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  • History Meets the Mall: Why You Should Visit the Museo Del Galéon Trade Exhibit at MOA

    Right in the heart of SM Mall of Asia, next to the usual shopping, dining, and bayfront views, sits a gleaming silver dome that feels like it belongs to another era. Inside is Museo del Galeón, the Philippines’ first immersive maritime heritage museum. Opened to the public on May 1, 2026, it finally brings to life one of the most important and often overlooked chapters of Philippine and world history: the Manila–Acapulco galleon trade.

    This isn’t a quiet, glass-case kind of museum. It’s experiential, sensory, and built for discovery. At its center stands a full-scale representation of the Galeón Espíritu Santo, a 17th-century ship originally built in Cavite around 1603 that made multiple peaceful crossings of the Pacific. Measuring roughly 40 meters long and 30–31 meters high, the fiberglass replica is massive enough that you can walk its decks, peer into the cramped crew spaces, and stand under the masts while a vast LED “Sea of Lights” wraps the dome in shifting seascapes, storms, and starry night skies. It is one of the largest indoor LED installations of its kind in the Philippines (and among the largest museum LED bands anywhere). The effect is immersive: you don’t just look at history, you step into it.


    Walking through the exhibits felt like stepping into a different era of Philippine history. The museum does a really good job of bringing maritime stories to life: the galleon trade, the ships, the routes, the people involved. You get a clearer sense of how connected the Philippines already was to the rest of the world centuries ago. I left knowing a lot more than I expected to.

    Most of the ships were built by Filipino hands, largely in Cavite using local materials and extraordinary craftsmanship. Filipino seafarers formed a large part of the crews that endured months-long voyages under harsh conditions. The museum places those people and that ingenuity at the center, connecting pre-colonial balangay traditions and early navigators to the galleon era and onward to the Philippines’ modern role as a major source of the world’s seafarers.


    .What makes it a true must-visit at Mall of Asia is the rare combination of scale, location, and relevance. You can step out of a shopping mall or a seaside stroll and, within minutes, be standing on the deck of a galleon under a digital night sky. Families, students, history buffs, and curious tourists all find something here: pride in Filipino skill and resilience, a clearer sense of how the Philippines helped shape early globalization, and a visceral experience that sticks with you longer than a typical exhibit. Discounts for students, teachers, seniors, and PWDs, plus free entry for the youngest children, make it accessible. Hours are currently Wednesday–Sunday, 10 a.m. to 7 p.m. (with some sources noting broader availability as the museum continues to expand toward full completion).

    In a city full of attractions, Museo del Galeón stands out because it doesn’t just display the past, it lets you board it. The next time you’re at Mall of Asia, skip past the usual stops for an hour or two and step inside the dome. You’ll leave with a richer understanding of why the sea has always been central to who Filipinos are, and why this particular voyage still matters.

    Special thanks to SM PRIME for making this experience possible.


  • Biyaheng Bente with Yeng: Twenty Years of Holding Hands, Strong Vocals, and a Journey That Still Feels Like Home

    Biyaheng Bente with Yeng: Twenty Years of Holding Hands, Strong Vocals, and a Journey That Still Feels Like Home

    There are nights when time folds in on itself. When the lights hit the stage at the Smart Araneta Coliseum and a familiar voice cuts through the rain-soaked air outside, you don’t just hear songs, you remember who you were when you first sang them in your room, on the jeepney, or through heartbreak.

    I still remember the day I lined up in front of the PBB House just to get tickets for the grand finale of Pinoy Dream Academy. I was rooting hard for her even then. Standing in that long line felt worth every minute because I knew I had to be there. I made it inside the Smart Araneta Coliseum and watched it all unfold live. When they crowned her Grand Star Dreamer and the stage lifted her as she sang “Salamat,” something shifted. That moment felt bigger than a reality show win. It felt like the start of something lasting.

    Twenty years later, in the exact same venue, she ended Biyaheng Bente with that same song. Full circle. The girl who once stood elevated under those lights as a new champion closed her historic two-night anniversary run the same way, grateful, emotional, and still singing from the heart. Glad I stood in that line all those years ago. Glad I got to witness both beginnings and this beautiful continuation.

    On Day 2 of Biyaheng Bente, Yeng Constantino didn’t just celebrate twenty years. She invited everyone to ride with her through every era, every scar, every quiet victory.

    From the wide-eyed Grand Star Dreamer of Pinoy Dream Academy in 2006 to the Pop Rock Royalty who sold out two nights at the Big Dome, the journey has never felt manufactured. It always felt like hers, honest, a little rough around the edges, and full of heart.

    She wrote “Hawak Kamay” at fourteen, in their house, when the world still felt small and the ache of a cousin leaving felt enormous. It wasn’t crafted for radio. It was a letter: Hawak-kamay, ‘di kita iiwan sa paglakbay. Dito sa mundong walang katiyakan. That same song later carried her through the Academy and into the hearts of a generation. On stage two decades later, it still lands with the same quiet power.

    Before any of the fame, there was a father who believed hard enough to borrow money so his daughter could have her first guitar. That instrument wasn’t just wood and strings. It was permission. It was the first real step from dreaming about making music to actually doing it, turning the dream into something she could hold, play, and eventually share with the world. You could feel that origin story in every note she sang that night. The girl who once practiced in a house without all the advantages is the same woman still commanding the Big Dome with a voice that refuses to soften or fade.

    And what a voice. After twenty years of live shows, studio sessions, and life itself, Yeng’s vocals remain startlingly strong, rich, controlled, and full of the same emotional honesty that made people fall in love with her in the first place. She moved through her entire catalogue with ease: the early hits that defined an era, the deeper cuts, the songs that soundtracked first loves and long nights.

    The setlist felt less like a greatest-hits medley and more like opening a well-worn photo album. Nostalgic without being stuck in the past. Wide enough to hold every version of the people who showed up.

    The surprises made the night even more special. Empoy turned “Chinito” into pure laughter and chaos in the best way. mrld, Angela Ken, Kyla, Sam Milby, the legend Ogie Alcasid, and JR Jimenez each stepped into the light and reminded everyone how far the ride has stretched. When Janine Bernine joined her, the two powerhouses traded lines and pushed each other, their voices locking and lifting in a friendly vocal fight that left the arena roaring. These weren’t just guest spots. They felt like friends who had been on the same long road, stopping by to say the journey was worth it.

    Outside, the weather was unkind. Two sold-out shows, people still came, Yengsters who grew up with her music, newer fans discovering the catalogue for the first time, families who had passed the songs down. The Big Dome felt full in the way that matters most: not just bodies, but shared history.

    At the end, the emotion finally broke through. Yeng stood there, flowers in hand from her husband, Yan, and the weight of twenty years landed all at once. She cried. She kissed him on stage. The arena watched a private moment made public, the quiet gratitude of a woman who never forgot how hard the early years were, how much her father sacrificed, how many hands had held hers along the way. She closed the historic two nights the only way that felt right: with “Salamat.”

    Salamat for the songs written in small rooms.

    Salamat for the borrowed money that bought a first guitar.

    Salamat for the fans who showed up in the rain.

    Salamat for a voice that still carries after two decades.

    Salamat for the long biyahe that somehow still feels like it’s only just beginning.

    On Day 2 of Biyaheng Bente, Yeng Constantino didn’t just look back. She held the hands of everyone who had ridden with her, and kept driving forward. Twenty years in, the music still feels like home.

    Don’t miss Biyaheng Bente on September 20 at the SM Seaside Cebu Arena. Tickets are available at https://smtickets.com/events/view/18067

    Presented by Cornerstone Entertainment

  • Dylan Burton and AJ Colico to Present at the 11th PPOP Music Awards as Philippine Pop Enters a New Decade

    Dylan Burton and AJ Colico to Present at the 11th PPOP Music Awards as Philippine Pop Enters a New Decade

    Rising artists and digital creators Dylan Burton and AJ Colico are set to take the stage as presenters at the 11th PPOP Music Awards, happening October 18, 2026, at the Araneta Coliseum.

    Produced and presented by Noble Life International, the ceremony will celebrate Philippine pop music and culture as P-pop enters a new decade—one increasingly shaped by digital platforms, passionate fandoms, and artists who move fluidly across music, performance, and entertainment.

    For Burton and Colico, their roles as presenters mark another milestone in careers that reflect the changing landscape of Filipino pop. Both first gained wider recognition through the Korean-Filipino survival program Be The NEXT: 9 Dreamers, which brought together aspiring performers pursuing careers in the idol industry. Since then, they have expanded beyond the survival-show format, building audiences through digital content while pursuing music and live performance. In 2026, both were introduced as official artist talents of iMe Philippines, marking a new chapter in their careers as recording artists.

    Their journey from aspiring idols to performers and creators makes their appearance at the PPOP Music Awards particularly fitting as they help present and celebrate the artists who are making their mark on Philippine pop.

    Dylan Burton, who competed on Be The NEXT: 9 Dreamers as Dylan, has continued developing his career in music, performance, and digital entertainment. In April, Burton and Colico headlined the Fanverse Experience: Closer Than Ever at the SM Mall of Asia Music Hall, where Burton performed his solo release “Di Pala Ako.” The event highlighted the pair’s growing connection with their fanbase while introducing audiences to their development as recording artists. His appearance at the PPOP Music Awards adds another major stage to that trajectory, this time placing him in the role of presenter alongside fellow artists and personalities from the Philippine pop scene.

    AJ Colico has similarly built a multifaceted career spanning music, acting, digital content, and live entertainment. Following Be The NEXT: 9 Dreamers, Colico established himself as a digital creator and livestream personality while pursuing opportunities in music and acting. His growing online audience has become an important part of his career, allowing him to connect directly with a generation of fans who increasingly discover and support artists through social media. Colico has released songs including “Nandito Ako” and “Hi Hello,” and has also collaborated with Burton, Francis Adaya, and MNL48 on “Wonderful Moments.”

    Their participation in the 11th PPOP Music Awards comes at a pivotal moment for Philippine pop. Over the past decade, P-pop has grown from a developing local movement into a wider ecosystem encompassing artists, producers, dancers, creators, fandoms, and live entertainment. Its next chapter is increasingly defined by performers who can move between music, social media, and other forms of popular culture.

  • Stell’s Crazy Live Showcase: Still the Vocal King

    Stell’s Crazy Live Showcase: Still the Vocal King

    On August 28, 2026, the Crazy Live Showcase went live on YouTube, and for a couple of hours, the timeline, the chats, and countless living rooms belonged to one voice. Not the polished studio version. Not the layered track. Just Stell — raw, present, and completely in control of a gift he’s spent years refining in front of us.

    It felt like a quiet, heartfelt checkpoint in a journey that started long before the solo releases. From the early days of SB19, when Stell’s high notes and effortless runs already made people sit up straighter, through the group’s hard-fought rise, to the moment he stepped into his own room with songs like “Room,” “Anino,” and “’Di Ko Masabi.” Every time he chose to push a little further instead of playing it safe, it all led here.

    Last night, that journey showed. You could hear the growth in the way he approached the softer moments, the emotional weight in the bridges, and then the sudden, breathtaking power when he opened up. Those signature vocal runs still hit like a surprise every single time , clean, agile, and somehow still full of feeling. He doesn’t just hit the notes; he rides them, bends them, and makes them sound inevitable.

    When he moved from low, controlled tones into soaring highs with those runs layered on top, it was the kind of moment that makes you freeze mid-scroll and just listen.

    Then came the moment many are still talking about: his English-Spanish version of Bruno Mars’ “Risk It All” (also known as “Lo Arriesgo Todo”). Stell moved between the two languages with such natural ease it felt like the song had always belonged to him. The romantic, almost bolero-like delivery demanded both control and vulnerability, and he delivered both.

    When Stell took his new single “Crazy”, it made feel like a private conversation that somehow thousands of people were lucky enough to overhear. From the very first phrase, you could hear the care. The restraint. The quiet decision to let the emotion lead before the power showed up.

    And then the runs came. God, those runs. 😱

    Those high notes didn’t just reach the sky, they lived there. Bright, open, completely unforced. He didn’t push. He didn’t strain. He simply arrived at the top of his range like it was the most natural place in the world for his voice to be, held the notes with quiet confidence, and still had enough left to shape them or slip another clean little run on the way down.

    This is why people keep calling him the Vocal King. Not just because he can do things most people can’t, but because he does them with so much honesty. There’s no showing off. Just a man who knows his voice inside out and still treats every song like it matters.

    “Crazy” itself took on a different life live. The vulnerability in the lyrics met the strength of that voice, and the combination felt intimate.

    “Crazy” already sounded special on the record. Last night, with those wild-but-precise runs and those sky-high notes ringing so clean and true, it became something that stays with you long after the stream ends.

    As always, you could sense his gratitude , the same Stell who has always seemed a little shy about the spotlight still showing up fully for the people who’ve walked with him. The same artist who once wondered if his voice was enough, now standing in a space he carved out for himself, singing like he belongs there because he does.

    Berries and A’TIN have watched him grow in real time: the boy who danced and sang his heart out in the group, the one who stepped solo with “Room,” the one who keeps choosing honesty over safety in his music. Last night felt like a thank-you and a promise at the same time. The voice is still powerful. The runs still take your breath away. The king still wears the crown lightly, with that familiar mix of humility and quiet fire.

    If you missed it, the stream is still up. Go back. Watch the way he leans into the emotion. Listen to those runs again. And remember that this is what years of showing up look like, not just talent, but heart, discipline, and a voice that keeps finding new ways to say something true.

    Thank you, Stell. For the voice. For the journey. For still making us go a little crazy in the best way possible.

    Setlist:
    Classic
    Room
    Risk It All (Bruno Mars)
    Lay Me Down (Sam Smith)
    Di Ko Masabi
    Anino
    Tattooed Heart (Ariana Grande)
    Die On This Hill (Sienna Spiro)
    Crazy

    Special thanks to 1Z Entertainment

  • K-POP LEGENDS BIGBANG TO PERFORM AT SMDC FESTIVAL GROUNDS IN MANILA ON UPCOMING WORLD TOUR IN CELEBRATION OF 20TH ANNIVERSARY!

    K-POP LEGENDS BIGBANG TO PERFORM AT SMDC FESTIVAL GROUNDS IN MANILA ON UPCOMING WORLD TOUR IN CELEBRATION OF 20TH ANNIVERSARY!

    -DRAGON, TAEYANG AND DAESUNG TO RETURN TO MANILA; TICKETS GO ON SALE FROM 17 SEPTEMBER 2027 ONWARDS.

    BIGBANG is back! Legendary K-POP icons BIGBANG are finally making their epic return to the world stage for the BIGBANG 2026-2027 WORLD TOUR < XX : COSMOS >. It has been 9 years since their last tour as a group and this time, G-DRAGON, TAEYANG, and DAESUNG, will be performing a total of 33 shows, in world-class stadiums across the globe.

    2026 marks the band’s 20th anniversary, a monumental milestone and cultural moment for BIGBANG and their fans – the V.I.P. Over the years, BIGBANG has revolutionized the music industry and set the global groundwork for the current K-POP phenomenon. V.I.P worldwide can look forward to the band’s signature stage presence, energetic choreography and sing-along moments to fan-favourite tracks.

    BIGBANG 2026-2027 WORLD TOUR < XX : COSMOS > IN MANILA, is promoted by AEG Presents Asia and Ovation Productions, Inc. with YG Entertainment. The band’s return to Manila will take place at the SMDC Festival Grounds at Parañaque, City, on 20 February 2027 (Sat). 

    BIGBANG V.I.P MEMBERSHIP PRESALEV.I.Ps (BIGBANG’s fandom) can sign up for the BIGBANG V.I.P MEMBERSHIP SURVEY via BIGBANG’s official b.stage platform from 7 September (Mon), 10AM PHT till 11 September (Fri), 11:59PM for the BIGBANG V.I.P MEMBERSHIP PRESALE, which begins 17 September (Thu), 10AM to 11:59PM PHT. Do note that only fans who have signed up for the survey will be eligible for these presale tickets.  

    GENERAL ON SALE: General on sale begins 21 September (Mon) at 10AM PHT. Tickets can be purchased via SM Ticketmaster and more details can be found on BIGBANG’s official website

    BIGBANG’s return to Asia will start at the Taipei Dome, followed by a performance at the Singapore National Stadium. The tour will then head to Hanoi at the My Dinh National Stadium, and then the Rajamangala National Stadium in Bangkok. The Asia tour will continue in 2027, with stops in Kuala Lumpur at the TM Stadium NasionalJakarta International Stadium, the SMDC Festival Grounds in Manila and finally conclude at the Kaohsiung National Stadium.

    Official photo from G-DRAGON official Instagram @xxxibgdrgn

    BIGBANG 2026-2027 WORLD TOUR < XX : COSMOS > IN MANILA | Show Details

    Date20 September 2027 (Sat) 
    VenueSMDC Festival Grounds
    BIGBANG V.I.P MEMBERSHIP SURVEY 7 September (Mon), 10AM to 11 September (Fri), 11:59PM PHT
    https://bigbang.bstage.in 
    BIGBANG V.I.P MEMBERSHIP PRESALE17 September (Thu), 10AM to 11:59PM PHT
    General On Sale21 September (Mon), 10AM PHT onwards 
    Ticket Linkhttps://artist.ygfamily.com/ARTISTS/BIGBANG/concert/worldtour/index.html 
    https://ticketmaster.ph/activity/detail/27ph_bigbang2027 
    Ticket Prices BIGBANG ULTIMATE VIP PACKAGE – PHP25,888 (Standing)
    One (1) CAT 1 General Admission Standing Ticket
    Set of BIGBANG Photocards
    Exclusive set includes four (4) custom BIGBANG photocards
    On-site VIP PerksDedicated check-in
    Dedicated ‘fast lanes’ at venue for official merchandise shopping
    VIP Merchandise
    Special BIGBANG VIP Tour Gift (designed exclusively for VIPs)
    Souvenir VIP Laminate & Matching Lanyard
    BIGBANG DIAMOND VIP PACKAGE – PHP23,888 (Seated) 
    One (1) CAT 1 Reserved
    Seated TicketSet of BIGBANG Photocards
    Exclusive set includes four (4) custom BIGBANG photocards 
    On-site VIP Perks
    Dedicated check-in
    Dedicated ‘fast lanes’ at venue for official merchandise shopping
    VIP Merchandise
    Special BIGBANG VIP Tour Gift (designed exclusively for VIPs)
    Souvenir VIP Laminate & Matching Lanyard 
    BIGBANG GOLD VIP PACKAGE – PHP21,888 (Seated)
    One (1) CAT 1 Reserved Seated Ticket*
    Set of BIGBANG Photocards
    Exclusive set includes four (4) custom BIGBANG photocards 
    On-site VIP Perks
    Dedicated check-in
    VIP Merchandise
    Special BIGBANG VIP Tour Gift (designed exclusively for VIPs)
    Souvenir VIP Laminate & Matching Lanyard
    * Venue seating configurations and package locations can vary by city. 
    ** BIGBANG does not participate in any VIP activities. VIP Packages do not include a Meet & Greet or Photographs with members of BIGBANG.
    Category 1 – PHP19,888 (Seated) 
    Category 2 – PHP18,888 (Seated)
    Category 3 – PHP17,888 (Seated)
    Category 4 – PHP11,888 (Seated)
    Category 5 – PHP9,888 (Seated – Partial Restricted View)
    Category 6 – PHP9,888 (Standing)
    Category 6 – PHP4,888 (Standing)

    BIGBANG 2026-2027 WORLD TOUR < XX : COSMOS > | Tour Dates

    DateCityVenue
    21 & 22 & 23 August 2026GoyangGoyang Stadium
    4 & 5 September 2026OaklandOakland-Alameda County Coliseum
    11 September 2026East RutherfordMetLife Stadium
    19 September 2026ParisStade de France
    26 September 2026LondonTottenham Hotspur Stadium
    10 & 11 October 2026 TaipeiTaipei Dome
    17 October 2026SingaporeNational Stadium
    24 & 25 October 2026HanoiMy Dinh National Stadium
    31 October 2026SydneyAccor Stadium
    7 November 2026BangkokRajamangala National Stadium
    13, 14 & 15 November 2026Hong KongKai Tak Stadium 
    27, 28, 29 November 2026OsakaKyocera Dome Osaka
    5 & 6 December 2026NagoyaVantelin Dome Nagoya
    13, 14 & 15 December 2026TokyoTokyo Dome
    26 & 27 December 2026 FukuokaMizuho PayPay Dome FUKUOKA
    9 January 2027Kuala LumpurTM Stadium Nasional
    16 January 2027JakartaJakarta International Stadium
    20 FebruaryManilaSMDC Festival Grounds
    27 & 28 February 2027KaohsiungKaohsiung National Stadium
  • IAM WORLDWIDE CELEBRATES 9TH ANNIVERSARY WITH STAR-STUDDED “9RACE” MUSIC FESTIVAL!

    IAM WORLDWIDE CELEBRATES 9TH ANNIVERSARY WITH STAR-STUDDED “9RACE” MUSIC FESTIVAL!

    IAM Worldwide celebrates its 9th Anniversary in a big way with “9RACE” (GRACE), an anniversary celebration and music festival – featuring Secondhand Serenade, Apl de Ap, IYAZ, KZ Tandingan, TJ Monterde, and Dionela on October 4, 2026 at the Araneta Coliseum. Organized by Wilbros Live.

    Leading the international line-up is Secondhand Serenade, the acclaimed emo-pop project of singer-songwriter John Vesely, best known for the multi-platinum anthem “Fall For You,” along with fan favorites “Your Call,” “Vulnerable,” and “A Twist in My Story.”

    Filipino-American superstar Apl de Ap, co-founder and member of the Grammy Award-winning Black Eyed Peas, brings the party with global anthems including “I Gotta Feeling,” “Boom Boom Pow,” “Where Is The Love?” and Filipino favorites “Bebot” and “The APL Song.” Also joining the celebration is international R&B and pop hitmaker IYAZ, whose worldwide smash “Replay” became one of the defining pop hits of its era, alongside favorites “Solo” and “Pretty Girls.”

    Representing OPM are three of the country’s most exciting performers: powerhouse vocalist KZ Tandingan; acclaimed singer-songwriter TJ Monterde, behind hits such as “Palagi” and “Dating Tayo”; and rising R&B sensation Dionela, whose massive hits “Sining” and “Marilag” have made him one of today’s leading voices in Filipino music.

    From nostalgic international favorites to today’s biggest OPM hits, 9RACE (GRACE) brings generations of music fans together as IAM Worldwide celebrates nine years of empowering lives, creating opportunities, and promoting healthy living.


    Tickets are available at IAM Worldwide office. For more information, please visit IAM Worldwide’s official accounts on Facebook and Instagram.

  • HANA, 4EVE and BINI Unite for Cross-Border “ASIA POP GIRL FEST 2027”

    HANA, 4EVE and BINI Unite for Cross-Border “ASIA POP GIRL FEST 2027”

    Japan, Thailand and the Philippines’ new-generation girl groups will share the stage across three countries in a special three-act live series.

    Japan’s HANA, Thailand’s 4EVE and the Philippines’ BINI have been announced as the acts for “ASIA POP GIRL FEST 2027,” a special three-act concert series that will bring the three groups together across Japan, Thailand and the Philippines in January and February 2027.

    The festival will feature individual performances from each group, alongside special collaborative stages created specifically for the event—bringing together three distinct pop scenes and giving fans the opportunity to see HANA, 4EVE and BINI share the stage.

    The series is set to kick off in Japan with two shows at LaLa arena TOKYO-BAY in Chiba on January 22 and 23, 2027. The festival will then head to Bangkok for a show at BITEC LIVE on February 13, before concluding in Manila at the SM Mall of Asia Arena on February 19.

    Further details, including ticketing information for the Bangkok and Manila shows, will be announced at a later date.

    Three Girl Groups, Three Pop Scenes

    Produced by Chanmina, HANA is a seven-member Japanese girl group composed of CHIKA, NAOKO, JISOO, YURI, MOMOKA, KOHARU and MAHINA. The group has built its identity around the members’ distinct personalities and backgrounds, combining individual expression with a strong sense of unity.

    Known for their powerful live performances, emotionally direct lyrics and authentic personalities, HANA represents a new generation of Japanese girl groups making their mark on the music scene.

    Joining them is 4EVE, one of Thailand’s leading T-POP girl groups. Composed of Mind, Jorin, Taaom, Hannah, Fai, Punch and Aheye, the group has become known for its girl-crush image, energetic performances and growing international presence.

    4EVE debuted in 2020 with “OOH LA LA!” before breaking through with “TEST ME” (วัดปะหล่ะ?), which reached No. 1 on Spotify Thailand. Since then, the group has earned major awards in Thailand and performed at some of the country’s biggest music festivals.

    Their international profile has continued to grow. 4EVE became the first Thai girl group to be named Spotify Global EQUAL Ambassadors, with the group also appearing on the iconic Times Square billboard in New York City. They have since performed at international events including Head In The Clouds in Los Angeles and MUSIC EXPO LIVE 2025 at Tokyo Dome.

    Representing the Philippines is BINI, the eight-member group known as “The Nation’s Girl Group.” Composed of Aiah, Colet, Gwen, Maloi, Stacey, Jhoanna, Mikha and Sheena, BINI has become one of the country’s biggest pop acts while steadily expanding its international reach.

    The group reached another milestone in 2026 as the first Filipino homegrown act to perform at Coachella. Their performance of “Pantropiko” also became the most-viewed performance by a female artist at this year’s festival and trended No. 1 worldwide.

    BINI was also recognized with the Global Force Award at Billboard Women in Music and performed at San Diego Comic-Con in July as part of the soundtrack of Forgotten Island, a DreamWorks Animation film centered on Philippine folklore and mythology.

    With more than 2 billion streams across multiple digital streaming platforms, BINI continues to expand its global footprint. Their latest EP, Signals, has charted in multiple territories on iTunes and earned placements on Spotify editorial playlists.

    The group has also received international recognition from organizations including the MTV Europe Music Awards, Billboard Korea’s K POWER 100 and Forbes Asia’s 30 Under 30.

    BINI previously made history with three sold-out nights of The Grand BINIVERSE, becoming the first Filipino girl group to achieve the feat, before taking their music to international audiences through the BINIVerse World Tour in 2025. In 2026, they became the first act to perform at the newly opened SM Seaside Cebu Arena, kicking off their Signals World Tour.

    Asia to the World

    “ASIA POP GIRL FEST 2027” arrives at a moment when Asian pop continues to cross borders at an unprecedented pace. By bringing together artists from Japan, Thailand and the Philippines, the festival puts three rapidly evolving music scenes on the same stage.

    For fans, the appeal goes beyond seeing three groups perform on the same bill. The promise of exclusive collaborative stages gives the festival a chance to create performances that could not happen within any one group’s individual concert—a meeting point for J-pop, T-pop and P-pop.

    From Chiba to Bangkok to Manila, HANA, 4EVE and BINI will take their respective sounds across borders for a celebration of the region’s next generation of girl-group stars.

    “ASIA POP GIRL FEST 2027” will take place at the following venues:

    Chiba, Japan
    LaLa arena TOKYO-BAY
    January 22 and 23, 2027

    Bangkok, Thailand
    BITEC LIVE
    February 13, 2027

    Manila, Philippines
    SM Mall of Asia Arena
    February 19, 2027

    Ticketing details and further information for the Bangkok and Manila shows will be announced at a later date.

  • Ben&Ben’s “Leaves (Reimagined)” Gives a Beloved Classic New Meaning

    Nearly a decade after its original release, the band revisits “Leaves” with a fuller sound and a deeper perspective on forgiveness, growth, and second chances.

    Some songs grow alongside the people who listen to them. Nearly a decade after “Leaves” first became a defining song for Ben&Ben, the award-winning band is giving its enduring ballad a new life with “Leaves (Reimagined),” an expansive reinterpretation shaped by years of change, experience, and growing together.

    Rather than recreate the original, “Leaves (Reimagined)” approaches the song from a more mature emotional perspective. Orchestral arrangements sit alongside the band’s familiar sound, adding dimension to the quieter passages while allowing the song’s emotional peaks to land with greater weight.

    The band says the reimagining was partly inspired by the emotional complexity that comes with growing older.

    “We wanted to highlight how much more dynamic life is emotionally when you grow up and grow older, and for this project, we wanted to explore the use of orchestral sounds playing alongside the band. This is because we wanted to make the quiet parts more nuanced and the grand parts more emotional, but in a ‘lived-in’ way.”

    That lived-in quality is what separates “Leaves (Reimagined)” from a straightforward remake. The song now exists in the context of everything Ben&Ben and its Liwanag have experienced since the original was released—from love and loss to uncertainty, change, and the relationships that endure through it all.

    “Since we have grown up—and so have our* Liwanag*—in the past nine years, we wanted to encapsulate what that experience is like through the lyrics of this song,” Ben&Ben shares. “We think that if we are to live a life with someone constant with us, whether it be family, a best friend, or a romantic partner, the concept of giving someone another chance will always be a given.”

    At its core, the reimagined track finds new resonance in the idea of second chances. As people grow older, relationships inevitably evolve, and forgiveness can become less about forgetting what happened and more about choosing to continue moving forward together.

    The band previously explored this approach with “Lifetime (Reimagined),” but says that revisiting “Leaves” opened an entirely different creative path.

    “Leaves definitely demanded a different creative process,” Ben&Ben says. “One cool discovery we had was that even in the process of breathing new air into each song, continuing their respective stories leads into very different trajectories in many layers: melodically, lyrically, and musically. Each song really has a life of its own.”

    That idea of songs having lives of their own feels especially fitting for “Leaves,” a track that has remained part of Ben&Ben’s story as the band has evolved. What once spoke to listeners through its understated tenderness can now be heard through a more expansive sonic palette and the perspective of artists who have spent years growing alongside their audience.

    The reimagining arrives during another significant chapter for Ben&Ben. In June, the band was named Duo/Group Artist of the Year at the 17th PMPC Star Awards for Music, recognizing its work on its latest album, The Traveler Across Dimensions.

    The group is also nominated at the 39th Awit Awards, including nods for Record of the Year, Best Performance by a Group, and Best Pop Recording for “Saranggola.”

    Those milestones lead into another major moment for the band: Saranggola: The Concert, set for October 2 at the Smart Araneta Coliseum. The show promises to bring together the music, memories, and community that have defined Ben&Ben’s journey.

    With “Leaves (Reimagined),” the band similarly looks back while keeping its eyes on what comes next. It is a song that has changed because the people behind it have changed—and because the listeners who found meaning in it have grown, too.

    Nearly nine years later, “Leaves” is no longer simply a song about a particular moment. In its new form, it becomes a reflection on what it means to stay, forgive, grow, and choose another chance.

    Ben&Ben’s “Leaves (Reimagined)” is out now on all digital music platforms worldwide via Sony Music Entertainment.

  • SB19’s Stell Gets “CRAZY” About Love, Heartbreak and the Ride In Between

    SB19’s Stell Gets “CRAZY” About Love, Heartbreak and the Ride In Between

    Love can be exhilarating, messy and, sometimes, painful. For SB19’s Stell, all of those contradictions come together in “CRAZY,” his latest solo single that turns the rush of falling for someone into a reflection on everything love can teach us.

    Released August 21, “CRAZY” captures the feeling of falling deeply for someone and wanting to hold on to every moment. Its accompanying music video, filmed against the backdrop of New York City, gives the song a cinematic setting for its story of romance and emotional vulnerability.

    But beneath the song’s dreamy premise is a more complicated understanding of love. Stell approaches “CRAZY” not simply as a song about being swept away by another person, but as an acknowledgment of the emotions—both exhilarating and painful—that inevitably come with opening yourself up to someone.

    That meant Stell had to fully surrender to the emotion of the song when bringing it to life. He admitted that preparing for “CRAZY” came with both excitement and nerves, particularly because he wanted to make sure he could deliver its emotional weight authentically.

    “You really have to put yourself in that state or emotion to properly deliver the message. You have to genuinely feel the emotion so you can convey the message of the song and make the audience feel that desire for love to return.”

    For Stell, that desire is only one part of the equation. Love, he says, also requires an acceptance of the possibility of getting hurt.

    “I just want to tell everyone that love is a normal thing to experience. If you’re ready to love someone, you also have to be ready to get hurt. Sometimes, pain is also what teaches us and helps us understand ourselves better, especially when we go through difficult situations.”

    It is a sentiment that gives “CRAZY” an emotional dimension beyond its romantic premise. Rather than treating heartbreak as something to simply move past, Stell sees it as an experience capable of changing the person who goes through it.

    “Love comes in all forms, so it’s normal to feel pain and sadness, and we shouldn’t be afraid of those feelings. Sometimes, I wonder if I should be thankful that I experienced heartbreak because, at the end of the day, it made me stronger. I learned a lot from that experience, and it helped me understand myself better.”

    That vulnerability carried into Stell’s live showcase on August 28, where he brought “CRAZY” to the stage in a free livestream for fans. The showcase also offered a glimpse into the breadth of his solo work, with Stell performing other songs from his repertoire, including his 2024 single “Room” and “Classic.”

    The performance placed “CRAZY” alongside songs that have helped establish Stell’s identity as a solo artist, allowing him to explore different shades of his artistry while keeping his vocals and emotional delivery at the center.

    For Stell, however, the song ultimately belongs as much to the listener as it does to him. He hopes “CRAZY” can make people revisit their own stories—the unexpected encounters, exhilarating highs, painful lows and unforgettable moments that become part of growing through love.

    The goal is not necessarily to romanticize the hurt, but to recognize what remains after it: the lessons learned, the strength gained and the person one becomes along the way.

    And when all is said and done, Stell wants listeners to be able to look back at the entire experience and simply say: “Wow, it was a crazy ride.”

    “CRAZY” is now available worldwide on major digital streaming platforms, accompanied by its official music video.

  • From Barkada Binge-Watches to Cozy Family Stay-Ins: Netflix Has Got Your September Covered!

    From Barkada Binge-Watches to Cozy Family Stay-Ins: Netflix Has Got Your September Covered!

    Photo courtesy of Netflix

    You have to admit—sometimes, the best plans are the ones that don’t require you to leave the house! You could be a bookworm itching to crack open a book from your TBR pile, someone who honors the sacred rituals of your “me time”, or simply an avid film (or series) buff just itching to press play on the next interesting title on your homescreen!

    No matter what kind of viewer you are, Netflix is here to deliver.

    So whether you’re in the mood to schedule a watch party with your friends, settle in comfortably on the couch with the whole family, or just want to step into make-believe worlds for an hour (or two!), there is something for you to stream this September on Netflix Philippines.

    For the nine-to-fiver hoping to shake off a long day of work:
    Treat these titles as your much-awaited rewards for surviving the work days!

    CREW GIRL
    Launch date: September 10
    Synopsis: After a family scandal, teen rower Teagan Tao moves to a small town and joins an elite prep school’s all-boys crew, sparking rivalry and attraction.

    Photo courtesy of Netflix

    THE SCANDAL
    Launch date: September 19
    Synopsis: In Joseon, a secret proposal ignites hidden desires in a gifted noblewoman, a famed lover and an unsuspecting lady caught in their dangerous game.

    Photo courtesy of Netflix

    KIAN’S BIZARRE B&B: SEASON 2
    Launch date: September 22
    Synopsis: Kian84 hosts a one-of-a-kind B&B in the snowy mountains with Kim Yeon-koung, Lee Jun-ho and Kazuha — where an unforgettable adventure awaits the guests.

    Photo courtesy of Netflix

    For the midweek dreamer wanting an escape:
    Break slightly away from routine and into interesting titles that take you somewhere else.

    LOVESICK
    Launch date: September 2
    Synopsis: During the Mexican Revolution, Emilia Sauri pursues her dream of becoming a doctor, defying convention in search of love, purpose and independence.

    Photo courtesy of Netflix

    CALL MY AGENT! THE MOVIE
    Launch date: September 10
    Synopsis: Five years after ASK Agency closed, debut director Andréa loses her lead actor just days before filming and reunites her old team — for better or worse.

    Photo courtesy of Netflix

    THE FINAL PROBLEM
    Launch date: September 25
    Synopsis: A fading actor must use his famous characters’ detective skills to solve a suspicious death at an isolated hotel where everyone becomes a

    Photo courtesy of Netflix

    For whoever’s scheduling the next barkada watch party:
    Fire up the group chat, rally the troops, and get the snacks ready. The theme? Exciting thrillers.

    MONSTER: THE LIZZIE BORDEN STORY
    Launch date: September 17
    Synopsis: Trapped in a cruel Victorian-era household, Lizzie Borden kills her parents in a gory ax murder that shocks the nation.

    Photo courtesy of Netflix

    PLASTIC BEAUTY
    Launch date: September 17
    Synopsis: When a gifted ER surgeon is thrust into cosmetic medicine, her clash with a celebrity doctor exposes the greed and desire beneath the glamour.

    Photo courtesy of Netflix

    DELUSION
    Launch date: September 24
    Synopsis: A woman’s life spirals when her father’s dementia makes him a prime suspect in a murder — and the villagers believe he’s possessed by a malevolent ghost.

    Photo courtesy of Netflix

    For the family’s designated at-home-viewing planner:
    Gather everyone on the couch for a much-deserved bonding sesh with la familia before another week begins.

    WHY DID I GET MARRIED AGAIN?
    Launch date: September 9
    Synopsis: The couples reunite for the destination wedding of Marcus and Angela’s daughter, bringing drama old and new as they ask, “Why did we get married again?”

    Photo courtesy of Netflix

    STRANGER THINGS: TALES FROM ‘85: SEASON 2
    Launch date: September 17
    Synopsis: With Valentine’s Day on the way, the gang must uncover the truth behind ghostly apparitions and a swarm of strange creatures causing chaos around town.

    Photo courtesy of Netflix

    BEST OF THE BEST
    Launch date: September 18
    Synopsis: Two childhood besties join UCLA’s competitive Bollywood-fusion dance team, only to find the road to the US championships is fiercer than they imagined.

    Photo courtesy of Netflix

    Stream, download, and enjoy films and series anytime, anywhere on Netflix.

  • FILM CONCERTS PH PRESENTS HOME ALONE IN CONCERT!

    FILM CONCERTS PH PRESENTS HOME ALONE IN CONCERT!

    Concert Features John Williams’ Academy Award®-Nominated Score

    Performed Live to Film by the Filharmonika Orchestra

    Conducted by Gerard Salonga

    December 19–20, 2026, at The Theatre at Solaire

    This December, the holiday season arrives with one unforgettable cry: “Kevin!” as Film Concerts PH presents its first-ever holiday film concert, Home Alone in Concert, at The Theatre at Solaire on December 19 and 20, 2026. Celebrating the 35th anniversary of the beloved Christmas classic, the production features John Williams’ Academy Award®-nominated score performed live to picture by the 85-member Filharmonika Orchestra, conducted by Maestro Gerard Salonga, together with the 48-member Philippine Madrigal Singers.

    A true holiday favorite, Home Alone remains one of the most cherished Christmas films of all time and the second highest-grossing Christmas film in history. Written and produced by John Hughes and directed by Chris Columbus, the 1990 comedy stars Macaulay Culkin as Kevin McCallister, an eight-year-old boy who is accidentally left behind when his family leaves for Christmas vacation and must defend his home against two bungling thieves.

    The concert features some of the film’s most beloved musical moments, including “Somewhere in My Memory,” “Star of Bethlehem,” “O Holy Night,” and “Carol of the Bells,” performed live as the film unfolds on the big screen.

    Home Alone received two Academy Award® nominations for Best Original Score and Best Original Song (“Somewhere in My Memory”), as well as a Golden Globe nomination for Best Motion Picture – Comedy or Musical, cementing its place as one of the most enduring holiday classics ever made.

    Since premiering in Cleveland, Ohio in 2013, Home Alone in Concert has become a seasonal favorite with orchestras and audiences around the world, making its long-awaited Philippine debut this December.

    Pre-sale access begins on August 28 at 10:00 AM, exclusively for members of the Film Concerts PH community. To gain early access to tickets and special ticket discounts, register at https://www.filmconcerts.ph/community

    Public ticket sales begin on September 8 at 12:00 PM via Ticketworld.com.ph.

    Don’t get left behind this holiday season—secure your tickets early for Home Alone in Concert.

  • THEATRE GROUP ASIA BRINGS BROADWAY’STHE NOTEBOOK: THE MUSICAL TO MANILA FOR ITS INTERNATIONAL PREMIERE THIS SEPTEMBER 3!

    THEATRE GROUP ASIA BRINGS BROADWAY’STHE NOTEBOOK: THE MUSICAL TO MANILA FOR ITS INTERNATIONAL PREMIERE THIS SEPTEMBER 3!

    (STANDING, L-R) Omar Uddin, Jamie Wilson, Floyd Tena, Kathleen Francisco, Carla Guevara Laforteza, Gimbey dela Cruz, Markki Stroem, Shaun Ocrisma, Edward Benosa, Katrine Sunga, Felicity Kyle Napuli, Albert Silos, and Justine Narciso (SITTING, L-R) Laurence Mossman, Morissette, Rody Vera, Nicholas Polonio, Celeste Legaspi, Sheena Belarmino, and Benedix Ramos

    Theatre Group Asia (TGA) brings one of the most beloved love stories of all time to the Philippine stage with the international premiere of The Notebook: The Musical, running September 3–20, 2026 at the Samsung Performing Arts Theater in Circuit Makati. Based on Nicholas Sparks’ bestselling novel and the beloved 2004 film, the musical features music and lyrics by acclaimed singer-songwriter Ingrid Michaelson and a Tony-nominated book by Bekah Brunstetter.

    Opening TGA’s 2026–2027 season, The Notebook: The Musical marks a significant milestone for Philippine theatre as the first international production of the Broadway musical. The Manila staging brings together an acclaimed Filipino-led creative and performing company, placing Filipino artistry at the center of a story that has captivated audiences around the world.

    The musical follows Allie and Noah, whose extraordinary love story unfolds across multiple stages of their lives. Through memory, time, separation, and the choices that shape a lifetime, The Notebook: The Musical explores what it means to love someone deeply, to grow alongside them, and to hold on to the stories that make us who we are.

    The Manila production is directed by Filipino-American theater director Nicholas Polonio, who returns to the Philippines to helm the international premiere. Based in New York City, Polonio is known for crafting emotionally rich productions and nuanced, deeply human performances. His directing credits include The Self Improvement and Male Preservation Society, or S.I.M.P.S., Mary Stuart, The Police, and POV: U Run Joe Biden’s TikTok, alongside development work with organizations including Ars Nova, New York Theatre Workshop, Ensemble Studio Theatre, Bedlam, Ma-Yi Theater Company, Williamstown Theatre Festival, Hangar Theatre, and Audible Theater.

    A former New York Theatre Workshop 2050 Directing Fellow and Drama League Hangar Directing Fellow, Polonio has also participated in the Ma-Yi Writers Lab, Mercury Store Directors Lab, Roundabout Directors Group, Williamstown Theatre Festival Directing Corps, and Young Vic Genesis Directors program. He currently leads a directing seminar at New York University.

    At the heart of the production is Ingrid Michaelson’s original score, which brings a contemporary musical sensibility to the timeless romance. Known for her intimate songwriting and emotionally resonant pop sound, Michaelson’s music gives voice to the characters’ memories, hopes, fears, and enduring devotion.

    With a story that moves between youth and old age, The Notebook: The Musical examines love not simply as a grand romantic gesture, but as a choice made repeatedly across a lifetime. The production asks what remains when memory fades, circumstances change, and two people must find their way back to one another.

    Performances run from September 3 to 20, 2026 at the Samsung Performing Arts Theater, Circuit Makati. Tickets are available through TicketWorld, with prices ranging from ₱900 to ₱5,500.

    Theatre Group Asia’s 2026–2027 season is made possible with the support of Ayala Land, BPI, and Philippine Airlines.

    For more information, visit theatregroupasia.com, follow @theatregroupasia on Instagram, or visit the official Theatre Group Asia Facebook page.

    The Notebook: The Musical features music and lyrics by Ingrid Michaelson, a book by Bekah Brunstetter, and is based on the novel by Nicholas Sparks.

  • MAKI BRINGS OPM TO THE GLOBAL STAGE AT LALALA FEST MANILA!

    MAKI BRINGS OPM TO THE GLOBAL STAGE AT LALALA FEST MANILA!

    OPM hitmaker Maki continues to make his mark on the international music scene as he joined the star-studded lineup of Lalala Fest Manila and made a special appearance at British singer-songwriter Rex Orange County’s Manila concert.

    Maki performed with Rex Orange County during his one-night exclusive show at the SM Mall of Asia Arena last Thursday (Aug. 20), where he performed some of his fan-favorite tracks including “Dilaw,” “Saan?” and “kahel na langit.”

    “Totoo pala ’no, dreams do come true. Parang dati lang, nagco-cover ako ng mga Rex Orange County songs. Tapos now I’m sharing the same stage with them. We’ve come a long way, OPM,” Maki said during his performance.

    Makes a special appearance at Rex Orange County’s concert

    Maki then joined the lineup of Lalala Fest Manila last Friday (Aug. 21), sharing the stage with international acts including Steve Lacy, FLO, Two Door Cinema Club, Matthew Ifield, alongside OPM bands Ben&Ben, Over October, Dilaw, and fitterkarma.

    He also gave festivalgoers another surprise when he was joined by James Reid for a special performance of their collaboration “luck,” giving fans a live taste of their new single.

    Maki’s appearance at the festival and Rex Orange County’s concert comes as he continues to bring his music to wider audiences following his recent international activities and tour across Southeast Asia.

    Listen to “luck” by Maki and James Reid, now available on all digital streaming platforms, and stream Maki’s music on your favorite platforms. For more details, follow Tarsier Records on Facebook, X (Twitter), Instagram, TikTok, and YouTube.

    For other updates, follow @abscbnpr on Facebook, X (Twitter), Instagram, and TikTok, or visit corporate.abs-cbn.com/newsroom.

  • NEW P-POP GROUP AZTER LAUNCHES DEBUT ALBUM “UNIVERZITY”!

    NEW P-POP GROUP AZTER LAUNCHES DEBUT ALBUM “UNIVERZITY”!

    New P-pop group AZTER turns the experiences of youth into music in their debut album “univerZity,” a seven-track collection that explores friendship, heartbreak, uncertainty, healing, and self-discovery.

    The group’s name carries a special meaning, drawing inspiration from the aster, a flower associated with blooming, as well as a star that shines brightly. For AZTER, this reflects their mantra to “blossom like a flower and shine like a star.” The letter “Z” also represents one of their two sub-units, Zodiac, alongside AXIS.

    The 12-member group—Kean, Charlie, Tatin, Gee, Alas, Laurence, Wayne, Loyd, Kiel, Gem, Miguel, and Cray—builds a fictional university around “univerZity,” where each “classroom” represents a different experience and lesson. 

    The album features “Parang May Mali,” “Kupido,” “Kick Ball Challenge,” “K Dot,” “OTW,” “Unlove You,” and “Boys Night Out” composed and produced by Roel Rostata, Patrick Rodriguez, John Reinard Fernandez, Jungee Marcelo, Renz Jomel Salazar, Ron Pangyarihan, Randy Preysto, and AZTER Gee. The album was overall produced by StarPop label head Roque “Rox” Santos.

    The campus concept also reflects how AZTER sees its large lineup as one of its biggest strengths, allowing each member’s individuality to contribute to the group’s identity.

    “We have always thought that having so many members is our strength as a group, and we wanted to make use of that. We intended to incorporate school, university, and classroom themes to embody the concept that each member has different individualities, and when together, we make one great team,” AZTER said.

    Beyond performing the songs, the members were also actively involved in shaping the album’s music, visuals, concepts, and choreography.

    “Through the making of the songs, the visuals, and concepts, we made sure that we always had our input in the ideas and work. Gee has written and solely composed three songs from the album. Kean, Laurence, Kiel, Tatin, Cray, and other members, along with our coaches, brainstormed the choreography of each song,” they shared.

    Leading the album is “Parang May Mali,” which captures the frustration of feeling stuck in the same situation while holding on to the hope that things will eventually change. 

    The song immediately stood out to the members during their listening session, making them confident that it would be the right introduction to AZTER’s sound.

    “We had a listening session for the songs presented for the album. The moment we heard the demo for ‘Parang May Mali,’ everyone in the room instantly knew it was a banger and would be the perfect sound to introduce AZTER in the scene,” they said.

    Through “univerZity,” AZTER hopes to build a sound that continues to evolve beyond trends while encouraging listeners, especially the youth, to embrace their individuality, believe in themselves, and pursue their dreams.

    Listen to AZTER’s “univerZity” album, available now on all digital streaming platforms. For more details, follow AZTER on Facebook, X, Instagram, TikTok, and Spotify. For updates, follow StarPop on Facebook, X, Instagram, and TikTok

  • 11 artist set to grace the 11th PPOP Music Awards

    11 artist set to grace the 11th PPOP Music Awards

    It’s getting more exciting for the PPOP industry’s one and only culminating annual event with the gathering of PPOP stars from Luzon, Visayas, and Mindanao uniting as one force showcasing the Filipino talent, music, and culture to the world.   

    XONARA, X8, HAZEL FAITH, CALISTA, BILIB, NEO, 6ENSE, CLOUD 7, ONE SOUTH, NOVA, SYNC and more PPOP artists are joining the pre-show.

    Reserve you seat now as we come to celebrate together in the biggest venue ever with the local and international fans on this historical milestone for PPOP industry, marking the genre’s growth and increasing global recognition. 

    Get ready for this unforgettable night of Music and Wellness happening on October 18 at the Big Dome, Araneta Coliseum produced & presented by Noble Life International celebrating its 20 years of unstoppable noble deeds & health mission. 

    Our homegrown Filipino artists deserve your support. Let’s show what PPOP can achieve if we just believe.

    So get your tickets now via www.myticketseats.com