Ely Buendia is set to celebrate the release of his upcoming album, Method Adaptor with an official launch at 123 Block in Mandaluyong City on November 8, 2024, from 7 p.m. onwards.
In true Ely Buendia fashion, the event will feature a full-length concert performance of the critically acclaimed hitmaker, wielding guitar in his element, on stage.
In addition, he will also be sharing the stage with an impressive roster of talented artists under Offshore Music (OM), such as Ligaya Escueta, ALYSON, Carousel Casualties, and Aviators.
Presented by Gabi Na Naman Productions (GNN), Ely Buendia: Method Adaptor album launch will debut the songs off his new record for the first time in a live setting, with special surprises in terms of production and repertoire.
“If American pop is a musical language that has conquered the world, Niki still finds her Indonesian roots within it, and has delighted in playing to audiences of Asians and Asian Americans who have thanked her for representing them.” –The New York Times
“If NIKI’s last album, Nicole, kept big emotions at bay with an atmospheric pop mood, it seems like the forthcoming Buzz will shake everything loose.” -NPR
“‘Buzz’ is familiar yet fresh, a comforting hug wrapped in the excitement of new possibilities” –Dork
“88rising‘s leading lady is gearing up for what looks to be a promising new album.” –UPROXX
Jakarta-born, LA-based singer-songwriter and producer NIKI firmly plants herself as one of the most dynamic artists of today with the release of her new album Buzz via 88rising, out now. Accompanying the release is the music video for title track “Buzz”, directed by Isaac Ravishankara. The video, a cheeky line-by-line depiction of the lyrics, encapsulates the rush of raw emotion and bittersweet nerves of a budding romance – glimpses of buzzing bees, a crackling guitar amp, and longing looks between two people, all signaling towards the start of something new. NIKI was initially inspired to name the record after the budding growth she observed in her garden every spring. Across thirteen tracks on the album, the singer encapsulates the feeling of being on the precipice of something undiscovered.
The album’s release joins previous singles; the love struck summer track, “Tsunami,” astrologically-inspired song “Blue Moon,” and flirty lead single “Too Much of a Good Thing.” NIKI plans to celebrate Buzz on with a comprehensive fall world tour. Tickets may be purchasedHERE. See below for full routing.
NORTH AMERICA Sep 5, 2024 – Toronto ON – Budweiser Stage Sep 7, 2024 – Boston MA – MGM Music Hall at Fenway Sep 8, 2024 – Washington DC – The Anthem Sep 12, 2024 – Philadelphia PA – The Met Sep 13, 2024 – New York City NY – SummerStage in Central Park Sep 16, 2024 – Charlotte NC – Skyla Credit Union Amphitheatre Sep 17, 2024 – Atlanta GA – Coca-Cola Roxy Sep 19, 2024 – Houston TX – 713 Music Hall Sep 20, 2024 – Austin TX – Moody Amphitheater Sep 21, 2024 – Dallas TX – The Pavilion at Toyota Music Factory Sep 25, 2024 – Chicago IL – Byline Bank Aragon Ballroom Sep 27, 2024 – Minneapolis MN – The Armory Sep 29, 2024 – Denver CO – Fillmore Auditorium Oct 1, 2024 – Salt Lake City UT – The Union Event Center Oct 3, 2024 – Berkeley CA – The Greek Theatre * Oct 8, 2024 – Phoenix AZ – Arizona Financial Theatre Oct 10, 2024 – Las Vegas NV – The Chelsea at the Cosmopolitan Oct 11, 2024 – Los Angeles CA – The Greek Theatre Oct 12, 2024 – Los Angeles CA – The Greek Theatre Oct 14, 2024 – San Diego CA – Cal Coast Credit Union Open Air Theatre Oct 17, 2024 – Portland OR – Alaska Airlines’ Theater of the Clouds Oct 18, 2024 – Seattle WA – WAMU Theater at Lumen Field Oct 19, 2024 – Vancouver BC – Rogers Arena
*Non-Live Nation Date
EUROPE Oct 27, 2024 – Brussels BE – La Madeleine Oct 29, 2024 – Cologne DE – Palladium Nov 1, 2024 – Paris FR – L’Olympia Nov 2, 2024 – Tilburg NL – Poppodium 013 Nov 6, 2024 – Manchester UK – O2 Apollo Manchester Nov 7, 2024 – London UK – OVO Arena, Wembley Nov 10, 2024 – Dublin IE – 3Olympia Theatre
ASIA Feb 9, 2025 – Hong Kong Feb 11, 2025 – Manila Feb 12, 2025 – Manila Feb 14, 2025 – Jakarta Feb 15, 2025 – Jakarta Feb 18, 2025 – Singapore Feb 20, 2025 – Taipei Feb 22, 2025 – Bangkok Feb 25, 2025 – Kuala Lumpur Feb 26, 2025 – Kuala Lumpur
AUSTRALIA & NEW ZEALAND Mar 5, 2025 – Perth AU Mar 7, 2025 – Brisbane AU Mar 9, 2025 – Sydney AU Mar 13, 2025 – Melbourne AU Mar 15, 2025 – Auckland NZ
What eventually became Buzz, the third studio album by singer-songwriter and globally-renowned star NIKI, started with an urgent quake from the innermost core of her being. What surfaced in its wake was a collection of warm, stirring folk-rock songs, which crackle and flare like a bonfire between close confidantes. “I went through an identity crisis,” says the 25-year-old of Buzz. “It took a lot of trial and error, and I just stumbled upon pieces of myself along the way. I named it Buzz because it feels like I’m on the precipice of something about to happen.”
For NIKI, things have been happening progressively since she was a high schooler in Jakarta, Indonesia. As a student at an international academy, she cut her teeth scribbling lovesick poems in English class and performed acoustic guitar covers of American pop songs on YouTube. With a six-string in hand, and her family and classmates cheering her on from the audience, Nicole Zefanya then staked her claim to global stardom as NIKI.
And claim it she has – with over three billion streams worldwide, sold out shows on multiple continents, massive sets at festivals across the globe, front row seats at Paris Fashion Week, four songs on a Marvel film’s soundtrack, and some of the most phenomenal, confessional songs being released in 2024, NIKI has already established a veteran’s resume before the age of 25.
On Buzz, her songwriting remains as intimate as ever. In her initial sketches of songs for Buzz, NIKI took cues from other lane-paving women with confessional, honest lyricism soundtracked by guitars. “Joni Mitchell is my songwriting north star,” she says — and uncompromising feminist luminaries like Stevie Nicks, Carly Simon and Liz Phair. To match the wandering spirit of Buzz, NIKI cultivated her own elastic approach to guitar.
To further harness this creative and personal sea change, NIKI began enlisting producers who had worked with her favorite contemporary singer-songwriters. She tapped Tyler Chester, who’d captured tracks with Madison Cunningham and Sara Bareilles; she also recruited Ethan Gruska, who counts Fiona Apple and Phoebe Bridgers as collaborators.
Buzz reverberates with the hard-earned wisdom of a young woman who charges dauntlessly towards her dreams — but can still spare a laugh if she stumbles.
Sparkle artist Liana Castillo brings a fresh and upbeat twist to the classic song “Umaambisyon.” Originally popularized by her fellow Kapuso singer Yasmien Kurdi, Liana’s version transforms the track into a fun and catchy anthem about a guy trying to win a girl’s attention.
“The song is a revival of Ms. Yasmien Kurdi’s classic hit. The original version, composed by Kedy Sanchez, tells the story of a guy with a crush. I hope everyone likes this new track and that they jive, dance, and sing along with it,” Liana said.
The Clash Season 5 finalist’s sophomore single, “Umaambisyon,” follows the playful theme of her debut single, “Bebegurl,” under GMA Music. This latest track explores the world of teen crushes and puppy love.
The song quickly gained traction upon its release on October 4, debuting at the 5th spot on iTunes Philippines.
Liana Castillo’s “Umaambisyon” is now available on all major music streaming platforms worldwide.For more information about your favorite Kapuso singer,
Mark your calendars! Indie rock veterans Orange & Lemons will be having their milestone-defining show titled Now & Then: Orange & Lemons 25th Anniversary Concert at the Metrotent Convention Center, Pasig on October 18.
Clem Castro, JM del Mundo, Ace del Mundo, and Jared Nerona will be performing a three-hour set to showcase their splendid discography over the years.
Depending on your age, your introduction to the band Orange & Lemons (shortened as “O&L”) would be from markedly separate eras. If you are in your 30s and above, you would have known them from their NU107 supremacy days – from their entry as an indie band up to their rise to the extreme mainstream with “Pinoy Ako”. If you are younger than that, there is a great chance that you rediscovered their music on TikTok through “Heaven Knows – Angel Has Flown” or heard a few O&L songs from your parents, uncles, aunties, and other elders. Still, one commonality then and now: Orange & Lemon’s music resonates with people regardless of age and timeline.
The History of O&L
Hailing from Bulacan, Orange & Lemons was originally formed in 1999 with Clem, Mcoy, JM and Ace. As a starting indie rock band, they were performing gigs left and right, but it wasn’t until 2003 that they got their big break when their breakthrough single “Just Like A Splendid Love Song” received positive appraisal at the now-defunct radio station NU107. Their first album Love in the Land of Rubber Shoes and Dirty Ice Cream was loved by listeners and music enthusiasts nationwide. Just a year later, they were already hailed the Best New Artist in the 2004 NU Rock Awards.
In 2005, more breakthroughs followed. They struck a record deal with a major label and then, their sophomore album aptly titled Strike Whilst the Iron Is Hot was released. The hit songs “Hanggang Kailan (Umuwi Ka Na Baby)” and “Heaven Knows (This Angel Has Flown)” were loved by the general public so much that O&L became one of the most popular bands at that time, filling music charts on TV and radio stations all over the nation. Shortly after, they reached the biggest push in their career when they were contacted when the largest television company in the country, ABS-CBN, asked them to create a soundtrack to the famous reality show Pinoy Big Brother. “Pinoy Ako” literally became a household hit, and with it came an outpour of more projects and gigs for the band.
O&L went on to work on major commercial projects, including making songs for advertisements for Sunsilk, a leading shampoo brand, and participating in tribute albums for Apo Hiking Society and Eraserheads. In 2006, their success reached astronomical levels and they were only allowed a break for two weeks for an entire year.
In 2007, O&L decided to work on a project that would show their true musicality and that was when their third album Moonlane Gardens was released. However, the effects of the burnout from the year before were taking their toll. A few months after the album, they announced their disbandment.
It took a decade for the band to reform with the three members – Clem, MJ, and Ace. Mcoy had left the band after the hiatus. They were later joined by keyboardist Jared Nerona. Eventually, Orange & Lemons got back on their feet, playing gigs across the country and being more steadfast in their current lineup. In 2022, they released another unique album: the all-Tagalog Kundiman-influenced La Bulaqueña.
Orange & Lemons Now
2024 has been treating them well. Early this year, “Heaven Knows – This Angel Has Flown”, a song released 19 years ago, suddenly debuted on Billboard Philippines and Spotify charts. It went viral on TikTok, prompting curious young listeners to dig deeper into O&L’s music.
In another string of coincidence, their song “La Bulaqueña” also found its way into the public consciousness when it was used by the beauty queen Chelsea Manalo (who is also from Bulacan) during her campaign period in Miss Universe Philippines. Amazingly, she also won the pageant and she will be representing the country in the upcoming Miss Universe 2024.
Striking at the perfect timing, Orange & Lemons had just released a music video for “La Bulaqueña” starring none other than Chelsea Manalo with the National Museum of Fine Arts as the backdrop.
On September 19, the four members of O&L met with the members of the media at the Unknown13 Pub and Grill for a press conference. Much to our surprise, we were primarily treated to a splendid mini-concert featuring their memorable tracks, interspersed with lots of personal, unfiltered anecdotes.
Clem, JM, Ace, and Jared sat down with the members of the press, candidly talking about their history – the process of songwriting, the ups, and downs of their rise to fame, the ideals they hold as musicians, and even their regrets from before. Here are the highlights of the event.
Songwriting process
Even though they officially formed in 1999, they were already writing songs as early as 1997. They wrote a lot of songs that their catalog filled not just one, but two albums. As the primary songwriter, Clem drew inspiration from his past lovers, immortalizing his experiences into songs. He spoke about how the line “umuwi ka na, baby” in “Hanggang Kailan” was about a girlfriend who went home to Bacolod for 3 months without contacting him. “Heaven Knows” was written about a woman named Angel who was the ex-wife of the son of a drug lord.
When asked as to which one they create first: the lyrics or the melody, Clem answered, “The lyrics come first because it’s easier to imagine the song. I have no proper music training. If there are lyrics, iniimagine ko lang yung melody niya at hinahanap ko sa gitara.” He elaborated that it’s easier for him that way because the band can be more flexible with the sound afterward.
What can the audience expect from their concert?
“We want to give them a tour from our very beginning to what is happening to Orange & Lemons nowadays,” frontman Clem Castro said. The show is expected to run for 3 hours. It will be divided into four parts, each one highlighting a specific album.
What made them decide to hold a 25th-anniversary concert?
“We want to give out to our true fans throughout the years even without Mcoy,” Clem expressed his gratitude to the fans who stuck with them even after their decade-long hiatus.
While it still isn’t completely clear why Mcoy left the band, the members are a lot more open to talk about it. Clem, in particular, has repeatedly acknowledged Mcoy’s invaluable contributions as the former lead vocalist of the band. “He will always be a part of O&L esp during our early days.”
Reemergence in Billboard PH charts – how did that happen?
Even in 2005, “Heaven Knows” was a very popular song, but 19 years later, it still managed to catch the younger generation’s curiosity. When asked about how they think that happened, the band could only say one thing: perhaps it was a song that was ahead of its time. They are very happy about the development and they encourage people to keep looking out for more of their music.
What has changed in the band now?
“Thanks for giving me another chance kasi alam ko medyo duda kayo sa akin,” Clem jokingly answered, making everyone in the room laugh.
The frontman had admitted to being too controlling of the band before, calling all the shots about what they should do. He admitted he still does to a certain point now, but the decision-making has become more collaborative now. They talk about everything openly now.
Similarly, the band had decided to be professional. “Everything is written on paper. Decision-making is unanimous.” Jared also chalked it up to age, “We are old. Wala nang nagtatampuhan. We talk. We converse. We settle things.”
As veterans in the field, how do they contribute to the music scene?
Brothers and bandmates JM and Ace are the proud owners of Unknown 13 Pub, the venue for the press conference. “This bar was built for new musicians, isang avenue para sa mga bagong banda, parang bahay nila. Ito yung advocacy ng bar na ‘to.” The cozy bar perched on top of a cafe at Katipunan Ave. is a great place for music lovers to get together.
Clem responded that he is open to advising starting musicians and colleagues. He has been doing that through his own independent record company known as Lilystars Records. During their decade-long hiatus, he wanted to figure out why their disbandment happened so easily and what could have been done to prevent it. That was when he studied the technical/legal side of being a musician. He said he is willing to impart his insights and learnings to anyone in the industry who needs them.
What are the future plans of the band?
Looking forward to the challenges ahead, the band sets their eyes on wider sceneries. For the next album, they aim for an international release by finding collaborators within Southeast Asia and beyond.
The Legacy of Orange & Lemons
“All things must pass, but we will try to be here for as long as we can and mag-iwan ng magandang legacy,” Clem declared. “We want to make our mark in the history of Philippine music. Yung mamention kami, ok na yun. It’s something that will last a long time.”
Orange & Lemons pride themselves on going against the flow. In every album they released, they always strived to create music that they would still be proud of 10 years or so in the future. That is also another reason they decided to hold their 25th-anniversary concert. They want their songs to stand the test of time and to reach more people.
For longtime fans and curious spectators alike, here is O&L’s promise: “We will pay it forward with more music.”
Be part of OPM history at “Now & Then: Orange & Lemons 25th Anniversary Concert” at the Metrotent Convention Center, Pasig City on October 18. Tickets are available at https://orangeandlemons.helixpay.ph.
Some of the biggest Korean hip-hop and R&B acts will be performing together in Jakarta next month at the first-ever NEVAEVA! FESTIVAL.
The exciting lineup in the inaugural festival includes BÉBE YANA, Changmo, Crush, Dabin, Epik High, Giriboy, Heize, Kid Milli, Rovv, and Simon Dominic.
NEVAEVA! FESTIVAL (NE!F) will be held on November 2, 2024, at Stadion Madya B in Jakarta, Indonesia. Branded as a worldwide tour music festival, NE!F is a collaboration between Korean label and booking agency A MASS CULTURE, as well as The Roommate Entertainment and Pratama Pradana Pic from Indonesia.
NE!F is a revolutionary music festival that transcends borders, cultures, and languages to celebrate the unifying power of pop culture. Short for “Never Ever! Festival” (a.k.a. NEVAEVA! FESTIVAL), NE!F stands at the forefront of a cultural revolution, where the boundaries of music platforms are shattered and diversity is celebrated.
From chart-topping hits to underground sensations, NE!F offers something for everyone, expanding the horizons of music listeners and challenging the status quo. The vision is to create a platform where artists and audiences alike can come together, share their stories, and revel in the magic of live performances.
Tickets for NEVAEVA! FESTIVAL is tiered at Silver, Gold, and Platinum levels, and prices begin at IDR 899,000 (before government tax and admin fees). Fans interested in attending can purchase tickets from its official ticketing partner, Traveloka.
For more information and updates, please follow us on Instagram @nevaeva_indonesia @nevaeva_official.
PULP Spaces+ is excited to officially unveil the highly anticipated BINI Light Stick, a stunning new fan essential designed exclusively for BLOOM, the passionate fandom of the phenomenal girl group, BINI.
This announcement comes just in time to complement the sold-out Grand BINIverse concerts, where fans can expect an immersive, unforgettable experience with the help of this new light stick.
Inspired by the grace and beauty of the Sampaguita flower, the national flower of the Philippines, and BINI’s symbolic emblem, the light stick boasts a sleek and elegant design that mirrors BINI’s values of strength, simplicity, and elegance. Every detail, from its form to its color scheme, reflects the essence of the group and the harmonious connection they share with their fans. But beyond its visual appeal, this light stick was designed with fans in mind. It includes a durable, stylish light stick strap, ensuring that fans can carry it securely during concerts or events, making it easy to hold onto while dancing, cheering, or waving it in unison with other BLOOM.
Each light stick also comes packaged in an elegant, beautifully designed box that makes it a perfect collectible for any fan. The premium packaging not only protects the light stick but also elevates it into a special item that fans can proudly display. As a special treat for BLOOM, each light stick purchase comes with a complete set of exclusive photocards featuring all eight members of BINI and a group photo. These photocards are carefully crafted to reflect the group’s unique personalities, giving fans a personal memento of their favorite idols. This thoughtful inclusion makes the BINI Light Stick more than just a concert tool, it’s a keepsake for every fan, allowing them to carry a piece of BINI with them wherever they go.
What makes this BINI light stick truly special is the technology behind it. Fans will be able to customize the colors of the light stick via the official BINI Light Stick app, giving them the power to switch between various shades that represent different moods and moments. During live concerts, the BINI Light Stick becomes an even more immersive fan item with its concert-syncing feature. The light stick automatically syncs with the show’s production, lighting up in harmony with the music, stage visuals, and even the emotions of the moment. This feature creates a unified sea of lights, bringing fans and the group together in a visually spectacular way. Every wave, every flicker, and every synchronized glow will reflect the unity of BLOOM, heightening the collective concert experience.
As BLOOM prepares for the highly anticipated Grand BINIverse concerts, the BINI Light Stick will be the perfect companion to fully immerse yourself in the magic of BINI’s performances. This light stick is a bridge between BINI and their fans, offering a way for BLOOM to not only support their idols but also actively participate in creating unforgettable concert moments. Whether you’re attending in person or supporting from afar, having your own BINI Light Stick means you’re part of something bigger—BINI’s journey and the incredible BLOOM community.
Fans will have exclusive opportunities to secure their light sticks through pre-sale and general sale. Priced at Php2,999 (plus online handling fee), and with dedicated days set aside for Grand BINIverse ticket holders, followed by a general sale open to all, every BLOOM will have the chance to get their hands on this must-have BINI Light Stick.
SELLING DATES:
Pre-Selling Day 1: October 24, from 10AM to 10PM for Grand BINIverse Day 1 Ticket Holders
Pre-Selling Day 2: October 25, from 10AM to 10PM for Grand BINIverse Day 2 Ticket Holders
Pre-Selling Day 3: October 26, from 10AM to 10PM for Grand BINIverse Day 3 Ticket Holders
General Sale: October 27, starting at 12PM onwards, available to the General Public
PULP Spaces+ encourages all BLOOM to follow their official social media platforms for important updates on how they can purchase their own BINI Light Stick and other details.
Philippine Concerts in Conversation with The Bloomfields ahead of the band’s 20th-anniversary show, Biyaheng Mahiwaga.
Renowned Filipino band, The Bloomfields, has undergone a transformational journey in the last twenty years, characterized by ingenuity, tenacity, and friendship—in their words, a BIYAHENG MAHIWAGA. The band reflects on their growth and expresses appreciation for their fans. They acknowledge a recent change in the lineup with the departure of Dino Pascual and welcome Nathan Abella, who seamlessly blends into the ensemble.
The band underscores the significance of purpose and commitment, finding happiness in composing music and engaging with their fans. They underscore the importance of balance in music and relationships, stressing the importance of consideration, perseverance, and shared principles as crucial components for achievement.
The Bloomfields is preparing to unveil a new album next year, featuring fresh interpretations of original songs and beloved covers, and highlighting a new psychedelic direction and the band’s aspiration to break free from conventions and artistic constraints. The band also intends to collaborate with other artists, aspiring to produce something innovative and unforeseen.
The Bloomfields aspire to be remembered as analog soul enthusiasts who enhanced the Filipino music landscape with modesty and dedication, greatly influenced by 60s Britpop and rock ‘n’ roll.
Philippine Concerts: It’s been two decades since The Bloomfields started. How will you describe the past decades?
The Bloomfields: The past two decades have been a vibrant and thrilling journey for The Bloomfields—an adventure filled with creativity, grit, and brotherhood. It’s been a fellowship full of color, fun, and unexpected surprises, where each moment brought character development, self-discovery, and personal growth. With story arcs that could only be written through lived experiences, it’s truly been a BIYAHENG MAHIWAGA—a magical journey that has shaped who we are today.
PC: Is there anything you wish you had done differently when you first started?
TB: If we could go back in time, we’d definitely wish we had practiced more and worked even harder. We’d invest more time in honing our craft and growing together as a band. Most importantly, we wish we had appreciated the people who supported us, through both the highs and lows, even more. Their belief in us was invaluable, and in hindsight, wish we’d have expressed that gratitude more fully from the very beginning.
PC: A lot of changes have happened in the band during these decades. One of which is Dino Pascual’s departure from the band in 2021. How did that affect the band and how did you move forward following that?
TB: Yes, we refer to this period as The Bloomfields Season 3—marking the third lineup change in our 20 years in the music scene. Dino was with us for 11 incredible years, from 2010 to 2021, and he’ll always be a brother to us. His decision to leave the band took us by surprise, especially since we were still working on new music in our freshly built studio in Timberland, San Mateo. Despite the uncertainty, we were able to record one last song with him, ‘Diwata,’ which will be part of our upcoming album set to release next year.
In February 2022, we moved forward with Nathan Abella. We’ve known him through his father, Rey Abella of The Jerks, a veteran musician we jam with every year during the 70s Bistro’s Beatles Night. Nathan fits seamlessly into the band. He shares our passion for mid-century music, is a versatile musician who can also do lead vocals, and above all, is a true team player who meshes easily with our dynamic.
PC: What is the most significant learning you learned through your longstanding career?
TB: The most significant lesson we’ve learned throughout our longstanding career is the sense of purpose and service. We’ve never been driven by chasing hits or the spotlight; instead, we find joy in simply doing what we love—creating our own music and making people happy through our live performances. It’s a privilege to be able to share our passion with others, and that gratitude fuels us. Knowing this purpose keeps us inspired, allowing us to play with the same passion and energy, even when performing the same songs we’ve played for years. It’s about the connection with our audience and the joy we bring them.
PC: Many artists look up to you and see you as role models in the industry. What valuable lessons would you like other artists to take away from your career?
TB: Harmony is key—not just in music, but in relationships. Just like how different notes and chords come together to create a song, each member of a band brings unique strengths and personalities. The real challenge is finding that harmony in how you work together. Respect, patience, and staying grounded are what tighten that bond. In the end, relationships and shared values are just as important as the music you create. If you nurture those, the music will naturally follow.
PC: In celebration of your 20th anniversary, you will be releasing a new single and doing a special show. How will this be different from your previous music and shows?
TB: We’re excited to bring fresh takes on our original tracks—from our first self-titled album The Bloomfields, Hit the Ground Running, and A Drop into the Blue—along with a mix of our favorite covers over the years. Fans will also get a sneak peek at some new sounds from our upcoming album, which will be dropping next year.
We’ve made some trippy LED visuals that perfectly complement our sound, creating a full-on psychedelic experience. We’ll also be performing Diwata, the last song we recorded with Dino, which will be part of the new album. It’s a chance for Dino to bid a proper farewell and introduce himself as Dino Pascual, closing this chapter with us in a meaningful way.
PC: What kind of music or album will we see The Bloomfields release in the future?
TB: Yes, we’re currently working on an album set to release next year, and it marks a new chapter for us—we’re in our psychedelic phase. While some fans might expect us to stay within the box of a vocal group in suits or as the ‘Beatles of the Philippines,’ we feel the need to break free from those labels. This album is all about pushing creative boundaries and exploring our sound without limitations or comparisons. We’re not focused on making hits; we’re simply making the music we want to create and share with the world.
PC: Given the chance, which artist do you want to collaborate with and what kind of collaboration will it be?
TB: There are so many artists we’d love to collaborate with, but the ones who first come to mind are those we’ve hung out with over the years—like Clem Castro of Orange & Lemons, Paul Putian of Coffee Break Island, Eco Del Rio of Bird., Red Dela Peña of POT, and Chris Padilla of Hilera, just to name a few. Each of them brings something unique to the table, and it would be exciting to fuse our styles together for something fresh and unexpected.
PC: No one can deny your major contribution to the Philippine music industry and the music industry in general, with two decades under your belt, an impressive discography, multiple accolades, and more. Your influence is truly incalculable. What kind of legacy do you want to leave behind?
TB: We hope to be remembered as a band that served and entertained with humility and service. We hope to be recognized as the ‘analog soul kids’ who were heavily influenced by the 60s Britpop and rock ‘n’ roll sound and style, enriching the Pinoy music scene with more color and character. After two decades of playing and creating music for our Pinoy audience, we take pride in the impact we’ve made and aspire to inspire future generations of Filipino artists.
With Byaheng Mahiwaga, a special 20th-anniversary event at Fin and Claw, Timog, Quezon City on October 25, 2024, The Bloomfields are getting ready for a nostalgic trip down memory lane. You can purchase tickets at bloomfields.helixpay.ph.
Following overwhelming enthusiasm and demand, StageDoor by GMG Productions is excited to announce a second night of the Musical Theatre Rave, Musical Theatre Rave: Encore. Bringing musical theatre fans together for an unforgettable experience, this rave merges the magic of Broadway with a high-energy dance floor, making it the ultimate celebration for theatre lovers.
Originally scheduled for one night only on October 26, 2024, at the Globe Auditorium, Maybank Performing Arts Theater in BGC, the event will now extend to a second night on October 27, 2024, at the same venue. Good news for younger theater fans—the rave is now open to attendees aged 12 and up on the second night, welcoming a wider audience to join the fun.
Carlos Candal, CEO of GMG Productions, shared his excitement: “The response to this event has been nothing short of phenomenal. We’ve always aimed to create a community where musical theatre lovers can feel at home, and seeing how well this rave was received has been incredibly rewarding. Adding a second night was an easy decision—this is a celebration for everyone, and we couldn’t be more excited to bring this unique experience to even more fans.”
Musical Theatre Rave: Encore will feature beats from DJ Daddy A, spinning an electrifying mix of Broadway hits, Disney favorites, and musical classics that will keep theatre lovers dancing throughout the night. Attendees can also look forward to special live performances, adding another layer of excitement to the event. Fans are encouraged to come dressed as their favorite musical theatre characters, with costume and lip-sync contests offering the chance to win exciting prizes.
The second night on October 27 will welcome attendees aged 12 and above, with ticket prices at PHP 1,500 for adults (including two complimentary drinks) and PHP 999 for juniors (no complimentary drinks). A special Family Bundle (2 adults + 2 juniors) will also be available for PHP 4,500.
Stay connected and get the latest updates on StageDoor by GMG Productions through their social media platforms @gmg.stagedoor on Instagram and Tiktok, and StageDoor on Facebook
After surprising fans with his story-driven conceptual single “The Other Side”, Bangkok-born singer-songwriter Phum Viphurit goes even deeper into the world of his alter ego Paul Vibhavadi on “Balter Baby”, the second single from his upcoming EP PAUL VIBHAVADI VOL. 1.
Released to streaming platforms on October 9, 2024, this dance-oriented piece is Phum’s first instrumental-only track that showcases another side of his musical tastes and capabilities. An animated music video for “Balter Baby” by Shea Oracheski and James Bedggood based on Phum’s concept will also debut on the official Phum Viphurit YouTube channel.
In terms of narrative, “Balter Baby” picks up just before where “The Other Side” left off, in which the lovable sloth Paul Vibhavadi is grappling with his newfound adulation amongst a sloth-worshipping tribe he stumbled upon during his journey in search of the magical forest of Himmapan. “I wanted to expand on a part of the previous music video when it shows the tribe worshipping him, almost like an Ari Aster, Midsommer-type dance,” says Phum. “So it’s showing Paul in the trance of that, what he was feeling in that dance sequence.”
Intriguingly, Phum opted to convey this chapter of Paul’s story via an instrumental track with no vocals, once again pushing the boundaries of his music in the process. “I’ve done instrumental-heavy music, but always with glimpses of my voice. This one’s purely for people to dance to,” says Phum. “Honestly, if you go through the last fifty of my liked Spotify songs, I would say 45 of them are instrumental music. When I’m looking for inspiration, I try to write lyrics over pre-existing instrumentals, and I wanted to deconstruct that method by, ‘Hey, what if I can capture someone’s attention or move their head along to this three-minute house track that’s guitar-based with some synths?’ It was an interesting challenge, but also fits within the theme of the story.”
Regarding the specific influences for “Balter Baby”, Phum says, “I listened to a lot of Modjo, a dance group from the 2000s. I also listened to a lot of Seventies Motown, funk, and disco. But most of it was led by the visual because I directed the ‘The Other Side’ music video and was pretty heavily involved in the animation process for the ‘Balter Baby’ video. So I was thinking of Paul’s story and what particular soundtrack would suit this scene.” Indeed, the music of “Balter Baby” perfectly complements the video that takes us into Paul’s mind as his immersion into this new world that has embraced him sees him grooving along like a retro dance video game character.
The choice of “Balter Baby” as a single also further emphasizes the boldness of Phum Viphurit’s exploration of the PAUL VIBHAVADI VOL. 1 EP, while still making sense within the context of the project. “I felt like it was going to introduce a new house-inspired song like ‘The Other Side’, I needed a bit of a continuation before I break from that tempo and texture, so ‘Balter Baby’ was the most natural selection to me,” he says. “It’s like, ‘Hey, it’s not just a one-off thing.’ I’m playing with the idea of trance, movement, and motifs throughout the whole EP.”
The end of the “Balter Baby” video sees Paul Vibhavadi enclosed in a glowing orb as he floats away from that tribe, and the audience is free to draw their conclusions – or look for more answers when the PAUL VIBHAVADI VOL. 1 drops on October 17. “I know it’s quite a conceptual piece of work, and there’ll be many different interpretations of it,” says Phum. “But I’m so excited to show my creativity and make people feel something again with this next piece of work.”
Core Memories Unlocked: A Beautiful Day with Jang Ki Yong
South Korean actor Jang Ki Yong went back to the Philippines after 5 years to meet his Filipino fans once again through his fan meet tour, Beautiful Day, last September 28, 2024, at the Samsung Hall SM Aura Premier. The actor, prominent for his latest dramas, quickly rose to fame through his modeling and acting career and became one of the most sought-after leading men of his generation.
Jang Ki Yong opened his show with a song, after which he greeted his beloved fans. He said that he loves the Philippines so much and he missed his fans a lot, thanking them for coming to his meeting. Fans were touched when the actor told the crowd that he saved the best for last, with Manila being the last stop for his fan meet tour. He shared his sentiments for this stop, and he had mixed emotions during his rehearsals here in Manila.
The fan meet activities began with the segment Beautiful Diary, where Jang Ki Yong took a trip down memory lane with the best moments of his life. Among those moments, he talked about his Manila fan meeting back in 2019, his previous projects, military enlistment, service, and discharge, the vacations and solo trips he took, his first musical, and his most recent project. He also asked his fans for some recommendations for tourist spots here in the country like Siargao, Balesin, and Aman Pulo. He also shared about his solo trip to Hawaii to participate in a marathon and how much he enjoyed spending time in nature and solace.
Jang Ki Yong never forgot to interact with his beloved fans through the next segments — Beautiful Hero, where fans got to reenact scenes from his recently concluded drama, Atypical Family, and pose for an Instax photo, Beautiful Wish, where the actor fulfilled his fans’ wishes, such as doing a morning call in Tagalog, pose with 5 kinds of heart poses for a photo, and dancing on a Kpop challenge, to the tune of NCT 127’s Walk, Beautiful Memories, where he picked and read questions and requests of fans written on sticky notes, and Beautiful Zone, where he played with fans for an upgrade of fan benefit from hi-bye to hi-touch. The fans surely enjoyed their time with him during these segments, ultimately giving a one-of-a-kind fan experience.
Filipino fans gave Jang Ki Yong a cake onstage, with his supporters saying that they knew he was fond of UFC, which was the cake’s design theme. He posed for the camera with his fans and watched a fan-made video tribute for him, with a compilation of his fans’ messages for the actor. “The time was brief, but I enjoyed spending it with my fans,” he said as he felt the overwhelming love, positivity, and support he received from his loving fans. He said he felt the warm energy as the fans welcomed him again in the Philippines. He shares his plans as an actor to do his best and meet and greet his fans through his projects.
Jang Ki Yong hopes his fans will continue to look forward to his new projects, as he is currently shooting a new drama, Pigpen. Surely, there’s a lot he’ll be showing to his fans and wishes them to stay healthy. “Next time we see each other, let’s have the brightest smiles.”
Beautiful Day: The 2024 Jang Ki Yong Asia Fanmeeting was presented by VIU Philippines and VIU Scream Dates.
On October 12, 2024, Manila became the heart of ZEROBASEONE’s TIMELESS tour.
Fans filled every corner of the SM Mall of Asia Arena, but the excitement in the air was different. Manila was the most recent stop on the 2024 ZEROBASEONE THE FIRST TOUR [TIMELESS WORLD], and what unfolded was nothing short of spectacular. This night wasn’t just about music. It was about the connection between ZB1 and PH ZEROSE, one that felt as if time paused, just for them.
The show opened with a captivating VCR that drew everyone into ZEROBASEONE’s world. Moments later, the group exploded onto the stage with Solar POWER, Road Movie, Take My Hand, New Kidz on the Block, and KILL THE ROMEO. Right from the start, it was clear that this wasn’t going to be just another night. ZB1’s energy was off the charts, and the crowd matched them at every beat.
The first talk of the night gave a glimpse into the members’ excitement. Ricky, making up for missing the Asia Artist Awards last year, shared how thrilled he was to finally see PH ZEROSE. Yujin couldn’t help but talk about his excitement for local dishes like adobo, while Taerae had Jollibee’s burger on his mind. A playful teaser from Jiwoong and Taerae sent the crowd into a frenzy before they launched into CRUSH.
One of the evening’s highlights was an interactive VCR where Zhanghao was shown to have “shrunk” in size and the boys of ZEROBASEONE are finding ways to make him return to his original size. Fans were drawn into the fun as they helped bring Hao back to normal size, cheering on the screen. It was a lighthearted break before the next wave of performances hit.
As the boys shifted to their bubblegum pop set, performing In Bloom, Insomnia, and Good Night in casual outfits, the atmosphere softened but never lost its magic. The intimacy between ZEROBASEONE and their ZEROSE was palpable, especially when the members split into sub-units. Zhang Hao, Jiwoong, Matthew, Ricky, and Gunwook showcased both their charm and charisma with Always and Over Me, while Hanbin, Taerae, Gyuvin, and Yujin lifted the mood with the bright and upbeat Switch. As the group came together for En Garde, the stage felt like an arena of memories in the making.
The concert’s lighter moments came during their second talk, where the youngest, Yujin, and Gunwook’s aegyo antics delighted the crowd. Even the eldest, Jiwoong, wasn’t spared from the playful pressure to showcase his cute side. Fans, of course, reveled in every second of it.
As the night progressed, the boys threw it back to their Boys Planet roots with Say My Name and Here I Am, before diving into darker, more intense performances like Dear ECLIPSE and Hot Summer. The energy only heightened as the group rolled through SWEAT, Kidz Zone, Feel the POP, and a charged encore of GOOD SO BAD—thanks to the endless chants from PH ZEROSE for “one more time!”, looping the song as if it has no end.
But what truly made this night unforgettable was the moment PH ZEROSE took the spotlight. With the arena glowing in white and blue, fans waved their banners and sang along to Our Season. It was a visual and emotional display of the deep connection between the group and their fans, a moment that felt as timeless as the tour’s name suggests.
As the night drew to a close, the boys returned to the stage for their final songs, decked out in their TIMELESS WORLD merch. With tracks like YURA YURA, And I, and Sunday RIDE, the concert hit its final notes, but the emotions lingered, especially during their last song, HELLO, where Gyuvin was seen with teary eyes, saying that he will never forget the cheers they all received during the concert, making Manila stop a core memory for him.
The event will take place on October 27, 2024, at Sari-Sari Cocktails in Makati City.
The Rest Is Noise PH, an independent production outfit that champions the best of Asian music and strengthens regional and global connections, onstage or in the digital space, will be throwing a Halloween party to cap off a fantastic year in music.
Acclaimed Thai alternative pop trio KIKI will be headlining the Halloween soiree and will be performing in the Philippines for the very first time. Known for their immediately catchy songs that blend pop and funk elements with groovy basslines, colorful synths, hip-hop and lo-fi elements, and soulful vocals, the Bangkok-based band has charmed music festivals all around the world with their showstopping performances. They are also preparing to embark on an Asian tour, which will include multiple stops in Tokyo, Nagoya, Nagano, Singapore, Jakarta, and Manila.
Other acts on the bill include Filipino drag superstar M1ss Jade So, whose incredible run on the second season of Drag Race Philippines captivated fans all over the world—thanks to her distinct antics, charisma, and talent.
AXEAN Festival alums Munimuni and CRWN will also be performing at The Rest Is Noise PH’s Halloween special, along with Davao-based hip-hop collective Playertwo and Chain Messages, who will be dropping a special DJ set to culminate the fun and exciting event.
The Rest Is Noise Halloween Special will take place at Sari-Sari Cocktails in Makati City on October 27, 2024, from 7 p.m. onward. Early bird tickets are available in limited quantity via bit.ly/kikimanila.
The event also encourages attendees to dress up in their Halloween costumes for a special care package from The Rest Is Noise PH. The top three with the best costumes will also win a special prize.
About The Rest Is Noise PH
The Rest Is Noise PH (TRIN) is a music curator and events production outfit based in Manila, Philippines.
Since 2015, TRIN has curated and produced more than 40 shows: ranging from pocket venues to outdoor festival settings. It is home to the Summer Noise and All Of The Noise music festivals, which feature critically acclaimed homegrown and international music acts. These shows highlight the rich and diverse backgrounds, cultures, and styles of music artists from home and abroad, championing both emerging and established music-makers.
In 2020, TRIN launched a digital platform to cover music by Asian artists from anywhere in the world: publishing in-depth stories, profiles, features, and essays as well as curating regular playlists, country spotlight, and radio mixes. During the same year, TRIN co-founded the AXEAN Festival (formerly the ASEAN Music Showcase Festival), a collaborative regional showcase festival that aims to put the spotlight on music artists and communities from Southeast Asia. Its founders have carried TRIN’s brand of curation on numerous platforms, domestic and international.
TRIN takes pride in fostering a thriving sense of community, culture, and inclusivity—providing a platform that champions the best of Asian music and strengthening regional and global connections, onstage or in the digital space.
GENERAL ON SALE BEGINS SUNDAY, OCTOBER 20, 2024, via TicketNet outlets nationwide and online at ticketnet.com.ph.
Fans of the legendary Irish band THE CORRS are in for a Valentine’s Day treat like no other!
Following their unforgettable sold-out performances in 2023, the world-renowned sibling quartet is set to make a grand return to Manila with a two-day concert, THE CORRS: FROM MANILA WITH LOVE happening on February 15 and 16, 2025, at the Smart Araneta Coliseum.
After their incredibly successful sold-out concerts last year, THE CORRS listened and promised to return to Manila sooner rather than later, ensuring that fans wouldn’t have to wait decades to see them again. And they are coming back in 2025 to the very same venue that hosted their last stunning performances. The timing couldn’t be more perfect; what better way to celebrate Valentine’s Day than to immerse yourself in the heartfelt tunes and emotionally charged choruses of THE CORRS, whose music has become synonymous with love and nostalgia?
Making these shows even more special and showing how much the band cherishes their Filipino fanbase, fans will have the chance to be involved in the crafting of the setlist for the show! THE CORRS are inviting their passionate supporters to tell them which songs they want to hear live. Whether it’s the chart-topping hits that first captured your heart or the deeper cuts that resonate personally, this is your moment to help shape one of two unforgettable nights. This unprecedented level of fan involvement highlights THE CORRS’ deep appreciation and love for their fans in the Philippines and underscores the special connection they share. It’s an awe-inspiring gesture that invites fans to play a crucial role in making this concert one-of-a-kind.
THE CORRS, composed of the talented siblings Andrea (lead vocals, piano, tin whistle), Sharon (violin, piano, vocals), Caroline (drums, piano, vocals), and Jim (guitar, keyboards, vocals), have established themselves as Ireland’s first family of music. Their unique blend of pop-rock infused with Celtic influences has won over millions of fans worldwide. Since their debut album, Forgiven, Not Forgotten, in 1995, they have sold over 40 million albums, solidifying their place in music history.
Fans can expect THE CORRS’ performance that transcends generations, celebrating not just romantic love but also the bonds of friendship and family. Imagine being in the audience as you and your loved ones sing along to their iconic songs, creating lasting memories that you’ll cherish forever. THE CORRS will also showcase selections from their extensive discography, ensuring that both longtime fans and newer listeners experience the full spectrum of their musical journey. Their captivating harmonies and mesmerizing melodies will transport the audience to a place of joy and reflection.
Tickets for THE CORRS: FROM MANILA WITH LOVE will go on sale starting October 20, 2024, at 12 PM (PHT). Fans can purchase tickets through TicketNet outlets nationwide and online at ticketnet.com.ph. Given the overwhelming demand anticipated for this romantic concert, fans are encouraged to secure their tickets early to avoid missing out on what promises to be an extraordinary celebration of love and music.
TICKET PRICES:
VVIP —Php22,500
VIP A —Php18,500
VIP B —Php15,000
LOWER BOX —Php12,000
UPPER BOX A —Php8,500
UPPER BOX B —Php7,500
GENERAL ADMISSION —Php3,500
*ticketing charges apply.
Join us this Valentine’s season as THE CORRS bring their love and music back to Manila for a truly remarkable celebration! Secure your tickets and prepare for a night that will touch your heart and soul!
Follow PULP Live World’s social media accounts and visit pulp.ph for more information about the show.
The Corrs Live in Manila on February 15 and 16, 2025 at the Smart Araneta Coliseum presented by Pulp Live World.
The Corrs is coming back to Manila this February 2025
The Corrs Live in Manila Ticket Prices: VVIP – P22,500 VIP A – P18,500 VIP B – P15,000 Lower Box – P12,000 Upper Box A – P8,500 Upper Box B – P7,500 Gen Ad – P3,500
Tickets available starting October 20, 12nn at Ticketnet Outlets or online at ticketnet.com.ph
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