Renowned as the Ultimate Performer, Morales showcases her OPM hits at one of Metro Manila’s premier live entertainment destinations.
CenterPlay at City of Dreams Manila spotlights Vina Morales on June 16, 2026, at 9:30 p.m. as the acclaimed singer and actress takes the stage at its monthly Concert Series.
Known for her powerful vocals and timeless appeal, Morales brings beloved OPM hits including Pangako Sa’Yo, Hindi Ko Kaya, Muntik Nang Maabot ang Langit, and Nasaan Ka Na, alongside fan favorites from her celebrated four-decade career.
Across music, television, film, theater, and live concerts, Morales has built one of the most enduring careers in Philippine entertainment. Her versatility and longevity have made her a household name, with generations of Filipinos embracing her multifaceted career.
In 2023, Morales made her Broadway debut in the critically acclaimed musical Here Lies Love, joining its historic all-Filipino cast at New York’s Broadway Theatre.
Vina Morales Live at CenterPlay follows the successful performances of balladeer Ice Seguerra, matinee idols Gabby Concepcion and Ian Veneracion, diamond soul siren Nina, and other OPM stars featured in CenterPlay’s Concert Series. Through its growing roster of well-loved performers, CenterPlay continues to establish itself as a go-to destination for live music and entertainment in Metro Manila.
Adding to the vibrant atmosphere are performances by resident bands Rewind, Zyncxation, and Sidetrack, who will perform alternately from 6 p.m. to 3 a.m., offering guests live entertainment throughout the evening.
Music enthusiasts can reserve a seat or table starting at P3,500 per person, inclusive of consumables featuring bar nosh, burgers, fries, and beverages. VIP couch seating for groups of four and eight is likewise available.
Designed for an immersive entertainment experience, CenterPlay is the stylish snack and cocktail lounge located at the focal point of the resort’s main gaming area. Open daily from 6 p.m., the venue has become a popular gathering place for guests seeking live music, dining, cocktails, and nightlife experiences, all centered around its iconic circular stage.
For inquiries and reservations, call (632) 8800-8080 or email guestservices@cod-manila.com. For more information on promotions, dining, entertainment, and hotel experiences, visit https://qrco.de/CODxVinaMorales. Guests may also access rewards, exclusive offers, and Melco Club points through the Melco Club App, available for free download on iOS and Android.
The cast of Bongga Ka, ‘Day! The Annie Batungbakal Musical is shaping up to be truly ‘bongga’, kicking with an all-star lineup of today’s most sought-after theater heartthrobs.
Newport World Resorts, in association with VIVA Communications and The Philippine STAR, unveiled Sam Concepcion, KD Estrada, Jeff Moses, and Anthony Rosaldo as the musical’s leading men.
Concepcion takes on the role of Romer, a 27 year-old cosmopolitan, flirty, and self-assured man who knows he’s handsome and worldly. He is a flight attendant who dabbles in photography. Coming from a well-off family, he is the only son of the owner of House of Pasion.
Estrada steps into the character of Burn, a down-to-earth folk-rock singer in his mid 20s. Burn is known for performing cover songs but dreams of making a name for himself through his own original music. Determined to get his big break, he sets out on a journey to achieve his dreams while balancing stability and his passion.
Sam Concepcion as Romer
Sam Concepcion is one of Philippine entertainment’s most accomplished triple threats. Equally at home on the concert stage, television screen, and theater stage, Concepcion has built a remarkable career spanning over two decades. Theater audiences most recently saw him as the wealthy aristocrat Daniel Beauxhomme in 9 Works Theatrical’s staging of Once on This Island, following his widely praised performance as Popoy in PETA’s blockbuster hit One More Chance The Musical.
KD Estrada as Burn
KD Estrada, whose growing theater career continues to excite audiences. Estrada comes fresh off a highly celebrated run of Bagets The Musical, where he starred as the well-off, conyo high schooler Arnel. He made his musical theater debut in 2023 in PETA’s award-winning zarzuela-comedy Walang Aray.
Jeff Moses as Romer
Jeff Moses continues to build momentum as one of the most promising young performers transitioning from television to theater. Best known to many viewers through his appearances in hit television dramas, Moses successfully made his stage debut in Bagets The Musical, where he portrayed the martial arts-loving Topee. His natural charm and strong vocals quickly endeared him to audiences, making him a welcome addition to the world of Bongga Ka, ’Day!: The Annie Batungbakal Musical.
Anthony Rosaldo as Romer
Anthony Rosaldo, a powerhouse vocalist and former The Clash finalist, has become a familiar face in musical theater through a string of standout performances. In 2024, he starred as Roger Davis in the Manila revival of Jonathan Larson’s Rent. Before that, he made his theatrical debut as Young Hector in the long-running hit musical Ang Huling El Bimbo in 2023.
Together, these four performers bring a wealth of experience, charisma, and musicality to the production. With its leading men now unveiled, anticipation continues to build for what promises to be a bongga theatrical experience. More cast members will be revealed soon.
Newport World Resorts, in association with VIVA Communications and The Philippine STAR, reunites for Bongga Ka, ’Day!: The Annie Batungbakal Musical featuring Hotdog’s timeless hits. The show, staged with PETA Plus, is slated to open in September 2026 at the Newport Performing Arts Theater.
Get first dibs on tickets by signing up for the waitlist now via https://newportworldresorts.com/bkd-waitlist. Ticket selling for Bongga Ka, ’Day!: The Annie Batungbakal Musical begins in July.
Learn more about the artists and the production through Newport World Resorts (@newportworldresorts), VIVA Communications Inc. (@vivaartistsagency), and The Philippine STAR (@philippinestar) on Facebook, Instagram, and TikTok. Sign up for the waitlist now via https://newportworldresorts.com/bkd-waitlist to be the first in line for tickets.
Today, show-stopping London-born singer and songwriter SIENNA SPIRO announces the “My House” tour, including an extensive North American fall run followed by dates in Asia, Australia, New Zealand, UK and Europe. MANILA will be on Saturday, January 9, 2027 at the New Frontier Theater. Presented by Wilbros Live. Ticket pre-sales begin Tuesday, June 16 at 10AM, while general on-sale starts Thursday, June 18 at 10AM via TicketNet.com.ph and TicketNet outlets nationwide.
Said SIENNA, “I truly can’t wait for this tour. This is the biggest I’ve ever done and we’re going to perform in places I’ve never been before! I’m so excited to see you all and sing the songs from Visitor with you.”
Following stateside festival stops including Lollapalooza, Newport Jazz, Outside Lands, All Things Go, and Austin City Limits, SIENNA kicks off The My House Tour on October 13 at Nashville’s iconic Ryman Auditorium. She then plays cities including Atlanta, D.C., New York, Toronto, Chicago, Seattle, Vancouver, and more, before wrapping up on November 10 at The Wiltern in Los Angeles. She’s also returning to San Francisco’s historic Castro Theatre, where she joined Sam Smith in March for a surprise duet of her hit “Die On This Hill”.The tour news arrives as SIENNA covers the June/July issue of Rolling Stone UK, and follows a series of overseas dates where she debuted a striking yet cozy stage setup including plush curtains, carpeted floors, vintage audio equipment, lamps, and vinyl records — get a glimpse, and preview her unreleased song “My House,”. The spring U.S. leg of that same tour stirred up rave reviews, including from Variety, who dubbed SIENNA “one of the greatest voices of her generation” and Los Angeles Times, who professed that her voice, “might be the most impressive instrument to come out of England since Adele emerged nearly two decades ago.”
Just last week, SIENNA released the official music video for her enthralling single “The Visitor”. Written and produced by SIENNA with Omer Fedi (SZA, Lil Nas X) and Michael Pollack (Justin Bieber, Miley Cyrus), the song draws its power from a spellbinding vocal recorded in one take, lyrics that cut to the bone, and a 20-piece string orchestra led and arranged by Academy Award-winner Peter Rotter (Oppenheimer, The Last Repair Shop). While SIENNA’s poetry and the video nod to matters of the heart, by the song’s end, we sense that she’s singing about something more: a strong awareness of impermanence — of things ending and people leaving — that can quickly turn into paralyzing fear. That sentiment is the driving force behind the concept that powers Visitor, the album.
Of course, SIENNA is very much here to stay. Her music has amassed over 1.2 billion global streams so far and, in late March, she had a trio of singles climbing the Hot 100 all at once: “The Visitor” (which so far peaked at #43), heartwrenching UK Platinum smash “Die On This Hill” (#19), and the enduring “You Stole The Show” (#55). All three are set to appear on Visitor, which was executive produced by Fedi with additional production from an elite crew including Blake Slatkin, Yakob, and Pollack, plus composers like Larry Gold (Al Green, Silk Sonic) andRotter. SIENNA and her hand-picked collaborators brought her vision to life in an array of legendary spaces like Electric Lady Studios in New York, Abbey Road Studios in London, and Valentine Recording Studios in Los Angeles.
As much as her timeless songcraft, SIENNA’s staggering performances have been central to her rise. She opened 2026 with an unforgettable rendition of “Die On This Hill” on The Tonight Show Starring Jimmy Fallon, inspiring a standing ovation and flabbergasting her host. Recently, she capped off a series of stunning UK TV appearances by singing Nat King Cole’s “Nature Boy” for the BBC’s David Attenborough’s 100 Years on Planet Earth special. Sienna will also make her debut as a featured artist on Season 52 of Austin City Limits, taping July 15.
After entering the year shortlisted for the BRIT Awards’ esteemed Critics’ Choice for 2026 award, 20-year-old SIENNA landed on Forbes’ latest 30 Under 30 list; received two 2026 American Music Award nominations for Best Vocal Performance and Breakthrough Pop Artist; sat down for equally charming and revealing interviews with the likes of ELLE, NYLON, and Interview Magazine; and garnered critical acclaim from Rolling Stone, Dazed, The New York Times, V Magazine, The Hollywood Reporter, and more. SIENNA also wrote the song “Material Lover” exclusively for The Devil Wears Prada 2 soundtrack.A DIY-minded artist who first started penning songs when she was 10, SIENNA’s earliest inspirations included Frank Ocean, Etta James, Frank Sinatra, and Amy Winehouse. She began integrating jazz elements into her music while gently leaning toward more contemporary sonic aesthetics on her 2025 debut EP SINK NOW, SWIM LATER. Now, with Visitor on the way, SIENNA shows no sign of slowing down.
British-Norwegian Boy Band A1 confirms additional Laguna date amid strong demand for their October Philippine return
There are comebacks—and then there’s the kind that keeps multiplying by fan demand.
A1 are set to return to the Philippines this October 2026, and what was already shaping up to be a two-city pop celebration has now grown even bigger with the announcement of a third show in Santa Rosa, Laguna.
The newly added stop lands on 18 October 2026 (Sunday) at the Sta. Rosa Sports Complex, completing a tightly packed Philippine run that now spans Cebu, Manila, and South Luzon. Tickets go on sale, June 15, 12 noon onwards.
The expanded itinerary comes ahead of what is expected to be one of the group’s most emotional and high-energy Asia visits in recent years, following continued strong fan response to their previous Philippine tours.
Across the dates, A1—Paul Marazzi, Christian Ingebrigtsen, Mark Read, and Ben Adams—will revisit the songs that defined their rise during the late 1990s pop era, a catalogue that continues to resonate deeply with Filipino audiences decades later.
Expect live renditions of signature tracks including “Like a Rose,” “Everytime,” “Heaven by Your Side,” and “Same Old Brand New You,” each performance reinforcing the enduring bond between the group and their Philippine fanbase alongside new music.
Their return follows the success of their earlier Valentine’s run in 2025, which drew strong turnout across key cities and reaffirmed their status as one of the most supported international pop acts in the country.
PHILIPPINE TOUR 2026 – FULL RUN CEBU 16 October 2026 (Friday) | Waterfront Cebu City Hotel & Casino | 8:00 PM MANILA 17 October 2026 (Saturday) | New Frontier Theater | 8:00 PM SANTA ROSA (NEWLY ADDED) 18 October 2026 (Sunday) | Sta. Rosa Sports Complex | 8:00 PM
TICKET DETAILS CEBU (Waterfront Cebu City Hotel & Casino) VIP – ₱5,000 GOLD – ₱4,000 SILVER – ₱3,000 BRONZE – ₱2,000 BALCONY – ₱1,000 Exclusive of ticketing charges
MANILA (New Frontier Theater, Quezon City) ORCHESTRA VIP – ₱6,750 ORCHESTRA B – ₱5,750 ORCHESTRA C – ₱4,750 BALCONY VIP (Loge) – ₱6,250 BALCONY 1 – ₱4,500 BALCONY 2 – ₱3,500 Exclusive of ticketing charges
SANTA ROSA (Sta. Rosa Sports Complex) VIP – 5,500 Peso GOLD – 4,500 Peso LOWER BOX CENTER – 3,500 Peso LOWER BOX LEFT / RIGHT – 3,000 Peso UPPER BOX -1,500 Peso *Exclusive of ticket service charge
TICKET ON-SALE Tickets go on sale 15 June 2026, 12:00 NN via Ticketmelon Available at: https://www.ticketmelon.com/ConcertRepublic/A1LoveinThePH Ticketmelon hotline: +63 961526 7695 QR Code: Scan to purchase Tickets
Two of the Philippines’ leading entertainment companies, Viva Music Group and GMA Network Inc., have formalized a landmark partnership aimed at transforming the local music industry and expanding opportunities for Filipino artists.
Through GMA Network’s content and production arm, GMV Studios, and Viva Music Group, the companies signed a 50-50 joint venture agreement covering various music-related businesses, including music production, recording, marketing, promotion, distribution, artist management, and music publishing.
The partnership marks the latest milestone in the long-standing collaboration between Viva Communications Inc. and GMA Network Inc. By combining Viva Music Group’s extensive catalog, roster of chart-topping artists, and expertise in music production with GMA Network’s nationwide reach, multi-platform presence, and pool of emerging and established talents, the venture seeks to create new opportunities for Original Pilipino Music (OPM).
Present during the contract signing were Viva Group of Companies Chairman and CEO Vicente “Boss Vic” del Rosario Jr., GMA Senior Vice President Annette Gozon-Valdes, Vicor Music President and COO Antonio M. Ocampo, Sparkle GMA Artist Center First Vice President Joy Marcelo, Viva Records Corporation President Verb del Rosario, and Sparkle Talent Management Assistant Vice President Tracy Garcia.
The collaboration between Viva Music Group and GMA Music aims to elevate Filipino artistry and strengthen the country’s music ecosystem by providing artists with greater support in production, promotion, and distribution.
Also in attendance were Viva Communications Chief Executive Officer Vincent del Rosario and President Valerie del Rosario, alongside Sparkle Consultant Lawrence Tan and Sparkle artists Princess Alijah, Vianna Ricafranca, Dollipop, Jeff Moses, Anthony Rosaldo, and Ysabel Ortega.
With a shared commitment to promoting Filipino culture through music, Viva Music Group and GMA Network hope to position the Philippines as a stronger presence in the global music landscape while creating more avenues for music discovery and consumption among audiences both locally and internationally.
For Hazel Faith, love has never been just a theme—it’s been a journey. One that has taken years to fully understand, and even longer to put into song.
With her upcoming sophomore album, LSS (Love Song Stories), the Filipino singer-songwriter opens a deeply personal chapter—one she describes as “mini-movies playing in your head.” Each track unfolds like a story, capturing the many faces of love: imagined, experienced, lost, and finally, found.
“Every song has a story to tell,” Hazel shares. “At the same time, the songs are made in such a way that you will get major Last Song Syndrome.”
A Decade of Kinikilig At the heart of Love Song Stories lies a song that started it all.
This year marks the 10th anniversary of “Kinikilig,” the track that carved out Hazel Faith’s place in OPM as a voice for joy, hope, and romantic sincerity. In a landscape dominated by heartbreak anthems, Kinikilig offered something different—light, hopeful, and unabashedly in love.
“All the love Kinikilig received throughout the years gave me encouragement that there is a place for my kind of songs,” she reflects.
Now, a decade later, the song returns as “Kinikilig (Hyper Kilig Ver.)”, the title track of Love Song Stories—a brighter, fuller evolution of the song that started it all.
A Story That Took Time Some stories in Love Song Stories are from her imagination. Others proved prophetic.
One of the album’s most emotional moments comes from “Everything Takes Time”—a song that encapsulates Hazel’s entire journey.
During the recording process, the track proved almost too real.
“I literally cried in the middle of re-recording it,” she recalls. “My life flashed before my eyes… it was not an easy path, and I made a lot of mistakes along the way. But by God’s grace, I still got there.”
The song serves as both reflection and reassurance—a reminder that growth, healing, and success don’t happen overnight.
Full Circle: From Glee to LSS Another deeply meaningful inclusion is “Can’t Comprehend,” a song Hazel wrote at just 18 years old.
More than just an early composition, the track holds a pivotal place in her story—it was the very song that helped her gain recognition during her journey connected to Glee.
Years later, the song finds its rightful home in Love Song Stories, completing a full-circle moment in her career.
“It was a last-minute idea to add the song… but it just felt right to finally let the world hear it,” she shares.
From Faith to Feeling “I’ve matured as a songwriter, and at the same time, I’ve grown braver,” Hazel says. This time, she embraces specificity—no longer hiding behind vague lyrics, but leaning fully into her own experiences. “I realized the right people would get it. So I threw caution to the wind. It’s for my people.”
Understanding Love—For Real This Time “I’ve learned to differentiate kilig with love,” Hazel explains. “Kilig is that rush you feel. But it can fade… love, true and lasting love, is a different kind of kilig altogether.” That understanding was shaped by real-life love—particularly her relationship with her husband and collaborator, Caleb Santos.
Stories Behind the Songs
Each track in LSS plays like a chapter:
“Tamang Kilig” – the album’s defining centerpiece
“Ngiti Ng Buwan” – the warmth of being in love
“Cupcake” – playful, bold, and unexpectedly rap-driven
“Everything Takes Time” – the emotional anchor
Together, they map out the full spectrum of love—from dreaming about it to truly understanding it.
The Lover Girl Era Begins
“This is my lover girl era,” Hazel says.
An era defined not by perfection, but by honesty. By choosing joy. By believing in love—even after everything.
And if there’s one thing she hopes listeners take away?
MANILA, PHILIPPINES — The wait is finally over. LALALAFEST MANILA reveals its official line-up, bringing together GRAMMY winners, global hitmakers, festival icons, and some of the most exciting artists from across Southeast Asia.
LALALAFEST MANILA is happening on 21 August 2026 at the World Trade Center Manila. Curated and presented by Wilbros Live. Tickets to the festival will go on-sale on Saturday, June 13 at 12PM via SMTickets.com and SM Tickets outlets nationwide.
STEVE LACY · TWO DOOR CINEMA CLUB FLO · DERMOT KENNEDY · MATTHEW IFIELD BEN&BEN · MAKI · OVER OCTOBER · DILAW FITTERKARMA · ISYANA SARASVATI · KIKI · HOA
Known for its genre-spanning curation and unique festival experience, LALALAFEST has become Southeast Asia’s leading music festival. The MANILA edition marks a new chapter as it brings together an eclectic mix of international, regional and local artists on one festival event for the Filipino music fans. #LaLaLaFestManila #LaLaLa2026 #WilbrosLive
STEVE LACY Grammy Award-winning singer, songwriter, producer, and guitarist known for blending alternative R&B, funk, soul, and indie influences. Steve Lacy rose to global prominence with his viral hit “Bad Habit,” which topped the Billboard Hot 100. Other fan favorites include “Dark Red,” “C U Girl,” and “Static.”
TWO DOOR CINEMA CLUB [Tourist History 15th Anniversary] One of the most beloved indie bands of the last decade, Two Door Cinema Club are known for their infectious guitar-driven anthems and energetic live performances. Their hits include “What You Know,” “Undercover Martyn,” “Something Good Can Work,” and “Sleep Alone.” The band continues to attract audiences worldwide with their signature indie-pop sound.
FLO The BRIT Award-winning trio has become one of the leading voices of modern R&B, drawing inspiration from legendary girl groups while bringing a fresh contemporary sound. FLO is known for songs such as “Cardboard Box,” “Fly Girl,” “Walk Like This,” and “Check.”
DERMOT KENNEDY Upon formally introducing himself in 2019, Dermot quietly made history when his first proper release, Without Fear, became the best-selling debut album in Ireland. He reached Platinum status in 12 countries and gathered nearly 5 billion total streams. His follow-ups include the acclaimed sophomore album Sonder and the introspective EP, “I’ve told the trees everything,” Dermot has shared the stage with some of his finest contemporaries, including Noah Kahan and Zach Bryan. His incredible journey has taken him from busking on the streets of Ireland to playing stadiums around the world, forging a deep, emotional connection with audiences. His biggest hits include “Outnumbered,” “Better Days,” “Kiss Me,” and “Power Over Me.”
MATTHEW IFIELD A rapidly rising artist across Asia-Pacific, Matthew Ifield has captured audiences with his intimate songwriting, soulful vocals, and relatable storytelling. Popular tracks include “When I Loved You,” “Ready For Love,” and “Like I Do.”
BEN&BEN A multi-awarded Filipino band known for their relatable, deeply resonant lyrics and distinct, anthemic sound. Their roots are firmly planted in the music and friendship they share with each other, and Liwanag, their beloved fan community. The nine-piece band has amassed a significant following, both locally and overseas. They have performed for sold-out crowds, and have set multiple records for streaming and sales, with songs that carry messages of hope, courage, self-discovery, love, commitment, and social awareness.
MAKI One of the fastest-rising stars in OPM, MAKI has become a streaming sensation among Gen Z audiences. His breakout hits include “Saan?,” “Dilaw,” and “Bughaw,” earning him a place among the country’s most exciting young artists.
OVER OCTOBER Known for their warm melodies and nostalgic songwriting, Over October has built a loyal following through songs such as “Wait,” “Ating Dalawa,” and “Ikot.” Their indie-pop sound has made them a staple in the local music scene.
DILAW The breakout OPM band behind several viral hits, DILAW combines modern alternative rock with uniquely Filipino storytelling. They are best known for songs including “Uhaw (Tayong Lahat),” “Janice,” and “Orasa.”
FITTERKARMA One of the newest break-through acts in the Philippine music scene, Fitterkarma has quickly gained attention through their charting releases and growing online following, making them one of the most exciting bands to watch. “Pag-Ibig ay Kanibalismo II” and “Kalapastangan” are two of their most popular hits in the current charts.
ISYANI SARASVATI One of Indonesia’s most acclaimed artists, Isyana Sarasvati is celebrated for her powerful vocals, classical training, and genre-defying music. Popular songs include “Tetap Dalam Jiwa,” “Anganku Anganmu,” and “IL SOGNO.”
KIKI A rising star from Thailand, KIKI has earned regional recognition for her dreamy pop sound, expressive songwriting, and growing fanbase across Southeast Asia.
HOA Representing South Korea’s vibrant indie music scene, HOA brings a fresh blend of alternative sounds and introspective songwriting, making them one of the most exciting emerging artists in the region.
Listen to First Single “the feeling” + Watch Music Video Now
credit: Gus Van Sant
“The subtleties and texture in the vocals, the tactile rumble of drums, and the almost effervescent guitar melodies. The tracks…strike a personal, introspective tone, as if Lacy’s taken the perceptive and cunning lens he’s used to observe life and love from 10,000 feet, and turned it inward. He inhabits these songs emotionally, exploring themes around his racial identity, his relationship to love and trust, and his own sexual fluidity, all with the halfway comedic, occasionally devastating style of observation he’s built a career on.” – Rolling Stone on Oh yeah?, August 2025
Steve Lacy will release his third album, Oh yeah?, on July 17, 2026 via RCA Records. The album’s first single “the feeling,” out now, is a brilliant reminder of Lacy’s ability to manifest modern Pop, Alt, and R&B in a sound that is less genre-defying and more genre-defining. An accompanying music video for “the feeling,” directed by Matt Castellanos, is also out now.
Oh yeah? is Steve’s most personal art to date – the culmination of a four-year journey whereupon Steve found himself feeling at home in foreign countries and situations and less at home at home. Taking the reins of the production, writing, performance, and the creative, Steve eventually found his way back, and we are thankful he did.
It’s a record for guitar kids who love synths and synth kids who love guitars. It’s an album splashed with raw openness, energetic connection, sonic beauty, and some of Lacy’s most personal, transparent lyrics. Oh yeah? is intersectional, cutting, a comedy, a tragedy, and has allowed Steve to further design an aural world that is singularly him. That “him” has taken Lacy, who released his first EP almost ten years ago, to the highest of highs: at only 28, he has two songs in the Spotify Billions Club, as well as two Grammy Awards. He has stood alongside his musical peers like Kendrick Lamar and Solange, sells out shows across the globe, and is universally known as a style maverick whose eye for design grows bolder every day.
In a recent cover story, The Cut described Lacy as “potentially being Gen Z’s first rock star,” a big claim in an era of pop girlies, K-Pop kids hunting demons, and country balladeers. On first listen, Oh yeah? undoubtedly – and instantly – takes that potential and turns it into reality, a defining musical moment for an artist with many, many more to come.
The annual Watsons Club-exclusive concert proved to be a success as it gathered the community to sing along with the country’s most in-demand P-Pop and OPM acts.
As Watsons celebrates the 185-year legacy of AS Watson Group globally, events like Watsons Playlist reflect the brand’s continued commitment to creating meaningful experiences that bring communities together beyond health, beauty, and wellness.
The SM Mall of Asia Arena lit up as it hosted Watsons Playlist 2026, welcoming thousands of Watsons Club members to own the moment.
SB19, Maki, and December Avenue headlined the much-anticipated yearly concert by the leader in beauty, health & wellness and personal care. Once again, Watsons delivered only the best in P-Pop, unique collaborations among talented Filipino artists, and a special experience that enriches the community. Watsons Playlist also served as a venue for fandoms and casual listeners, a bonding moment for the barkada, or an unforgettable date for the couples.
Watsons Playlist is more than your typical music and sing-along night. The lively, energized audience created a sense of community. The concert experience gave everyone a chance to understand the power of music as it bridges preferences and generations. More than just a show, it became an opportunity for Watsons shoppers to own the moment, take a break from their daily routines, connect with fellow fans, and relish unforgettable experiences with their favorite artists.
Maki surprised the crowd as he performed his new song “habangbuhay pansamantala” for the very first time.December Avenue serenaded the crowd with their sentimental hits.SB19 commanded the stage with an electrifying performance of their chart-topping hits, proving why they have become a global phenomenon.
SB19 officially stepped into the spotlight as Watsons’ newest ambassadors, bringing their signature charisma, influence, and unstoppable energy to the brand’s growing community of beauty and wellness enthusiasts.
As Watsons’ newest brand ambassadors, SB19 brought unmatched energy and stage presence to Watsons Playlist. Their strong following and consistent sold-out performances reflect their influence and why they are the perfect fit for the Watsons brand, embodying confidence, self-expression, and Filipino excellence. Meanwhile, December Avenue continues to define the voice of OPM through heartfelt music that blends timeless Filipino sentiment with their signature sound. Rising artist Maki represents the new generation of OPM, consistently drawing sold-out crowds and proving his growing impact on today’s music scene.
The concert also treated fans to unforgettable moments throughout the night. One of the highlights was Maki performing his new song “habangbuhay pansamantala” live for the very first time, making the experience even more special for fans. Excitement filled the arena as SB19, Maki, and December Avenue took the stage for a surprise collaboration performance of SB19’s hit song “Wakas,” bringing together some of today’s biggest OPM acts in one unforgettable showcase.
The concert’s headliners united for a special collaborative performance of SB19’s “Wakas,” showcasing the excellence that Watsons proudly continues to champion.
Watsons Playlist is but one of the many perks of being part of the Watsons Club. Signing up is free and can be easily done online or in-store at any Watsons branch. Once you’ve signed up, the membership lasts a lifetime with no expiration. With Watsons Club, shoppers can enjoy special discounts, exciting promotions, and exclusive perks designed to make every shopping experience more rewarding. Members also get access to unique experiences such as Watsons Playlist, along with other exclusive services and member-only offers.
Watsons Club Members were treated to a night full of fun and special performances from headliners SB19, Maki, and December Avenue
Watsons Playlist: Own The Moment was brought to you by Maybelline, BNB, BYS, YOU, and Watsons Brand.
As part of AS Watson Group’s 185th year celebration, Watsons continues to create memorable experiences that go beyond shopping—bringing people together through moments that matter.
The music plays on! Continue to own your special moments everyday with Watsons. Join the community and sign up to be a Watsons Club member today, so we can see you at the next Watsons Playlist!
Follow @watsonsph on Instagram for the latest updates.
Hotdog was an iconic Filipino band formed by brothers Dennis and Rene Garcia in 1972. Credited as a primary exponent of the Manila Sound, the band helped pioneer a musical genre that captured the hearts of Filipinos in the 1970s
For a music genre born under disco lights and bell-bottoms, Manila Sound has had an unusually long afterlife. Decades after its peak, its songs still feel woven into everyday Filipino life. Karaoke nights somehow always end with “Bakit Labis Kitang Mahal”. Family celebrations are incomplete without Tito suddenly requesting “Rock Baby Rock”. The genre pulses in the DNA of Original Pilipino Music (OPM) itself. Even Gen Z listeners who never stepped foot inside a disco club can instantly recognize the sound.
Era before OPM Before OPM became a catch-all term for Filipino music, Manila Sound was already defining what local pop culture could sound like. Back then, the Philippines had long consumed Western music with enthusiasm. American and British rock records dominated the radio. Meanwhile traditional kundiman and folk songs remained symbols of an older, more formal Filipino identity. Somewhere between, the younger generation was searching for a sound that felt closer to their own lives: urban, chaotic, romantic, funny, ambitious, and unmistakably Filipino.
Hotdog as pioneers of Manila Sound The rise of Manila Sound can largely be traced back to Hotdog, the genre-defining band that made Taglish, disco, and Manila street culture sound effortlessly cool. Formed by brothers Dennis and Rene Garcia, the group rose to fame in 1974 through the hits “Ikaw Ang Miss Universe Ng Buhay Ko” and “Pers Lab.” They would later cement their legacy through era-defining anthems such as “Manila,” “Annie Batungbakal,” and “Bongga Ka Day.” Hotdog wrote lyrics exactly how young, middle-class Manileños actually spoke: a casual, conversational mix of Tagalog and English. Combined with catchy, Western-style pop arrangements, the music was instantly relatable. Suddenly, Manila Sound was taking over radios, parties, and pop culture conversations everywhere.
The Manila Sound explosion Seeing the massive success of Hotdog, the local recording industry went into overdrive. The movement was heavily championed by Vicor Music Corporation, spearheaded by executives Vic del Rosario and Orly Ilacad. They actively scouted and produced local talent to ride the Manila Sound wave.
OPM legends (L-R) Rico J. Puno, Hajji Alejandro, Rey Valera, and Marco Sison shared the stage during The Best of the OPM Hitmakers concert at the Newport Performing Arts Theater on December 9, 2016.
This era saw an explosion of sub-genres under the Manila Sound umbrella. Artists like Rico J. Puno took Western soul and R&B and infused it with Filipino lyrics and sentimentality as heard in “Kapalaran” and his Taglish cover of “The Way We Were”.
Disco fever took over As disco took over the globe, the Philippines responded with its own vibrant dance tracks. VST & Company became the undisputed kings of Manila Sound disco, earning comparisons to the Bee Gees with upbeat anthems like “Awitin Mo At Isasayaw Ko,” and “Magsayawan,” songs that still dominate Filipino parties decades later. Meanwhile, Hagibis brought macho camp into the mainstream with funk-driven hits like “Katawan” and “Legs,” turning clubs and dance floors into full-blown spectacles.
Soundtrack of Filipino Romance On the softer side of the genre, bands like Cinderella and The Boyfriends ruled the airwaves with melodic love songs and harmony-filled ballads. The Boyfriends became known for romantic staples such as “Bakit Labis Kitang Mahal,” “Dahil Mahal Kita,” and “Salawahan,” while Cinderella captured the sweetness and innocence of young love through timeless hits like “T.L. Ako Sa’yo” and “Bato sa Buhangin.”
Maestro Ryan Cayabyab headlined the Tribute to OPM concert at the Newport Performing Arts Theater in 2023.
The Birth of OPM By the end of the 1970s, Manila Sound began evolving beyond the disco grooves and Taglish pop style that first defined the movement. As the music matured, songwriters and artists began crafting more complex, diverse, and universally Filipino music that extended beyond the capital city of Manila.
Premier Balladeer Basil Valdez performance during Tribute to OPM concert.
Artists like Ryan Cayabyab, Rey Valera, Hajji Alejandro, Marco Sison, Basil Valdez, and Freddie Aguilar started producing music that was more sweeping and sophisticated. To reflect this broader, more mature national identity, pop singer Danny Javier (of the APO Hiking Society) coined a new term: Original Pilipino Music (OPM).
APO Hiking Society members Jim Paredes and Boboy Garovillo celebrated five decades of friendship and music in the APO Hiking Society 50th Anniversary Concert at the Newport Performing Arts Theater in 2023.
The Manila Sound ultimately became the blueprint for modern OPM. Whether through Hotdog’s witty urban storytelling, VST & Company’s disco anthems, or Cinderella’s melodic love songs, Manila Sound captured the pulse of a generation learning to define itself through music.
The Manila Sound gave way to the rise of OPM in the late 1970s and early 1980s, but its legacy was permanent. It proved that Filipinos wanted to hear their own stories, sung in their own language, to their own beat.
A special teaser performance from Bongga Ka, ‘Day!: The Annie Batungbakal Musical was staged during the closing night of Bagets: The Musical, previewing its narrative set in the 1970s.
Manila Sound returns onstage Today, that genre returns in spectacular fashion through Bongga Ka, ’Day!: The Annie Batungbakal Musical. Set against the glittering backdrop of ‘70s Manila, the production revives the music and spirit that made Manila Sound a cultural phenomenon.
Newport World Resorts, in association with VIVA Communications and The Philippine STAR, reunites for an original production featuring Hotdog’s timeless hits. The show is slated to open in September 2026 at the Newport Performing Arts Theater.
Learn more about the artists and the production through Newport World Resorts (@newportworldresorts), VIVA Communications Inc. (@vivaartistsagency), and The Philippine STAR (@philippinestar) on Facebook, Instagram, and TikTok. Sign up for the waitlist now via https://newportworldresorts.com/bkd-waitlist to be the first in line for tickets.
New single marks the latest project under the creative direction of multi Grammy Award winning producer Timbaland
Tata Taktumi (“Tata”) has released her new single “Not So Bad” via Pacific Music Group (PMG), the Pan-Asian global music and entertainment company. Tata, the human led hybrid artist, was developed under the creative direction of multi Grammy Award winning producer Timbaland. The project underscores a clear philosophy: technology requires human intention, and creativity is still driven by real people. Stream “Not So Bad” here.
“Not So Bad” is anchored by Tata’s real vocals and performance, alongside creative direction from Timbaland. While the project has drawn global attention for its use of emerging technologies, the foundation remains deeply human, rooted in lived experience, artistic instinct, and hands-on collaboration.
Tata’s journey began in the performance world, initially joining the project as a dancer through the internationally renowned Jabbawockeez network. Recognizing her presence and creative potential, multi Grammy Award winning producer Timbaland saw an opportunity to evolve the role into something far greater. What started as visual performance expanded into vocal work and creative collaboration, shaping Tata into a multidimensional artist.
Guided by Timbaland’s visionary approach to production, “Not So Bad” explores how advanced creative tools can expand, not replace, human artistry. In the process, AI was used selectively as a reimagining and sound-design tool, helping transform and reinterpret original human-made musical ideas into new textures, arrangements, and sonic possibilities, while the songwriting, creative direction, performance choices, and final production remained human-led. Having worked with Rihanna, Madonna, Beyoncé, Drake, and more, Timbaland has long been known for pushing sonic boundaries and experimenting with new production techniques. His use of AI reflects that same spirit of innovation: using technology to accelerate experimentation and unlock new creative workflows while keeping taste, emotion, and authorship at the center of the music.
“It’s an honor to be working with one of the greatest producers while also shaping my artistry through this process,” shares Tata. “This project is built on real performance, collaboration, and creativity, with technology helping expand what we can imagine. I’m having fun creating and it inspires me.”
Founded in 2025, Pacific Music Group was created to build internationally scaled careers for artists across Asia while opening direct pathways into global markets. Spanning hip hop, pop, R&B, electronic, and regional sounds, the company brings together artist development, strategic partnerships, and cross-border infrastructure within a single modern platform. Its founding team blends creative influence with industry leadership, with NE-YO, Sonu Nigam, and MC Jin guiding creative direction alongside Jonathan Serbin, former Co-President of Warner Music Asia.
With creative hubs across Japan, China, Korea, India, and Southeast Asia, Pacific Music Group is building an interconnected ecosystem designed to cultivate talent and accelerate global collaboration. Since launching its first releases in Fall 2025, the company has continued to expand its footprint, with key signings including Tiffany Young.
As Tata’s global label and exclusive Asia management partner, Pacific Music Group continues to define a forward looking model for artist development. With “Not So Bad,” the company introduces a new chapter for Tata, one that bridges technology and humanity, performance and production, and identity and innovation.
Expands the world of “KOLORCOASTER” with newly dropped music video featuring SB19 Justin
Maki continues to expand his “KOLORCOASTER” universe with the release of his pink-themed single “habangbuhay pansamantala” and its music video.
“It’s very contrasting na ipagsama but it all makes sense kasi it reflects yung nafi-feel ko na forever ba akong magiging temporary na tao for other people,” shared Maki about the title of his latest song.
Dubbed as the “pink anthem,” the soft and emotive track captures the pain of being treated as a second choice in a relationship while still hoping for a love that lasts. Maki composed the song, while he co-produced it alongside Jacob Clemente, Tati de Mesa, and Jovel Rivera, blending vulnerable storytelling with heartfelt melodies that resonate deeply with listeners.
The “Dilaw” hitmaker also opened up about collaborating with Justin of SB19 for the music video, praising the latter’s creativity and vision.
“Justin is a very intelligent creative person. Sobrang gets namin yung isa’t isa kaya no’ng sinabi ko yung ideas ko sa kanya, game agad siya. Super gaan niyang katrabaho,” Maki said.
The singer-songwriter from ABS-CBN Music recently surpassed 1 billion all-time streams on Spotify following the massive success of his debut album “KOLORCOASTER.” He is also gearing up for his Southeast Asian concert tour with stops at The Theatre at Mediacorp in Singapore on June 13 and Bengkel Space in Jakarta, Indonesia on June 14. Fans may purchase tickets via makikolorcoastertour.myx.global.
“We’ll do our best to showcase Filipino talent and OPM outside of the Philippines. Para sa akin, mas maganda na sinusuportahan natin yung concerts ng local artists, kilala man sila o hindi, kaya sana let’s explore and try to invest kasi everyone is doing their best,” Maki expressed.
In celebration of the “habangbuhay pansamantala” release, Maki held a free show dubbed “Pink Fest” last May 29 at the TriNoma Activity Center. He is also set to headline the “Pink Room” at Solaire North on June 5.
Feel the heartwrenching message of “habangbuhay pansamantala” available on all digital streaming platforms and join Maki on his “KOLORCOASTER” tour in Singapore and Jakarta this June 13 and 14. For details, follow Tarsier Records on Facebook, X, Instagram, TikTok, and YouTube.
The New Nine-Episode Series Follows The Duo As They Complete Fun Challenges Designed To Test The Strength Of Their Friendship
Less than a year since they first took to the streets of Tokyo to dance with Mickey & Friends for their “What We Got” music video, J-Pop sensations King & Prince are back with an exciting new nine-part travel series – King & Prince: Our Meet-Up in LA – coming June 17 exclusively to Disney+.
The new unscripted series follows King & Prince members Ren Nagase and Kaito Takahashi as they travel around Los Angeles, visiting the sights, completing challenges, and chatting and unwinding – giving audiences an unfiltered look at the duo’s personalities and friendship.
Starring King & Prince’s Ren Nagase and Kaito Takahashi, King & Prince: Our Meet-Up in LA was planned and produced by NICHIKI Co.,Inc.- the team behind their popular variety series Kintore.
Episode one of King & Prince: Our Meet-Up in LA will debut on June 17 on Disney+, with a new episode released every Wednesday through the season finale on August 12.
Fans of King & Prince can sign up to Disney+ today to enjoy instant access to King & Prince: What We Got (Japanese Version) – a behind the scenes documentary showcasing the creation of their “What We Got” music video. Fans of J-Pop content can also enjoy instant access to Travis Japan Summer Vacation!! in The USA – a new travel show that follows Travis Japan as they traverse the US on an emotional journey back to where it all began; as well as Traveling with Snow Man – a documentary series that follows the popular J-Pop group as they set out on an epic journey across Japan.
Stream King & Prince: Our Meet-Up in LA from June 17only on Disney+.
The legendary duo Air Supply is set to perform in Manila as part of their spectacular A Matter of Time Tour. Mark your calendars for 26 October 2026 (Monday), as the iconic duo takes the stage at Smart Araneta Coliseum, Quezon City for an unforgettable evening filled with timeless melodies, classic hits, and heartfelt nostalgia.
If practice truly makes perfect, then Graham Russell and Russell Hitchcock have spent more than five decades perfecting their craft. Known worldwide for their signature romantic ballads and powerful live performances, Air Supply continues to captivate audiences across generations.
Celebrating a remarkable half-century musical partnership, Graham Russell and Russell Hitchcock continue to define timeless pop music as they prepare to release their highly anticipated new album, A Matter of Time, their first studio album in 15 years.
Amid a milestone year in 2026, Air Supply continues to make musical history with sold-out performances across North America, Australia, South America, Europe, and Asia. The duo is also set to expand their legacy with a forthcoming biopic and the honour of a star on the Hollywood Walk of Fame.
Graham Russell’s heartfelt and soul-piercing songwriting talents, along with his and Russell Hitchcock’s dynamic trademark vocals, are on emphatic display throughout the multi-faceted 11-track collection, due to drop digitally December 3, with the same release date for an exclusive special edition 80’s style vinyl version.
Released to coincide with Air Supply’s incredible 50th anniversary as a duo, A Matter of Time caps an historic career that compares to the Beatlesque feat of five consecutive Top Five Singles (“Lost in Love,” “All Out of Love,” “Every Woman in the World,” “The One That You Love,” “Here I Am”). During their early 80’s run, they sold a collective total of 20 million copies of their first three albums (Lost in Love, The One That You Love, Now & Forever) and the 1983 Greatest Hits collection and achieved multi-million radio plays for five of their hits, including “Sweet Dreams” and the Jim Steinman-penned “Making Love Out of Nothing At All.” In 2010, the year Air Supply released their last studio album Mumbo Jumbo, Graham was honored with a BMI Million-Air Certificate recognizing three million performances of “All Out of Love.” Public ticket sales will commence on 08 June at 12:00 PM via www.ticketnet.com.ph The concert, Air Supply A Matter of Time Tour, will be held on 26 October 2026 (Monday) at 7:30 PM at Smart Araneta Coliseum, Quezon City. Tickets are expected to sell out quickly. As this venue has a more limited capacity compared to previous planned shows, tickets are expected to sell out quickly. Fans are encouraged to secure their tickets early to avoid disappointment.
Air Supply A Matter of Time Tour Date : 26 October 2026 (Monday) Time : 7:30PM Venue : Smart Araneta Coliseum, Quezon City Ticket Price: P14,941 (Cat 1), P11,740 (Cat 2), P8,538 (Cat 3), P6,937 (Cat 4), P5336 (Cat 5), P3,736 (Gen Ad) Ticket Sales: 08 June 2026, 12:00PM Ticketing Link : https://www.ticketnet.com.ph/
The spirit of the ‘70s came alive through disco fashion and the music of Hotdog band.
There is a reason the Philippine 1970s era continues to live on, through music, fashion, and now, onstage. It stays vivid, defined by a word that has outlived the era itself. Bongga, a shorthand for something extravagant, expressive, and unapologetically seen.
Birth of Manila Sound Before Original Pilipino Music became the standard term, there was the Manila Sound. It marked a cultural reset, led by pioneering band Hotdog (who popularized the songs “Pers Lab” “Ikaw ang Miss Universe ng Buhay Ko” and “Bongga Ka, ‘Day”, which was later followed by VST and Company, Cinderella, Boyfriends, and the Apo Hiking Society. Their music was characterized by catchy melodies, relatable themes of young love, and crucially, the use of Taglish. It made local music sound hip and modern, moving away from older, more formal kundiman styles.
Disco Fever Towards the late ‘70s, the global disco craze hit Manila hard. Clubs like Where Else? (in the InterContinental Hotel), Coco Banana (the epicenter of Manila’s gay and underground disco scene), and Stargazer were the places to be seen.
Fashion, Hair, and Makeup The fashion of the ‘70s was loud and highly expressive. Bell-bottoms, elephant pants, platform shoes, wide-lapel polo shirts unbuttoned to the chest, wrap dresses, and colorful, psychedelic prints. Denim became a staple of youth rebellion and casual wear.
The Farrah Fawcett “feathered” look was the ultimate goal for women, alongside long, straight, ironed hair or voluminous blowouts. For men, it was shaggy hair, mullets, or well-kept Afros. For makeup, think bold and glossy. Pastel or frosty blue or green eyeshadows, heavy eyeliner, dramatic mascara, prominent bright pink or peach blush, and ultra-glossy lips.
Silver Screen The ‘70s is widely considered the Second Golden Age of Philippine Cinema. The pop culture landscape was dominated by the fierce rivalry between the Superstar Nora Aunor and the Star for All Seasons Vilma Santos. Fans were intensely loyal, and their influence dictated fashion and box-office hits in cinema.
Beyond the mainstream, filmmakers such as Lino Brocka and Ishmael Bernal brought a sharper, more introspective lens to cinema. Their films, including Maynila sa mga Kuko ng Liwanag (1975), Insiang (1976), and Nunal sa Tubig (1976), offered grounded and often critical portrayals of Philippine society during the period.
Pageant Craze The Philippines cemented its obsession with beauty pageants. Aurora Pijuan’s Miss International win in 1970 and Margarita Moran’s Miss Universe title in 1973 created a strong momentum. This culminated in Manila hosting the Miss Universe pageant in 1974, placing the country in the global spotlight.
A special teaser performance from Bongga Ka, ‘Day!: The Annie Batungbakal Musical was staged during the closing night of Bagets: The Musical, previewing its narrative set in the 1970s.
Bongga Ka, ‘Day!: The Annie Batungbakal Musical It is this dynamic that now moves from the history to the stage. The bongga era of the ‘70s takes center stage in Bongga Ka, Day!: The Annie Batungbakal Musical. Newport World Resorts, in association with VIVA Communications and The Philippine STAR, reunites for an original production featuring Hotdog’s timeless hits. The show is slated to open in September
2026 at the Newport Performing Arts Theater. Drawing from the music, style, and spirit of the Manila 1970s, the musical revisits a period that remains influential in shaping Filipino identity. It presents not only the vibrancy of the era but also the context that defined it, offering audiences a deeper appreciation of what made the decade truly bongga.
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