Category: Concert

The Kings are coming back to take the crown and dominate the Manila stage once again after nearly seven years!

Global K-Pop powerhouse EXO is set to reunite with Filipino EXO-L for EXO PLANET #6 – EXhOrizon in MANILA, happening on July 4 and 5, 2026, at the SM Mall of Asia Arena.

For more than a decade, EXO has reigned as one of K-Pop’s most influential and successful acts. Since their debut in 2012, the group has set the standard with their unmatched vocals, powerful choreography, and genre-defining music. Over the years, they have broken records, sold millions of albums worldwide, and built a legacy as one of the best-selling and most awarded groups in K-Pop history. Their discography includes some of the genre’s most iconic hits, including Growl, Monster, Ko Ko Bop, Love Shot, and the viral winter favorite The First Snow, songs that continue to resonate with fans across generations.

Earlier this year, EXO further solidified their legacy with the release of their eighth full-length album, REVERXE, marking their first group comeback in over two years. The album reflects the group’s artistic growth and maturity while staying true to the rich harmonies and polished production that define the signature EXO sound. REVERXE quickly proved its global impact, surpassing one million copies sold and becoming the group’s eighth album to reach the million-seller milestone since their first studio album, XOXO, released in 2013. The album also dominated charts worldwide, reaching No. 1 on the iTunes Top Albums chart in 48 regions. Its lead single, Crown, accompanied by a fantasy-themed music video, has already amassed over 47 million views on YouTube, further proving the group’s enduring global popularity.

To celebrate this new era, EXO will embark on their latest concert tour, which will kick off at the KSPO Dome from April 10 to 12. Tickets for the tour opener quickly sold out during both the fan club presale and general sale, reflecting the immense anticipation surrounding the group’s return to the stage.

The Manila stop of the tour will feature members SUHO, CHANYEOL, D.O., KAI, and SEHUN, who will bring their signature stage presence and unforgettable performances to EXO-L.

Their return to Manila is particularly meaningful. The group last performed in the Philippines in 2019, and after years of anticipation, Filipino EXO-L will finally have the chance to reunite with them once again. EXO PLANET #6 – EXhOrizon in MANILA promises to be a heartfelt homecoming filled with powerful performances, emotional ballads, stunning visuals, and special moments that will make this long-awaited reunion truly unforgettable. With their fans’ unwavering support through the years, EXO is ready to celebrate this new chapter together with EXO-L in ways only they can.

TICKETING INFORMATION

• EXO-L Membership (GL) Presale Registration on March 14, 2026 (11:00 AM PHT) – March 17, 2026 (11:00 AM PHT) via Weverse
• EXO-L Membership (GL) Presale on April 17, 2026 | 10:00 AM – 10:00 PM PHT via online at smtickets.com
• General Onsale on April 19, 2026 | 12:00 PM PHT onwards, available at SM Tickets outlets nationwide and online via smtickets.com

TICKET PRICES

• Royalty Seated / Standing – PHP 16,000 (with Soundcheck access, official ID and lanyard, and souvenir show card)
• VIP A – PHP 12,500
• VIP B – PHP 10,500
• Box Premium – PHP 8,500
• Box Regular – PHP 4,500

Ticketing charges apply.

This show is presented by SM Entertainment, Dream Maker Entertainment, and PULP Live World.

For more details and updates, visit pulpliveworld.com or follow PULP Live World’s official social media channels.

By Jemuel Cainglet Salterio

To be called an R&B pillar is no small distinction. For Asia’s ‘Diamond Soul Siren’, Nina, the title is both a tribute and a testament to endurance.

“It’s always an honor to have a tag attached to your name,” admitted Nina. “It’s always flattering. I embrace it.”

Two decades after she transformed the local music landscape, Nina stands at a rare milestone. Her upcoming concert, ‘Nina @XX’, celebrates the 20th anniversary of her landmark live album, Nina Live!—the record that earned a coveted Diamond Record Award and cemented her status as the best-selling OPM female artist of all time.

But beyond the sales figures and accolades lies something more enduring, a performer whose truest love has always been the stage.

“Every time I step on the live concert stage, it always feels new for me,” said Nina. “Gusto ko talaga siya. I really enjoy performing live. Even if I’m not feeling well or I’m really sick, performing live gives me energy. Other people see that, and they are happy for me.”

Long before arenas and awards, Nina was a shy young singer content to blend into the background as part of a live band. She performed with groups such as MYMP, The Big Thing, Silk, and Essence, immersed in the raw immediacy of live music, far from the glare of celebrity.

Her breakthrough arrived in 2002 with her debut album, ‘Heaven’, released under Warner Music Philippines. The album introduced her to a national audience and set her on a path she never initially intended to take.

“The people got to know that I love singing live more than doing an album,” she said. “Before that, I was singing live with a band, and that was what I loved to do. I guess I surprised a lot of people because I love to sing live.”

The transition from band vocalist to recording artist was daunting. It meant stepping into interviews, press conferences, and constant public visibility, territory deeply uncomfortable for someone who described herself as intensely shy.

“You had the feeling you want to fit in,” she shared. “During my time, there were other artists who were also starting. I was a really shy girl. I didn’t want to be a recording artists. I only wanted to become a live band singer. That was okay with me.”

“When you’re a recording artist, that comes with all the performances, all the entertainment, all the interviews, press conferences,” Nina said. “As a person, I was really very shy. When they told me to try recording an album, that was where it started.”

With encouragement from her label, she slowly grew into the spotlight.

“Warner really pushed me and told me, ‘Sige, kaya mo ‘yan.’ They helped me with everything. They told me to surround myself with people who will help me do better. Through time and experience, fake without getting ashamed of yourself, even at home, you are really very shy behind the camera. 

Even as her career soared, Nina remained grounded. She completed her degree in Accounting at Miriam College, proof that her discipline extended far beyond the stage.

That same discipline has protected her voice through years of relentless touring and live performances.

“Sa voice ko, I take care of my voice and all the important things that need to be done,” she said. “Sometimes, experimental din because sometimes, the weather gets different.

“I just really take care of myself, first and foremost. I discipline myself in what I eat, the hours I devote to rest and sleep, and take care of my body. I exercise daily. I sweat daily. ‘Yung mga bawal na food, hindi ko kinakain. Talagang kailangan ng discipline.”

Today, she is more confident—but still, at heart, reserved.

“I still get shy at times, especially when I’m not onstage or I’m not in front of the camera, I’m not boisterous. I’m still a very calm performer.”

Part of Nina’s enduring appeal lies in her mastery of reinterpretation. She possesses a rare ability to inhabit a song so completely that it feels as though it were written for her.

One of the most striking examples is ‘Love Moves in Mysterious Ways’, originally performed by Julia Fordham.

“There are some people who don’t know I sing only the cover of a particular song, but they know the song in my album. That’s a great feeling that you gave justification to the song you only recorded.”

Like Julia Fordham’s ‘Love Moves in Mysterious Ways’, many listeners assume Nina was the original voice behind the hit.

“There were some people who thought, I originally sang that. It’s very flattering, although I don’t own the song. But that song can be for a special someone or for a friend whom you care about. Not just for lovers.”

For Nina, covers are not creative constraints but bridges—across generations, genres, and emotional landscapes.

“You give reference to different genres of music,” she said.

Set at the Newport Performing Arts Theater, ‘Nina @XX’ promises more than nostalgia. It is a reimagining of the songs that shaped her career, delivered with new arrangements and renewed passion.

She reunites with long-time musical director Soc Mina and collaborates with the brilliant concert director Calvin Murphy Neria, crafting a production designed to transcend the feel of a simple jam session. The show is produced by Echo Jham Entertainment Productions, with May Arenas at the helm.

“Since it’s the anniversary of the album, we are doing songs from the first album but with a different twist,” said Nina. “I will work with my long-time musical director, Soc Mina. He was my musical director in the concert, ‘Very Manilow,’ where we got an Aliw Award in 2007.”

Joining her onstage are Jay Durias, Thor, and Kris Lawrence, artists who share her reverence for live performance.

As the music industry pivots from full-length albums to streaming-era singles, Nina remains both realistic and optimistic.

“Can you still come out with an album today?” she asked. “These days, more like singles na lang ang nare-release. I can do that on Spotify.”

She is equally open to collaborating with younger artists, blending seasoned artistry with fresh voices.

“If I can work with all of them, why not?” Nina said. “I can try singing with most of them, no one specific now. I am always focused on doing live gigs that fill up my schedule. That’s what keeps me busy.”

Twenty years after Nina Live! earned her Diamond status, Nina looks ahead with the same hunger she carried as a young band singer.

In the next 20 years, she hopes for “more albums, more concerts, more shows,” if her voice continues to hold strong and audiences continue to gather.

Her journey is not merely a story of milestones and titles. It is the evolution of a shy girl who found her truest self beneath stage lights, a voice strengthened by discipline, humility, and devotion to live performance.

For Nina, every concert is still new.

Every song still matters.

And at ‘Nina @XX’, the celebration is not just of an album—but of a legacy that continues to unfold, note by note.

“SANDALI” says Cup of Joe as they headline Philippine Sports Stadium this May! 

Hold onto your mugs, Joewahs! The Northern rooted quintet Cup of Joe has officially brewed up their most ambitious plan yet, announcing their fourth major solo concert set for May 23, 2026. In a move that cements their status as OPM royalty, the band is slated to take over the massive Philippine Sports Stadium in Bulacan. This isn’t just another gig; Cup of Joe is making history as the first-ever Filipino artists to headline a solo show at the prestigious open-air venue. Transitioning from the intimate, “hugot-filled” bars and cafe where they started to the sprawling green fields of a stadium is a testament to the sheer gravitational pull of their Stardust era.

This landmark announcement serves as the ultimate crown for what has already been a record-breaking 2026. Just months into the year, the band has transformed the local music landscape, with their megahit “Multo” officially becoming the most-streamed OPM song of all time on Spotify, surpassing half a billion streams and dethroning decade-old classics. Their momentum hasn’t been confined to the charts, either; coming off a string of sold-out international legs in the US, Canada, and Middle East, and sweeping numerous award giving bodies in the local scene, Cup of Joe has proven that their brand of alternative pop resonates as deeply in global arenas as it does in the hearts of local listeners.

The May 23 spectacle promises to be the definitive milestone of their career, a “victory lap” for a group that has redefined the Gen Z soundscape. Expect a production that matches the scale of the venue, a sprawling celebration of their journey from Baguio’s chill altitudes to the pinnacle of Philippine music. As they prepare to fill the stadium air with the melodies of Silakbo and Stardust, one thing is certain: Cup of Joe isn’t just participating in the OPM renaissance; they are leading the charge. This is no longer just a “cup” of music — it’s an entire ocean, and we’re all invited to dive in.

The riffs, the vocal melodies, the anthems, and the sing-alongs… and that unspoken feeling of being a part of something you grew up alongside-to, that transformed into an experience larger than life itself. And that description barely scratches the surface of what it actually feels like watching seminal screamo/post-hardcore icons SAOSINdeliver the goods onstage… that’s right – only loyal fans and followers will understand what makes the band one of the most important figures of the cherished musical genre/movement in the past two decades of their existence.

And SAOSIN wants to both celebrate and deliver that same sonic magic once again to its loyal Filipino fans, and this time around, they’ve included Cebu City in their run! Yep – not only will they be returning to revisit Manila, but they are heeding the call of their Cebuano fan base, who have since proven their unmatched taste and overall love for all things excellent, especially music.

The shows – part of the SAOSIN: Celebrating 20 Years of Self-Titled & The Hits Asia Tour 2026 – will happen May 4^that the Sky Hall Seaside Cebu and on May 7^th at the Skydome SM North Edsa, and both shows will share the same ticketing tiers: PHP 6,000.00 for VIP A – which includes a meet and greet group photo opportunity, an exclusive ID laminate, a signed poster and priority entry. VIP B tickets will be sold at PHP 4,000.00, while general admission tickets will be sold for PHP 3,000.00.

Tickets will officially go on sale on February 27^th via SM Tickets outlets and will be made available online through smtickets.com.

Having released their debut EP Translating The Name in 2003 (with original vocalist Anthony Green…), it was 2006’s self-titled debut with singer Cove Reber that catapulted the band into grand territory and saw their evolution from a talented band with exceptional songs and talent, into a well-oiled touring machine armed with anthems for the generation. Currently comprised of founding member/guitarist/vocalist Beau Burchell, singer Reber, guitarist Phil Sgrosso, bassist Chris Sorenson and drummer Alex Rodriguez, SAOSIN has more than a handful crowd favorites under their belt: like the explosive “It’s Far Better To Learn,” the anthemic “Voices,” and the emotionally charged “You’re Not Alone,” to name a few.

Incidentally, the band’s last visit to the Philippines was in November 2023, where they played a successful two-night run at the Skydome in SM North Edsa. A second date was added due to insistent public demand, as the originally scheduled show sold out quickly.

So you know what to do, Manila and Cebu! Take note of the dates and do not hesitate to secure your spot at a surefire legendary live experience. Celebrate 20 years of SAOSIN with us! Brought to you by PULP Live World.

For more information and details, log-on to pulpliveworld.com, pulpmagazine.comand follow their social media pages on Facebook, Instagram, and X.

Nothing’s About to Happen to Us…until MITSKI comes to Manila! From quiet confessions whispered over trembling guitars to stadium-sized anthems of longing and self-reckoning, MITSKI has built a career out of telling the truth, no matter how uncomfortable, tender, or devastating it may be. This 2026, the acclaimed singer-songwriter enters a bold new chapter with the release of her eighth studio album, Nothing’s About to Happen to Me, and brings that era to life on stage with her first-ever concert in the Philippines, presented by PULP Live World. MITSKI “Nothing’s About to Happen to Me” in MANILA will take place on July 14, 2026, at the SM Mall of Asia Arena, marking a long-awaited moment for Filipino fans.

MITSKI began her career by self-releasing her first two albums, Lush (2012) and Retired from Sad, New Career in Business (2013) while attending college. Her breakout came with Bury Me at Makeout Creek (2014), a raw, guitar-driven record that established her as a powerful new voice in indie music.

MITSKI’s artistry continued to evolve with critically acclaimed albums such as Puberty 2 (2016) and Be the Cowboy (2018), the latter earning widespread commercial success and cementing her global reputation. Songs like “Nobody,” “Washing Machine Heart,” and “Your Best American Girl” became cultural touchstones, praised for their emotional honesty and sharp storytelling.

Her reach expanded even further with later releases, including the globally adored track “My Love Mine All Mine,” which became one of her most widely known songs to date. Beloved for its tender vulnerability and timeless melody, the song introduced Mitski to an even broader audience worldwide, solidifying her ability to create music that feels both deeply personal and universally felt. Across every era, MITSKI has remained unmistakably herself, an artist unafraid to sit with discomfort and turn vulnerability into power.

In 2026, MITSKI releases her highly anticipated eighth studio album, Nothing’s About to Happen to Me, out February 27. The album introduces a new era for the artist, led by its first single and music video, “Where’s My Phone?”, offering a glimpse into the album’s introspective yet striking sonic direction.

Following the album’s release, MITSKI brings Nothing’s About to Happen to Me to the stage, and for the first time, to Philippine shores!

MITSKI “Nothing’s About to Happen to Me” in MANILA happens on July 14, 2026, at the SM Mall of Asia Arena. This is the show fulfilling a long-standing wish of fans who have supported her from afar for years.

Audiences can expect an immersive live experience that blends new material with beloved songs from across her discography, each performance carefully crafted, emotionally charged, and unforgettable. Known for her captivating stage presence and intentional live production, MITSKI’s concerts are as much felt as they are heard.

Ticketing Information

Ticketing Dates:

• Artist Presale: February 11, 2026, 10AM–10PM PHT
• Spotify Presale: February 12, 2026, 10AM–10PM PHT
• General Onsale: February 13, 2026, 10AM PHT onwards

Tickets will be available at SM Tickets outlets nationwide and online at smtickets.com. Fans can get early access by signing up at mitski.com/live 

For more information and updates, follow PULP Live World on social media or visit pulpliveworld.com

Music fans, get ready: the Philippines is set to take center stage for the largest ASEAN-Korea music event in history. The National Commission for Culture and the Arts (NCCA) and KBS WORLD TV officially unveiled the complete lineup for the 2026 ROUND Festival today, confirming a spectacular two-day free concert on 18–19 April 2026 at the iconic Araneta Coliseum. This milestone edition coincides with the Philippines’ Chairship of ASEAN, marking a historic moment in regional cultural exchange.

The announcement was made during a high-profile press conference at Quantum Skyview, Gateway Mall 2, featuring live presentations and special appearances by P-pop sensations KAIA and HORI7ON.

The 2026 festival, hosted by acclaimed Korean singer-songwriter 10CM, will feature an impressive roster of international talent alongside a powerhouse delegation of Filipino artists. Representing the Philippines on the main stage are:

• Ben&Ben – The nation’s premier folk-pop band
• TJ Monterde – The soulful acoustic balladeer
• Cup of Joe – Rising stars of Baguio’s indie-pop scene
• HORI7ON – The global boy group bridging P-pop and K-pop

These local favorites will perform alongside top-tier artists from ASEAN member states and Korea, creating a vibrant musical tapestry for fans across the continent. The regional lineup includes:

• Korea: 10CM, MeloMance
• Brunei: Syafiq Abdilah
• Cambodia: G-Devith
• Indonesia: Pamungkas
• Lao PDR: JoJo Miracle
• Malaysia: MIMIFLY
• Myanmar: Velocity
• Singapore: Regina Song
• Thailand: Tilly Birds
• Vietnam: Chillies

The 2026 ROUND Festival carries deep historical significance. Speaking on behalf of KBS WORLD TV, Director Lee Hansol reflected on the festival’s long-awaited return:
“This is a very special ‘homecoming’ for us, because the very first ROUND in 2020 was originally planned for the Philippines. We had to wait six years due to the pandemic, but that wait makes this moment all the more meaningful.”

More than just performances, ROUND is envisioned as a celebration of regional unity and shared culture. NCCA Chairman Eric B. Zerrudo emphasized the festival’s importance in showcasing the Philippines as a cultural leader in ASEAN:
“We look forward to a future where the Philippines becomes a hub for performing arts in the region — shaped by the natural talent of Filipinos, and enriched through collaboration with our ASEAN neighbors.”

Admission is free, ensuring fans across the country can experience this landmark event. Tickets will be distributed in a two-step process:

• February 2026: Online reservations open
• March 2026: Ticket claiming for confirmed registrants

Event Highlights:

• Dates: 18–19 April 2026
• Venue: Araneta Coliseum, Quezon City
• Admission: FREE (Reservation in February / Claiming in March)
• Organizers: KBS WORLD, NCCA
• Sponsor: ASEAN-Korea Cooperation Fund

For the latest news and real-time updates, follow @roundfestival, @nccaofficial, and @kbsworldtv on Facebook, Instagram, and YouTube.

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About the ROUND Festival:

ROUND is the official brand of the ASEAN-Korea Music Festival, an annual initiative that fosters cultural exchange between the ten ASEAN member nations and Korea. It is supported by the ASEAN-Korea Cooperation Fund and the Ministry of Foreign Affairs of Korea.

Rob Deniel’s journey is one of passion, persistence, and undeniable talent. What began as a young musician experimenting with melodies in his bedroom has now grown into a full-fledged OPM success story. Over the years, Rob has carved a unique space in the industry with his signature retro-inspired sound, soulful vocals, and honest storytelling — a combination that has consistently captivated millions.

His rise to fame accelerated through a series of viral hits that showcased both his artistry and versatility. From early breakthroughs like “Miss Miss,” and “Ang Pag-ibig,” to the more recent fan-favorite “RomCom”  — a track that took social media by storm — Rob has proven his ability to create songs that stick, resonate, and inspire.

Rob continues to expand his artistry through reinterpretations of classic OPM, earning widespread praise for his heartfelt renditions of “Ikaw Sana” and “Nandito Ako.” His modern yet respectful take on these beloved hits introduced them to a new generation of listeners while honoring their legacy, further solidifying his range and musical depth.

All of this momentum built up to a career-defining moment at the recent RAAA Concert, where Rob surprised fans with the announcement that on February 27, 2026, he is officially headlining his first-ever major solo concert, The Rob Deniel Show, at the Smart Araneta Coliseum. Tickets are now available via Ticketnet.

This upcoming Big Dome milestone marks a significant leap in Rob’s already remarkable journey — a celebration of his growth, his music, and the unwavering support of fans who have been with him from his breakout days up to his recent triumphs.

As Rob Deniel steps onto one of the country’s most iconic stages next year, he isn’t just performing; he’s making history in his young career. And for fans, one thing is certain: this is a concert they will not want to miss. Special guests at The Rob Deniel Show have already been announced, which include Arthur Nery, Ashtine Olviga, Janine Teñoso, Ms. Pops Fernandez, and Mr. Ogie Alcasid.

As we look forward to Rob Deniel’s forthcoming solo concert next year, listen to his latest single, “Kalawakan,” below:

MY CHEMICAL ROMANCE has officially announced the postponement of all dates under the MY CHEMICAL ROMANCE SOUTH EAST ASIA 2026 TOUR, as confirmed through the band’s official social media channels. The announcement includes the Philippine stop, originally scheduled for April 25, 2026, at the Philippine Arena in Bulacan.

Following the band’s announcement, PULP Live World, the official organizer of the Philippine show, has confirmed the rescheduled date for the local concert. The MY CHEMICAL ROMANCE SOUTH EAST ASIA 2026 TOUR IN BULACAN will now take place on November 14, 2026, at the Philippine Arena.

To guide ticket holders, PULP Live World has released the following updated information regarding ticket validity, e-ticket availability, and refund options for fans who may be unable to attend the rescheduled date.

Ticket Validity and E-Ticket Updates

All previously purchased concert tickets and shuttle service tickets will remain fully valid for the rescheduled performance on November 14, 2026. Fans who are able to attend on the new date are not required to take any action. The release of e-tickets has been moved to a later date, with further announcements to be made through PULP Live World’s official social media channels.

Refund Guidelines 

For ticket holders who are unable to attend the rescheduled show, a refund request period will be implemented from January 7 to January 14, 2026. Refund applications submitted beyond this period will no longer be accepted or processed.

For PULP Tickets Buyers
Refund requests must be submitted through the official digital forms:

• Show Ticket Refund Form: bit.ly/MCRPH2026TicketRefund
• Shuttle Service Refund Form: bit.ly/MCRPH2026ShuttleRefund
• International purchasers without a Philippine bank account may email support@pulptickets.com using the subject line:
  MCR INT’L PURCHASE: ORDER NUMBER (please include the order number).

For TicketNet Buyers

Fans who purchased tickets through TicketNet Box Offices or Mall Outlets may submit their refund request via bit.ly/MCRPH2026TicketNetRefund. TicketNet representatives will contact applicants via email or phone once the refund is ready for claiming.

For SM Tickets Buyers
Refund procedures vary depending on the mode of payment:

• Cash Transactions (Metro Manila): Register at smtickets.com/refund/ to select a preferred refund location and schedule.
• Cash Transactions (Provincial): Email customercare@smtickets.com with the subject:
  Refund Request: My Chemical Romance South East Asia 2026 Tour in Bulacan.
• Card or Online Transactions: Email a Reversal Request to customercare@smtickets.com with the subject:
  Reversal Request: My Chemical Romance. A clear photo or scanned copy of the physical ticket or e-ticket voucher must be included.

For complete details and future updates, fans are advised to follow PULP Live World’s official social media channels or visit pulpliveworld.com.

Filipino fans of emo and alternative rock are in for a historic night as American band HAWTHORNE HEIGHTS finally brings their If Only You Were Lonely 20th Anniversary Tour to Manila. The band will perform the iconic album live in its entirety on May 6, 2026, at the Skydome, SM North EDSA, marking their first-ever concert in the Philippines.

The Manila stop is part of a limited anniversary tour celebrating one of the most influential emo records of the mid-2000s. If Only You Were Lonely, released in 2006, became a cultural touchstone for a generation navigating themes of heartbreak, vulnerability, and emotional catharsis. The album earned RIAA Gold certification and produced enduring tracks such as “Saying Sorry” and “Pens and Needles,” songs that continue to resonate with fans nearly two decades later. Unlike a standard tour setlist, the anniversary show is designed as a front-to-back performance of the album, allowing audiences to experience the record’s narrative arc as a complete live work. Their live performance has been praised internationally for its intimate yet explosive energy, transforming each night into a shared emotional experience between the band and the crowd.

HAWTHORNE HEIGHTS formed in Dayton, Ohio, in 2001 and rose to prominence during the peak of the emo movement, becoming known for their emotionally charged songwriting and relentless touring. Over the years, the band has maintained a strong global following and continues to connect with fans through consistent international touring and high-impact live performances. The current touring lineup includes JT Woodruff (lead vocals and rhythm guitar), Matt Ridenour (bass and backing vocals), and Mark McMillon (lead guitar).

For Filipino fans, the Manila concert represents more than just a tour stop; it is a long-awaited moment of recognition for a fanbase that has supported the band for years through streaming, social media, and word-of-mouth. The show also underscores the Philippines’ growing reputation as a key destination for major alternative and rock tours in Southeast Asia.

Ticket prices are as follows:

• Royalty – ₱10,000 (includes Solo Photo, Signing, and Priority Entry)
• VIP A – ₱6,000
• VIP B – ₱4,500
• General Admission – ₱3,000

*All ticket prices are subject to ticketing charges.

Tickets will go on sale on January 17, 2026, at 12:00 PM, available through SM Tickets outlets nationwide and online at smtickets.com.

With strong demand expected and limited capacity at the venue, fans are advised to purchase tickets early. The Manila date is projected to be one of the most anticipated stops on the tour, driven by years of anticipation from the local emo community.

For the latest updates and official announcements, follow PULP Live World on social media or visit pulpliveworld.com. This event is proudly presented by PULP Live World.

Filipino fans, get ready for an unforgettable night of music! Colde, the South Korean R&B singer-songwriter and producer known for his genre-defying sound, is returning to Manila for his BLUEPRINT+ Tour on January 17, 2026, at the Music Museum in Makati. Following a sold-out appearance at the ASIYA Music Festival in October 2024, Colde is bringing his immersive live show, electrifying stage presence, and signature atmospheric sound back to the Philippines.

Presented by Wavy, Studio PAV Asia and Oceania, Lyko!, and Show Biz Town, Inc., the Manila stop is part of the Asian and Oceanian leg of Colde’s tour, which also includes Yokohama, Melbourne, Sydney, Bangkok, Taipei, and Hong Kong.

Colde has earned international acclaim for his atmospheric, soulful music, blending R&B with indie, lo-fi, jazz, rock, and hip-hop elements. Best known as the lead vocalist of the R&B duo Offonoff, Colde has also contributed to popular K-drama soundtracks, including “Better With You” (Head Over Heels) and “Moonrise” (My Dearest Nemesis). His introspective lyrics, emotive vocals, and innovative production have made him one of the most influential contemporary Korean artists.

Ticketing Information:

Tickets for Colde’s Manila concert are now available through this link. Admission tickets to the show are priced starting Php 2,450 (T3) to Php 3,500 (T1) and include access to the performance, as well as entry to the exclusive Goodbye Session after the show.

For fans seeking a more immersive experience, VIP and VVIP packages are also available. These packages include perks such as pre-show soundcheck access and a Q&A session, group photo opportunities with Colde, hi-touch greetings, signed memorabilia including posters, Polaroids, and message cards, and other exclusive keepsakes. Please note that VIP and VVIP packages are limited in availability and require the purchase of a concert ticket for entry. Fans are encouraged to secure their tickets and packages early to guarantee access.

Please note that the prices indicated above are exclusive of ticketing charges and other fees.

For the latest ticketing updates, tour announcements, and exclusive content, fans may visit Colde’s official social media accounts on Facebook, X, and Instagram.

About Colde

Colde is a South Korean singer, songwriter, and producer celebrated for his emotive vocals, experimental soundscapes, and genre-defying artistry. Rising to prominence as the vocalist of Offonoff, he has since developed a successful solo career, captivating audiences worldwide with his innovative music and live performances. His solo tracks and contributions to K-drama soundtracks have solidified his reputation as a defining voice in contemporary Korean R&B.