistics,” Luke explains.

    At the heart of “Tama Na” is Luke’s signature soulful vocals, which has helped establish him as one of the country’s standout R&B singers to a more deliberate recording and production process. From the raw, vulnerable vocal delivery to the interplay of his musical influences, each element is carefully shaped to capture the emotional weight of the lyrics. The result is a track that highlights Luke’s vocal versatility while bringing authenticity to its storytelling.

    As Luke Mejares continues to explore his new creative territory, “Tama Na” offers a glimpse into an evolving sound and a more honest approach to songwriting.  Check “Tama Na” lyric visualizer on YouTube and follow his social media platforms to stay updated on new releases and what’s next in his musical journey.

  • Robinsons Movieworld Brings Iconic 90’s Horror Favorites to the Big Screen with Horrorkada Film Fest!

    Robinsons Movieworld Brings Iconic 90’s Horror Favorites to the Big Screen with Horrorkada Film Fest!

    Catch iconic and award-winning Horror Films on the big screen from October 28-November 3 at select Robinsons Movieworld branches.

    This Halloween season, Robinsons Movieworld invites horror fans on a nostalgic trip back to experience the best of ’90s horror with Horrorkada Film Fest, happening from October 28 to November 3 at select Robinsons Malls nationwide.

    With tickets priced at ₱200 to ₱250, depending on the branch, moviegoers can revisit three acclaimed and unforgettable films that helped define the era’s horror and thriller landscape. The lineup includes The Sixth Sense, The Silence of the Lambs, and The People Under the Stairs. Together, these films offer a lineup of paranormal encounters, psychological suspense, and unsettling twists perfect for the Halloween season.

    Whether you’re a longtime horror enthusiast or simply looking for a fun way to celebrate Halloween, the film festival is an opportunity to rediscover these iconic titles and share the thrills with your friends, family, and fellow thrill-seekers.

    Screenings will be available at select Robinsons Movieworld cinemas in Robinsons Antipolo, Robinsons Galleria Ortigas, Robinsons Jaro, Robinsons Dumaguete, Robinsons Manila, Robinsons Naga, Robinsons General Trias, Robinsons Galleria South, Robinsons Galleria Cebu, Robinsons Iligan, Robinsons Tacloban, and Robinsons Tuguegarao.

    Make your Halloween celebration even more memorable this season! Gather your horrorkada, pick your movie, and see who can brave the scares, making room for a little fright and a lot of fun at select Robinsons Malls.

    Get your tickets at www.robinsonsmovieworld.com. For more updates and announcements, Robinsons Movieworld on Facebook and Instagram.

  • Spotify RADAR Creators returns with a new wave of Filipino podcast voices!

    Spotify RADAR Creators returns with a new wave of Filipino podcast voices!

    Five podcast shows join the program’s second year, building on a debut cohort that reached 1.49 million first-time users.

    Spotify announces the return of RADAR Creators Philippines, welcoming Almost Honest with Kylie Verzosa, KadaKwento Podcast, Panaghoy, TRGGRD!, and Unsa’y Cheka sa Parlor to its cohort. From candid conversations and barkada banter to Cebuano perspectives and chilling Pinoy tales, this year’s lineup reflects the different ways Filipino creators are telling stories and bringing audiences together. Built for video, the fastest-growing format on Spotify, the cohort brings fans closer to the personalities behind the mic.

    Launched in the Philippines in 2025, RADAR Creators supports emerging podcasters through on-platform promotion, out-of-home and social marketing, and press opportunities. With video podcasts and interactive polls on Spotify, fans can go deeper with their favorite creators. Now in its second year, RADAR Creators reflect Spotify’s continued commitment to Filipino voices, helping creators develop their craft, reach new people, and grow the communities around their shows.

    “The first year of RADAR Creators Philippines showed how far Filipino podcasts can travel when creators have the right support, from new audiences at home to Filipino communities around the world. Through RADAR, we’re committed to helping Filipino creators develop their craft and grow the communities around their shows. With video podcasts growing fastest among homegrown shows, we’re excited to back a new wave of voices bringing Filipino stories to life on video,” said Carl Zuzarte, Head of Studios at Spotify Southeast Asia.

    The inaugural 2025 RADAR Creators Philippines cohort reached 1.49 million new users. Most people who tuned in were discovering the shows for the first time. And more Filipinos aren’t just listening to podcasts; they’re watching them, catching every laugh, reaction, and side-eye as if they were right there in the room. Hours spent on locally created video podcasts more than doubled year over year, a sign that Filipinos are seeking out voices that feel close to home.

    Meet this year’s Spotify RADAR Creators

    Podcasts have become a modern manifestation of a tambayan, a familiar place where stories flow, ideas are exchanged, and communities take shape. Each RADAR Creator has built their own space to connect and be part of a community through shared interests, experiences, and perspectives.

    Actress and entrepreneur Kylie Verzosa creates a space for ambitious women who want it all. Almost Honest serves up unfiltered girl talk and candid conversations on modern womanhood— from love and relationships to careers, business, ambition, and everything in between. Warm, relatable, and a little cheeky, it’s where diverse voices share real-life lessons, big dreams, and the occasional overshare.
    From cafe hops to camping trips, the best conversations happen among friends. Artists Berghy Nulud, Tiny Montana, Kris Delano, & Maricar Lo capture that spirit on KadaKwento Podcast, turning everyday hangouts into stories worth sharing.
    Storyteller Camille Peng brings chilling letters to life on Panaghoy, uncovering unexplained encounters and eerie tales rooted in the Philippines’ fiction to historical moments, where fact and folklore blur into stories that linger in the dark.
    Celebrities and friends Vince Maristela, Cheska Fausto, Sean Lucas, Thea Astley, & Jeff Moses hold nothing back on TRGGRD!, riling up their Gen Zs with hot takes on pop culture and internet discourse.
    Hosts Lyle Go and Shane Ayong recreate the feel of a Cebuano salon, where endless cheka covers everything under the sun—from everyday life and gossip to conversations that matter to the LGBTQIA+ community.

    For Lyle Go and Shane Ayong, Unsa’y Cheka sa Parlor is their way of creating representation for Cebuano voices in podcasting beyond language. Shane added, “Unsa’y Cheka sa Parlor is about letting people enter our world. That’s also why we’re proud that non-Cebuanos listen to our podcast. They may not understand every word, but they understand the feeling.”

    Tiny Montana, Kris Delano, Maricar Lo, and Berghy Nulud of KadaKwento Podcast quip how their show brings back nostalgia with friends, like hanging out outside or on a basketball court. Their laid-back conversations are their way of welcoming people into their own barkada. Tiny added, “Ang mga nakaka-relate sa amin ay yung mga nakaka-miss sa friends nila, especially yung mga listeners namin abroad.”

    Whatever your tambayan sounds like, there are spaces waiting to welcome you. Discover the new voices of RADAR Creators Philippines, only on Spotify.

  • PLUS63 Festival Returns to Manila, Celebrating Its 10th Anniversary Featuring Khalid, Cash Cash, Wolf Alice, DENȲ, Kiana V and SHNTI.

    PLUS63 Festival Returns to Manila, Celebrating Its 10th Anniversary Featuring Khalid, Cash Cash, Wolf Alice, DENȲ, Kiana V and SHNTI.

    MANILA, Philippines — PLUS63 Festival is set to return on Saturday, November 28, 2026, bringing fans the whole festival experience at the Aseana City Concert Grounds. Tickets are now on sale at www.PLUS63Festival.com, ranging from Php 3,800 to Php 13,000.

    Headlining this year’s lineup is Grammy-nominated and multi-platinum singer Khalid, best known for hits like “Young Dumb & Broke”, “Silence”, “Better,” and “Location.” This marks his return to Manila since his American Teen Tour in 2018. And with a more focused setting, fans can expect a closer, more personal connection with the artist.

    Supporting him are recently announced American EDM DJ trio Cash Cash and English rock band Wolf Alice. Cash Cash will bring the party vibes with their top songs “Take Me Home” and “Hero,” while Wolf Alice brings the alternative rock sound with their internet sensation songs “Don’t Delete The Kisses” and “Lipstick On The Glass.”

    Joining them is a lineup of homegrown talent bringing their own distinct sound to the stage: R&B singer DENȲ, famous for “Gusto With Ya”; hitmaker Kiana V, known for “Does She Know”; and rising contemporary hip-hop artist SHNTI with her top song “YUH.”

    Beyond the music, festivalgoers can look forward to a curated culinary lineup featuring local food and drink vendors, alongside a handpicked lifestyle fair rounding out the music festival experience.

    Celebrating its 10-year anniversary, PLUS63 Festival continues its advocacy of championing Filipino talent while bringing world-class international acts closer to the local music community. This year’s event is a continuation of the festival’s vision to create a world-class music festival for the Philippines while creating an annual tradition for music fans and brands to create meaningful and intentional memories.

    For more information, visit PLUS63Festival.com, or follow PLUS63 Festival on Facebook, Instagram, X, and TikTok.

  • Mang Inasal Closes Ihaw Fest 2026 with a Warm Gathering of Stars, Flavor, and Shared Joy at Ayala Malls Feliz

    Mang Inasal Closes Ihaw Fest 2026 with a Warm Gathering of Stars, Flavor, and Shared Joy at Ayala Malls Feliz

    On a Sunday afternoon at Ayala Malls Feliz, the lively band and the sound of easy laughter filled the space as Mang Inasal brought Ihaw Fest 2026 to a close. The celebration centered on three simple but powerful ideas that have long defined the brand: Ihaw-Sarap, Unli-Saya, and the Filipino habit of coming together over a shared meal.

    The moment I stepped into Ayala Malls Feliz, someone handed me a stick of free juicy, lambot pork barbecue. The meat was soft and smoky, still warm, and it set the tone right away. This was not a quiet mall event. It felt like a proper fiest


    Ihaw Fest is now in its fourth year and it has grown into a series of experiences that bring customers closer to the food and to one another. At Ayala Malls Feliz, the final event felt more like a neighborhood fiesta that happened to include some of the country’s most familiar faces.

    Coco Martin stood at the center of the gathering. The actor has represented Mang Inasal for a full decade, and the brand marked the milestone by honoring him in front of guests and fans. Ten years is a long stretch in the world of endorsements. Martin’s continued presence has given the brand a steady, recognizable face that many Filipinos associate with everyday meals and special occasions alike. The tribute recognized both his longevity and the genuine connection he has maintained with audiences who see him as one of their own.

    Mang Inasal president Mike Castro presents a token of appreciation to Coco Martin for the latter’s decade-long partnership with the brand. They are joined by other Mang Inasal brand ambassadors (from left) Shuvee Etrata, Fyang Smith, Maris Racal, and Dimples Romana and MI Leadership Team members, Human Resources Head Me-Anne Lim, Mega Manila RBU Head Tes Lacuna, Marketing Head Mari Aldecoa, and Research and Development senior manager Myla Driz.

     

    “Napakalaking bagay po sa akin na hanggang ngayon, nandiyan pa rin ang inyong tiwala. Maraming salamat po sa lahat ng ating mga kababayang patuloy na sumusuporta sa akin at sa Mang Inasal,” said Martin. (“I am truly grateful for the trust and support that Filipino consumers have given me and Mang Inasal through the years.”)

    He was joined by fellow brand ambassadors Dimples Romana, Maris Racal, Shuvee Etrata, and Fyang Smith. The group moved easily among the crowd, performing on stage and posing for photos. Their presence turned the event into a star-studded afternoon without losing the casual, welcoming atmosphere that Mang Inasal events usually carry.

    For customers who could not make it to Ayala Malls Feliz, the celebration extends through the end of the month. Until October 31, anyone who buys a Mang Inasal Family Fiesta bundle receives two free Palabok Solo servings. The offer gives more families a chance to stretch the meal a little further and to try the brand’s version of another classic Filipino favorite alongside the grilled chicken.

    By the time the event wrapped up, the takeaway was straightforward. Mang Inasal used the final day of Ihaw Fest 2026 to remind people why they keep coming back: the taste of well-grilled chicken, the juicy lambot pork barbeque, the generous servings, and the simple comfort of sharing a table with others. Ten years with Coco Martin and four years of Ihaw Fest have given the brand a clear way of speaking to those instincts, and the afternoon at Ayala Malls Feliz showed they still know how to bring people together around them.

    Want more Mang Inasal exclusives NOW? Visit https://manginasal.ph for the latest news, https://manginasaldelivery.com.ph for delivery deals, and follow Mang Inasal on social media for more Ihaw-Sarap and Unli-Saya updates!

  • GLOC-9 CELEBRATES 29 YEARS IN MUSIC WITH “MGA ANI NI GLOC-9,” HIS FIRST-EVER VINYL RECORD

    GLOC-9 CELEBRATES 29 YEARS IN MUSIC WITH “MGA ANI NI GLOC-9,” HIS FIRST-EVER VINYL RECORD

    Filipino rap icon Gloc-9 celebrates his 29th anniversary in the music industry with “Mga Ani ni Gloc-9,” his first-ever vinyl record featuring 11 of his greatest hits from different record labels throughout his illustrious career. Produced by Universal Records, this limited-edition collection marks a significant milestone in the career of one of the Philippines’ most celebrated rap artists.

    Known for his powerful storytelling, sharp lyricism, and ability to capture the realities of Filipino life through rap, Gloc-9 has built a lasting legacy that continues to resonate with generations of listeners. Throughout his 29-year journey, he has delivered songs that tackle social realities, personal struggles, and the Filipino experience, cementing his place as one of the country’s most respected lyricists.

    “Mga Ani ni Gloc-9” brings together 11 of his most powerful tracks in a special vinyl collection that preserves his voice, stories, and legacy. Among the featured hits are “Sirena” featuring Ebe Dancel, “Magda” featuring Rico Blanco, and “Upuan” featuring Jeazell Grutas. These celebrated collaborations showcase Gloc-9’s ability to tell compelling stories through music while bringing together distinct voices that have helped make his songs memorable across generations.

    True to its title, the limited-edition collection represents the fruits of Gloc-9’s years of hard work and artistry, gathering celebrated tracks from different labels in one special record. More than a collector’s item, it offers fans a tangible way to revisit the music that has helped shape his career and continues to leave a mark on Filipino music.

    As Gloc-9 marks nearly three decades in the industry, “Mga Ani ni Gloc-9” serves as a tribute to his authenticity, lyrical excellence, and deep connection with the Filipino audience. It celebrates not only the songs that have defined his journey but also the stories and experiences that continue to make his music relevant across generations.

    The legacy lives on, one record at a time.

    ======

    FOLLOW UNIVERSAL RECORDS ON SOCIAL MEDIA

    YouTube – https://youtube.com/@universalrecph 

    Facebook – https://www.facebook.com/universalrecordsph

    TikTok – https://www.tiktok.com/@universalrecph

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    X – https://x.com/universalrec_ph

    FOLLOW GLOC-9 ON SOCIAL MEDIA

    YouTube – https://youtube.com/@gloc9official

    Facebook – https://www.facebook.com/glocdash9

    TikTok – https://www.tiktok.com/@glocdash9

    Instagram – https://www.instagram.com/glocdash9

  • SM North EDSA’s Santa’s Air Express Takes Flight with Its Biggest Christmas Display Yet

    SM North EDSA’s Santa’s Air Express Takes Flight with Its Biggest Christmas Display Yet


    The air in Quezon City already carried that unmistakable early-December feeling even though October still had days left on the calendar. At SM North EDSA, the wait was over. On October 23, 2026, the mall officially lit up its most ambitious holiday centerpiece so far: Santa’s Air Express. This aviation-inspired wonderland has become the largest and most immersive Christmas display among the SM Supermalls covered this season.


    At the heart of The Block Atrium stands a towering 60-foot giant Christmas tree, its branches heavy with lights and ornaments that catch every eye the moment you step into the space. Surrounding it is an Elf-dale and Santa’s Magical Land: a whimsical landscape of greenery, playful elf dwellings, mystical figures, cascading digital effects, and holiday characters that make the atrium feel less like a mall and more like a storybook that has come to life. Outside, the aviation theme continues with a floating airship element that signals Santa’s grand arrival from the skies. The combination of scale, detail, and pure festive energy has drawn crowds who linger for photos, walk slowly through the installations, and simply soak in the glow.

    The Christmas Launch and Tree Lighting ceremony was led by Quezon City Mayor Joy Belmonte. She was joined by SM North EDSA Vice President for Operations Ms. Jocelyn Lapid-Clarino, District 1 Representative Arjo Atayde, Action Officer Ollie Belmonte, and local councilors. In her remarks, Mayor Belmonte captured the spirit of the night with a line that drew smiles and nods: “Sa Pilipinas, hindi uso ang soft launch.” The message was clear. When Christmas arrives in the Philippines, especially at a place like SM North EDSA, it arrives fully, brightly, and without hesitation. She and the other guests officially welcomed the season as the tree illuminated, turning the atrium into a beacon of holiday cheer for the city.

    The evening was further lifted by live performances from P-Pop group AJAA and singer-songwriter Angela Ken. AJAA brought energetic holiday energy to the stage, while Angela Ken’s warm vocals (including her connection to SM’s seasonal soundtrack) added heartfelt moments that made the lighting ceremony feel personal and celebratory. Families, mallgoers, and fans sang along, danced, and created memories right there under the newly lit tree.


    The full holiday display and festive experiences are open to the public from October 23, 2026, until January 10, 2027. Visitors can look forward to Santa meet-and-greet sessions, a holiday market for festive finds, photo opportunities throughout Santa’s Magical Land and Elf-dale, and the simple joy of wandering through a space designed for togetherness. SM North EDSA has long been a destination for holiday traditions. This year’s Santa’s Air Express raises the bar with its size, storytelling, and community feel.


    Whether you are bringing kids to meet Santa, gathering the whole family for photos in front of the 60-foot tree, or just seeking that early taste of Christmas magic amid the usual mall routine, the invitation is simple: come aboard. The lights are on, the airship has landed, and the biggest Christmas display of the season is waiting at The Block Atrium. In a country that knows how to celebrate the holidays with full hearts and full volume, SM North EDSA’s Santa’s Air Express is already delivering exactly that, and it has only just begun.

  • FLOW’s NARUTO The Rock Electrified the Skydome the Ninja Way

    FLOW’s NARUTO The Rock Electrified the Skydome the Ninja Way

    A whole league of fighting dreamers rose to party the ninja way on October 20 as Japanese rock band FLOW held their first-ever solo concert in the Philippines at the SM North Skydome for NARUTO The Rock World Tour. Presented by PULP Live World, the sold-out concert featured songs that are solely from the soundtrack of the anime Naruto.

    Composed of Kohshi and Keigo on vocals, Take on guitar, Got’s on bass, and Iwasaki on drums, FLOW have been together since 1998. Known for their anthemic, high-octane, rap-infused songs, they have steadily built a career in crafting distinctive anime-centric songs, with Naruto as their starting point. Eventually, they had also contributed tracks to popular anime series like Code Geass, Eureka Seven, Durarara!!, Seven Deadly Sins, and even Boruto: Naruto Next Generations.

    FLOW’s concert here was special in many ways. Firstly, despite being frequent performers in several anime conventions over the years, this was their first time being in the full spotlight on the Philippine concert stage. Secondly, this also marked Got’s return to the Manila stage. (He was absent during the band’s performance at ANISAMA World in June 2025 due to health reasons.) Lastly and most importantly, NARUTO The Rock World Tour is the only one of its kind – the only one that is officially sanctioned by the franchise and the creator, Masashi Kishimoto. It’s most likely the only time that FLOW would ever do a global tour with a purely Naruto setlist. 

    ENTER: Naruto Uzumaki!

    Created by Masashi Kishimoto, Naruto made its manga debut in 1999 via Weekly Shounen Jump, its anime adaptation quickly following in 2002. The story follows the life of Naruto Uzumaki, a twelve-year-old orphan, living in Konoha, a hidden ninja village. He had one dream: to become Hokage, the leader and main protector of the land. To achieve that, he had to overcome mountains of hardships and adversaries, while continuously seeking to embrace the good in everyone and everything.

    Since this all happened in the pre-streaming era, many counted on their local television to screen each episode. In the Philippines, it made its TV debut in Tagalog-dubbed language in 2004, taking up the late afternoon time slot on weekdays. Filipino millennials back then were easily hooked on the ninja theatrics, the unfettered humor, and the relatable heart-tugging (traumatic) moments. Like an unstoppable force, the same thing was happening in different parts of the world. It didn’t take long for it to be recognized as one of the most popular and influential anime ever.

    Photos by PULP Live World and Joel H. Garcia

    The Concert: The Fans’ Comeback

    FLOW’s NARUTO The Rock felt like a collective return to the world of Naruto through its music, a moment for fans to immerse themselves in the memories they have with watching the show. It’s uncanny how the opening sequence of the concert was precisely that: the opening of Konoha’s gigantic main gates as the “Naruto Main Theme” played. Before the concert, some expressed their love by cosplaying – forehead protectors, jackets, Akatsuki and Kage cloaks, and Tobi’s mask were some of the most visible outfits.  When the show started, fans then showed their love by screaming, jumping, and even dancing along to FLOW as they played their favorite Naruto hits. 

    The setlist is purely composed of songs from Naruto, with FLOW performing their originals, plus their striking covers for the others.  When the brooding opening bass lines of “Haruka Kanata”, originally by Asian Kung-fu Generation, played, the entire crowd was immediately in an uproar, with fans singing and screaming along, word for word. This was followed by ORANGE RANGE’s “Viva★Rock”, the FLOW original “Re:member” and “Yura Yura” by Hearts Grow.

    Adding great emotional whiplash to the concert were the on-screen visuals: the original anime snippets that matched the key events that each song represented. For “Haruka Kanata”, the preliminary rounds for the Chuunin Exams were playing. During “Hero’s Come Back”, the screen flashed the opening scenes of Naruto Shipuuden, including Team 7’s reunion after 2 years and the introduction of the Akatsuki. “Blue Bird” (by Ikimonogakari) and “CLOSER” (Joe Inoue) showed cuts of Asuma’s team going up against Hidan and Kakuzu. For “Silhouette” (by KANA-BOON), the Great Ninja War was put into focus.

    FLOW’s vocalists, brothers Keigo and Kohshi, repeatedly thanked the crowd for their outpouring support. They said they hoped to come back to our country again soon. Guitarist Take had a flashier approach: near the end of the show, he came back as a human Christmas tree with the addition of pixel-style sunglasses. With a penlight in each hand, he induced a synchronized dance session with the audience. When it was done, Take thanked the crowd for the loud and warm welcome they had received. 

    The atmosphere took a more solemn tone when FLOW took a short break. A few moments later, the piano introduction played and the opening lines “I realize the screaming pain” broke into the Skydome. It was time for “Sign”, the piano ballad version of it, and for Naruto fans, they knew that something heavy was coming. The video highlighted some of the most heartbreaking parts of the series, such as Jiraiya’s battle with Pain, the Uchiha brothers’ final battle, and Pain’s invasion of Konoha. A somber silence took over the Skydome for a bit. 

    The crowd’s bursting energy returned a hundredfold when it was time for FLOW to perform “GO!!”. Kohshi shared that when they released the song in 2004, they felt uncertain about the future. Releasing “GO!!” as their first anime song opened a lot of opportunities for them, and they are grateful for it. They referred to the crowd as “people who love the same music, the same anime, the same Naruto”. “We are all friends, connected. We are a team,” he declared.

    For the finale, FLOW did another round of “Sign”, the original band version, with the addition of the romanized lyrics on screen. As the last hurrah, the crowd gave it the loudest and most passionate sing-along and cheers, until all the members of the band left the stage. 

    FLOW’s NARUTO The Rock truly felt special for fans of the series. FLOW understood that and made one hell of a show with this tour. Their soundtrack contributions to Naruto, including their originals and their covers, are loved by the fans because they performed with the respect and passion that the longtime fans deserve. These are the same people who waited for new anime episodes and manga chapters, week by week, for years; the same people who started watching the show as kids and grew up as the story progressed. The concert gave them their proper moment to return and rock out with songs that had also grown with them.

    Photos by PULP Live World and Joel H. Garcia

    Special thanks to PULP Live World!

    Words by Sandra Mae Laureano

  • ATEEZ Set the Pace for Their Next Era With Pre-Release Single “Drip”

    ATEEZ Set the Pace for Their Next Era With Pre-Release Single “Drip”

    ATEEZ are moving forward with the confidence of a group that has spent years building its own world. Their new pre-release single, “Drip,” sets the tone for the next chapter of their ongoing GOLDEN HOUR series, pairing the group’s hard-hitting musical identity with a declaration of momentum as they prepare for their 15th EP.

    Released on October 23 through Sony Music Korea and RCA Records, “Drip” leans into a heavy trap rhythm, placing its weight on forceful percussion and an assertive sonic foundation. The track follows “BAD,” continuing a run of releases that foreground ATEEZ’s commanding performance style while reinforcing the intensity that has become central to their sound.

    For a group whose identity has long been shaped by movement, ambition, and an expansive fictional universe, “Drip” arrives at a significant point in their trajectory. Since their debut in October 2018, HONGJOONG, SEONGHWA, YUNHO, YEOSANG, SAN, MINGI, WOOYOUNG, and JONGHO have built a discography that moves between hip-hop, electronic production, and cinematic storytelling. Their music has consistently treated each release as part of a larger narrative, with the TREASURE, FEVER, and THE WORLD series establishing the foundations for the current GOLDEN HOUR era.

    Rather than existing as a standalone collection of songs, ATEEZ’s discography has developed through recurring themes of discovery, rebellion, identity, and the pursuit of freedom. That continuity has helped distinguish the group in a crowded K-pop landscape, where their theatrical presentation and performance-driven approach operate alongside a sound that frequently favors dramatic builds and uncompromising intensity.

    “Drip” extends that identity into a new release cycle. Its heavy trap production provides a fitting backdrop for a group whose music often draws its force from rhythmic tension and the contrast between individual vocal colors and collective impact. The single also arrives amid growing anticipation for the group’s next EP, GOLDEN HOUR : Part.6, scheduled for release on November 13 at 2 p.m. KST.

    The response to the rollout offered an early indication of that anticipation. The music video teaser, released on October 20, accumulated more than 12 million views across platforms, drawing attention ahead of the full single’s arrival. While teaser views alone cannot capture the complete reception of a release, the figure reflects the considerable interest surrounding ATEEZ’s next musical move.

    That interest has developed alongside the group’s expanding international presence. ATEEZ have reached the Billboard 200 and Billboard Hot 100 with their releases, established themselves as million-selling artists, and earned recognition from major American music award organizations. Their international touring history, meanwhile, has helped translate their elaborate stage concepts into large-scale live performances, making the connection between their recorded music and concert identity a defining feature of their career.

    The group’s next touring schedule points toward another extensive international chapter in 2027. Dates currently announced include performances in Incheon on January 22–24, followed by Tokyo on February 2–3 and Kobe on February 13–14. The European leg is set to begin in London on March 31, with subsequent stops in Lyon, Berlin, Krakow, Amsterdam, Cologne, and Antwerp through April 17. North American dates are planned for July and August, followed by South American dates in September, with additional stops expected to be announced.

    For ATEEZ, the arrival of “Drip” is both a new musical offering and a marker of what comes next. With GOLDEN HOUR : Part.6 approaching and another international touring stretch on the horizon, the single places the group at the threshold of another busy period in their career.

    Eight years after their debut, ATEEZ continue to build on a creative identity rooted in scale, narrative, and performance. “Drip” opens their next chapter with a forceful rhythmic statement, setting the stage for the next installment of GOLDEN HOUR and the milestones that may follow.

  • Raymond Lauchengco’s Dream Concert Celebrates the Generation That Built the City

    Former Bagets heartthrob, Raymond Lauchengco still carries that easy charm and quiet sincerity that made him a favorite decades ago. Yesterday afternoon at East Ocean Palace Restaurant, a familiar, welcoming spot that has long supported his projects, he sat down with the press to talk about his upcoming one-night-only concert, We Built This City: A Celebration of Generation X.

    The room was relaxed and genuine. Raymond spoke like someone sharing good news with old friends. The concert happens on November 21, 2026, at 8 p.m. at the Samsung Performing Arts Theatre in Circuit Makati. Tickets are available through TicketWorld.

    “This is my dream concert because it’s about my generation,” the 60-year-old singer said with a smile. “We grew up with these songs, then went out and built lives. I want us to take an evening to enjoy how far we’ve come. We did well. And we still know how to have a good time.”​

    Raymond explained why it fit Generation X (born mid-1960s to 1980): they lived through the colorful, mixtape-and-MTV 1980s, then quietly built careers, raised families, made mistakes, learned from them, and kept going. “We did well. Not perfectly, but steadily. I think we’ve earned a really good night out!”

    Joining him onstage are some of the biggest names in OPM: Mr. Pure Energy Gary Valenciano, Asia’s Songbird Regine Velasquez, singer-songwriter Ogie Alcasid, and the always-entertaining Mitch Valdes. Raymond spoke about them with clear admiration. “These are artists I’ve admired and enjoyed working with over the years. Each of them brings something special to the show,” he said.

    The night blends ’80s anthems, ballads, Broadway numbers, new-wave tracks, international Top 40 hits, and Raymond’s signature songs (“So It’s You,” “Farewell,” “I Need You Back”). An immersive, city-inspired stage design frames the show, directed by Menchu Lauchengco-Yulo with musical direction by Marvin Querido. Produced by GRCX under Girlie Rodis.

    Raymond has been on a strong creative run. His recent Aliw Award-winning concerts Just Got Lucky (marking 40 years in the business) and Everybody Loves Raymond (his 60th birthday celebration) proved that audiences still show up for him in force. This new show feels like a natural next chapter, one that looks outward to celebrate the people who grew up alongside him.

    He was quick to note that the invitation isn’t limited to Gen X. “Of course, all generations… are welcome,” he has said in related conversations. Younger fans who love discovering the music that shaped their parents’ youth are more than encouraged to come. Platinum ticket holders will even get a soundcheck experience and priority meet-and-greet access after the show.

    As the afternoon wound down, Raymond left the media with a simple, sincere hope: that people will walk out of the theater not only humming the old songs but also feeling proud of the lives they’ve built. The kids they once were are still inside them, he noted, and this show is designed to let those kids come out and dance for one night.

    For fans who grew up with Bagets, mixtapes, and Raymond’s clear, heartfelt voice on the radio, November 21 looks like a long-overdue reunion, with the music, with old friends, and with a generation that quietly got on with the work of living and, in the process, built something lasting.

    Get tickets here:
    https://premier.ticketworld.com.ph/shows/show.aspx?sh=RLWBTC26

  • Takase Toya Connects with Filipino Fans in First-Ever Manila Concert, Promises to Return in 2027!

    Takase Toya Connects with Filipino Fans in First-Ever Manila Concert, Promises to Return in 2027!

    Japanese singer-songwriter delivers an intimate performance at Teatrino Promenade, featuring a special collaboration with KAIA’s Angela.

    Japanese singer-songwriter Takase Toya (⾼瀬統也) marked a milestone in his international music career as he successfully staged his first-ever concert in the Philippines on October 16, 2026, at Teatrino Promenade, Greenhills, bringing his TAKASE TOYA ASIA TOUR 2026 “∞” to his growing Filipino fanbase.


    The intimate concert brought Takase face-to-face with Filipino fans who have followed his music across digital platforms, creating a memorable evening of live music, personal connection, and cultural exchange.


    Known for his emotionally driven songwriting and distinctive contemporary Japanese pop sound, Takase delivered a live performance that highlighted his artistry and growing appeal among international audiences.


    One of the evening’s highlights was a special collaboration between Takase Toya and Angela of Filipino P-pop girl group KAIA , who performed “It’s Finally the End of Our Love,” a track from Takase’s latest album, “∞.” The special stage brought together Japanese and Filipino musical talent, showcasing their vocal chemistry and highlighting the growing
    opportunities for cross-cultural musical collaborations between the two countries.


    The show also featured Japanese artist Fumiya Sato as the opening act , setting the tone for the evening before Takase took the stage.


    Beyond the performances, the concert reflected the increasingly strong connection between Japanese artists and Filipino music audiences. For Takase, whose music has reached listeners in more than 80 countries and accumulated over three billion streams according to his official artist profile, the Manila show represented another milestone in his expanding international career.


    The concert was part of the TAKASE TOYA ASIA TOUR 2026 “∞,” which spans multiple cities across Japan and Asia, including Seoul, Bangkok, Kuala Lumpur, Taipei, Singapore, and Jakarta.


    The tour also supports Takase’s fifth album, “∞,” showcasing a new chapter in his musical journey as he continues to connect with audiences across borders.


    Adding to the excitement of his Philippine debut, Takase expressed his appreciation for the warm reception from Filipino fans and promised to return to the Philippines in 20272, giving his growing local audience something to look forward to.
    The evening concluded with Takase and his fellow performers sharing a memorable moment with the Filipino audience, commemorating his first concert in the Philippines and the warm reception from local fans.


    The Manila leg of the TAKASE TOYA ASIA TOUR 2026 “∞” was organized by TTT Inc., with production by SMC Entertainment Inc., Free Planet Music Co., Ltd., and Black Star Entertainment (BSE) Philippines.


    With his successful Philippine debut and plans to return in 2027, Takase Toya continues to strengthen his connection with Filipino audiences while opening opportunities for future performances and musical collaborations between Japanese and Filipino artists.

  • Spotify launches Spotify 360 with Arthur Nery, turning top fans’ listening into a front-row seat!

    Spotify launches Spotify 360 with Arthur Nery, turning top fans’ listening into a front-row seat!

    • A first-of-its-kind-experience, Spotify brought together Arthur Nery’s top fans on Premium for an intimate set, with performances available on-platform soon.
    • Since joining RADAR Philippines in 2020, Arthur Nery has grown his Spotify listenership 13 times and surpassed 2.8 billion streams.
    Photo Credit: Magic Liwanag

    For some of Arthur Nery’s biggest fans, their listening on Spotify earned them a front-row seat. Spotify launched Spotify 360, a new Premium fan experience that turns fans’ love for an artist into an up-close moment with them, then brings the performance back onto Spotify for every fan to enjoy.

    Held at New Clark City Athletics Stadium, Arthur Nery is the first artist to headline Spotify 360. Arthur reimagined what his live show can be. Backed by a live strings section and a choir, the special set spanned “Na Naman,” “Binhi,” “Pagsamo”, “Isa Lang,” and “TAKE ALL THE LOVE”, giving fans an elevated, more intimate way to experience his music. Joining him on stage was special guest Jolianne, for a live performance of their 2026 hit collaboration, “Palayo Sa Mundo”. 

    That connection is what brought Binhis together: Arthur’s top fans on Spotify Premium earned their invite based on their listening. And on Spotify, fans have made “Isa Lang” one of the three most-streamed songs in the Philippines, while “Take all the love that I give” is the most-shared lyric in his catalog.

    “We’ve watched Arthur grow from our first RADAR Philippines class into one of the leading Filipino artists on Spotify, and his listeners have been with him every step of the way,” said Kossy Ng, Head of Music, Spotify Southeast Asia. “Everyday we see firsthand how fans fuel artists’ careers. With Spotify 360, we want to put those fans at the heart of the experience.”

    “On Spotify, I can see how people are listening to my music, but standing in front of Binhis who’ve made my songs part of their lives for years is something else. Some of them have been with me since the very beginning. Seeing and hearing them sing every word back that night made me realize how much we’ve grown together.” said Arthur Nery

    “Being invited to Spotify 360 feels like such a privilege. It’s a rare chance to see Arthur up close, and knowing I was there because I listen to his music so much makes it even more rewarding,” shared Julia Ocampo, Spotify 360 attendee.

    Spotify 360 doesn’t end when the stage lights go down. Arthur’s performances will soon be available on Live Sa Spotify, a new playlist dedicated to local live video performances by Spotify, while a five-episode editorial watchfeed follows his journey and the night itself. Attendees can relive the night, and fans everywhere can experience it for the first time.

    The Spotify 360 performance with Arthur Nery at New Clark City was produced in partnership with Nine Degrees North. 

  • Raymond Lauchengco celebrates Generation X with “We Built This City” on November 21!

    Raymond Lauchengco celebrates Generation X with “We Built This City” on November 21!

    Gary Valenciano, Ogie Alcasid, Mitch Valdes, and Regine Velasquez join the celebration at Samsung Performing Arts Theatre

    OPM icon and forever Bagets star Raymond Lauchengco is bringing Generation X together for a night of music and celebration with “Raymond Lauchengco: We Built This City,” happening on Saturday, November 21, 2026, at the Samsung Performing Arts Theatre, Circuit Makati. 

    Tickets are now available at TicketWorld outlets and online:

    https://premier.ticketworld.com.ph/shows/show.aspx?sh=RLWBTC26

    Taking place just eight days before his birthday, the concert is a dream project for Raymond and a tribute to the generation that grew up in the ’80s, came of age with some of the most memorable music of the era, and went on to build lives of their own.

    “I think there’s a lot about our generation worth celebrating,” Raymond shares. “We built careers, raised families, made mistakes, learned from them, and somehow figured things out along the way. We did well. Not perfectly, but steadily, quietly, over time. I think we’ve earned ourselves a really good night out!”

    While the concert celebrates Generation X, Raymond is quick to point out that everyone is welcome. After all, great music has a way of bringing generations together, whether Gen Z, millennial, Alpha, or Boomer.

    Joining him onstage are four exceptional performers who share a special connection with the music and entertainment landscape that Gen X grew up with: Mr. Pure Energy Gary Valenciano, the chief of OPM Ogie Alcasid, sexy senior Mitch Valdes, and Asia’s Songbird Regine Velasquez.

    “These are artists I’ve admired and enjoyed working with over the years. Each of them brings something special to the show,” Raymond says.

    Audiences can look forward to a lively mix of ’80s anthems, Top 40 favorites, Broadway numbers, and Raymond’s own enduring hits. The production will also feature an imaginative digital cityscape that provides the visual backdrop for a journey through the music and experiences of a generation.

    “This is my dream concert,” Raymond says. “I want people to come with their friends, hear the songs they love, and have a fantastic time. We’ve spent so much of our lives being responsible adults. For one night, we can just enjoy ourselves!”

    The concert is produced by Global Resource Creative Exchange (GRCX), under industry veteran Girlie Rodis. The creative and production team bringing Raymond’s vision to the stage is led by director Menchu Lauchengco-Yulo, musical director Marvin Querido, and production managers Arlene Austria and Dodie Crisostomo. 

    More than a trip down memory lane, “We Built This City” celebrates what Generation X has accomplished and the good times still ahead.

    “We may not be the kids we used to be, and that’s okay because they remain inside us and this show will want to make them come out and sing and dance,” Raymond adds. “We’ve built pretty good lives since then. That’s something worth celebrating.”

    “We Built This City” is presented by EvoCity by Ayala Land, and made possible with the support of Solid Shipping, Avolution, Tough Mama Home & Kitchen Appliances, East Ocean Palace, and Stronghold Insurance Company. Wardrobe is by JC Buendia and grooming is by J/Monis Salon.

    RAYMOND LAUCHENGCO: WE BUILT THIS CITY

    November 21, 2026 (Saturday), 8 PM

    Samsung Performing Arts Theatre, Circuit Makati

    Get your tickets at TicketWorld outlets and online:

    https://premier.ticketworld.com.ph/shows/show.aspx?sh=RLWBTC26

    For inquiries, contact 0977 799 0921 or visit raymondlauchengco.com.

  • UNDERTALE:  The Determination Symphony in Manila – A CORE Live Experience!

    UNDERTALE:  The Determination Symphony in Manila – A CORE Live Experience!

    On October 17 and 18, the Manila stop of UNDERTALE: The Determination Symphony World Tour was held at the Proscenium Theater, Rockwell. Under the baton of Maestro Thanapol Setabrahmana, the 25-piece Filharmonika Orchestra performed the soundtracks of the critically acclaimed video game. Presented by Film Concerts PH, the concert garnered four sold-out shows in total.

    Prologue: Pre-Show

    Released in 2015, Undertale has become one of the most popular indie video games, with downloads well exceeding 10 million across all gaming platforms, and its influence enduring even after a decade since its release. The mastermind behind it is a man called Toby Fox, who created and coded the game, wrote the story and composed the music. 

    The role-playing game, featuring SNES-adjacent pixel art and purely textual dialogues, has captured millions of hearts and imagination of people over the years. The plot goes: You (a human child / the player) fall into the world of monsters called the Underground. In order to find your way home, you travel across different places, struggling with the overarching conflict between humans and monsters. Therein lies your options: you can choose to eliminate or to spare whoever crosses your path. Your choices will lead to lasting consequences which will then affect the ruminations and the trials of your character. The game itself has layers of scenarios and endings, depending on the route you take.

    Minutes before the show, throngs of fans gathered at the theater lobby, wearing their most creative impressions of their favorite characters . Some were handing out freebies like stickers and pins with their personal artworks. Many were excitedly talking about their costumes and taking photos together. At the heart of it, the fandom felt like a community of familiar friends who met up to watch the show together.

    The CORE: The Determination Symphony Highlights

    The concert, in its 1.5-hour runtime, felt like one big, undulating adventure. While the Filharmonika Orchestra played, the video snippets of the game played in the background in almost the same progression as the game. It began with the opening notes of “Once Upon the Time” which plays during the introduction sequence, progressed to the song at the start menu and meeting Flowey aka “Your Best Friend”, and so on.

    Maestra Thanapol Setabrahmana welcomed the crowd to the concert, encouraging them to cheer for their favorite characters while the show went on. The orchestra proceeded to play tracks from the different stages: The Ruins, Snowdin, Waterfall and Hotland.

    Experiencing UNDERTALE: The Determination Symphony live was definitely a unique concert experience. It was as if the entire audience was playing the same game at the same time, as if we were all gathered to re-immerse ourselves in the best aspects of Undertale. “Cozy” would be one way to describe the concert. Whether you started playing Undertale 10 years ago or yesterday (or even if you had not played it at all), you would still feel welcome enough to enjoy the concert from your own perspective.

    The concert elevated the game’s music – what used to be lo-fi, 8-bit songs were transformed into a grand symphonic spectacle, making every minute of it more intense. Fans cheered passionately when a new character appeared (special acknowledgement goes to Sans, Papyrus, Mettaton and Undyne), their thematic songs playing in the background. The calming melodies of “Home”, “Snowy” and  “Waterfall” were comforting to listen to, its tender piano reminiscent of the game’s introspective silence.

    Undertale’s quirky humor also had their moments in the show. When “Oh! One True Love” played, the Maestro Setabrahmana signaled to the crowd, and right then and there, the audience began to sing “oh my love”, and the song took a life of its own. In the game, the song was played during Mettaton’s mock opera performance to taunt the player, its sarcastic lyrics flashing loudly on screen. 

    The Filharmonika Orchestra turned up the brass and the strings when the battle themes like “Dummy”, “Spear of Justice”, “Spider Dance”, “Death by Glamor” and “ASGORE” played. People in the crowd were bobbing their heads following the pulsing and thrilling beats while the visuals on screen thoroughly reminded them of the stress induced by the incessant bullet-hell mechanics. Sniffles and soft sighs were heard during the sequence of the conclusive battle with Asriel Dreemur leading up to the ultimate, happy ending.  

    For the encore, the ever popular “Megalovania”, in its intensified guitar-heavy glory, was just about the perfect closer to the electrifying show. At its last beat, the crowd rose from their seats to give the orchestra a much-deserved standing ovation. 

    For fans, UNDERTALE: The Determination Symphony was an impeccable way to re-experience the game with the special addition of a live orchestra – a great way for them to celebrate the game’s best moments as a fan community, as shown by their collective cheers, sighs, gasps and laughter. The show was so evocatively good, that at the end of it, fans of the game were filled not only by determination, but an overwhelming sense of nostalgia and satisfaction. 

    Special thanks to Film Concerts PH!

    by Sandra Mae Laureano