The powerhouse team-up made a significant breakthrough in Japan, landing a No. 2 peak on the Oricon Digital Chart and iTunes All Genre Chart.
Global P-Pop powerhouse SB19 continues its global ascent with “TOYFRIEND,” a cross-border collaboration with top-selling Japanese group, BE:FIRST. The clubby R&B track serves as the latest single from their sophomore studio album, Wakas At Simula—released under Sony Music Entertainment.
Prior to the promotional push, “TOYFRIEND” has already made a significant dent across Japan’s leading digital platforms, debuting at No. 1 on MORA’s All Genre, International, and Hi-Res International charts, while peaking at No. 2 on the iTunes All Genre chart and No. 1 on its Pop chart, and No. 2 on Line Music Japan’s World Music Top 100 chart. The upbeat bop has reached the summit of the RecoChoku’s Hi-Res Single and Single charts, and reached No. 2 on the Oricon Digital Chart—a proof of the Filipino boy group’s strong surge of support from Japanese fans. Other chart placements in Japan include a No. 3 peak at Spotify Daily Viral chart, No. 6 debut on Billboard JapanTop Download Songs chart and No. 4 placement on Genius Japan Overall Song Chart.
Inviting listeners to the floor with its inescapable rhythm and polished production, “TOYFRIEND” pulls the best of both worlds from both Asian pop powerhouses. But above all that brimming energy is a narrative that explores the messiness of a situationship. It’s perfect for the summer: an infectious dance anthem that goes well with angst and frustration.
SB19’s JOSH explains, “[TOYFRIEND] captures the uncertainty of having feelings for someone while feeling completely confused if those feelings will be reciprocated in the first place. In this puzzling situation, one person can end up being treated as a toyfriend: caught between friendship and something more. The track reflects the ambiguity that comes with blurred intentions.”
For PABLO, “Toyfriend” became an instant favorite within the first few seconds of hearing it, with SB19 expressing confidence that it was the right song to pursue for the collaboration. “The sound carried a distinct energy that stood out from the start, making it an instant fit for the concept we were aiming for. Artistically, the track leans into a more edgy, slightly spicy, and sexy tone.”
The track was initially conceived as a completely new song for both SB19 and BE:FIRST, which became a key factor in shaping the overall concept of the collaboration. According to PABLO, approaching the project from a blank slate allowed both groups to align on a shared direction and explore a sound that reflects their combined artistry.
“This collaborative process enabled both groups to contribute meaningfully while ensuring the final output feels cohesive and authentic,” PABLO shares in a press statement. “Ultimately, the intent was to deliver a fresh and distinctive record that highlights the strengths and synergy of both SB19 and BE:FIRST.”
SB19’s JUSTIN adds, “When the opportunity to collaborate with BE:FIRST came up, we identified it as a track that best suited both BE:FIRST and SB19 in terms of style and direction. SB19 recorded the song at our studio, 1Z, while BE:FIRST recorded their parts in Japan. We ensured that members of our team were present during BE:FIRST’s recording sessions to provide guidance and maintain cohesion in terms of vocal direction and overall sound.”
SB19’s KEN pointed out that the collaboration began when he represented the country as Felip for prominent music showcase in Japan last year at the K-Arena Yokohama in Kanagawa, Japan. “The collaboration began when I previously performed for DUNK. It was the fans who truly made it happen by engaging with one another, which the BMSG team recognized as a valuable opportunity to collaborate with 1Z Entertainment. This led to the collaboration between BE:FIRST and SB19.”
Despite geographical challenges, the collaborative process moved with striking ease—thanks to their commitment to achieving a strong and unified output. SB19’s STELL pointed out how every contribution and creative element clicked into place. “Rather than seeing the distance as a limitation, it became an opportunity to embrace a global collaboration setup. Overall, the experience was very smooth and collaborative.” With the release of “TOYFRIEND,” SB19 and BE:FIRST delivers another genre-forward release that champions the growing influence of Asian pop on the global stage.
SB19’s “TOYFRIEND” (with BE:FIRST) is out now on all digital music platforms worldwide via Sony Music Entertainment.
SB19 will be headlining the Wakas at Simula Concert—their biggest concert yet—happeningon April 18, 2026, at the SMDC Festival Grounds. It will serve as the finale to their Simula at Wakas tour, which supported the release of their three-part EP (Pagsibol, Pagtatag, and Simula at Wakas). Japanese boy group BE:FIRST was recently announced as part of the lineup.
Manila, Philippines — April 14, 2026 — The Philippine Association of the Record Industry (PARI) unveiled its ambitious roadmap for the future of the local music industry during a well-attended press conference held at Viva Café on April 14. Leading the announcement was newly installed PARI President Enzo Valdez, who presented a comprehensive plan designed to benefit both industry stakeholders and music fans alike.
The event drew strong support from 35 recording label members and six partner music organizations, signaling broad industry alignment behind PARI’s renewed direction.
Central to the announcement is the upcoming 39th Awit Awards, which promises to be the most expansive and inclusive edition to date. For the first time, entries will be open to non-member artists, allowing independent musicians and their managers to submit nominations across categories. This milestone initiative reflects PARI’s commitment to widening access and recognizing a more diverse spectrum of Filipino musical talent.
A key innovation introduced by Valdez is the creation of the Awit Voting Community (AVC), a body tasked with selecting final nominees and winners. Eligible AVC members will include Awit Awards judges and finalists from the past five years, as well as designated representatives from PARI’s corporate and associate member labels—ensuring a credible, experienced, and representative voting body.
Further elevating this year’s awards is the introduction of two new major categories: Songwriter of the Year and Producer of the Year, recognizing individuals with the highest number of finalist entries and highlighting the vital contributions of creators behind the music.
PARI also announced strategic partnerships with key music organizations—Organisasyon ng Pilipinong Mang-Aawit (OPM), the Filipino Society of Composers, Authors and Publishers (FILSCAP), the Asosasyon ng Musikong Pilipino (AMP), the Music Copyright Administrators of the Philippines (MCAP), Philippine Recorded Music Rights (PRM), and the Sound Recording Rights Society, Inc. (Soundsright). Each organization will be given on-stage presentation opportunities during major events, including the 39th Awit Awards—ranging from presenting awards to participating in program segments and delivering messages.
To ensure world-class production, PARI has partnered with Go Live Asia, led by Founder and Director Nico Faustino, Managing Director Ranice Faustino, and Creative Director Paolo Valenciano, for the staging of both the Awit Awards and the Dangal ng Musikang Pilipino Awards. Creative and show direction will be led by Directors Paolo Valenciano and Nico Faustino. The Awit Awards Night is scheduled for September at the SM Mall of Asia Arena, while the Dangal ng Musikang Pilipino Awards will take place in October at the historic Goldenberg Mansion in Malacañang.
Capping off the celebration is AwitFest, a major music festival set for January, featuring top Original Pilipino Music (OPM) artists alongside international guest performers—bringing together the best of Filipino talent on a global stage. Artists from PARI’s partner music organizations will also be invited to perform, reinforcing collaboration across the local music community. Go Live Asia will stage AwitFest, ensuring a world-class festival experience.
In addition, Japanese acts from Music Awards Japan members, through the Japan Culture and Entertainment Industry Promotion Association (CEIPA/MAJ), will be featured—creating a dynamic cross-cultural exchange between Filipino and Japanese artists.
PARI also introduced the Official PARI Certification Plaques, which will be available for ordering starting May 2026. These plaques aim to formally recognize and celebrate the commercial achievements of artists and record labels, further strengthening PARI’s certification program.
Proceeds from AwitFest will support the development of the Awit Museum, a flagship PARI initiative envisioned as a permanent cultural space dedicated to preserving, showcasing, and celebrating the rich history of Filipino music.
The Awit Museum aims to serve as a living archive of the country’s musical heritage, featuring iconic recordings, memorabilia, interactive exhibits, and educational programs that trace the evolution of OPM and honor the contributions of Filipino artists across generations. It is also envisioned as a hub for learning and inspiration—supporting future artists, songwriters, and producers through curated exhibits, workshops, and public engagement initiatives.
By linking AwitFest to this long-term cultural project, PARI reinforces its commitment not only to celebrating today’s music but also to safeguarding its legacy for generations to come.
“This is a defining moment for the Philippine music industry,” said Valdez. “We are opening doors wider than ever before—embracing independent artists, strengthening partnerships across organizations, and creating platforms that connect Filipino music to the global stage. Through these initiatives, we are not only celebrating excellence today, but also building a stronger, more inclusive future for generations of Filipino artists.”
PARI Chairman Antonio M. Ocampo underscored the organization’s long-term vision, stating: “The direction PARI is taking over the next few years is both purposeful and exciting. We are laying the groundwork for sustained growth—one that embraces innovation, strengthens industry collaboration, and ensures that Filipino music continues to thrive both locally and on the global stage.”
With these initiatives, PARI signals a dynamic new era for the Philippine music industry—one that champions inclusivity, innovation, and artistic excellence.
FOHA, get ready to buzz with excitement! The Bee With Lawki Birthday Party is set on April 18th to honor two of AHOF’s shining stars, JL and Woongki, as they celebrate their special days together.
Born just two days apart (JL on April 21 and Woongki on April 23), these talented members have captured the hearts of fans worldwide with their vocals, charm, and undeniable chemistry.
This event is a heartfelt tribute from the FOHA (AHOF’s official fan club) community, turning their birthdays into one unforgettable “bee-day” bash filled with love, laughter, and Lawki magic.
This special gathering promises a fun and memorable afternoon packed with exciting activities, fan-favorite moments, exclusive experiences, and plenty of sweet surprises prepared just for the FOHA family.
Whether you’re a longtime supporter or joining the hive for the first time, this is the perfect chance to celebrate the bond with your co-FOHAs.
“BEE with LAWKI.” Date: Saturday, April 18, 2026 Time: 3:00 PM to 7:00 PM Venue: 3rd Floor, Regalia Tower Function Room P. Tuazon Blvd., Cubao, Quezon City
Bring your energy, your lightsticks (or bee-themed outfits if you’re feeling extra!), and your love for JL and Woongki. Let’s make this celebration extra sweet and buzzing with love.
ABS-CBN’s newest P-Pop girl group DNA wows the crowd with new single “Gala to the Max”
MANILA, Philippines, 15 April 2026 — SM City Fairview’s open parking lot transformed into a lively concert ground as 12,000 people – the majority of whom hailed from Northern Metro Manila – partied and sang along to their favorite OPM hits.
Al James, Dionela, Zack Tabudlo, Silent Sanctuary, Magiliw Street, Prince Lui, Rhodessa, Dane Paulene, Rangle, and DJ Jennifer Lee delivered electrifying performances in the heat of the summer sun.
Meanwhile, ABS-CBN’s newest P-Pop girl group, DNA, stunned the crowd with their latest song titled “Gala to the Max,” SM Supermalls’ latest jingle, which was produced through a collaboration between SM and Star Pop, a subsidiary of ABS-CBN Music. The girl group – composed of sisters Ezri, Julia, and Tasha Mitra – also performed their singles “Don’t Ask Me Why” and “BINGO.”
The trio expressed their gratitude to the people behind the project, saying they are “grateful” for the opportunity.
“It feels great. It feels really good to be busy, especially right now. We are so thankful to Star Pop and SM for giving us the opportunity to show people our music and to perform,” Ezri shared.
When asked about their work dynamic as sisters, Julia said that their natural bond helps shape how they collaborate as an emerging P-pop girl group.
“We have that chemistry already from the very start. That really helped us,” Julia remarked.
Now streaming on digital platforms, the “Gala to the Max” music video garnered 7.3 million views within a day of its debut on the SM Supermalls FB page. For more information, follow SM Supermalls on social media or visit www.smsupermalls.com.
About SM Supermalls
SM Supermalls is evolving for a new era shaped by how people live, connect, and experience life today. More than a place to shop, it is the country’s most loved mall and an everyday destination designed around the lifestyles, passions, and needs of Filipino communities, delivering new finds, fresh concepts, and meaningful experiences, All For You.
As one of Southeast Asia’s largest mall developers and operators, with 89 malls in the Philippines and 9 in China, SM Supermalls continues to evolve its spaces, experiences, and partnerships, building destinations that grow with communities and remain trusted, relevant, and loved for generations. Your Most Loved Supermall, SM — All For You.
Rising music artist Vince Sarceda has reached a major milestone in his career after being honored as the Newcomer Excellence in Music awardee at the Pacific Global Human Excellence Awards 2026 held on April 13, 2026 at the Great Eastern Hotel.
A signed artist under KDR Music House, Vince continues to make waves in the local music scene, steadily building a name for himself through his artistry, dedication, and passion for music. His recognition as a standout newcomer underscores his growing influence and the promising future that lies ahead.
The Pacific Global Human Excellence Awards is a prestigious international platform that celebrates individuals, organizations, and leaders who demonstrate excellence, innovation, and meaningful contributions to society. Gathering visionaries and changemakers from across the globe, the event recognizes achievements across diverse fields such as healthcare, business, education, public service, arts, and community development.
Sarceda’s win places him among an esteemed group of honorees who embody leadership, integrity, and a commitment to advancing human progress. As a newcomer in the music industry, his recognition highlights not only his talent but also his potential to inspire and connect with audiences through his craft.
More than just an awards ceremony, the Pacific Global Human Excellence Awards serves as a venue for collaboration, networking, and the exchange of ideas among global leaders. For Sarceda, the honor marks an important step forward—solidifying his place as one of the emerging artists to watch while representing the growing excellence of Filipino talent on the international stage.
With this achievement, Vince Sarceda continues to shine as a proud representative of KDR Music House, proving that passion, hard work, and authenticity can pave the way to global recognition.
Manila is about to witness one of the most emotionally powerful new voices in global music today. British breakout artist Sienna Spiro is set to make her way to the Philippines for an exclusive, invite-only performance that promises an unforgettable night of soul-stirring music.
With chart-topping hits like “Die On This Hill” and her latest release “The Visitor,” Spiro has quickly become one of the most talked-about young artists worldwide. On May 2, 2026, fans will get a rare chance to experience her breathtaking vocals live at the Maybank Performing Arts Theater, located within the BGC Arts Center.
A GLOBAL BREAKOUT MOMENT
Spiro’s viral ballad “Die On This Hill” has taken the world, and especially the Philippines, by storm. The track has surpassed hundreds of millions of streams globally, breaking into the Top 10 of Spotify’s Global Chart and charting across major markets including the United States and the United Kingdom. She joins the ranks of acclaimed British artists like RAYE and Olivia Dean, while carving out a lane uniquely her own, even before releasing a debut album.
In the Philippines, the song has evolved into a full cultural phenomenon. From viral TikTok clips to powerhouse vocal covers, “Die On This Hill” has become a benchmark for emotional delivery and vocal excellence. Filipino artists such as SB19’s Stell, BINI’s Maloi and Jhoanna, Kyla, Zephanie, have all taken on the challenge, alongside countless aspiring singers across the country.
“THE VISITOR”: A BALLAD THAT CUTS DEEP
Following overwhelming fan demand, Spiro recently unveiled “The Visitor,” a hauntingly vulnerable track that further cements her artistry. Written alongside hitmakers like Omer Fedi and Michael Pollack, the song features a sweeping 20-piece orchestral arrangement led by Oscar-winning composer Peter Rotter.
Often compared to artists like Adele and Sam Smith, Spiro’s ability to channel raw vulnerability through her music has deeply resonated with Filipino listeners. Her widely praised performance alongside Sam Smith only amplified her growing global presence.
Since its release, “The Visitor” has gained traction across Philippine social media, with fans embracing its emotional depth and cinematic sound. The track has also sparked a rising trend on TikTok, where users soundtrack personal stories and confessions to its powerful climax.
AN EXCLUSIVE NIGHT IN MANILA
Fans in Manila now have the chance to witness this rising global star up close in an intimate, invite-only setting. The event promises a night of powerful ballads, raw emotion, and world-class vocals, hallmarks of Spiro’s artistry that have captivated millions worldwide. This is a closed, invitation-only event, and invitations will be sent via email.
Those interested in attending may register for a chance to receive an exclusive invitation through the official link athttps://UMGPhilippines.lnk.to/SiennaSpiroManila. The event will take place on May 2, 2026, at the Maybank Performing Arts Theater in BGC Arts Center.
Fans are encouraged to join the online conversation and tag friends for a chance to gain access to this special event.
A VOICE THAT DEFINES A GENERATION
At just 20 years old, Sienna Spiro represents a new generation of artists, combining timeless vocal power with deeply personal storytelling. From viral hits to global chart success, and now a highly anticipated Manila appearance, her trajectory shows no signs of slowing down.
As Filipino fans continue to embrace her music, turning “Die On This Hill” into a nationwide vocal phenomenon, her upcoming visit feels less like a debut and more like a homecoming.
MANILA, Philippines, 14 April 2026 — Fans across the Philippines can experience the global phenomenon like never before as BTS World Tour “Arirang”: Live Viewing arrives in SM Cinema branches nationwide again after its successful run last April 11 from Goyang, South Korea. The highly anticipated concert event will have another live broadcast on April 18 from Tokyo, Japan, bringing the energy of BTS to the big screen.
A total of 38 SM Cinema branches will participate in this special screening, including SM Megamall, SM North EDSA, SM Mall of Asia, SM Cebu, SM Seaside, SM Bacolod, SM Iloilo, SM Clark, SM Baguio, SM Southmall, SM BF Parañaque, and more, ensuring fans nationwide can join the experience.
Tickets are priced at P1,700 for live viewing, while replay viewing is priced at P1,390. Fans can also bring home an exclusive fan gift inspired by the tour’s opening cities for every ticket availed at SM Cinema.
This is the schedule for this week’s live viewing: April 18, 1:45 PM (LIVE FROM JAPAN) April 18, 5:30 PM (REPLAY FROM JAPAN)
The BTS World Tour “Arirang” accompanies the group’s fifth full-length album, a milestone that captures the culmination of their artistic journey.
The tour features a groundbreaking 360-degree in-the-round stage design, delivering a fully immersive concert atmosphere that places audiences at the center of the performance. Fans can relive the excitement of what is being hailed as BTS’ “comeback of the decade,” together with fellow ARMYs in cinemas nationwide. To make the experience even more memorable, SM Cinema introduces exclusive BTS Snack Time Combos:
BTS Combo 1 (P199): Classic Hotdog Sandwich on a Red Bun + Raspberry Snowie BTS Combo 2 (P199): Regular Popcorn (Red Velvet flavor) + Raspberry Snowie.
Don’t miss this chance to witness BTS in a larger-than-life concert event. Gather your friends, secure your seats, and celebrate the music, passion, and global impact of BTS only at your most-loved SM Cinema branch this April.
Beverage brand Tang is set to transform San Juan’s beachfront into a hub of music, connection, and self-expression with the Tang Refreshing Rave on April 17, 2026, headlined by alternative pop band Cup of Joe.
Designed as a free, open-air gathering for Gen Z, the event aims to create a safe and relaxed space where young audiences can connect, unwind, and embrace authentic moments by the beach. Set at San Juan Beach Front in La Union, in front of Laud Lounge and Monaliza Surf Resort, gates open at 3 p.m.
The Tang Refreshing Rave brings together live music performances, interactive activities, and free-flowing Tang beverage mixes, offering attendees an immersive afternoon built around shared experiences and easygoing summer energy. Fans can also look forward to a special meet-and-greet with Cup of Joe, adding a more personal touch to the beachfront celebration.
At the heart of the event is Tang’s push to highlight real-life connections in an increasingly digital world, where young people are seeking more meaningful, unfiltered experiences.
“Gen Z is redefining how they connect, with a stronger desire for experiences that are real, shared, and meaningful,” said Karol Canlas-Apelo, Senior Category Marketing Manager for Tang, Mondelēz International Philippines. “Tang Refreshing Rave brings this to life by creating a safe space where they can express themselves, build genuine connections, and enjoy refreshingly real moments together.”
The event forms part of Tang’s “Get Refreshingly Real with Tang” campaign, which encourages everyday authenticity and shared experiences through music, community, and interactive events.
“Tang has always been part of everyday moments, but today, we’re embracing a more purposeful role—one that champions self-expression, authenticity, and real-life connection,” said Adrian Manlapig, Marketing Director of Mondelēz International Philippines. “Through Tang Refreshing Rave, we’re creating spaces where people can come together, connect, and simply be themselves.”
With music, the sea breeze, and shared moments at its core, Tang Refreshing Rave invites attendees to step into a space where they can connect, express, and be refreshingly real.
Angela Ken and Jarren Garcia add musical spark to “Summer For Reel” as Donny Pangilinan and Belle Mariano lead Boracay event for “Tayo Sa Wakas”
Boracay is set to turn into a hub of film, music, and summer festivities as Donny Pangilinan and Belle Mariano headline “Summer For Reel,” happening on April 18, Saturday, 5:00 p.m. at Red Coconut Beach Front, Station 2.
The Kapamilya love team will unveil the official poster of their upcoming film “Tayo Sa Wakas,” giving fans an early look at the project that continues to build anticipation for their latest big-screen pairing. The beachside gathering also sets the tone for a larger celebration of Filipino romance on screen, anchored by the enduring appeal of Donny and Belle.
Adding to the cinematic experience, attendees will also enjoy a special screening of “An Inconvenient Love,” where Donny and Belle play Manny and Ayef. The film follows two young individuals who agree to a relationship with strict rules and an expiration date, only to find their carefully set boundaries challenged as real emotions begin to surface.
Presented by Cinema One and ABS-CBN Events, the program extends beyond film with live musical performances from Angela Ken and Jarren Garcia, who are set to bring a youthful and energetic vibe to the beachfront stage.
The event will be hosted by Emilio Daez and Aiyana Perlas, with a lineup of activities designed for beachgoers and fans alike. Guests can look forward to an exciting volleyball match, interactive booths, and on-stage games throughout the afternoon and evening.
Admission is free on a first-come, first-served basis.
“Summer For Reel” runs on April 18, Saturday, 5:00 p.m. at Red Coconut Beach Front, Station 2, Boracay. Tayo Sa Wakas is slated for theatrical release on May 27.
Cinema One is available on iWant, SKYcable Channel 56, Cignal Channel 45, GSat Direct TV Channel 14, and other local cable providers. For updates, follow Cinema One and ABS-CBN PR on their official social media accounts.
SNICKERS® activated Manila with an immersive pop-up experience at the Quantum Sky View of Gateway Mall 2, drawing thousands of visitors to a multi-day brand activation that combined interactive games, exclusive merchandise, and fan engagement. Running from April 8 to 11, the event formed part of the brand’s “Active Lifestyle” campaign and built toward a fan meet featuring SEVENTEEN member MINGYU at Smart Araneta Coliseum.
Photo by SNICKERS Philippines
The activation turned the mall space into a high-energy playground for fans and visitors, with steady foot traffic across all four days. Designed around participation and movement, the experience positioned SNICKERS® within the everyday routines of young Filipinos, balancing school, work, and social activities.
Visitors entering the SNICKERS® Energy Station Pop-Up received event passports that guided them through different activity zones. Each completed station earned a stamp, which could later be exchanged for rewards and exclusive items.
At the SNICKERS® Shot Combo station, participants took on a basketball challenge where each hoop represented a core ingredient of the SNICKERS® bar, including milk chocolate, peanuts, caramel, and nougat. The SNICKERS® Flip and Match station featured a memory-based game using SNICKERS® flavor cards, while SNICKERS® Power Grab challenged participants to catch falling SNICKERS® bars within a limited time.
The stations maintained steady queues throughout the activation period, with participants rotating between games, photo areas, and product displays.
Visitors who completed their event passports received a range of rewards, including SNICKERS® Strawberry bars, sticker sheets, and limited-edition merchandise such as tumblers and pouches, distributed in limited quantities.
The SNICKERS® Shop also became a key draw, offering a promotional MINGYU Transparent Card to customers who purchased PHP 250 worth of SNICKERS® products. The collectible quickly became one of the most sought-after items during the activation period.
The pop-up featured several curated spaces designed for fan interaction and content creation. Branded installations and large visuals of MINGYU served as primary photo spots, while the SNICKERS® Strawberry Snaps corner highlighted the brand’s newest flavor offering.
The SNICKERS® Energy Wall became a focal point of fan expression, filling up with handwritten messages over the course of the four-day activation. Many attendees left notes addressed directly to MINGYU, turning the installation into a collective fan board.
Photos by SNICKERS Philippines
SNICKERS-powered fan meet with MINGYU
The activation concluded with the #SNICKERSwithMINGYU fan meet on April 11 at Smart Araneta Coliseum, where approximately 3,000 raffle winners and their companions gathered for the main program.
MINGYU’s appearance drew loud reactions from the audience as he entered the stage to a packed arena. The fan meet featured a structured program that combined stage segments, games, and direct interaction with fans.
During a Q&A portion, MINGYU shared his experiences in the Philippines and reflected on his role as SNICKERS Asia Ambassador. The segment allowed fans to hear personal insights while maintaining a light and interactive tone throughout.
A basketball mini-game segment brought elements of the pop-up into the arena setting, with MINGYU engaging in a friendly challenge that mirrored the brand’s activity stations. He also spoke about his favorite SNICKERS® flavors and introduced the Strawberry variant highlighted in the activation.
One of the most notable moments of the fan meet came when fans surprised MINGYU with a birthday greeting. The audience sang “Happy Birthday” in unison as a cake was brought onstage, creating a celebratory moment that briefly shifted the tone of the program into a more intimate exchange between artist and fans.
The Manila activation connected a retail pop-up experience with a large-scale fan meet, extending SNICKERS®’ “Active Lifestyle” campaign across both mall-based engagement and live entertainment. The structure allowed audiences to interact with the brand in different formats while building anticipation toward the main event featuring MINGYU.
Photo by SNICKERS Philippines
The strong turnout across both venues reflected sustained engagement from Filipino fans, particularly within the K-pop community, which continues to be a major driver of large-scale fan events in the country.
By combining interactive installations, limited-edition rewards, and a celebrity-led fan meet, SNICKERS® created a multi-layered experience that blended brand storytelling with fan culture in a single campaign ecosystem.
About SNICKERS®
SNICKERS® is a global chocolate bar brand owned by Mars, Incorporated. Named after a horse owned by company founder Frank C. Mars, SNICKERS® has been a leading confectionery brand since 1930. The product is known for its combination of peanuts (or almonds), caramel, nougat, and milk chocolate.
Secure your golden tickets, Manila — Charlie and the Chocolate Factory is coming this July. The global hit Broadway musical makes its highly anticipated Manila premiere, starring Filipino multi-awarded performer Karylle as the loving and resilient Mrs. Bucket.
Following a sold-out run at Shanghai Culture Square in November 2025 and enthusiastic audience acclaim, the Broadway musical now invites Manila theatre fans to experience its magic this summer at The Theater at Solaire. Filipino star Karylle joins the eccentric and imaginative Bucket family featuring Oliver T. Wong and Cohen Toukatly alternating in the role of the hopeful young dreamer Charlie Bucket, Steve McCoy as Grandpa Joe, Mychal Phillips as Grandma Josephine, and Michael Dalke as Grandpa George.
Based on Roald Dahl’s globally beloved novel, CHARLIE AND THE CHOCOLATE FACTORYfollows young Charlie Bucket’s golden-ticket adventure into the mysterious and magical world of Willy Wonka’s Chocolate Factory. From chocolate rivers to nut-sorting squirrels and mischievous Oompa-Loompas, the musical dazzles with eye-popping visuals, larger-than-life characters, immersive delight for the audience, and toe-tapping music.The musical features iconic songs from the classic 1971 film, including “Pure Imagination,” “The Candy Man,” and “I’ve Got a Golden Ticket,” along with original music by Grammy® and Tony Award® winners Marc Shaiman and Scott Wittman (Hairspray, Mary Poppins Returns).
Tickets will be available via TicketWorld. For global tour updates, follow @charlieglobaltour on Instagram.
“Roald Dahl’s CHARLIE AND THE CHOCOLATEFACTORY is a dazzling fantasy for everyone from everywhere. This new production features miraculous special effects and cutting edge hologauze 3D technology based on advanced magic principles. We are so excited to share the breathtaking world of this beloved Broadway musical about the power of imagination, and the art of invention with Manila audiences in this spectacular new immersive production from an all-Broadway creative team!” Simone Genatt and Marc Routh, Producers and Co-Owners of Broadway International Group and Broadway Asia said in a joint statement.
Transforming Willy Wonka’s fantastical factory into a world where the impossible feels possible, renowned Las Vegas magic and illusion designer Tim Clothier joins the Broadway team and says, “Willy Wonka is the king of imagination, and being able to design new stage wizardry for that character is a dream come true.”
Presented by Broadway International Group and Broadway Asia, in association with AMA Group of Companies and GMG Productions, and the special participation of Auro Chocolate, CHARLIE AND THE CHOCOLATE FACTORY makes its Manila premiere at The Theatre at Solaire from July 8 to July 26, 2026.
Karylle is widely recognized for her celebrated work in Philippine musical theatre, having starred in iconic productions such as The Sound of Music (Baroness Elsa von Schraeder) produced and presented by Broadway International Group at Samsung Performing Arts Center, West Side Story (Maria), The Little Mermaid, Seussical, Cinderella, and the original Filipino musical Rama Hari. Her performances have earned critical acclaim and recognition from major award-giving bodies, including the Aliw Awards.
The Broadway production of Charlie and the Chocolate Factory premiered in 2017 running for over 300 performances, followed by a four year North American tour through 2022. Charlie and the Chocolate Factory also ran on London’s West End where the production received two Olivier Awards. This Global Tour is scheduled to tour for 2 to 3 years in Asia, the Middle East and India in leading cities around the world including Manila, Hong Kong, Singapore, Beijing, Shanghai, Haikou, Taipei, and Seoul.
CHARLIE AND THE CHOCOLATE FACTORY features music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman, book by David Greig, based on the novel by Roald Dahl. Songs from the Motion Picture by Leslie Bricusse and Anthony Newley. Including original direction by four-time Tony Award® winning director Jack O’Brien, and original choreography by Joshua Bergasse, the global tour features Direction by Matt Lenz, Choreography by Alison Solomon, and Musical Supervision by Nate Patten and Greg Jarrett as well as an award-winning Broadway creative, design, and production team. Mark Thompson, set and costume design; Christine Peters, tour scenic design; Jeff Sugg, projections design; Rory Beaton, lighting design; Mike Thacker for Orbital Sound, sound design; Basil Twist, puppet design; and Tim Clothier, illusions. Orchestrations by Doug Besterman, and Musical Arrangements by Marc Shaiman. Casting is by Paul Hardt Casting. Joseph Longthorne serves as General Manager and Tayn Yeo as Associate Manager for Broadway Asia International.
Simone Genatt, Marc Routh, Broadway International Group, and Broadway Asia are Producing, along with Co-Producers HY Culture Company, Doug Meyer Productions, Bergamot Front Row Fund and Willette Klausner. CHARLIE AND THE CHOCOLATE FACTORY is presented in special arrangement with Music Theatre International (MTI), and Broadway Asia Company.
About Broadway International Group and Broadway Asia(Producer)
Broadway International Group and Broadway Asia Company are among the largest production, management, and distribution companies of live entertainment throughout the global markets with focus in New York, London, North America, Europe and Asia. Its founders, Simone Genatt and Marc Routh, are two of the most active commercial Broadway and West End producers. Over the last 25 years, theatrical productions by the Broadway International Group partners have performed in over 60 countries and garnered over 56 Tony, Olivier, Grammy Awards and many other global theatrical accolades through its many collaborations. Select live entertainment productions and attractions include: The Sound of Music, World’s Greatest Lover Edinburgh 2025, An American in Paris, Anastasia, Beetlejuice, The Producers, Hairspray, Amelie, Legally Blonde, Little Shop of Horrors, The Great Comet, Mamma Mia the Party!, Immersive Great Gatsby, Immersive Doctor Who, Neverland, the Peter Pan Immersive, Stomp, COOKIN/NANTA, Shear Madness, Murder Ballad, Tape Face, I Love You, You’re Perfect, Now Change, The Jonathan Larson Project Off Broadway, Jay Chou’s THE SECRET, China Goes Pop, Cinderella, West Side Story, 42nd Street, Back to the Future, The Addams Family, Nice Work If You Can Get It, The King and I, Rock of Ages, ICE AGE LIVE: A Mammoth Adventure, SpongeBob SquarePants Live, Creature from the Black Lagoon, Madagascar Live, Fuerzabruta and many others. Select forthcoming productions and attractions include: the global tour of Becoming Marilyn Monroe Interactive Exhibition, STARMANIA, and World’s Greatest Lover London.
About Jack O’Brien (Original Broadway Director)
Jack O’Brien has won three Tony Awards for his direction of Hairspray, Henry IV, and The Coast of Utopia. His other recent Broadway credits include Arthur Miller’s All My Sons, Carousel, The Front Page, Charlie and the Chocolate Factory, It’s Only a Play, Macbeth, The Nance, Dead Accounts, Catch Me If You Can, Impressionism, Dirty Rotten Scoundrels (Tony nom.), Imaginary Friends, The Invention of Love (Tony nomination and Drama Desk winner),The Full Monty (Tony nom.), More to Love, Getting Away with Murder, The Little Foxes, Damn Yankees, Two Shakespearean Actors (Tony nom.) and Porgy and Bess (Tony nom.).Off- Broadway credits include Tom Stoppard’s The Hard Problem, Pride’s Crossing, and Hapgood (Lucille Lortel Award). Other productions include Il Trittico at the Metropolitan Opera, Guys and Dolls at Carnegie Hall, Much Ado About Nothing for The Public’s Shakespeare in the Park, Love Never Dies and Hairspray (Olivier nom.) in London, which saw a revival at the Coliseum in London last summer. Mr. O’Brien was the Artistic Director of the Old Globe Theatre from 1981 till 2007. He has directed six programs for PBS’s American Playhouse. His book, Jack Be Nimble, is published by Farrar, Strauss and Giroux and his next volume, Jack in the Box: or, How to Goddamn Direct, will also be published by FSG.
About Matt Lenz (Director)
Matt Lenz is a New York-based director whose 30+ year career encompasses work on Broadway, Off-Broadway, national tours, regional theater, and international productions. Broadway credits include: Charlie and the Chocolate Factory, Hairspray, Catch Me If You Can, The Velocity of Autumn (Associate Director on original productions), Disney’s Beauty and the Beast (Resident Director). Off-Broadway: Pageant: The Musical (Drama Desk nomination), The Irish Curse (Soho Playhouse), Idaho! (NYMF), The Great Daisy Theory, Fingers and Toes (NYMF), and Alan Ball’s The Amazing Adventures of Tense Guy. National Tours: A Christmas Story: The Musical, Cheers Live Onstage, Catch Me If You Can, and Hairspray. Lenz also directed productions of Hairspray in South Africa; U.K.; Toronto; Las Vegas; and Germany. Regional: numerous plays and musicals at Paper Mill Playhouse, George Street Playhouse, St. Louis MUNY, Ogunquit Playhouse, Cape Playhouse, North Carolina Theatre, Maltz Jupiter Theater, Zach Theatre, Gulfshore Playhouse, Casa Manana, Gateway Playhouse, Short North Stage, Forestburgh Playhouse, and Stamford Center for the Arts. Lenz is a member of SDC and a teaching artist with the Broadway Dreams Foundation.
About Marc Shaiman
Marc Shaiman is an award-winning lyricist, composer, orchestrator and performer, who has successfully created music and lyrics for TV, films, recordings, and theater since entering show business at the age of 16 in 1976. Shaiman has been Oscar-nominated seven times (for Mary Poppins Returns, Sleepless In Seattle, Patch Adams, The First Wives Club, The American President, and South Park: Bigger, Longer & Uncut). He has received three Tony Award nominations (winning one for co-writing the score to Hairspray with co-lyricist Scott Wittman), eight Grammy Award nominations (winning two for The Original Cast Recordings of Hairspray and Some Like It Hot), twelve Emmy Award nominations (winning two, for his work on Billy Crystal’s Academy Award hosting and for co-writing, with Wittman and Pasek & Paul, “Which Of The Pickwick Triplets Did It?” for “Only Murders In The Building”), two Golden Globe nominations (for the song The Star, co-written with Mariah Carey) and his score for Mary Poppins Returns), and two BAFTA nominations (for Sleepless In Seattle and Mary Poppins Returns). Shaiman’s other film work includes Beaches, When Harry Met Sally, Misery, City Slickers, The Addams Family, Addams Family Values, A Few Good Men, Sister Act (1 & 2), George of the Jungle, In and Out, Hocus Pocus (1 & 2), The Bucket List, Parental Guidance, and Bros. He served as an Executive Producer of the successful film adaptation of his Broadway musical Hairspray. The original musicals he has co-written for Broadway and The West End are Hairspray (Tony and Olivier Award winner for Best Musical), the Tony-nominated Martin Short: Fame Becomes Me, the Tony-winning Catch Me If You Can, the Olivier Award-winning Charlie and The Chocolate Factory, and most recently, the Tony and Grammy Award-winning Some Like It Hot. The most award-winning musical of last season, Some Like It Hot is currently on tour in North American. Next up is the Broadway version of “Smash,” the television show for which Marc & Scott were nominated for two Emmy Awards. Other Broadway credits are composing incidental music for revivals of The Odd Couple (with Nathan Lane & Matthew Broderick) and Plaza Suite (starring Sarah Jessica Parker & Matthew Broderick). Broadway concert credits are “Peter Allen: Up In One,” Bette Midler’s “Divine Madness,” Ellie Greenwich’s “Leader Of The Pack,” and “Patti LuPone On Broadway.” Shaiman has co-produced and arranged award-winning recordings for music icons such as Bette Midler, Harry Connick Jr., and Mariah Carey, including the Grammy-winning recordings “The Wind Beneath My Wings” and “From A Distance.” His television ventures include “The Sweeney Sisters” on SNL, countless award and talk show appearances with Billy Crystal, Neil Patrick Harris, Nathan Lane, and Martin Short, Jenifer Lewis’ “Jackie’s Back,” the Emmy-winning “SNL 40th,” the aforementioned “Smash” and “Rogers: The Musical” for “Marvel’s Hawkeye,” the Rob Reiner-directed HBO documentary “Albert Brooks: Defending My Life,” “The Kennedy Center Honors,” where he arranged and performed in tribute to his friend Billy Crystal, and the aforementioned song “Which Of The Pickwick Triplets Did It?” which Steve Martin performed on “Only Murders In The Building.” But his most cherished achievement for television is his collaboration with Bette Midler for her Emmy-winning appearance as Johnny Carson’s final guest on The Tonight Show. Other performers with whom he has collaborated in concert, cabaret, film, and television include Jack Black, Will Ferrell, Kristin Chenoweth, Eric Clapton, Christine Ebersole, Kathy Griffin, Allison Janney, Jennifer Holliday, Jennifer Hudson, Diane Keaton, Steve Martin, John Mayer, Audra McDonald, Barbra Streisand, Queen Latifah, Robin Williams, Eddie Murphy, and… Robert De Niro! At the legendary after-party for “SNL 40th,” he jammed with Taylor Swift, Paul McCartney, and Prince and completely lost his mind. In 2014, Shaiman & Wittman were celebrated by the New York Pops with a spectacular concert at Carnegie Hall. Marc was recently honored with the Ambassador Award by the Society of Composers and Lyricists in December 2018, the Icon Award at the Guild of Music Supervisors Awards in February 2019, and an Outstanding Career Achievement Award from The Hollywood Music in Media Awards.
About Scott Wittman
Tony, Emmy, two-time Grammy, and Olivier Award-winning lyricist, director, writer, and conceiver, Scott Wittman co-wrote the lyrics for the hit musical Hairspray (Tony, Grammy, Olivier Award winner) with creative partner Marc Shaiman. Wittman also served as an executive producer on the hit film starring John Travolta. Scott was nominated for a Golden Globe, Grammy, and two Emmy Awards for the original songs on NBC’s musical drama “Smash.” While working on the show, he co-wrote songs for Jennifer Hudson, Uma Thurman, Bernadette Peters, and Liza Minnelli. Shaiman and Wittman’s original score for the Marilyn Monroe musical Bombshell was released by Sony Records. Scott’s Broadway credits include Martin Short: Fame Becomes Me, which he also directed, Catch Me If You Can (Tony nom. for Best Musical), Charlie and the Chocolate Factory on Broadway and the West End and Some Like it Hot (13 Tony nominations). Scott has created and directed two Broadway shows, and four sold-out Carnegie Hall concerts for Patti LuPone. He has created and directed solo shows for Christine Ebersole and Nathan Lane, as well as writing for Bette Midler’s 2015 Divine Intervention World Tour. Off-Broadway, he conceived and directed Jukebox Jackie starring Justin Vivian Bond, Bridget Everett, and Cole Escola at LaMama, also, Rockbottom with Bridget Everett at The Public Theatre. Scott also co-wrote the score to Disney’s Mary Poppins Returns starring Emily Blunt, Lin-Manuel Miranda, and Meryl Streep. Directed by Rob Marshall. The song, “The Place Were Lost Things Go” was nominated for an Oscar. He recently joined the Marvel Universe with his song cowritten with Marc Shaiman for Rodgers: The Musical in “Hawkeye.” Also, for “Only Murders in the Building,” he co-wrote “The Pickwick Triplets” for Steve Martin which recently won an Emmy. The notorious and legendary Downtown shows he directed are in the permanent collection of the Museum of Modern Art in New York.
About David Greig
David is a playwright. His plays include The Events, The Strange Undoing of Prudencia Hart, Monster in the Hall, Midsummer, Dunsinane, Yellow Moon, Damascus, Outlying Islands, The American Pilot, San Diego, Pyrenees, The Cosmonaut’s Last Message, Dr, Korczcak’s Example, The Architect and Europe. David’s adaptation’s include The Suppliant Women, The Father, The Lorax, Lanark, Creditors, and Caligula. In 1990, he co-founded Suspect Culture Theatre Co., for whom he wrote Timeless, Mainstream & 8000M. Since 2016, David has been the Artistic Director of The Royal Lyceum Theatre in Edinburgh.
About Roald Dahl
Roald Dahl was a British author of popular children’s literature and short stories, a poet, and a screenwriter. His books have sold more than 300 million copies worldwide. He has been called “one of the greatest storytellers for children of the 20th century”. Dahl’s short stories are known for their unexpected endings, and his children’s books for their unsentimental, macabre, often darkly comic mood, featuring villainous adult enemies of the child characters. His children’s books champion the kindhearted and feature an underlying warm sentiment. His works for children include James and the Giant Peach, Charlie and the Chocolate Factory, Matilda, The Witches, Fantastic Mr Fox, The BFG, The Twits, George’s Marvellous Medicine and Danny, the Champion of the World. His works for older audiences include the short story collections Tales of the Unexpected and The Wonderful Story of Henry Sugar and Six More.
Theatre Group Asia (TGA) announces with great excitement the casting of acclaimed Filipino vocalist Morissette as Middle Allie in its upcoming production of The Notebook: The Musical, opening in September 2026 at the Samsung Performing Arts Theater. Marking a significant milestone for Philippine theatre, the production will serve as the musical’s international premiere, placing Manila at the forefront of global stage storytelling.
Opening TGA’s 2026-27 season, The Notebook: The Musical is a stage adaptation of Nicholas Sparks’ beloved novel, featuring music and lyrics by Ingrid Michaelson and a Tony-nominated book by Bekah Brunstetter. The musical debuted in 2022 at the Chicago Shakespeare Theater under the direction of Michael Greif and Schele Williams, then went onto to Broadway, where it received three Tony nominations.
While the story is widely recognized through its 2004 film adaptation starring Ryan Gosling and Rachel McAdams, the stage version expands the narrative by portraying Allie and Noah across multiple stages of their lives, offering a layered perspective on how love matures, fractures, and ultimately endures. Praised for its emotional restraint and lyrical storytelling, the musical presents a more intimate and reflective interpretation of the classic romance, exploring themes of memory, aging, and devotion with contemporary musical sensibilities.
TGA’s Overall Artistic and Creative Director shares, “We are very honored to welcome Morissette to the TGA family. Casting Middle Allie is a tough process because the character’s songs are technically challenging as they are emotionally demanding. It takes a special kind of vocalist and actress to tackle this role. And we’re overjoyed Morissette welcomed the prospect. She’s spectacular!”
Morissette, widely known as “Asia’s Phoenix,” is a multi-award-winning Cebuana artist recognized for her extraordinary vocal range and commanding stage presence. Over a career spanning more than 15 years, she has established herself as one of the Philippines’ most celebrated performers, known for her powerful live vocals and her ability to connect deeply with audiences through music and storytelling.
Morissette first rose to national prominence through televised singing competitions before achieving international recognition with chart-topping songs, major concert productions, and collaborations with global artists such as Michael Bolton, Ben Adams, and Alan Menken. Her career has taken her to sold-out venues across North America, Europe, the Middle East, and Asia. She previously appeared in the Philippine production of Camp Rock: The Musical, marking an early step into theatre. She was also one of the first performers who launched Circuit’s Blackbox Theater when she appeared in The Mister Kupido Musical, and was likewise one of the first performers in S-PAT with Favor Church. In 2025, she celebrated her 15th anniversary with Ember, a landmark solo concert. That same year, she made her film debut in Song of the Fireflies, earning Best Actress at the Manila International Film Festival.
Reflecting on her return to the stage, Morissette shares that the opportunity came at a meaningful moment in her career. “First and foremost, I’m so excited to be returning to the theater stage after almost a decade, and to be working with TGA on The Notebook: The Musical. The opportunity came at a perfect time because I had already been thinking about going back to theater,” she says, adding that she felt both surprised and deeply grateful to be entrusted with the role of Middle Allie. Having long admired the story, she notes, “I loved the film adaptation, and the songs from the musical are so beautiful and moving.”
She finds a personal connection in Middle Allie’s character, describing her as “free-spirited and strong-willed,” qualities she relates to in her own life. “I tend to take risks in my professional and personal life, and I fight for what I believe in,” she explains. As she immersed herself in the material, Morissette shares that the story resonated on a deeper level. “When I started studying it, it hit a little close to home. I really believe that to love and be loved is so empowering—it gives you the courage to take risks.”
For Morissette, the enduring appeal of The Notebook lies in its portrayal of love that evolves over time. “Love conquers all, especially when it stands the test of time like Allie and Noah’s does. I love how the story shows them across different generations and how their relationship grows and changes through the years,” she says. She also highlights the musical’s score as a defining element, describing it as “honest and sincere in portraying what the characters cannot simply say, very heartwarming yet powerful.”
In preparing for the role, Morissette has taken an immersive approach, returning to The Notebook for deeper insight into the characters and narrative while continuously engaging with the musical’s soundtrack. “I’ve been physically and vocally preparing myself to step into Middle Allie’s shoes and voice,” she shares.
As she steps into this new chapter, Morissette hopes audiences will see a different dimension of her artistry. “I want people to take away that I love storytelling just as much as I am capable of hitting big notes,” she says candidly, acknowledging both her excitement and nerves. “This is very different from what I’m used to, but I’m willing to relearn the discipline of theater, especially with a material as beautiful as this.”
With Morissette as integral part of the production, TGA’s The Notebook: The Musical is poised to be a landmark cultural event, one that brings together a globally celebrated story, a contemporary musical voice, and a defining Filipino artist in a production that promises to resonate deeply with audiences in Manila and beyond.
ABS-CBN’s girl group BINI soared to new heights as the first Filipino group to take the Coachella Valley Music and Arts Festival stage during their debut performance on Saturday (April 11) in the Philippines or Friday (April 10) in the United States, marking a landmark moment for OPM on the global stage.
They performed a total of 10 songs during their 45-minute set time at the Mojave stage of the festival, held in Indio, California, that drew music fans from all over the world.
The nation’s girl group opened the show with “Shagidi,” followed by “Zero Pressure” and “Out Of My Head.” They also performed Filipino hits “Karera” and “Salamin, Salamin,” followed by “Blink Twice” and “Cherry on Top.” The audience got to see their first live performance of their new song “Blush,” followed by “Bikini,” and their final number, “Pantropiko.”
Between performances, BINI members Aiah, Colet, Maloi, Gwen, Stacey, Mikha, Jhoanna, and Sheena also expressed their gratitude for the opportunity to represent the Philippines in one of the world’s biggest music festivals.
“We are so grateful to be here to represent the Philippines on a global stage and to share with you guys our music,” said Aiah.
“Being here with all of you has been the sweetest ‘cherry on top’ of our journey so far,” shared Maloi.
Overwhelming support from viewers poured in before, during, and after the performance, which was livestreamed via the Coachella YouTube channel.
#BINI_CoachellaWk1 surged to the top of trending topics worldwide on X, also leading in the Philippines and the United Arab Emirates, while ranking #2 in Canada and Singapore, #5 in Australia, and #6 in Puerto Rico and the United States.
Other BINI-related topics that gained traction include Pinoy Pride, BINICHELLA, Mojave, Walo, Blink Twice, Salamin Salamin, Karera, Zero Pressure, Cherry on Top, Shagidi, Pantropiko, and more. ‘BINI Makes History as First All-Filipino Act at Coachella 2026’ also trended on X’s Today’s News.
Blooms likewise showed their support by joining watch parties across Metro Manila and nearby cities arranged by the fan group BLOOM Philippines.
BINI will return to the Coachella stage next Saturday, April 18 (PHT).
MUSIC TRAVEL LOVE has announced an additional stop on their highly anticipated Philippine Tour, set to take place at The Atrium, Limketkai Center in Cagayan de Oro City on Friday, June 26, 2026, promising an unforgettable night for their fans in Mindanao. This newly added show complements their previously announced performances in Cebu on Saturday, June 27, 2026, at the Waterfront Cebu City Hotel & Casino, and in Manila on Sunday, June 28, 2026, at the New Frontier Theater, Araneta Center, Quezon City.
Bob and Clint Moffatt are a Canadian brother duo. Professionally performing from the early age of 4 with over 6,000 live performances, Clint and Bob certainly fall within the category of seasoned entertainers.
In years past they performed with their brothers, Scott and Dave in“The Moffatts” and were signed to Polydor Records in Nashville. At that time, they became the youngest band to ever sign a major label recording contract.
Over the course of their career, they’ve sold in excess of seven million records (another 6 million via the Asian black market), recorded 11 albums, have Gold and Platinum records in 32 countries, performed at one of the first ever paid concerts in China, performed at the first ever outdoor stadium concert in Vietnam and, to this day, hold album sales records for an international act in the Philippines, Indonesia, Malaysia, Thailand and Singapore!
November of 2018, the duo began releasing a series of traveling videos, which they titled Music, Travel, Love. Combining their love for music, travel and family, Bob and Clint headed out across the world to find the most beautiful destinations to film videos featuring nostalgic love songs and their own originals.
Music Travel Love is now recognized as an incredibly, POWERFUL social media presence; a global force with which to be reckoned, and a rare phenomenon, which appeals to all generations from Gen X and Millennials all the way up to Baby Boomers.
Music Travel Love’s YouTube channel fosters an intimate relationship with millions of loyal followers, allowing them a chance to be whisked away to beautiful destinations or ensconced in exotic locales, all while being serenaded with the soothing harmonies of their favorite songs. Music Travel Love literally provides followers with a soundtrack for their lives.
These videos combined with their social media platforms have now garnered a fan base of more than 25+ million followers, which puts them in the TOP 1% of social media influencers and TOP 1% of musical streaming artists world-wide.
MUSIC TRAVEL LOVE – PHILIPPINE TOUR 2026 (CAGAYAN DE ORO) Tickets for the MUSIC TRAVEL LOVE Cagayan de Oro show will go on sale starting Tuesday, April 14, 2026, at 12:00 NN. Event Details: The Atrium, Limketkai Center, Cagayan de Oro City, Friday, June 26, 2026 | 8:00 PM Ticket Prices (Cagayan de Oro): VIP – Reserved Seating – PHP 4,790 GOLD – Reserved Seating – PHP 3,730 SILVER – Free Seating – PHP 2,660 LOWER ALFRESCO – Free Seating – PHP 1,440 UPPER ALFRESCO – Free Seating – PHP 850 *All prices are inclusive of ticket service charges.
Tickets are available online via VEENT TIX at https://mtlcdo.veent.net/ For inquiries, please call +63 991 329 7869. MTL – VEENT Ticket QR Code
WATERFRONT CEBU CITY HOTEL & CASINO, Saturday 27th June 2026 (8PM) Ticket prices Cebu: VIP – Reserved Seating – 4,790 Peso GOLD – Reserved Seating – 3,730 Peso SILVER – Reserved Seating – 2,660 Peso BRONZE – Free Seating – 1,600 Peso BALCONY – Free Seating – 850 Peso *All prices are inclusive of ticket service charges.
Tickets available at all SM Ticket Outlets or log on to www.smtickets.com or call 02 8470-2222 / 0915 535 3873 and local 032 232 6888
NEW FRONTIER THEATER, Quezon City, Sunday 28thJune 2026 (8PM). Ticket prices Manila: Orchestra VIP – Reserved Seating – 6,095 Peso Orchestra B – Reserved Seating – 5,300 Peso Orchestra C – Reserved Seating – 4,505 Peso Balcony VIP (Loge) – Reserved Seating – 5,565 Peso Balcony 1 – Reserved Seating – 4,240 Peso Balcony 2 – Reserved Seating – 3,180 Peso *All prices are inclusive of ticket service charges.
Tickets available at all TicketNet outlets or log on to Ticketnet.com.ph or call (02) 8911-5555 for more details.
From folktronica to indigenous hip-hop, Our Shame and HengJones co-headline the regional music showcase and conference festival alongside artists from Singapore, Indonesia, New Zealand, and the Philippines.
Taiwanese new wave hits the Philippines this month as alternative pop duo Our Shame and acclaimed hip-hop artist HengJones co-headline All Of The Noise 2026, a three-day, multi-venue and culture festival set across Astbury Makati (April 17 and 19), Sari-Sari Makati (April 17 and 19), and 123 Block in Mandaluyong City (April 18).
As two of the most promising emerging voices in the Taiwanese independent music scene, both acts will be joining an eclectic roster of lineup from the Asia Pacific region, including Indonesia’s Grrrl Gang, Arash Buana, and Gavendri; New Zealand’s Phoebe Rings, Singapore’s Shye, and our very own BP Valenzuela, DJ Love, Elijah Canlas, Fitterkarma, Ourselves the Elves, SOS, and more.
Making their official debut in Manila, Our Shame and HengJones bring distinct sonic identities honed by culture, experimentation, and storytelling. Our Shame will perform at the intimate Sari-Sari stage on April 17, while HengJones takes over the outdoor stage at 123 Block on April 18.
Our Shame arrives on the heels of their critically acclaimed Hidden Album, a concept-driven project that explores themes of intimacy and discovery through a layered folktronica lens. Combining acoustic instrumentation with field recordings and electronic textures that extend from trip-hop to UK garage influences, the indie duo makes compelling pop tunes that are sonically understated but whose songwriting feels personal and immersive. The Taiwanese pairing is currently developing extended works from the album, including prospective international collaborations with plans for a tour in Japan in late 2026 or early 2027.
HengJones, on the other hand, continues to gather incredible recognition for his debut album, fangcalay a tamedaw—a deeply introspective body of work rooted in Indigenous Pangcah (Amis) identity. Built on themes of matriarchal narratives and language preservation, the project reflects an important intersection of heritage and contemporary hip-hop culture. Following a well-lauded performance in Shibuya, Japan, HengJones is currently working on a new material featuring a Japanese producer, alongside major appearances and an upcoming nationwide tour in his home country, Taiwan.
Beyond live performances, All Of The Noise 2026 expands its cultural footprint through its Cut Through The Noise conference, tackling key issues shaping the regional music ecosystem, and Echoes of the Noise, a curated program of music documentaries exploring the intersections of sound, identity, and social movements.
With its multi-platform programming and cross-border collaborations, All Of The Noise 2026 continues its commitment to positioning the Philippines’ growing role as a vital hub in Asia’s burgeoning independent music landscape.
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