Category: News

BRUNO MARS EXPANDS ‘THE ROMANTIC TOUR’ WITH NEW DATES ACROSS ASIA, INCLUDING MANILA!

ANDERSON .PAAK AS DJ PEE .WEE RETURNS ON ALL DATES

Tickets Available Starting Friday, September 11 in Manila

Global superstar Bruno Mars has expanded his record-breaking The Romantic Tour once again, announcing 26 new stadium shows across Australia, New Zealand, and Asia in 2027. Due to overwhelming fan demand, Mars has also added a fifth Mexico City performance at Estadio GNP Seguros on Friday, December 11, extending his run in the city this winter.

The newly added 2027 dates follow previously announced shows in Japan in January before the tour heads to Australia and New Zealand, kicking off February 13 at Optus Stadium in Perth. The run continues with multiple nights in Melbourne, Brisbane, Sydney, and Auckland before returning to Asia in Singapore beginning April 13. From there, Mars will perform multiple-night engagements in Bangkok, Kaohsiung, Hong Kong, and at the Philippine Arena in Manila, on May 15 & 16, before closing the leg with four stadium shows in South Korea. His special guest in Manila is 9x GRAMMY® Award winner and Silk Sonic collaborator Anderson .Paak will perform as DJ Pee .Wee on all newly announced shows.

The announcement follows extraordinary demand for The Romantic Tour, which delivered the largest single-day ticket sales in Live Nation history across North America, Europe, and the UK, while setting a new Ticketmaster record with 2.1 million tickets sold in a single day. Mars launched his first headline tour in nearly a decade this past April with two sold-out shows in Las Vegas before embarking on a blockbuster stadium run across North America, Europe and the UK. He is currently on the second North American leg, with the fourth and final MetLife Stadium show taking place tonight in East Rutherford, New Jersey.

With today’s announcement, The Romantic Tour now spans more than 115 stadium shows across North America, Europe, the UK, Asia, Australia, New Zealand, and Mexico, including six nights at London’s Wembley Stadium; five nights each at Rogers Stadium in Toronto, SoFi Stadium in Los Angeles, BC Place in Vancouver, and Estadio GNP Seguros in Mexico City; and extended multi-night engagements in major markets around the world.

The tour follows the arrival of Bruno Mars’ long-awaited fourth solo album, The Romantic, which was the biggest debut album of his career. The project officially debuted at No. 1 on the Billboard 200, marking his first album ever to premiere at the top spot, and second No. 1 album on the chart after Unorthodox Jukebox in more than a decade. The album also hit No. 1 on Apple’s Global Album Chart, No. 1 on Spotify’s Global Album Chart, and No. 1 on Spotify’s Top US Album Chart. Itfeatures songs including the explosive “I Just Might,” which is Bruno’s 10th No. 1 single and inaugural No. 1 debut, as well as “Risk It All,” which landed at No. 1 on the Billboard Global 200 Chart and Billboard Streaming Songs List, and hit the No.1 spot on both Apple and Spotify’s Global and US song charts.

The new tour builds on an incredible few years of global performances for Mars, including his acclaimed Las Vegas residency at Dolby Live at Park MGM and an extensive and record-breaking international touring run throughout Australia, Asia, the Middle East, and South America. In early 2024, Mars became the first international artist of the 21st century to hold seven consecutive sold-out concerts at the Tokyo Dome. In the fall of 2024, he achieved the highest-grossing tour in Brazilian history, performing 14 sold-out stadium shows across Brazil, spanning five cities — Rio de Janeiro, São Paulo, Brasília, Belo Horizonte, and Curitiba. In August of 2024, Mars also opened Los Angeles’ brand-new arena, Intuit Dome, with two sold-out performances, one of which featured a surprise on-stage duet with Lady Gaga, where they debuted the first live performance of “Die with a Smile.”

TICKETS – MANILA: Fans can sign up for the artist presale at BrunoMars.com through Thursday, August 27, starting at 10AM. Artist Presale and Live Nation PH presales happen on Friday, September 11, from 2PM – 11:59PM. While General On Sale happens on Monday, September 14, starting at 12PM.

THE ROMANTIC TOUR 2027 DATES:
Mon, Jan 4 — Nagoya, Japan — Vantelin Dome Nagoya*
Tue, Jan 5 — Nagoya, Japan — Vantelin Dome Nagoya*
Sun, Jan 10 — Sapporo, Japan — Daiwa House Premist Dome (Sapporo Dome)*
Mon, Jan 11 — Sapporo, Japan — Daiwa House Premist Dome (Sapporo Dome)*
Fri, Jan 15 — Saitama, Japan — Belluna Dome (Seibu Dome)*
Sat, Jan 16 — Saitama, Japan — Belluna Dome (Seibu Dome)*
Tue, Jan 19 — Osaka, Japan — Kyocera Doma Osaka*
Wed, Jan 20 — Osaka, Japan — Kyocera Doma Osaka*
Sat, Jan 23 — Fukuoka, Japan — Mizuho PayPay Dome FUKOKA*
Sun, Jan 24 — Fukuoka, Japan — Mizuho PayPay Dome FUKOKA*
Wed, Jan 27 — Tokyo, Japan — Tokyo Dome*
Thu, Jan 28 — Tokyo, Japan — Tokyo Dome*
Sat, Feb 13 — Perth, Australia — Optus Stadium*+
Fri, Feb 19 — Melbourne, Australia — Marvel Stadium*+
Sat, Feb 20 — Melbourne, Australia — Marvel Stadium*+
Sun, Feb 28 — Brisbane, Australia — Suncorp Stadium*+

Thu, Mar 4 — Sydney, Australia — Accor Stadium*+
Fri, Mar 5 — Sydney, Australia — Accor Stadium*+
Sat, Mar 13 — Auckland, New Zealand — Eden Park*+
Tue, Apr 13 — Singapore — National Stadium*
Wed, Apr 14 — Singapore — National Stadium*
Sat, Apr 17 — Singapore — National Stadium*
Sun, Apr 18 — Singapore — National Stadium*
Sat, Apr 24 — Bangkok — Rajamangala Stadium*
Sun, Apr 25 — Bangkok — Rajamangala Stadium*
Sat, May 1 — Kaohsiung — Kaohsiung National Stadium*
Sun, May 2 — Kaohsiung — Kaohsiung National Stadium*
Fri, May 7 — Hong Kong — Kai Tak Stadium*
Sat, May 8 — Hong Kong — Kai Tak Stadium*
Tue, May 11 — Hong Kong — Kai Tak Stadium*
Wed, May 12 — Hong Kong — Kai Tak Stadium*
Sat, May 15 — Manila — Philippine Arena*
Sun, May 16 — Manila — Philippine Arena*
Fri, May 21 — Goyang — Goyang Stadium*
Sat, May 22 — Goyang — Goyang Stadium*
Tue, May 25 — Goyang — Goyang Stadium*
Wed, May 26 — Goyang — Goyang Stadium*

* with Anderson .Paak as DJ Pee .Wee

+ with Tyla

September 4, 2026
Full House Theater Company to stage Alikabok Musical in August 2027!

Newport World Resorts, in association with Full House Theater Company (FHTC) and Culturtain Musicat Productions, has announced the return of Alikabok more than 30 years after the original Filipino musical was first staged. It features music by National Artist Ryan Cayabyab and draws inspiration from Juan Luna’s painting La Bulaqueña. The new production opens in August 2027 at the Newport Performing Arts Theater.

A reworking of the original 1997 production, Alikabok is the fictional tale of Visitacion “Bising” Vallejo, a beautiful young heiress from the 1800s, based on Luna’s La Bulaqueña. She falls in love on the eve of the revolution, and like so many women of the time, joins the Katipunan to fight for her country.

Told through the eyes of her Fil-Am descendant Asia, Bising’s story unfolds as Asia discovers her letters throughout the ancestral Vallejo home. Piece by piece, Asia slowly puts together the legacy of her family, her home, and her country. But time is running out, as her mother Anna wants to sever her last tie to the Philippines by selling the Vallejo home, and Asia desperately races to complete Bising’s story before it’s lost forever.

The revival is one of FHTC’s major productions for its 2027 theater season. The company is also set to make Manila roar with & Juliet, the Tony Award-nominated musical that gives Shakespeare’s heroine a new story set to some of pop music’s greatest hits.

Casting, creative team, performance dates, and ticketing details for Alikabok will be announced soon.

Full House Theater Company is the in-house production arm of Travellers Group, developing and presenting shows at Newport World Resorts and the soon-to-open Westside Resort.

For more information on Full House Theater Company, visit www.fhtcentertainment.com and follow @fullhousetheatercompany on Facebook, Instagram, and TikTok.

About Full House Theater Company:
Full House Theater Company (FHTC) has established itself as a leading theatre organization dedicated to nurturing Filipino talent and enriching the local performing arts scene. FHTC is the in-house production arm of Travellers Group, owner and operator of Newport World Resorts and Westside Resort. It develops and presents theatrical productions and live entertainment for the Newport Performing Arts Theater and other venues. By producing world-class theatrical performances, FHTC highlights the skills of Filipino actors and production experts, fostering a vibrant community dedicated to the arts.

When Newport World Resorts opened in 2009 as the first integrated resort in the Philippines, one of its biggest attractions was the Newport Performing Arts Theater–an expansive entertainment space with an award-winning design. Making use of this world-class space, the company staged KAOS in 2010, an over-the-top special production that featured theater artists, dancers, acrobats, death-defying stunts and an actual white lion and white tiger. Since then, Newport World Resorts has been staging musicals at its theater every year, making it a household name among musical theater fans and live entertainment aficionados.
Inspired by its success, Travellers Group established Full House Theater Company in 2014, as it entered into the business of staging original musicals. Its first production was Bituing Walang Ningning, an adaptation of a popular Filipino movie based on an equally popular comics serial.
Within its first year, FHTC joined the country’s sole organization of professional performing arts companies, PHILSTAGE. Since then, it has remained steadfast in its commitment to uplifting the performing arts industry in the country. By nurturing a new generation of theater audiences and utilizing the best talents in staging world-class productions in an award-winning venue, FHTC significantly contributes to today’s local performing arts.

September 4, 2026
National Artist Ryan Cayabyab’s music takes center stage at “LIYAB” on September 20 at The Theatre at Solaire!

A celebration of music, love, friendship and the enduring Filipino spirit.

National Artist Ryan Cayabyab’s timeless music—from sacred and inspirational works to beloved songs that have become part of the Filipino soundtrack—will take center stage at “Unang Siklab LIYAB: Mga Himig ng Dakilang Pag-Ibig” on September 20, 2026, at The Theatre at Solaire.

The concert brings together Maestro Ryan Cayabyab and the Philippine Philharmonic Orchestra, under the baton of conductors Jonathan Velasco and Toma Cayabyab, with an exceptional roster of Filipino artists: Lea Salonga, Martin Nievera, Ogie Alcasid, Bituin Escalante, Jed Madela, Gigi De Lana, Sofronio Vasquez and Arman Ferrer.

Joining them is the 200-member LIYAB Grand Chorale, composed of eight of the country’s distinguished choirs: the Ateneo Chamber Singers, Imuscapella, Konsertus, Mass Appeal, Novo Concertante, PCSO Chorale, UP Concert Chorus, and the UP Manila Chorale.

The overwhelming response to the concert has already underscored the enduring appeal of Cayabyab’s music. Tickets to the original 7 p.m. performance sold out within 48 hours after public online sales opened through TicketWorld, prompting production company Ducks Entertainment to add a 2 p.m. matinee on the same day.

Tickets for the 2 p.m. performance remain available through TicketWorld https://premier.ticketworld.com.ph/shows/Show.aspx?sh=LIYABM26 or by contacting Ducks Entertainment via Viber at +63 977 799 0921.

“We are very thankful for the audience’s support of Filipino music and the enduring legacy of Maestro Ryan Cayabyab,” Ducks Entertainment said in a statement.

From a Maestro’s wish to “LIYAB”
The seeds of LIYAB were planted months ago, when Cayabyab shared on Facebook his wish to see his sacred music performed in a concert.

Known affectionately as Mr. C., Cayabyab has composed a wide range of religious and sacred works throughout his career, including church hymns and full-length works such as Misa, Magnificat, Ang Birhen ng Casaysay and Lorenzo.

But as the concert took shape, the vision grew.

The sacred choral works became the spark—ang “Unang Siklab.” From that initial spark, LIYAB evolved into an opportunity to celebrate the many ways music can express love: love of God, country, people, friendship and the Filipino spirit.

Two couples—Doctors Melfred and Arlene Hernandez, and entrepreneurs Mon and Monique Eugenio—turned a longtime friendship and shared love for music into Ducks Entertainment, joining forces to bring Cayabyab’s vision to life. The couples are close friends of Mr. C. and his wife, Emmy.

How they came up with the name of the production outfit is a story in itself.

The friendship was forged in 2011, and through the years, the friends found themselves sharing a love for music, good food, travel, and a brand of humor that is playful, somewhat irreverent, and often self-deprecating.

The three men call themselves “Tatlong Bibe.” So when two of the Bibes Melf and Mon decided to form a production outfit together with their wives, there was really only one name that made sense: Ducks Entertainment, Inc.

The name was also a playful nod to the popular entertainment show of their youth—a fitting connection given that one of the concert’s biggest stars had her beginnings in the show.

For the producers, the concert is ultimately an expression of gratitude and love for a composer whose music has touched generations of Filipinos.

“We want Filipinos to see the value of and appreciate Filipino music, especially the youth,” said Arlene Hernandez, explaining the producers’ vision for the concert.

“As advocates of our nation’s music, the Filipino people must continue to sing it, perform it, reinterpret it and allow the next generations to discover it, embrace it and make it truly theirs. In that way, Filipino music will live on and continue to inspire,” Arlene elaborated.

For Melfred Hernandez, LIYAB is about something even more personal.

“It’s a love letter—to a National Artist whose songs raised us, and to a friendship that decided that his music deserved a stage this big.”

At its heart, LIYAB seeks to rekindle something the producers believe is deeply needed today: love.

Through a repertoire encompassing sacred, inspirational and beloved Filipino songs, the concert hopes to ignite a renewed love for country and for one another.

“We want to rekindle the idea of love. There’s just too little of it, especially during these trying times,” said Mon Eugenio.

But the producers envision LIYAB as more than a one-time celebration.

“We hope to develop LIYAB into a template that can eventually be brought to the Visayas and Mindanao, with homegrown choirs and artists taking center stage. That is the dream,” said Monique Eugenio.

The vision is to bring the LIYAB concept to different parts of the country while allowing each region to contribute its own artists, voices and musical identity.

“We don’t want to bring Manila to the provinces. We want to bring the platform, and let the provinces bring their own voices,” said Monique.

Music that gives back
In keeping with the spirit of love and generosity behind LIYAB, portions of the concert’s proceeds will benefit the Philippine General Hospital (PGH) Medical Foundation, supporting its continuing efforts to provide care and assistance to patients and programs of the Philippine General Hospital.

A portion will also go to the UP-PGH Department of Otorhinolaryngology–Head and Neck Surgery, as it celebrates its 65th Founding Anniversary, honoring generations of physicians, teachers, researchers and healthcare professionals whose commitment has helped advance patient care, education and service.

The Cultural Center of the Philippines (CCP) International Scholarship Fund will likewise be among the beneficiaries, supporting opportunities for Filipino artists and cultural practitioners to further their education and development.

For the producers, bringing LIYAB to the stage has been an ambitious undertaking.

“We didn’t realize it would be such an ambitious undertaking. A 200-voice choir made up of eight different choral groups, the Philippine Philharmonic Orchestra, multiple conductors, major soloists, rehearsals, music preparation, production logistics—and making sure that all of these moving parts eventually become one coherent artistic experience,” said Mon.

For Dr. Melfred, however, the complexity behind the production is precisely what the audience should never have to think about.

“The funny thing about producing a concert of this scale is that the audience should never see all that complexity. They should simply sit down, hear the first note, and feel the magic—and leave the theatre with LIYAB in their hearts: for God, for country and for their beloved.”

“Unang Siklab LIYAB: Mga Himig ng Dakilang Pag-Ibig” is presented by Ducks Entertainment on September 20, 2026, at The Theatre at Solaire, with performances at 2 p.m. and 7 p.m.

September 4, 2026
How Very! Heathers the Musical Takes Over Manila This January 2027!

Ready your scrunchies, grab your lunch trays, and sharpen those pencils. GMG Productions in association with Bill Kenwright Ltd. and Paul Taylor-Mills, proudly present Heathers the Musical, coming to Manila for a limited run from January 21 to February 7, 2027, at The Theatre at Solaire.

Following record-breaking seasons and sold-out runs in London, New York and Melbourne, Heathers the Musical makes its highly anticipated Manila debut, bringing its wicked humour, unforgettable characters and mercilessly catchy score to Filipino audiences.

Based on the iconic 1989 film starring Winona Ryder and Christian Slater, Heathers the Musical first premiered in Los Angeles in 2013 to sold-out audiences before transferring to New York’s New World Stages in 2014. The production was reimagined for its 2018 London debut, introducing new songs and an updated script.

At Westerberg High, popularity is a matter of life and death—and Veronica Sawyer is just another nobody dreaming of a better day. That changes when she is unexpectedly taken under the wing of the three beautiful, powerful and impossibly cruel Heathers. Suddenly, Veronica has everything she ever wanted: status, attention and a seat at the popular table.

Then J.D., the mysterious teen rebel, arrives and turns Veronica’s world upside down. As she gets caught between her newfound popularity and the pressure to keep up appearances, Veronica soon discovers that being a somebody isn’t always as glamorous as it seems.

Featuring a mercilessly catchy mix of ballads and bangers – including fan-favorite songs such as “Seventeen”, “Candy Store”, “Meant To Be Yours”, “I Say No”, and “Dead Girl Walking” – by award-winning writers Kevin Murphy (Desperate Housewives) and Laurence O’Keefe (Legally Blonde The Musical), Heathers the Musical is directed by acclaimed American screen and stage director Andy Fickman.

Leading the Manila cast as Veronica Sawyer is Filipino performer Gerardine Sacdalan, who takes on the iconic role for the Philippine premiere of Heathers the Musical. She will be joined by Louis Hearsey as Jason “J.D.” Dean, Liberty Stottor as the incomparable Heather Chandler, Jessica Ibadin as Heather Duke, and Lou Henry as Heather McNamara.

The Manila cast also features Veronica Carabai as Ms. Fleming/Veronica’s Mom, Sophie Manners as Martha Dunnstock, Markus Södergren as Kurt Kelly, Beau Jackson as Ram Sweeney, John Gurdían as Ram’s Dad/Big Bud Dean/Coach Ripper, and Reuben Browne as Kurt’s Dad/Veronica’s Dad/Principal Gowan.

Rounding out the cast are Christian De-Gallerie as Preppy Stud/Officer, Ellouise Delooze as New Wave Party Girl, Caitlin Garcia as Drama Club Drama Queen, Alexander Howarth as Hipster Dork, Charlotte O’Rourke as Midwestern Surfer Punk, Thomas Oxley as Beleaguered Geek, Tola Sokoya as Young Republicanette, and Carys Taylor as Stoner Chick.

Carlos Candal, CEO of GMG Productions, shares his excitement about bringing Heathers the Musical to Manila:

“At GMG Productions, we’re passionate about bringing world-class entertainment to Filipino audiences and making acclaimed global productions accessible here in Manila. We’re always looking for the right balance between introducing audiences to exciting new titles and bringing beloved stories to the stage in ways that feel fresh and relevant.

Our upcoming season reflects that commitment, from Harry Potter: A Yule Ball Celebration and Cirque Alice to The Play That Goes Wrong, and now Heathers the Musical. Each production is distinct, but they all share the same goal: to give audiences experiences they can discover, enjoy, and talk about long after the curtain comes down.

Heathers the Musical is a particularly exciting addition to our season. It’s bold, irreverent and incredibly funny, with a brilliant score and a story about friendship, identity and finding your place that remains remarkably relevant.

We’re proud to bring this internationally acclaimed production to the Philippines and give Manila audiences the opportunity to experience Heathers live on stage. We can’t wait to welcome audiences to Westerberg High – color us stoked!”

Since its sold-out Los Angeles premiere in 2013 and New York debut in 2014, Heathers has gone on to three smash-hit West End seasons, multiple sold-out UK and Ireland tours, and a 2019 WhatsOnStage Award for Best New Musical. In 2022, the production was filmed and streamed globally via The Roku Channel. Most recently, the show broke records at New York’s New World Stages, opening in June 2025 with the venue’s biggest advance sale in history and extending immediately due to overwhelming demand.

Heathers the Musical is directed by acclaimed American screen and stage director Andy Fickman, with choreography by Gary Lloyd, design by David Shields, lighting by Ben Cracknell, sound by Dan Samson, musical supervision by Jeremy Wootton and Will Joy, and is produced by Bill Kenwright Ltd. and Paul Taylor-Mills.

And if you’re hoping to get in before everyone else, the popularity contest starts early. The UnionBank Presale runs from September 8–11, 2026, followed by the Waitlist Onsale on September 12, 2026, with both offering 10% off and early access ahead of the General Public Onsale on September 13, 2026.

Join the waitlist now to secure your spot before tickets go on sale to everyone else. After all, at Westerberg High, you’ll want to make sure you’re on the list.

So, stock up on Corn Nuts, polish those croquet mallets, and get ready to make an entrance. Heathers the Musical is coming to Manila this January 2027—and Westerberg High is ready for some seriously big fun.

EVENT INFORMATION
What: Presented by Bill Kenwright Ltd. and Paul Taylor-Mills in association with GMG Productions, Heathers the Musical is the wickedly funny, darkly comic musical based on the iconic 1989 film. Set in the ruthless social hierarchy of Westerberg High, the story follows Veronica Sawyer as she navigates popularity, friendship, love and the consequences of wanting to be a somebody. Featuring a mercilessly catchy score of ballads and bangers, unforgettable characters and razor-sharp humour, Heathers the Musical brings its irreverent take on high school life to the Manila stage.

When: January 21–February 7, 2027

Where: The Theatre at Solaire, Solaire Resort Entertainment City, Parañaque City, Metro Manila

Age recommendation: 14+

Content warnings: This production contains haze, loud noises including gunshots, flashing lights and strobe, strong language and mature themes including murder, suicide, sexual violence, and references to eating disorders.

On Sale: September 13, 2026

UnionBank Presale: September 8–11, 2026

Waitlist Onsale: September 12, 2026

General Public Onsale: September 13, 2026

Where to Buy: https://premier.ticketworld.com.ph/

September 2, 2026

K-POP LEGENDS BIGBANG TO PERFORM AT SMDC FESTIVAL GROUNDS IN MANILA ON UPCOMING WORLD TOUR IN CELEBRATION OF 20TH ANNIVERSARY!

-DRAGON, TAEYANG AND DAESUNG TO RETURN TO MANILA; TICKETS GO ON SALE FROM 17 SEPTEMBER 2027 ONWARDS.

BIGBANG is back! Legendary K-POP icons BIGBANG are finally making their epic return to the world stage for the BIGBANG 2026-2027 WORLD TOUR < XX : COSMOS >. It has been 9 years since their last tour as a group and this time, G-DRAGON, TAEYANG, and DAESUNG, will be performing a total of 33 shows, in world-class stadiums across the globe.

2026 marks the band’s 20^th anniversary, a monumental milestone and cultural moment for BIGBANG and their fans – the V.I.P. Over the years, BIGBANG has revolutionized the music industry and set the global groundwork for the current K-POP phenomenon. V.I.P worldwide can look forward to the band’s signature stage presence, energetic choreography and sing-along moments to fan-favourite tracks.

BIGBANG 2026-2027 WORLD TOUR < XX : COSMOS > IN MANILA, is promoted by AEG Presents Asia and Ovation Productions, Inc. with YG Entertainment. The band’s return to Manila will take place at the SMDC Festival Grounds at Parañaque, City, on 20 February 2027 (Sat).

BIGBANG V.I.P MEMBERSHIP PRESALE: V.I.Ps (BIGBANG’s fandom) can sign up for the BIGBANG V.I.P MEMBERSHIP SURVEY via BIGBANG’s official b.stage platform from 7 September (Mon), 10AM PHT till 11 September (Fri), 11:59PM for the BIGBANG V.I.P MEMBERSHIP PRESALE, which begins 17 September (Thu), 10AM to 11:59PM PHT. Do note that only fans who have signed up for the survey will be eligible for these presale tickets.

GENERAL ON SALE: General on sale begins 21 September (Mon) at 10AM PHT. Tickets can be purchased via SM Ticketmaster and more details can be found on BIGBANG’s official website.

BIGBANG’s return to Asia will start at the Taipei Dome, followed by a performance at the Singapore National Stadium. The tour will then head to Hanoi at the My Dinh National Stadium, and then the Rajamangala National Stadium in Bangkok. The Asia tour will continue in 2027, with stops in Kuala Lumpur at the TM Stadium Nasional, Jakarta International Stadium, the SMDC Festival Grounds in Manila and finally conclude at the Kaohsiung National Stadium.

Official photo from G-DRAGON official Instagram @xxxibgdrgn

BIGBANG 2026-2027 WORLD TOUR < XX : COSMOS > IN MANILA | Show Details

Date	20 September 2027 (Sat)
Venue	SMDC Festival Grounds
BIGBANG V.I.P MEMBERSHIP SURVEY	7 September (Mon), 10AM to 11 September (Fri), 11:59PM PHT https://bigbang.bstage.in
BIGBANG V.I.P MEMBERSHIP PRESALE	17 September (Thu), 10AM to 11:59PM PHT
General On Sale	21 September (Mon), 10AM PHT onwards
Ticket Link	https://artist.ygfamily.com/ARTISTS/BIGBANG/concert/worldtour/index.html https://ticketmaster.ph/activity/detail/27ph_bigbang2027
Ticket Prices	BIGBANG ULTIMATE VIP PACKAGE – PHP25,888 (Standing) One (1) CAT 1 General Admission Standing Ticket Set of BIGBANG Photocards Exclusive set includes four (4) custom BIGBANG photocards On-site VIP PerksDedicated check-in Dedicated ‘fast lanes’ at venue for official merchandise shopping VIP Merchandise Special BIGBANG VIP Tour Gift (designed exclusively for VIPs) Souvenir VIP Laminate & Matching Lanyard
	BIGBANG DIAMOND VIP PACKAGE – PHP23,888 (Seated) One (1) CAT 1 Reserved Seated TicketSet of BIGBANG Photocards Exclusive set includes four (4) custom BIGBANG photocards On-site VIP Perks Dedicated check-in Dedicated ‘fast lanes’ at venue for official merchandise shopping VIP Merchandise Special BIGBANG VIP Tour Gift (designed exclusively for VIPs) Souvenir VIP Laminate & Matching Lanyard
	BIGBANG GOLD VIP PACKAGE – PHP21,888 (Seated) One (1) CAT 1 Reserved Seated Ticket* Set of BIGBANG Photocards Exclusive set includes four (4) custom BIGBANG photocards On-site VIP Perks Dedicated check-in VIP Merchandise Special BIGBANG VIP Tour Gift (designed exclusively for VIPs) Souvenir VIP Laminate & Matching Lanyard
	* Venue seating configurations and package locations can vary by city. ** BIGBANG does not participate in any VIP activities. VIP Packages do not include a Meet & Greet or Photographs with members of BIGBANG.
	Category 1 – PHP19,888 (Seated) Category 2 – PHP18,888 (Seated) Category 3 – PHP17,888 (Seated) Category 4 – PHP11,888 (Seated) Category 5 – PHP9,888 (Seated – Partial Restricted View) Category 6 – PHP9,888 (Standing) Category 6 – PHP4,888 (Standing)

BIGBANG 2026-2027 WORLD TOUR < XX : COSMOS > | Tour Dates

Date	City	Venue
21 & 22 & 23 August 2026	Goyang	Goyang Stadium
4 & 5 September 2026	Oakland	Oakland-Alameda County Coliseum
11 September 2026	East Rutherford	MetLife Stadium
19 September 2026	Paris	Stade de France
26 September 2026	London	Tottenham Hotspur Stadium
10 & 11 October 2026	Taipei	Taipei Dome
17 October 2026	Singapore	National Stadium
24 & 25 October 2026	Hanoi	My Dinh National Stadium
31 October 2026	Sydney	Accor Stadium
7 November 2026	Bangkok	Rajamangala National Stadium
13, 14 & 15 November 2026	Hong Kong	Kai Tak Stadium
27, 28, 29 November 2026	Osaka	Kyocera Dome Osaka
5 & 6 December 2026	Nagoya	Vantelin Dome Nagoya
13, 14 & 15 December 2026	Tokyo	Tokyo Dome
26 & 27 December 2026	Fukuoka	Mizuho PayPay Dome FUKUOKA
9 January 2027	Kuala Lumpur	TM Stadium Nasional
16 January 2027	Jakarta	Jakarta International Stadium
20 February	Manila	SMDC Festival Grounds
27 & 28 February 2027	Kaohsiung	Kaohsiung National Stadium

August 29, 2026

FILM CONCERTS PH PRESENTS HOME ALONE IN CONCERT!

Concert Features John Williams’ Academy Award®-Nominated Score

Performed Live to Film by the Filharmonika Orchestra

Conducted by Gerard Salonga

December 19–20, 2026, at The Theatre at Solaire

This December, the holiday season arrives with one unforgettable cry: “Kevin!” as Film Concerts PH presents its first-ever holiday film concert, Home Alone in Concert, at The Theatre at Solaire on December 19 and 20, 2026. Celebrating the 35th anniversary of the beloved Christmas classic, the production features John Williams’ Academy Award®-nominated score performed live to picture by the 85-member Filharmonika Orchestra, conducted by Maestro Gerard Salonga, together with the 48-member Philippine Madrigal Singers.

A true holiday favorite, Home Alone remains one of the most cherished Christmas films of all time and the second highest-grossing Christmas film in history. Written and produced by John Hughes and directed by Chris Columbus, the 1990 comedy stars Macaulay Culkin as Kevin McCallister, an eight-year-old boy who is accidentally left behind when his family leaves for Christmas vacation and must defend his home against two bungling thieves.

The concert features some of the film’s most beloved musical moments, including “Somewhere in My Memory,” “Star of Bethlehem,” “O Holy Night,” and “Carol of the Bells,” performed live as the film unfolds on the big screen.

Home Alone received two Academy Award® nominations for Best Original Score and Best Original Song (“Somewhere in My Memory”), as well as a Golden Globe nomination for Best Motion Picture – Comedy or Musical, cementing its place as one of the most enduring holiday classics ever made.

Since premiering in Cleveland, Ohio in 2013, Home Alone in Concert has become a seasonal favorite with orchestras and audiences around the world, making its long-awaited Philippine debut this December.

Pre-sale access begins on August 28 at 10:00 AM, exclusively for members of the Film Concerts PH community. To gain early access to tickets and special ticket discounts, register at https://www.filmconcerts.ph/community.

Public ticket sales begin on September 8 at 12:00 PM via Ticketworld.com.ph.

Don’t get left behind this holiday season—secure your tickets early for Home Alone in Concert.

August 28, 2026
THEATRE GROUP ASIA BRINGS BROADWAY’STHE NOTEBOOK: THE MUSICAL TO MANILA FOR ITS INTERNATIONAL PREMIERE THIS SEPTEMBER 3!

(STANDING, L-R) Omar Uddin, Jamie Wilson, Floyd Tena, Kathleen Francisco, Carla Guevara Laforteza, Gimbey dela Cruz, Markki Stroem, Shaun Ocrisma, Edward Benosa, Katrine Sunga, Felicity Kyle Napuli, Albert Silos, and Justine Narciso (SITTING, L-R) Laurence Mossman, Morissette, Rody Vera, Nicholas Polonio, Celeste Legaspi, Sheena Belarmino, and Benedix Ramos

Theatre Group Asia (TGA) brings one of the most beloved love stories of all time to the Philippine stage with the international premiere of The Notebook: The Musical, running September 3–20, 2026 at the Samsung Performing Arts Theater in Circuit Makati. Based on Nicholas Sparks’ bestselling novel and the beloved 2004 film, the musical features music and lyrics by acclaimed singer-songwriter Ingrid Michaelson and a Tony-nominated book by Bekah Brunstetter.

Sheena Belarmino, Morissette, and Celeste Legaspi

Benedix Ramos, Rody Vera, and Laurence Mossman

Opening TGA’s 2026–2027 season, The Notebook: The Musical marks a significant milestone for Philippine theatre as the first international production of the Broadway musical. The Manila staging brings together an acclaimed Filipino-led creative and performing company, placing Filipino artistry at the center of a story that has captivated audiences around the world.

The musical follows Allie and Noah, whose extraordinary love story unfolds across multiple stages of their lives. Through memory, time, separation, and the choices that shape a lifetime, The Notebook: The Musical explores what it means to love someone deeply, to grow alongside them, and to hold on to the stories that make us who we are.

The Manila production is directed by Filipino-American theater director Nicholas Polonio, who returns to the Philippines to helm the international premiere. Based in New York City, Polonio is known for crafting emotionally rich productions and nuanced, deeply human performances. His directing credits include The Self Improvement and Male Preservation Society, or S.I.M.P.S., Mary Stuart, The Police, and POV: U Run Joe Biden’s TikTok, alongside development work with organizations including Ars Nova, New York Theatre Workshop, Ensemble Studio Theatre, Bedlam, Ma-Yi Theater Company, Williamstown Theatre Festival, Hangar Theatre, and Audible Theater.

A former New York Theatre Workshop 2050 Directing Fellow and Drama League Hangar Directing Fellow, Polonio has also participated in the Ma-Yi Writers Lab, Mercury Store Directors Lab, Roundabout Directors Group, Williamstown Theatre Festival Directing Corps, and Young Vic Genesis Directors program. He currently leads a directing seminar at New York University.

At the heart of the production is Ingrid Michaelson’s original score, which brings a contemporary musical sensibility to the timeless romance. Known for her intimate songwriting and emotionally resonant pop sound, Michaelson’s music gives voice to the characters’ memories, hopes, fears, and enduring devotion.

Laurence Mossman and Morissette

Celeste Legaspi and Rody Vera

Sheena Belarmino and Benedix Ramos

With a story that moves between youth and old age, The Notebook: The Musical examines love not simply as a grand romantic gesture, but as a choice made repeatedly across a lifetime. The production asks what remains when memory fades, circumstances change, and two people must find their way back to one another.

Performances run from September 3 to 20, 2026 at the Samsung Performing Arts Theater, Circuit Makati. Tickets are available through TicketWorld, with prices ranging from ₱900 to ₱5,500.

Theatre Group Asia’s 2026–2027 season is made possible with the support of Ayala Land, BPI, and Philippine Airlines.

For more information, visit theatregroupasia.com, follow @theatregroupasia on Instagram, or visit the official Theatre Group Asia Facebook page.

The Notebook: The Musical features music and lyrics by Ingrid Michaelson, a book by Bekah Brunstetter, and is based on the novel by Nicholas Sparks.

August 28, 2026
MAKI BRINGS OPM TO THE GLOBAL STAGE AT LALALA FEST MANILA!

OPM hitmaker Maki continues to make his mark on the international music scene as he joined the star-studded lineup of Lalala Fest Manila and made a special appearance at British singer-songwriter Rex Orange County’s Manila concert.

Maki performed with Rex Orange County during his one-night exclusive show at the SM Mall of Asia Arena last Thursday (Aug. 20), where he performed some of his fan-favorite tracks including “Dilaw,” “Saan?” and “kahel na langit.”

“Totoo pala ’no, dreams do come true. Parang dati lang, nagco-cover ako ng mga Rex Orange County songs. Tapos now I’m sharing the same stage with them. We’ve come a long way, OPM,” Maki said during his performance.

Makes a special appearance at Rex Orange County’s concert

Maki then joined the lineup of Lalala Fest Manila last Friday (Aug. 21), sharing the stage with international acts including Steve Lacy, FLO, Two Door Cinema Club, Matthew Ifield, alongside OPM bands Ben&Ben, Over October, Dilaw, and fitterkarma.

He also gave festivalgoers another surprise when he was joined by James Reid for a special performance of their collaboration “luck,” giving fans a live taste of their new single.

Maki’s appearance at the festival and Rex Orange County’s concert comes as he continues to bring his music to wider audiences following his recent international activities and tour across Southeast Asia.

Listen to “luck” by Maki and James Reid, now available on all digital streaming platforms, and stream Maki’s music on your favorite platforms. For more details, follow Tarsier Records on Facebook, X (Twitter), Instagram, TikTok, and YouTube.

For other updates, follow @abscbnpr on Facebook, X (Twitter), Instagram, and TikTok, or visit corporate.abs-cbn.com/newsroom.

August 26, 2026
NEW P-POP GROUP AZTER LAUNCHES DEBUT ALBUM “UNIVERZITY”!

New P-pop group AZTER turns the experiences of youth into music in their debut album “univerZity,” a seven-track collection that explores friendship, heartbreak, uncertainty, healing, and self-discovery.

The group’s name carries a special meaning, drawing inspiration from the aster, a flower associated with blooming, as well as a star that shines brightly. For AZTER, this reflects their mantra to “blossom like a flower and shine like a star.” The letter “Z” also represents one of their two sub-units, Zodiac, alongside AXIS.

The 12-member group—Kean, Charlie, Tatin, Gee, Alas, Laurence, Wayne, Loyd, Kiel, Gem, Miguel, and Cray—builds a fictional university around “univerZity,” where each “classroom” represents a different experience and lesson.

The album features “Parang May Mali,” “Kupido,” “Kick Ball Challenge,” “K Dot,” “OTW,” “Unlove You,” and “Boys Night Out” composed and produced by Roel Rostata, Patrick Rodriguez, John Reinard Fernandez, Jungee Marcelo, Renz Jomel Salazar, Ron Pangyarihan, Randy Preysto, and AZTER Gee. The album was overall produced by StarPop label head Roque “Rox” Santos.

The campus concept also reflects how AZTER sees its large lineup as one of its biggest strengths, allowing each member’s individuality to contribute to the group’s identity.

“We have always thought that having so many members is our strength as a group, and we wanted to make use of that. We intended to incorporate school, university, and classroom themes to embody the concept that each member has different individualities, and when together, we make one great team,” AZTER said.

Beyond performing the songs, the members were also actively involved in shaping the album’s music, visuals, concepts, and choreography.

“Through the making of the songs, the visuals, and concepts, we made sure that we always had our input in the ideas and work. Gee has written and solely composed three songs from the album. Kean, Laurence, Kiel, Tatin, Cray, and other members, along with our coaches, brainstormed the choreography of each song,” they shared.

Leading the album is “Parang May Mali,” which captures the frustration of feeling stuck in the same situation while holding on to the hope that things will eventually change.

The song immediately stood out to the members during their listening session, making them confident that it would be the right introduction to AZTER’s sound.

“We had a listening session for the songs presented for the album. The moment we heard the demo for ‘Parang May Mali,’ everyone in the room instantly knew it was a banger and would be the perfect sound to introduce AZTER in the scene,” they said.

Through “univerZity,” AZTER hopes to build a sound that continues to evolve beyond trends while encouraging listeners, especially the youth, to embrace their individuality, believe in themselves, and pursue their dreams.

Listen to AZTER’s “univerZity” album, available now on all digital streaming platforms. For more details, follow AZTER on Facebook, X, Instagram, TikTok, and Spotify. For updates, follow StarPop on Facebook, X, Instagram, and TikTok

August 26, 2026
RADAR Artist ena mori Brings Her Sound to Spotify Stage at Summer Sonic

Filipino-Japanese RADAR artist ena mori brought her genre-defying pop to the Spotify .ORG Stage at Summer Sonic 2026, one of the world’s biggest music festivals as her audience continues to grow beyond the Philippines.

Since joining RADAR Philippines last year ena’s global streams have nearly doubled. The US, Japan, Canada, the UK, and Germany are now among her biggest markets outside the Philippines She performed alongside SB19 and BINI, marking the first time three Filipino acts performed at the festival in the same year, reflecting the growing international visibility of Filipino artists.

“I’m so grateful to be able to do what I love as part of RADAR. To see the journey from smaller stages to a moment like this, and to share it with so many of my fellow artists, is something I’m incredibly proud of. I feel very lucky to be here, and I’m especially grateful to my fans who continue to support me and my music,” ena mori. She opened with “KING OF THE NIGHT!” — a synth-pop track from DON’T BLAME THE WILD ONE!, “Ichigo Milk,” a collab with Japanese trackmaker Tomggg and high-energy “19 Underground.” As she performed, “little sunny baby,” she revealed that six years ago she’d written in her diary, “I hope I can play Summer Sonic someday,”

ena’s rise coincides with a shift across the region. In 2025, nearly half of the Top 20 most globally streamed RADAR artists came from Southeast Asia. The RADAR Philippines playlist itself has tripled in streams over the past year, with significant listenership from the US, Canada, UAE, Australia, and Singapore.

“Asia is producing some of the most exciting emerging talent today, and ena mori represents the originality coming from the Philippines. Her music is unmistakably her own, and its growing reach shows how a distinct creative voice can resonate far beyond its home market. Through RADAR, Spotify is helping more listeners discover artists like ena and follow their growth, says Kossy Ng, Spotify Head of Music, Southeast Asia, Taiwan & Hong Kong

Discover more from ena mori and the next wave of emerging Filipino artists on Spotify’s RADAR Philippines playlist.

August 25, 2026
Kodaline’s Farewell Concert: The Philippines’ Core Memory with Kodaline

“I really mean it, thank you so much for coming along, guys! Thanks for being an incredible crowd… Thank you for supporting us over the years, listening to our music! Manila, we love you,” Steve Garrigan told the audience at the MOA Arena before singing the (supposed) final song setlist. Before that, the Filipino crowd had transformed into a full-blown choir for the band, backing up their tracks like as if they were part of the band themselves.

On August 10, Irish rock band Kodaline took the Philippine concert stage one last time. The Philippines had been part of their musical journey many times – from being included in the Wanderland Festival line-up in 2018, holding solo concerts at the New Frontier Theater and Filinvest Tent, to now taking over MOA Arena for their Farewell Tour in 2026.

Comprised of Steve Garrigan, Vincent May, Mark Prendergast and Jason Boland, Kodaline has been known for their heartfelt lyrics, revolving around love and loss, guitar and piano-driven melodies tinged with Garrigan’s emotionally charged falsetto. To put it simply, their music is the soundtrack for a “love that’s made for movie screens” (to quote a line from their hit song) – cinematic moments of falling in and out of love, along with the grief and yearning.

August 10 fell on a Monday, and a very rainy one at that. For what seemed to be a week, it had been raining nonstop all over the Metro due to the effect of Habagat. Still, a great of number of people turned up to witness Kodaline’s farewell concert at the MOA Arena. The floor area was packed until the back, the upper sections were moderately filled as well. Before the show began, there was this cold stillness in the air. People weren’t excitedly loud. They were just waiting silently.

When Kodaline took the stage, the silence was broken immediately. The band started playing, and as if on cue, the audience lit up and sang along to “Wherever You Are”, “Brand New Day” and “Ready”.

Being part of that audience was special in many ways. It was, after all, the last time Kodaline would be performing as a band in our country. That sense of impending finality might have given the crowd that extra energy to turn the concert into a synchronized singing party. They weren’t obnoxiously loud, rather they were singing along with gentleness and grace – exactly how a choir sounds like in a solemn cathedral. This was audibly felt when Kodaline performed their trademark hits like “High Hopes”, “The One”, “One Day” and “Love Will Set You Free”.

For their part, the band was very appreciative of the warm reception. Steve Garrigan would stop singing just to hear the crowd fill in the words for their songs. He even said at one point that the Philippines had the loudest crowd of the tour thus far. The members of the band would look around the arena, in awe. They would even take short snippets with their own phones just to remember the moment.

During the encore, Garrigan returned, wearing a Gilas Pilipinas jersey. He again expressed his appreciation of the crowd, saying “We won’t forget this, truly. Kodaline proceeded to perform the evergreen favorites “Everything Works Out in the End” and “All I Want”. At the end, the entire arena gave the band a long standing ovation to express their gratitude.

When Kodaline announced their disbandment in October 2025 via their social media pages, it came as a huge shock for their fans. Barely 14 years into making music together, it seemed too early for them to come to that decision. Still, it’s amazing how their music managed to create a distinct impact on people’s lives, providing them warmth, comfort and joy when they needed it most, giving them soundtracks to remember the big and small moments of their lives. Their final concert in Manila was the living proof of that. In that regard, we can only thank Kodaline for making us part of their journey. Their music will surely be remembered for a long, long time.

Special thanks to Live Nation Philippines!

by Sandra Mae Laureano

August 21, 2026
TAKASE TOYA TO HOLD FIRST-EVER PHILIPPINE SHOW IN MANILA THIS OCTOBER!

Japanese singer-songwriter brings TAKASE TOYA ASIA TOUR 2026 “∞” to Teatrino Promenade for an intimate show dedicated to his growing Filipino fanbase.

Japanese singer-songwriter Takase Toya (⾼瀬統也) is coming to the Philippines for his first-ever show in the country, bringing the TAKASE TOYA ASIA TOUR 2026 “∞” to Teatrino Promenade, Greenhills, on October 16, 2026.

Designed as an intimate live experience for his growing Filipino fanbase, the Manila show will give local fans a rare opportunity to experience Takase Toya’s music up close as he makes his long-awaited Philippine debut.

Born in Aichi Prefecture, Japan, Takase made his official CD debut in 2014 with “Kokoro no Uta” (Song of the Heart). Writing both his lyrics and music, he has developed a distinctive musical identity through memorable melodies and emotionally driven songwriting that explores love and relationships.

Over the years, Takase has grown from an independent Japanese singer-songwriter into an internationally followed artist. According to his official artist profile, his music has reached the charts of more than 80 countries, while he has surpassed one million monthly listeners on Spotify and accumulated more than three billion total streams across his music.

His growing career has also earned industry recognition. In 2023, he received the Grand Prize in the TuneCore Japan PickUp category at the Independent Artist Awards by TuneCore Japan, followed by another milestone in April 2024 when he surpassed 100 million cumulative streams through TuneCore Japan.

As his audience has expanded internationally, Takase has increasingly brought his music to listeners outside Japan, performing across key cities in East and Southeast Asia. His previous international touring activities have included performances in Taipei, Seoul, Bangkok, Kuala Lumpur, Singapore, Jakarta, Hong Kong, and cities across China.

This October, he meets his Filipino fans in Manila for the first time.

Rather than a large-scale concert, the Manila stop is envisioned as a more personal introduction between Takase and his Philippine audience. The setting of Teatrino Promenade will allow fans to experience his songwriting, music, and live performance in a closer and more intimate environment.

The Philippine show forms part of the TAKASE TOYA ASIA TOUR 2026 “∞,” an extensive tour running from September to December across Japan and Asia.

The tour also follows the most recent** digital release of Takase Toya’s fifth album, “∞,”** marking a new chapter in his career and giving audiences new music to experience during the tour.

Joining Takase Toya as opening act is Japanese artist Fumiya Sato, who will also appear across several stops of the tour.

EVENT DETAILS
TAKASE TOYA ASIA TOUR 2026 “∞” — MANILA
October 16, 2026
Teatrino Promenade, Greenhills, Pasig
Opening Act: Fumiya Sato
Ticket prices, ticket-selling date, and official ticketing channels will be announced soon.
With limited capacity for the intimate Manila show, Filipino fans are encouraged to stay tuned to the official channels of Takase Toya and Black Star Entertainment for the upcoming ticketing announcement and further event updates.

ABOUT TAKASE TOYA
Takase Toya (⾼瀬統也) is a Japanese singer-songwriter from Aichi Prefecture who made his official CD debut in 2014. Writing both his lyrics and music, Takase has built an international following through his distinctive melodies and emotionally resonant songwriting.
His music has reached charts in more than 80 countries, with his official artist profile reporting more than one million monthly Spotify listeners and over three billion total streams.
Following an expanding series of performances across Japan and Asia, Takase brings his music to the Philippines for the first time with an intimate Manila stop of the TAKASE TOYA ASIA TOUR 2026 “∞.”

August 21, 2026
Volter Embraces the Pace of Healing in New Single “Dahan-Dahan” — Out August 22

After introducing listeners to a sense of calm with his debut track “Kalmado,” KDR Music House artist Volter returns with a deeply reflective follow-up single, “Dahan-Dahan”, set for release on August 22—continuing a narrative that feels both personal and universally relatable.

If “Kalmado” offered a moment of stillness amid life’s chaos, “Dahan-Dahan” steps into what comes after—the quiet, often uncertain process of healing. The two songs exist in the same emotional space, like chapters of a story: from finding calm, to learning how to move forward without rushing the journey.

“Dahan-Dahan” is a Tagalog Ppop&B track that captures the in-between stage of recovery—the space where pain hasn’t fully disappeared, but the weight of it no longer feels as overwhelming. It’s about choosing to pause, to breathe, and to take one small step at a time. In a world that constantly demands quick fixes and instant strength, the song gently pushes back against that pressure.

Through its honest storytelling, Volter highlights a message that many need to hear: healing has no deadline. There is no need to rush, no requirement to prove that everything is okay. Rest is not surrender, and moving slowly is not failure—it is, in itself, progress.

Sonically aligned with his signature laid-back yet emotionally resonant style, “Dahan-Dahan” builds on the introspective tone of “Kalmado,” creating a cohesive musical identity that speaks to listeners navigating their own personal battles. It’s the kind of song that doesn’t demand attention loudly, but stays with you quietly—offering comfort in its sincerity.

With “Dahan-Dahan,” Volter continues to carve a space for vulnerability in OPM, reminding everyone that it’s okay to not have everything figured out. Sometimes, the bravest thing you can do is to simply keep going—slowly, gently, and at your own pace.

As it drops this August 22, “Dahan-Dahan” stands as both a continuation and a reassurance: after finding calm, healing begins—and it’s perfectly okay to take it one step at a time.

VOLTER

VOLTER is the artist identity of Filipino singer, songwriter, vocal coach, and concert director. A member of The Ryan Cayabyab Singers since 2010, he has spent more than a decade performing and working behind the scenes in the Philippine music industry. He has also coached and collaborated with artists such as SB19, Ben&Ben, Juan Karlos, and IV of Spades.

As a solo artist, VOLTER is building his own musical lane called Ppop&B—Pinoy pop storytelling shaped by the soul of blues and the emotion of R&B. Through songs such as “Ganito Lang,” “Hindi Para Sa Akin,” “Kalmado,” and his upcoming single “Dahan-Dahan,” he writes about contentment, healing, self-worth, and finding peace amid life’s noise.

VOLTER’s music is made for people who are still figuring things out—those learning to let go, move at their own pace, and understand that being gentle with themselves is not a sign of weakness.

August 21, 2026
Red Horse Beer Pambansang Muziklaban 2026 is looking for the OPM Legend!

Simulan ang bagong laban. Fresh off a blazing run in 2025 that saw hundreds of local talents vie for the coveted title, Red Horse Beer Pambansang Muziklaban is gearing up for a brand-new season.

Red Horse Beer, the world’s No. 1 extra strong beer, is once again calling on bands from every corner of the country to stake their claim to the championship. This year, bands nationwide are once again invited to compete through a gauntlet of screenings and eliminations, all the way to the final showdown, to see if they have what it takes to bag the 2026 Pambansang Muziklaban crown.

Open to all Filipino bands with members aged 21 to 45 years old, Red Horse Beer Pambansang Muziklaban welcomes all music genres including metal rock, alternative rock, punk rock, reggae, and everything in between. Winners can expect all the glory that has defined the competition for years, with only one standing on top at the end. The Grand Champion will be crowned and will receive a cash prize of Php1,000,000.00 and, more importantly, a lasting spot in Muziklaban’s roster of champions.

For over two decades, the country’s longest-running battle-of-the-bands competition has served as a launchpad for aspiring Filipino musicians. Since 1999, the competition has produced champions like IBARRA (formerly Hardboiledeggz) (2006), EVEN (2008), HATANKARU (2009), LIGHT OF LUNA (2010), and the 2004 Red Horse Beer Pambansang Muziklaban Grand Champion MAYONNAISE.

Last season’s Grand Finals saw TAMAD SI JUAN from Davao beat out finalists VDS, BAGUIO GOLD MUSIC, HILO, and THEMATA to take home the top honors. Performances from some of the country’s top bands, including GREYHOUNDZ, WILABALIW, URBANDUB, MAYONNAISE, KJWAN, RAZORBACK, TYPECAST, CHOCOLATE FACTORY, and SETSUNA, rounded out a night capturing the essence of Muziklaban — the best of the best sharing the stage for an all-out music fest.

Registration for the Red Horse Beer Pambansang Muziklaban is now ongoing at https://tinyurl.com/RHBMuziklabanRegistration Start tightening your sets now and visit the Red Horse Beer Muziklaban Facebook page (www.facebook.com/redhorsebeermuziklaban) for updates. Sino ang susunod na Red Horse Beer Pambansang Muziklaban champion? Rak on! #RedHorseBeerPambansangMuziklaban

https://tinyurl.com/RHBMuziklabanRegistration

August 21, 2026
The legend continues as Engelbert Humperdinck brings The Celebration Tour 2026 to Manila!

Music lovers are in for an unforgettable evening as Engelbert Humperdinck returns to the Philippines for The Legend Continues… Engelbert Humperdinck The Celebration Tour 2026, taking place on September 25, 2026, at 8:00 p.m. at the New Frontier Theater in Araneta City. The highly anticipated concert gives Filipino fans the chance to experience one of the world’s most enduring and beloved performers live on stage.

For over six decades, Engelbert Humperdinck has captivated audiences across generations with his signature voice, heartfelt performances, and timeless repertoire. With over 150 million records sold worldwide, he remains one of the most recognizable figures in popular music and continues to draw audiences around the globe.

His remarkable career is marked by an impressive collection of classic hits that have stood the test of time. Songs such as Release Me, Am I That Easy to Forget, Quando Quando Quando, A Man Without Love, The Last Waltz, and Spanish Eyes have become cherished favorites for listeners everywhere, earning Humperdinck a lasting place in music history.

Audiences attending The Celebration Tour can expect an evening that honors Humperdinck’s extraordinary legacy while showcasing the artistry that continues to define his career. The concert will feature beloved classics alongside selections connected to his recent studio work, including music from All About Love, which revisits treasured songs from the Great American Songbook.

Humperdinck has also expressed his fondness for performing in Asia, sharing his appreciation for the warmth and enthusiasm of audiences across the region and his excitement to return to the Philippines this September.

Presented as a celebration of a career that has inspired generations of fans, The Legend Continues… Engelbert Humperdinck The Celebration Tour 2026 promises an evening filled with nostalgia, romance, and the timeless music that has made him a global icon.

The Legend Continues… Engelbert Humperdinck The Celebration Tour 2026 takes place on September 25, 2026, at the New Frontier Theater in Araneta City. Tickets are available through TicketNet.

August 19, 2026