Rob Deniel’s journey is one of passion, persistence, and undeniable talent. What began as a young musician experimenting with melodies in his bedroom has now grown into a full-fledged OPM success story. Over the years, Rob has carved a unique space in the industry with his signature retro-inspired sound, soulful vocals, and honest storytelling — a combination that has consistently captivated millions.
His rise to fame accelerated through a series of viral hits that showcased both his artistry and versatility. From early breakthroughs like “Miss Miss,” and “Ang Pag-ibig,” to the more recent fan-favorite “RomCom” — a track that took social media by storm — Rob has proven his ability to create songs that stick, resonate, and inspire.
Rob continues to expand his artistry through reinterpretations of classic OPM, earning widespread praise for his heartfelt renditions of “Ikaw Sana” and “Nandito Ako.” His modern yet respectful take on these beloved hits introduced them to a new generation of listeners while honoring their legacy, further solidifying his range and musical depth.
All of this momentum built up to a career-defining moment at the recent RAAA Concert, where Rob surprised fans with the announcement that on February 27, 2026, he is officially headlining his first-ever major solo concert, The Rob Deniel Show, at the Smart Araneta Coliseum. Tickets are now available via Ticketnet.
This upcoming Big Dome milestone marks a significant leap in Rob’s already remarkable journey — a celebration of his growth, his music, and the unwavering support of fans who have been with him from his breakout days up to his recent triumphs.
As Rob Deniel steps onto one of the country’s most iconic stages next year, he isn’t just performing; he’s making history in his young career. And for fans, one thing is certain: this is a concert they will not want to miss. Special guests at The Rob Deniel Show have already been announced, which include Arthur Nery, Ashtine Olviga, Janine Teñoso, Ms. Pops Fernandez, and Mr. Ogie Alcasid.
As we look forward to Rob Deniel’s forthcoming solo concert next year, listen to his latest single, “Kalawakan,” below:
MY CHEMICAL ROMANCE has officially announced the postponement of all dates under the MY CHEMICAL ROMANCE SOUTH EAST ASIA 2026 TOUR, as confirmed through the band’s official social media channels. The announcement includes the Philippine stop, originally scheduled for April 25, 2026, at the Philippine Arena in Bulacan.
Following the band’s announcement, PULP Live World, the official organizer of the Philippine show, has confirmed the rescheduled date for the local concert. The MY CHEMICAL ROMANCE SOUTH EAST ASIA 2026 TOUR IN BULACAN will now take place on November 14, 2026, at the Philippine Arena.
To guide ticket holders, PULP Live World has released the following updated information regarding ticket validity, e-ticket availability, and refund options for fans who may be unable to attend the rescheduled date.
Ticket Validity and E-Ticket Updates
All previously purchased concert tickets and shuttle service tickets will remain fully valid for the rescheduled performance on November 14, 2026. Fans who are able to attend on the new date are not required to take any action. The release of e-tickets has been moved to a later date, with further announcements to be made through PULP Live World’s official social media channels.
Refund Guidelines
For ticket holders who are unable to attend the rescheduled show, a refund request period will be implemented from January 7 to January 14, 2026. Refund applications submitted beyond this period will no longer be accepted or processed.
For PULP Tickets Buyers Refund requests must be submitted through the official digital forms:
International purchasers without a Philippine bank account may email support@pulptickets.com using the subject line: MCR INT’L PURCHASE: ORDER NUMBER (please include the order number).
For TicketNet Buyers
Fans who purchased tickets through TicketNet Box Offices or Mall Outlets may submit their refund request via bit.ly/MCRPH2026TicketNetRefund. TicketNet representatives will contact applicants via email or phone once the refund is ready for claiming.
For SM Tickets Buyers Refund procedures vary depending on the mode of payment:
Cash Transactions (Metro Manila): Register at smtickets.com/refund/ to select a preferred refund location and schedule.
Cash Transactions (Provincial): Email customercare@smtickets.com with the subject: Refund Request: My Chemical Romance South East Asia 2026 Tour in Bulacan.
Card or Online Transactions: Email a Reversal Request to customercare@smtickets.com with the subject: Reversal Request: My Chemical Romance. A clear photo or scanned copy of the physical ticket or e-ticket voucher must be included.
Filipino fans of emo and alternative rock are in for a historic night as American band HAWTHORNE HEIGHTS finally brings their If Only You Were Lonely 20th Anniversary Tour to Manila. The band will perform the iconic album live in its entirety on May 6, 2026, at the Skydome, SM North EDSA, marking their first-ever concert in the Philippines.
The Manila stop is part of a limited anniversary tour celebrating one of the most influential emo records of the mid-2000s. If Only You Were Lonely, released in 2006, became a cultural touchstone for a generation navigating themes of heartbreak, vulnerability, and emotional catharsis. The album earned RIAA Gold certification and produced enduring tracks such as “Saying Sorry” and “Pens and Needles,” songs that continue to resonate with fans nearly two decades later. Unlike a standard tour setlist, the anniversary show is designed as a front-to-back performance of the album, allowing audiences to experience the record’s narrative arc as a complete live work. Their live performance has been praised internationally for its intimate yet explosive energy, transforming each night into a shared emotional experience between the band and the crowd.
HAWTHORNE HEIGHTS formed in Dayton, Ohio, in 2001 and rose to prominence during the peak of the emo movement, becoming known for their emotionally charged songwriting and relentless touring. Over the years, the band has maintained a strong global following and continues to connect with fans through consistent international touring and high-impact live performances. The current touring lineup includes JT Woodruff (lead vocals and rhythm guitar), Matt Ridenour (bass and backing vocals), and Mark McMillon (lead guitar).
For Filipino fans, the Manila concert represents more than just a tour stop; it is a long-awaited moment of recognition for a fanbase that has supported the band for years through streaming, social media, and word-of-mouth. The show also underscores the Philippines’ growing reputation as a key destination for major alternative and rock tours in Southeast Asia.
Ticket prices are as follows:
Royalty – ₱10,000 (includes Solo Photo, Signing, and Priority Entry)
VIP A – ₱6,000
VIP B – ₱4,500
General Admission – ₱3,000
*All ticket prices are subject to ticketing charges.
Tickets will go on sale on January 17, 2026, at 12:00 PM, available through SM Tickets outlets nationwide and online at smtickets.com.
With strong demand expected and limited capacity at the venue, fans are advised to purchase tickets early. The Manila date is projected to be one of the most anticipated stops on the tour, driven by years of anticipation from the local emo community.
For the latest updates and official announcements, follow PULP Live World on social media or visitpulpliveworld.com. This event is proudly presented by PULP Live World.
Exciting News for Air Supply Fans in the Philippines!
Legendary soft-rock duo Air Supply — Graham Russell and Russell Hitchcock — are bringing their 50th Anniversary World Tour to the country in January 2026, and SVIP ticket holders in select cities are in for some incredible exclusive benefits!
Exclusive Fan Benefits for SVIP Ticket Holders (Applicable to shows in Passi City, Calamba City, and Cebu City)
Lucky Draw for Autographed Guitars & Private Meet & Greet
Three autographed guitars will be raffled off exclusively to SVIP ticket holders. The lucky winners will also get a private Meet & Greet with Air Supply after the show to personally receive their prizes!
Group Photo Session for All SVIP Holders Every SVIP ticket holder for Cebu show will be invited to a special group photo session with the artists and every Platinum ticket holder for Passi and Laguna shows will also get a Meet and Greet, a perfect memento from this milestone celebration!
SVIP and Platium tickets are limited, so secure yours soon for these unforgettable experiences!
Tour Dates in the Philippines
January 11, 2026 (Sunday) | 7:00 PM City of Passi Arena, Passi City, Iloilo January 24, 2026 | 8:00 PM Jose Rizal Coliseum, Calamba City, Laguna January 27, 2026 | 8:00 PM Waterfront Cebu City Hotel & Casino, Cebu City
Ticket Information Cebu: sistic.com.sg/events/airsupplycebu0126 | smtickets.com/events/view/15745
Other dates: Check official ticketing sites like SISTIC and local partners for availability. Terms & Conditions
Lucky draw winners will be announced on show day. Group photos will be uploaded to a special link for personal download and printing.
Winners must present valid proof of ticket (e-ticket or original physical ticket).
By participating, attendees agree to the official rules. All decisions by Steve O’Neal Productions are final. The organizer reserves the right to modify, suspend, or cancel the raffle if necessary, and to verify entry eligibility.
Presented by Steve O’Neal Productions #AirSupply #AirSupply50Years
Don’t miss this chance to celebrate 50 years of timeless hits like “All Out of Love,” “Making Love Out of Nothing at All,” and more with Air Supply live!
Filipino fans, get ready for an unforgettable night of music! Colde, the South Korean R&B singer-songwriter and producer known for his genre-defying sound, is returning to Manila for his BLUEPRINT+ Tour on January 17, 2026, at the Music Museum in Makati. Following a sold-out appearance at the ASIYA Music Festival in October 2024, Colde is bringing his immersive live show, electrifying stage presence, and signature atmospheric sound back to the Philippines.
Presented by Wavy, Studio PAV Asia and Oceania, Lyko!, and Show Biz Town, Inc., the Manila stop is part of the Asian and Oceanian leg of Colde’s tour, which also includes Yokohama, Melbourne, Sydney, Bangkok, Taipei, and Hong Kong.
Colde has earned international acclaim for his atmospheric, soulful music, blending R&B with indie, lo-fi, jazz, rock, and hip-hop elements. Best known as the lead vocalist of the R&B duo Offonoff, Colde has also contributed to popular K-drama soundtracks, including “Better With You” (Head Over Heels) and “Moonrise” (My Dearest Nemesis). His introspective lyrics, emotive vocals, and innovative production have made him one of the most influential contemporary Korean artists.
Ticketing Information:
Tickets for Colde’s Manila concert are now available through this link. Admission tickets to the show are priced starting Php 2,450 (T3) to Php 3,500 (T1) and include access to the performance, as well as entry to the exclusive Goodbye Session after the show.
For fans seeking a more immersive experience, VIP and VVIP packages are also available. These packages include perks such as pre-show soundcheck access and a Q&A session, group photo opportunities with Colde, hi-touch greetings, signed memorabilia including posters, Polaroids, and message cards, and other exclusive keepsakes. Please note that VIP and VVIP packages are limited in availability and require the purchase of a concert ticket for entry. Fans are encouraged to secure their tickets and packages early to guarantee access.
Please note that the prices indicated above are exclusive of ticketing charges and other fees.
For the latest ticketing updates, tour announcements, and exclusive content, fans may visit Colde’s official social media accounts on Facebook, X, and Instagram.
About Colde
Colde is a South Korean singer, songwriter, and producer celebrated for his emotive vocals, experimental soundscapes, and genre-defying artistry. Rising to prominence as the vocalist of Offonoff, he has since developed a successful solo career, captivating audiences worldwide with his innovative music and live performances. His solo tracks and contributions to K-drama soundtracks have solidified his reputation as a defining voice in contemporary Korean R&B.
Ushering in a new year of hope, energy, and transformation, Ayala Land, the local government of Makati, and Make It Makati invite the public to welcome 2026 with “Makati in Full Color: Ayala Avenue New Year’s Eve Countdown to 2026.” Part of the broader Makati in Color campaign, the celebration brings together music, community, and Filipino pride in one of the country’s most iconic city streets. The New Year’s eve countdown at Ayala Avenue has been championing global Filipino artists since it was relaunched 3 years ago in 2023.
On December 31, Ayala Avenue transforms into a vibrant, people-first celebration starting 6:00 PM, as the city opens its streets for a night of live performances, shared moments, and collective countdown energy. Designed as a proudly Pinoy New Year’s Eve celebration, the event spotlights homegrown talent, Filipino creativity, and the joy of coming together as one community.
Headlining the night are two of the country’s most beloved acts: rock icon Ely Buendia, whose music has shaped generations, and chart-topping band Cup of Joe, bringing a fresh, contemporary sound that resonates with today’s audiences. Other notable performers are Morissette, Juan Karlos, Sofronio Vasquez III, Divine Divas, and Theater Group Asia’s “A Chorus Line”. Their performances set the tone for an evening that bridges nostalgia and the future, much like Makati itself.
As the clock strikes midnight, the Makati skyline comes alive with a spectacular fireworks display accompanied by a Filipino version of the ball drop, welcoming 2026 in full color and marking the moment with optimism, hope, and shared celebration.
For those looking to enjoy the countdown with added comfort and exclusivity, VIP tickets are available via TicketWorld, offering access to a dedicated VIP lounge with a buffet dinner, prime viewing areas, and a more relaxed way to experience the festivities while remaining at the heart of the celebration.
The night doesn’t end at midnight. Guests are invited to keep the energy going at the street party with beats by DJ Cupcakes. This is followed by an after party with beats by The Studio Dance Club, at Ayala Triangle Gardens, extending the festivities into the early hours of the new year.
More than a countdown, Makati in Full Color is a celebration that reflects Makati’s continued evolution as a city that champions culture, creativity, and community. As 2026 begins, Makati once again opens its street, inviting everyone to celebrate the future together.
“Makati in Full Color” is presented by Ayala Land, the local government of Makati, Make It Makati, together with Ayala Corporation, Globe Telecom and Circuit Makati with additional support from Avida.
Tickets can be purchased through Ticket World at https://premier.ticketworld.com.ph/. For updates, ticket information, and event details, follow Make It Makati on Facebook.
South Korean singer and songwriter Chen will return to the Philippines for an intimate solo performance as part of his CHEN CONCERT TOUR <Arcadia>, scheduled for February 28, 2026, at 4 p.m. at the FYM Hall, EVM Convention Center.
Known for his powerful and emotionally expressive vocals, Chen has earned widespread recognition as one of K-pop’s leading vocalists. His body of work includes numerous popular K-drama original soundtracks that have resonated strongly with listeners, highlighting his ability to convey depth and vulnerability through music. His contributions to OSTs have been recognized with the Best OST by a Male Artist award at the Seoul International Youth Film Festival.
Chen’s solo career reflects his continued artistic growth and musical range. Since the release of his debut mini-album “April, and a Flower,” he has steadily built a discography that includes “Dear My Dear,” “Last Scene,” “Polaris,” “Door,” and his most recent release, “Arcadia.” Each project explores themes of healing, reflection and emotional honesty, further strengthening his connection with fans.
The <Arcadia> tour invites audiences to experience Chen’s music in a more personal setting, emphasizing sincerity, vocal performance and audience connection. The Manila stop is expected to offer a close-up concert experience that highlights both his musical versatility and the bond he shares with his supporters.
VIP ticket holders will receive a VIP ID tag and lanyard, as well as access to an exclusive soundcheck session. All attendees will take part in a send-off session featuring a selfie opportunity with Chen. In addition, VIP and CAT 1 ticket holders will be eligible to win signed posters through a raffle draw, while exclusive event-only photocards will be distributed to concertgoers.
Tickets are priced between Php 7,000 and 11,500, exclusive of ticketing charges, and will go on sale January 11, 2026, at noon via tapyourtickets.com.
The CHEN CONCERT TOUR <Arcadia> in MANILA is organized by Three Angles Production.
Fast-rising Singapore-based bands return home to share the stage with Philippine bands
Bistro Rising 2025 returns to Manila with a renewed sense of purpose, bringing together some of the most promising Filipino indie artists from Singapore and the Philippines in a cross-cultural music showcase. The highly anticipated event will take place at 70’s Bistro in Quezon City on December 29, 2025.
Co-headlining the show are three Singapore-based Filipino bands that have steadily gained recognition within the Lion City’s underground music circuit: soul-pop act iLaya, indie rock outfitNostress, and ‘80s new wave-inspired band The Next Wave. The trio will share the stage with Shumi, a Bulacan-based city pop band, and Rooftop Reveries, an indie pop-rock group known for their compelling songwriting and polished live performances.
Bistro Rising 2025 is presented by Mushi Entertainment. The show is part of a broader effort to strengthen creative ties between the Philippines and Singapore, both of which are linked by an increasingly visible community of Filipino musicians and talents.
“This event is a testament to the vibrant and growing indie music community in both Singapore and the Philippines, creating opportunities for creative collaboration and talent showcase,” Requiem Rising Singapore General Manager and Founder Monx Moncayo shares.
Based in the Philippines, Mushi Entertainment is an emerging production company dedicated to creating rich, cross-cultural music experiences. They’ve made a name for themselves by frequently collaborating with Requiem Rising of Singapore, mounting gigs and concerts that showcase the convergence of diasporic and homegrown Filipino artistry in a single setting.
Manila, 18 December 2025 – Internationally acclaimed Australian singer-songwriter Rick Price will perform in Manila as part of his highly anticipated “For Lovers” Concert Tour 2026, taking place at the Newport Performing Arts Theater on Tuesday, 7 April 2026, at 8:00 PM.
Renowned for his emotive songwriting and unmistakable voice, Price rose to international prominence with timeless hits including “Heaven Knows,” “Nothing Can Stop Us Now,” and “If You Were My Baby.” His music continues to resonate across generations, defined by sincerity, melodic strength, and emotional storytelling.
With a career spanning more than three decades, Rick Price has released multiple studio albums, toured extensively worldwide, and built a loyal global following. He remains one of Australia’s most respected and enduring pop-rock ballad singer-songwriters, celebrated for his heartfelt live performances.
The “For Lovers” Concert Tour 2026 promises an intimate and nostalgic concert experience, featuring a carefully curated setlist of Rick Price’s greatest hits alongside selected tracks from his later works. Each show showcases the warmth, authenticity, and musical craftsmanship that have defined his career.
The Manila concert offers Filipino fans a rare opportunity to experience Rick Price live in an intimate setting. Join us for a beautiful night of music for lovers, dreamers and believers in love.
Tickets are expected to sell quickly. Fans are encouraged to secure their seats early once ticket sales information is announced.
Event Details: Rick Price “For Lovers” Concert Tour 2026 – Manila
Date: 7 April 2026 (Tuesday) Time: 8:00 PM Venue: Newport Performing Arts Theater, Manila Ticket Sales: From 22nd December 2025 12PM (Local Time) Ticket Prices: 3500 PHP, 4500 PHP, 5500 PHP, 6500 PHP Ticketing: www.fantopia.io
World-class Filipino artists at the heart of Bonifacio Global City
DECEMBER 2025, TAGUIG CITY, PHILIPPINES – Bonifacio Global City (BGC) and the City Government of Taguig is set to welcome 2026 with another one-of-a-kind festive event that will gather some of the country’s biggest local acts in one venue, NYE at the 5th.
After an exciting year that’s overflowing with milestones and moments that continuously shape the district’s next chapter, BGC is preparing for an all-out celebration to thank everyone who has become a part of its story this year.
This year’s program reflects the momentum that BGC is in right now, and aims to express a feeling of local pride and optimism, rooted in various breakthroughs that were achieved through synergy.
As one of the most international districts in the country, BGC and the City Government of Taguig’s choice to spotlight OPM is deliberate–in a city shaped by global ideas, nothing hits harder than coming home to the sound of our own.
At the core of the celebration is a powerhouse OPM lineup engineered to electrify the city. DJ Mars Miranda, Jay-R, Dionela, G22, Parokya Ni Edgar, TJ Monterde, KZ Tandingan, and SB19 lead the night with a succession of performances that reflect the full spectrum of Filipino sound—from nostalgic and comforting to modern and genre-breaking, but all proudly local.
Joining this powerful lineup is apl.de.ap, global Filipino icon and member of The Black Eyed Peas, whose presence bridges the local and international.
As 5th Avenue transforms into a living corridor of music and lights, the night extends into a shared visual journey. With immersive light choreography and LED satellite screens across the district, the entire community is part of the moment.
Capping off the night — and the year — BGC will light up the sky with its dual-zone fireworks display. The tradition has become a familiar part of the city’s New Year’s Eve, but it still carries that collective pause — a moment where everyone looks up, takes it in, and steps into the new year together.
Since its maiden year, NYE at the 5th has become one of Metro Manila’s most anticipated events, and for good reasons. It’s one that’s known for effectively merging artistry, technology, and a shared energy that sets the tone for the year ahead. This year’s celebration takes a moment to honor the now—the victories and breakthroughs of 2025—whilst opening the door to the next chapter, not only of BGC but of the people who live, work, and play in it.
This year’s celebration is made possible with the support of partners who share BGC’s vision to create connection and energy across the district. Globe, MG Motor, Pru Life UK, Vivo, and PepsiCo join BGC in bringing NYE at the 5th to life, shaping a celebration that feels true to the district and the people who call it home.
There are artists who write songs about love, heartbreak or growing up. Topics we already expect from the music we consume. And then there’s Cavetown, who writes about all of that, but in a way that sounds like someone quietly sitting beside you while you’re curled up at your lowest. His music doesn’t tell you to “get better.” It just says, “You’re hurting. I get it. Sit here as long as you need.”
That’s why his first ever Manila show on February 18, 2026, at Skydome, SM North EDSA, feels bigger than a debut performance. It’s not just a concert date. It’s a chance to listen to the songs that once patched you together and this time, outside the safety of your bedroom walls.
Music that doesn’t demand anything from you
Some artists create songs that feel like fireworks, exploding, dramatic, loud enough to fill arenas. Cavetown creates songs that feel like a window cracked open at dawn, letting just enough air in to remind you you’re still breathing.
You don’t listen to “This Is Home” because you’re feeling okay, you listen to it when things don’t make sense, and you’re trying to decide if you can handle tomorrow. “Green” is less a song and more a sigh you’ve been holding since you were 15. “Devil Town” isn’t a sad anthem; it’s the kind of track that says, “I don’t know why this feels heavy, but I’m going to sit with you anyway.”
Some listeners call his music love songs. Others call them coming-of-age songs. Some people don’t label them at all and they just call them comfort.
The point is, Cavetown doesn’t tell you what his music should be.
He lets you decide which part of yourself needs it most.
Healing is not always loud
Healing is rarely cinematic. It doesn’t arrive with inspirational speeches or a dramatic chord progression. Sometimes healing sounds like a quiet voice saying things you would never say out loud:
“I’m scared.”
“I don’t know who I am yet.”
“I’m trying, even if it doesn’t look like it.”
That’s where Cavetown sits. Not in the triumph, but in the trying. His songs don’t fix you magically but they remind you you’re worth fixing. There’s a particular ache his music understands and that’s the kind that makes your chest cave in without warning, the kind you don’t know how to explain to anyone else. It doesn’t try to wrestle that feeling. He simply hands you a blanket and says, “You don’t have to outrun it just yet.”
And when a song does that, it stops being “just music.”
It becomes a quiet kind of healing.
Hearing it live is a small “Thank You” to yourself
You’ve listened to these songs alone, on buses, in bed, or while crying in the bathroom. Life has probably changed since then. You may have outgrown some pain and developed new ones. But those songs stayed with you, even when you didn’t notice.
Seeing Cavetown live is not a reward for being a loyal fan. It’s a thank-you to yourself. It’s like standing in a room full of strangers who have their own reasons for being there and realizing you all quietly survived something. It’s hearing “This Is Home” and thinking, not “I am healed,” but “I am healing.” It’s that moment when you can finally tell yourself:
“I gave myself this comfort. I brought myself here.”
No one else gets credit for it.
Not TikTok, not a best friend, not Spotify Discover Weekly.
Just you.
That’s what makes this concert different.
It’s not just entertainment, it’s a gentle affirmation.
Not everyone hears the same song
You may sit next to someone who screams the lyrics back at the stage.
You may stand behind someone who closes their eyes and lets every note sink in.
You may see a fan clutching their own sleeve, breathing slowly, trying not to fall apart.
Every listener has a different version of Cavetown.
Some found a friend in the music.
Some found courage.
Some found an identity.
Some found permission to be gentle.
And all those versions will coexist in the same room on February 18.
That’s the beauty of it and no one will experience the concert the same way and that’s exactly the point. Cavetown’s music doesn’t force you into a narrative. It meets you wherever you are.
You don’t need to have the right words
If you try to explain why Cavetown matters to someone who’s never heard him, you’ll probably sound unsure, “It just feels safe,” “I don’t know why, but it helps,” “It makes me feel okay.”
Those aren’t weak explanations. They’re honest ones.
We are so used to justifying our feelings that we forget comfort doesn’t always need a reason. Some music comforts you because you’re hurting. Some because you’re healing. Some simply because you exist and you deserve softness once in a while.
Cavetown’s songs remind you of that, in the most human way possible.
And maybe when the show is over, and you walk into the Manila night, you won’t have a grand transformation or a dramatic epiphany. But maybe…
Maybe you’ll just feel a little lighter.
Maybe you’ll breathe a little easier.
Maybe you’ll whisper to yourself,
“Thank you for coming.”
Not to anyone else,
but to yourself.
Show Details & Tickets
CAVETOWN will perform live in Manila for the very first time on February 18, 2026, 8PM at the Skydome, SM North EDSA, where his music will finally step out of your headphones and into a space shared with people who understand what his songs mean.
Tickets are now available at SM Tickets and TicketNet outlets, and online via smtickets.com and ticketnet.com.ph. If you’ve ever needed a sign to give yourself something gentle, this is it. Reserve the date. Claim the moment. And allow yourself to experience the music that once held you together and this time, it’s live!
For more information and updates, follow PULP Live World on social media or visitpulpliveworld.com .
It’s no secret that EL CAPITXN and SUGA of BTS are close friends. The two South Korean talents have collaborated on several projects, including SUGA’s ownD-Day and D-2 solo albums, where EL CAPITXN played a significant role in writing and music production.
For his upcoming concerts in Manila and Bacolod, happening on December 12 and 14, respectively, EL CAPITXN plans to play “Dear My Friend,” a song by SUGA from his album D-2, co-written and co-produced by EL CAPITXN.
As a teaser for the special performance, EL CAPITXN released a rehearsal video where he is seen playing the electric guitar to the chords of “Dear My Friend.”
The song has a special place in both EL CAPITXN and SUGA’s hearts who have both expressed how cathartic this song was for both of them.
In an episode of “Suchwita,” SUGA’s YouTube series, EL CAPITXN talked about how memorable the live performance of “Dear My Friend” was, sharing that he still hasn’t gotten over that moment.
He also added that when he realized SUGA was crying, it “only took a second” for his own tears to start running down his face as a “panorama” of old memories flashed through his mind.
It is for this reason that EL CAPITXN is excited to play the song at his own concert, giving it another life for a different stage.
ARMYs can look forward to hearing this song and more at “WHO KILLED EL? EL CAPITXN IN MANILA AND BACOLOD.” Tickets are now available at SM Tickets outlets and www.smtickets.com.
EL CAPITXN is a music producer, DJ, and singer-songwriter behind several K-POP hit songs including “Daechwita” by SUGA, “eight” by IU, and “Rendezvous” by AHOF. This December 12 and 14, the renowned hitmaker is staging his first-ever concerts in Manila and Bacolod.
“WHO KILLED EL? EL CAPITXN IN MANILA AND BACOLOD” is presented by CDM Entertainment.
Newport World Resorts just set a new standard for New Year’s Eve parties in the Philippines with a shocking surprise that left everyone speechless.
Photos courtesy of Newport World Resorts
At the official press launch of The Grand Countdown to 2026, called “The Stage is Set,” the lights went out and the unmistakable voice of OPM rock star Bamboo Mañalac filled the room for an intimate, unannounced live performance. The crowd went wild when the frontman played stripped-down versions of his biggest hits. This gave everyone a taste of what was to come on December 31.
“This is just a taste,” the organizers teased as Bamboo will return to headline the eagerly awaited The Grand Countdown to 2026 alongside an all-star powerhouse lineup:
Jessica Sanchez Sarah Geronimo Matteo Guidicelli Billy Crawford Cup of Joe Amiel Sol Earl Agustin Janine Teñoso GAT RAYA
The one-night-only spectacle promises to be the ultimate celebration of Original Pilipino Music (OPM), blending rock, pop, and the new generation of Filipino artists in a grand send-off to 2025.
Event Details: 📅 December 31, 2025 (Tuesday) | Gates open 7:00 PM 📍 Manila Marriott Grand Ballroom, Newport World Resorts 🎟 For ticket inquiries and reservations: info@fhtcentertainment.com
With Bamboo leading the charge and this stacked roster of performers, The Grand Countdown to 2026 is shaping up to be the grandest way to welcome 2026.
Legendary and award-winning hard rock band Wolfgang is celebrating the 30th anniversary of the release of their highly acclaimed self-titled debut album with a reunion concert on February 7, 2026, at the New Frontier Theater in Cubao.
The classic line-up of Basti Artadi (vocals), Wolf Gemora (drums), and Manuel Legarda (guitars) will be performing together for the first time since 2000 following the release of their sixth studio album, Black Mantra. Gemora migrated to the United States following that album and the band went into a hiatus.
When Wolfgang reformed in 2007, Francis Aquino took over on drums although the band has performed intermittently over the last several years.
Thus far, the band has put out six studio albums (Wolfgang, Semenelin, Wurm, Serve in Silence, Black Mantra, and Villains), one live album (Acoustica), and a mini-album (Ang Bagong Dugo sa Lumang Ugat – Unang Kabanata).
The band kicked off their 30th Anniversary by putting out two versions of their platinum selling debut album (over 40,000 units sold) – dubbed “Wolfgang 30”, there was the standalone version that featured re-recordings of the classic, and the Wolfgang 30 box set that contained also the re-recording as well as a live and an acoustic mini-album via independent label, Eikon Records.
Most recently, the band’s music was the basis for the masterful rock opera, Si Faust, that sold out its entire three-week run at the Arete in the Ateneo de Manila University.
“Wolfgang the reunion was put together with the intention of bringing our fans back to their days when problems were few and bills were small and only the music mattered,” underscored Artadi.
“This has been a long time coming and I am super stoked to play these amazing songs with these guys,” added Gemora. “I am also excited to perform for our fans both OGs and youngbloods whose support is invaluable to me. Unfortunately, Mon won’t be present, but his spirit and lyrics will be definitely felt by everyone.”
“I am super excited about this reunion,” enthused Legarda. “Having re-recorded and mixed the Wolfgang debut album to celebrate its 30th anniversary, I am super fired up to play these old songs again. For sure, this will be an awesome show. My one regret is that Mon cannot be with us for this.”
“Mon” is founding member, bassist Mon Legaspi who passed away in 2022 but was able to contribute to the re-recording of their debut album.
Wolfgang will announce who will fill in for Legaspi for the New Frontier concert over the next few days.
During their 90s and early 2000s heyday, Wolfgang won a slew of awards from the NU Rock Awards to the Awit Awards, MTV Pilipinas Music Awards, Katha Awards, and the Asia Voice Indie Music Awards.
Another massive feather in the band’s cap is that they are the only Filipino band to have their music released not only domestically, but also in Japan and the United States.
Aside from Wolfgang’s legendary status, Ovation Productions felt that the band fit nicely along with all the other hard rock and metal acts they have presented through the years.
“We have previously promoted Metallica, Korn, Incubus, Dream Theater, Stone Temple Pilots, Bon Jovi, and Nazareth to name but a very few. Wolfgang fits nicely into that roster of top acts that we work with,” said Ovation Productions Chief Operating Officer Gonzalo “Bogie” de Guia.
The Wolfgang 30th Anniversary Reunion Concert is presented by Ovations Productions with Blast TV as the official media partner. Tickets for the concert go on sale this Monday, December 8 and can be purchased at Ticketnet outlets and ticketnet.com.ph with prices at Php 5700, 4700, 3700, and 2700, inclusive of ticketing charges.
The Smart Araneta Coliseum was alive with energy on November 29 as thousands gathered for Watsons Playlist: All the Feels, a multi-artist concert built around emotion, connection, and the power of OPM. The event delivered a steady flow of standout performances, smooth transitions, and crowd-driven moments that highlighted the depth of today’s local music scene.
Zack Tabudlo opened the show to loud cheers, immediately setting a strong emotional tone. His set drew the audience in with raw, heartfelt delivery, prompting large-scale sing-alongs throughout the arena. It was a powerful start that established the night’s theme of honest storytelling.
The mood then continue to be lifted when Hey June! took the stage, bringing youthful energy and upbeat charm. Their presence encouraged the crowd to relax and move along, providing a refreshing contrast to the show’s introspective opening.
One of the loudest reactions of the night came as The Juans appeared. Known for their deeply emotional “hugot” sound, the band sparked immediate engagement, with fans singing from start to finish. Waves of phone lights filled the venue during their set, creating one of the concert’s most visually striking moments.
Earl Agustin followed with a minimalist, calming performance that briefly stilled the arena. His warm vocals and stripped-down arrangements offered a quiet but meaningful pause, showing the effectiveness of simplicity amid a high-energy program.
A special collaboration segment soon brought The Juans, Earl Agustin, and Hey June! together onstage. The number unfolded starting with The Juans, followed by Agustin, then Hey June!, highlighting the range of OPM expression in a single seamless sequence. It was one of the evening’s most talked-about surprises.
Anticipation built once more as Ben&Ben stepped into the spotlight. Their entrance drew some of the night’s loudest cheers, and their set delivered a mix of lyrical warmth, tight harmonies, and emotional resonance. The band’s rapport with the audience was evident, with fans responding enthusiastically to each song.
Rico Blanco continued the momentum with a set that blended nostalgia and renewed energy. Performing hits that have defined eras of OPM, he commanded the stage with ease, earning strong reactions from both longtime listeners and younger fans.
The concert reached its finale with the highly anticipated collaboration between Rico Blanco and Ben&Ben. The pairing drew a thunderous response with their rendition of “Your Universe”, marking a rare cross-generational moment that underscored the evolution and continued influence of OPM.
All artists later returned for a collective finale that wrapped the night on a unified and celebratory note. As attendees exited the coliseum, many still buzzing with excitement, it was clear Watsons Playlist: All the Feels had succeeded in delivering a well-curated, emotionally rich music experience driven by the strength of today’s Filipino artists.
Special thanks to WATSONS Philippines
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