Thousands of fans gathered at SM Mall of Asia Arena last May 8 as the Playback Punk, Rock, and Emo Music Festival brought together some of the biggest names in 2000s alternative music. Featuring live performances from Dashboard Confessional, Faber Drive, and The Red Jumpsuit Apparatus, the concert delivered a night of nostalgia-filled anthems, emotional sing-alongs, and high-energy performances at one of the Philippines’ leading concert venues.
Dashboard Confessional and 2000s bands take the SM Mall of Asia Arena by storm.
Fans relived the peak of the emo and pop punk era through crowd-favorite tracks such as “Face Down,” “Vindicated,” and “Candy Store,” transforming the SM Mall of Asia Arena into a massive celebration of 2000s music culture. The event drew longtime listeners, alternative rock fans, and concertgoers dressed in emo-inspired fashion, band shirts, and throwback streetwear that reflected the era’s lasting influence on music and youth culture.
A generation reunited through music More than a live concert, the Playback Music Festival became a shared experience for fans who grew up listening to emo, punk rock, and alternative music during the early 2000s. The festival highlighted the strong connection between music, identity, and community, bringing together audiences from different generations through timeless hits and live performances.
Dressed in black, every fan brought expression to the Arena with era-coded outfits.
As one of the country’s premier indoor concert venues, the SM Mall of Asia Arena continues to host international artists, global touring acts, and large-scale entertainment events in the Philippines. Known for its world-class acoustics, immersive concert setup, and accessible location, the venue remains a top destination for music fans and live entertainment experiences.
Thousands of fans reach their hand out to meet their treasured 2000s idols.
Reliving the emo era live From the opening performance to the final encore, the night recreated the energy of the 2000s emo and alternative rock scene. Strobing lights, roaring guitars, and crowd-wide sing-alongs amplified the emotional atmosphere inside the arena, while the venue’s top-tier surround sound system and flexible arena layout elevated the overall concert experience.
Faber Drive performs ‘Candy Store’ at the Playback Music Festival.
One of the night’s standout moments came from The Red Jumpsuit Apparatus vocalist Ronnie Winter, who reflected on the emotional roots of emo music and its enduring connection with fans. “The second half [of the word ‘emo’] means emotional,” shared the 43-year-old frontman, whose band remains one of the genre’s most recognizable acts.
The Red Jumpsuit Apparatus rocks the stage after two years since their last return to the country.
A home for live entertainment communities The Playback Music Festival has continued to celebrate the music that defined a generation, bringing international emo, punk rock, and alternative artists closer to Filipino fans. For over 14 years, the SM Mall of Asia Arena has remained a home for world-class concerts and maxed-out entertainment experiences, welcoming artists, fan communities, and iconic performances across generations
A crowd under the throbbing lights sings with all their heart.
BABYMONSTER is drawing attention with the announcement of second world tour, set to expand on the group’s growing global influence with an even larger scale than before.
YG Entertainment unveiled the poster for ‘2026-27 BABYMONSTER WORLD TOUR
[춤 (CHOOM)] IN ASIA & OCEANIA’ via its official SNS channels on the 11th. The newly released poster contains detailed tour schedules spanning Asia and Oceania, following previously announced stops in Seoul and Japan.
According to the announcement, BABYMONSTER will visit eight cities across Asia — Manila, Macao, Jakarta, Bangkok, Kuala Lumpur, Taipei, Singapore, and Hong Kong — as well as three cities in Oceania: Auckland, Melbourne, and Sydney. Including the previously announced Seoul dates and six Japanese cities — Kobe, Fukuoka, Yokohama, Chiba, Nagoya, and Osaka — the tour currently totals 27 shows across 18 cities.
In particular, the Osaka concert is garnering attention as it is set to take place at Kyocera Dome Osaka, one of Japan’s five major dome venues. The performance marks BABYMONSTER’s first dome concert approximately two years and five months after debut, once again highlighting the group’s rapid growth and strong global presence. The Oceania leg, which will mark the group’s first-ever visit to the region, is also expected to draw enthusiastic responses from local fans who have long awaited their arrival.
In Manila, BABYMONSTER is set to perform on September 5 at the SM Mall of Asia Arena.
Weverse Membership holders can register at https://weverse.io/babymonster/notice/35645 for the presale starting today, May 12, 10AM until Friday, May 15 at 9:59AM local to have their membership verified. Weverse Presale is set on June 1, 12PM – 11:59PM.
Mastercard cardholders have special access to presale tickets on June 2 from 12PM -11:59PM local. Check out priceless.com/music for details.
Live Nation members can secure tickets during the Live Nation PH Members presale on June 3, 12pm – 11:59pm. Visit https://www.livenation.ph/ for free membership sign-up and presale access. General on sale will begin on June 4 at 12pm via SM Tickets.
Last year, BABYMONSTER successfully completed its first world tour, <HELLO MONSTERS>, attracting approximately 300,000 attendees across 32 shows in 20 cities. As the upcoming tour expands significantly in scale, the group is expected to further solidify its status as a “next-generation global girl group.”
YG Entertainment stated, “As this is a large-scale tour spanning five continents, both the artists and staff are putting tremendous effort into delivering a high-quality production,” adding, “We ask for your continued interest in the upcoming announcements for Europe, North America, and South America.”
Meanwhile, BABYMONSTER released their third mini album [춤 (CHOOM)]. The album topped iTunes Album Charts in 19 regions and reached No. 1 on the Worldwide Album Chart, proving the group’s growing global popularity.
GMG Productions formally announced the highly awaited debut of Jesus Christ Superstar in Manila at a fun-filled press event that set the tone for a production that is both reverent and refreshingly new. The occasion, attended by media, creatives, and cast, heralded a bold new chapter in the renowned rock opera’s more than 50-year global heritage.
Joshua Bess, Javon King, and the Jesus Chris Superstar International Tour Company, photo by Vitt Salvador
The afternoon kicked off with GMG Productions CEO Carlos Candal saying he is proud to bring Jesus Christ Superstar to Filipino viewers, and that this production is more than what they expect. The creative team said they were aware of the sensitivity surrounding the subject and explained why the musical endures: its universal themes of humanity, doubt, faith, love, and choice. This is not a sentimental revival, but a modern, vibrant rendition meant to engage both longstanding fans and first-time theatergoers.
Gab Pangilinan and Joshua Bess, photo by Vitt Salvador
The diversity of the cast enriches the staging, bringing in different cultural viewpoints, physical expressions, and emotional depth. Each performer is different, each bringing their personality to the stage, making for a cast that is organic, raw, and undeniably alive.
This production hinges on a purposeful decision to humanize people who believe they already know. The actor playing Jesus does not come at the part as an untouchable figure but as a man struggling with fear, love, and destiny, making his journey very accessible. Mary Magdalene is a character of emotional honesty and sensitivity, while Judas is a confused man who is driven by belief, not simply betrayal. These multiple readings enable audiences to grapple with moral ambivalence, not moral judgment.
Jesus Christ Superstar International Tour Company, photo by Vitt Salvador
As a real rock opera, every moment of the performance is driven by live music. You see guitars on stage, a full live band behind the cast, and the sound is immediate and vivid, and alive the whole time. There’s the presence of Andrew Lloyd Webber’s classic music, yet nevertheless, it feels clearly current, aided by crystal-clear sound design that guarantees every line, guitar riff, and drum beat strikes with impact.
Dance and movement are a major storytelling tool, with the ensemble as a collective conscience, sometimes a crowd, sometimes witnesses, sometimes believers. Even in quiet, physicality and posture convey power dynamics and emotional strain, generating compelling visual tableaus that do not overpower the performances.
The Theatre at Solaire is the perfect place for this production. The atmosphere is tiny yet elegant, creating a rare connection between performers and audience so that every emotional beat resonates more strongly. Unlike larger arenas, Solaire’s welcoming environment pulls viewers into the heart of the story, blending grandeur and intimacy and deepening the impact of the Passion narrative.
Across the board, the cast is a vocal powerhouse. Jesus’ interpretation of “Gethsemane (I Only Want to Say)” is an awe-inspiring moment of naked vulnerability that demands the complete focus of the audience. Judas provides fire and pain in “Damned For All Time” and “Superstar.” Mary Magdalene’s sensitive rendering of “I Don’t Know How To Love Him” quiets the house and cries. Every performer gives their all, every note is packed with emotion and purpose, from the towering Caiaphas to the flamboyant King Herod to the indefatigable ensemble.
Joshua Bess and the Jesus Chris Superstar International Tour Company, photo by Vitt Salvador
More than five decades after its debut, Jesus Christ Superstar continues to speak powerfully across generations. For some in the cast, the show is deeply personal, woven into childhood memories of spinning vinyl records, family traditions, or first introductions to musical theater. For others, this production marked their first true encounter with the material. Yet regardless of history, many described the experience as “coming home,” even while discovering new layers to the story each night. They describe this version of Jesus Christ Superstar in a single word, answers ranged from truthful to raw, overwhelming, and powerful. Together, they form a fitting portrait of a production that honors its legacy while speaking directly to the present moment.
Gab Pangilinan, photo by Vitt Salvador
Perhaps most meaningful was the cast’s collective gratitude toward Filipino audiences. From the warmth of the reception at preview nights to the generosity felt beyond the stage, performers repeatedly expressed how Manila has embraced the production wholeheartedly. “The energy here is something special, you can feel the audience listening, breathing, and reacting with us. It makes every performance feel alive.” The international ensemble, drawn from multiple continents, echoed the same feeling of unity. Despite coming together in just days, one actor described the process as “joyful chaos that somehow turned into magic,” noting that the sense of trust and connection onstage mirrors the humanity the show seeks to portray.
Jesus Christ Superstar International Tour Company, photo by Vitt Salvador
The staging of Jesus Christ Superstar honors its legacy while speaking directly to today’s world. It is not only a theatrical triumph, but an emotional and spiritual experience, one that leaves audiences moved, energized, and deeply engaged and as the cast shared. “We’re playing human beings, people who loved deeply, doubted fiercely, and believed they were doing the right thing.” That perspective, repeated throughout the discussion, lies at the heart of this staging.
When Stardew Valley: Festival of Seasons was announced in the Philippines a year ago, fans were quick to snatch all the available tickets for the shows. For once it must be noted that a video game-centric orchestral concert sold out as quickly as a mainstream pop music sensation, much to the surprise of many, including the game’s own fans. In our local concert scene, that is refreshing news for once. Longtime Filipino fans of video games are finally getting their chance to witness more officially licensed orchestral shows of their beloved titles, which is in great part, thanks to Film Concerts PH.
A day before the actual show, Philippine Concerts got an exclusive interview with Maestro Thanapol Setabrahmana, the conductor for the show and the chief arranger of the music for Stardew Valley: Festival of Season and Symphony of Seasons. FYI: the concert in April 25 was a striking success. Read our concert review here: The Music of Pelican Town Comes Alive in Stardew Valley: Festival of Seasons in Manila
We got to ask him about how he got into conducting, his love for anime and games, his philosophy in music and a lot more. FYI again: he has also conducted for concert tours of some of the most renowned anime and game titles. Read on to get to know more about him.
Getting to know Thanapol Setabrahmana
Hailing from Thailand, he is mainly a conductor, but he also holds a lot of other occupations as the following: the Assistant Music Director of the Thailand Philharmonic Orchestra, the Music Director of the Mahidol Wind Orchestra, and the Chair of Conducting and Ensembles Department at the College of Music, Mahidol University. Previously, he had also worked with the Filharmonika Orchestra for How to Train Your Dragon 2 in Concert last December.
Beyond all that, he is quickly making a name for himself as the conductor for some of the most prominent anime and video game concerts worldwide including Violet Evergarden: Live in Concert USA Tour this year, North American leg of Evangelion Wind Symphony in 2025, Genshin Concert Tour in 2024 – all of which had gained many positive reviews from fans online. In 2023, he also pioneered the Symphonic Anime concerts which toured in Asia and the USA, and included pieces from “Death Note”, “Demon Slayer”, “Naruto Shippuuden” and “My Hero Academia”.
We got to interview Thanapol Setabrahmana before the official rehearsal with the Filharmonika Orchestra, a day prior to the shows. Talking to him up-close felt like talking to a highly conversant friend who is eager to share his thoughts. He always spoke in a calm, well-mannered tone, even when commanding the orchestra during their rehearsal.
What drew you to pursue classical music and to become a conductor? Is there a particular experience that inspired you?
Thanapol’s interest in music started out very early. In middle school, he was part of the school band, and he became one of the student conductors. Not only was he playing instruments, he also dabbled with arranging. He said, “I enjoyed arranging a lot, so every night after practicing, I would go home and arrange music.”
Eventually, their teacher and band director noticed his efforts and asked him to arrange music while the band played. Thanapol credits this early experience in shaping his craft as it allowed him to figure out what works and what doesn’t in an orchestra set-up.
How Final Fantasy became part of his origin story as a conductor
Yes, to state the obvious: he is a fan of anime, movies and games, especially the ones that he had worked on as the conductor.
“It’s a funny story when I was in middle school, it just happened to be one day that I was listening to the Final Fantasy soundtrack and I was shadow-conducting,” he said while his hands were making conducting gestures. One of the senior students saw him and invited him to be the conductor which he agreed to. “I learned a lot of repertoire in school bands, we played all kinds of stuff – classical music, movie soundtracks, and later on, when I had the chance, I programmed some game soundtracks as well.”
“I was always passionate about music of all kinds, game and anime. In the past decade when I started doing programmes of anime and game, it became a big hit in the country and I was supported by the college administrators to do more of those.”
Through those concerts, Thanapol got into contact with the composers and licensers which led to the official orchestral tours that we have now.
What are some of his favorite pieces?
“One of my firsts were Final Fantasy VIII and IX so I enjoy most VIII, IX… and X soundtracks.”
On the rewarding and challenging parts of being a conductor
“I think working with the orchestra is an art form, it’s a craft, it’s leadership. Leadership comes with all the package – the pressure, the responsibility and the skills. The challenging part is to really know the music, and to be able to command the orchestra.”
“In this kind of concert where there are lots of fans, and they are really passionate, we always feel the air in the performance, wherein everyone’s happy.” He added that despite the hard work that comes with producing a show – the countless sleepless nights, the many revisions, the writer’s block – being able to see the audience’s response is very rewarding.
How did you prepare for this show?
The show held in the Philippines was for Stardew Valley: Festival of Seasons which began in 2024 and featured an 11-piece chamber orchestra. This was followed by a bigger global concert tour titled Stardew Valley: Symphony of Seasons which is currently running this year. Thanapol is the conductor for the Asia stops of the tour, and he is also the chief arranger of the pieces.
“After conducting all these shows, it felt like a homecoming to the first version, and I just need to review a lot of them,” he said. Working with the Filharmonika Orchestra was easy for him because he had already met some of the members during How to Drain Your Dragon 2 in Concert in December 2025.
What is the difference between conducting for a classical concert and a game-concert like Stardew Valley?
“Whenever I conduct a soundtrack of any kind, usually I try to deliver them in the way that is quite authentic, truthful to the original rendition. In classical music, sometimes, you can play around a little bit, you can have some sort of room for interpretation. It’s a different aesthetic for this one. You have to keep in mind that the music really relates to the listener’s experience, how to recreate or conjure, summon that atmosphere – the nostalgia, the memory, the spirit of the music.”
He explained that in translating the original pieces into orchestral arrangements, he tries his best to find the elements that define the piece and he works on making it more cohesive.
“I always try to find the spirit, the essence, when we try to recreate it for the live ensemble. What is the essence of this piece? Is it the melody? Is it the color? Is it the drum pattern?”
How do you keep yourself inspired to take on a new project? Can you take us through your creative process?
“I’m a person that is easily inspired. There are projects that I did based on commissions, like some other people present stuff for me to recreate. Some of those I knew very well and some are very foreign to me.
“There are other stuff I created myself. I have my production called Symphonic Anime, a show that comprises music from different anime. I always have fun doing this production. I treat it like an exhibition. It’s not just a compilation of big hits, but sometimes, the theme. ‘I want to present based on mecha anime, anime centered around female protagonists. – how you present them, how you curate them, and sometimes you present the pieces that are not only famous, but pieces that are rarely heard – whether you believe it is good, to introduce them to a bigger audience.”
A lot of people tend to think that orchestral concerts are not as interesting as pop concerts. What would you tell them to convince them to give orchestral concerts a chance?
He believes that orchestral concerts are equally exciting.
“Many people that had never seen an orchestra before just have no idea what orchestras are like. Nowadays, it is still everywhere in the media we consume, in the soundtrack. Modern technology has helped many creators use synthesized sounds, but still many productions use live orchestra, musicians and ensembles. The orchestra is still very much alive, it’s just behind the scenes.”
What advice can you give to the younger generation who wish to pursue a career in classical music?
“I think they just need to practice a lot,” he said with a soft laugh.
Thanapol also added that they need to hone their knowledge on other artistic endeavors such as literature, fine arts, history, culture. “Since the old times, classical composers were making music, not only about notes or sounds. They are heavy readers of literature and consumers of arts, and those are the things that inspired them. For anyone who wants to pursue classical music, they really need to understand the context of our art.”
What other dream projects would you like to take on in the future?
“Fortunately, I already got to handle official franchises, many of them were my dream projects before. I still want to do more Symphonic Anime and introduce them to more countries, with more themes, I still want to do silent movies. In some cultures, it has become a lost art already. It would be great to re-introduce it to a wider audience.”
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All the best for Maestro Thanapol Setabrahmana! Hoping to see more of him in the upcoming concert line-ups. Speaking as an ardent fan, it’s great to finally see that the Philippines included in the tour stops for official video game and anime symphonic concerts. We’ve longed for this inclusion a long time ago. Looking forward to more!
On April 25, the lobby of the Theater at Solaire was bustling with a diverse array of people in cottagecore fashion – classic overalls, plaid shirts and floral prairie-style dresses, mostly in earthy colors – much like the staple outfits seen in Pelican Town, the central hub in the game Stardew Valley. Known as one of the most popular cozy games in recent history, it has sold 50 million copies worldwide.
Presented by Film Concerts PH, the back-to-back sold-out shows for Stardew Valley: Festival of Seasons highlighted the best of the cozy, lighthearted soundtrack composed by the game’s developer Eric Barone a.k.a. ConcernedApe. The pieces were rearranged by Maestro Thanapol Setabrahmana into orchestral suites and medleys, and with the help of the Filharmonika Orchestra, they gave the audience an enthralling concert that you would could actually feel the comfort and tranquility of wandering around Pelican Town.
Since the beginning of the world tour in 2024, the show has been a huge success, with sold-out shows across different borders. When the Philippine shows were finally announced last year, Filipino fans were quick to sell out all tickets almost immediately. This enthusiasm was also palpable during the event as fans were there to celebrate it as a community. They made great effort to dress up and prepare freebies which are lore-accurate to the game. From the lobby, you could spot a lot of Easter eggs like familiar pixel art and character cosplays including Sebastian, Abigail, Mayor Lewis and JojaMart employees.
At its core, Stardew Valley is an open-ended farm life simulation video game that centers on the labor of harvesting, raising animals, fishing and mining, all of which sounds tedious at first. However, the gameplay gives this lifestyle a certain lulling calmness by allowing players to freely customize the design of their characters, the layout of their farms, their activities and their relationships with the ever-interesting NPCs (non-playable characters) – no time limits and no harsh repercussions. All they have to worry about is enjoying the farm life and making the most of their harvests as the seasons pass.
Since its release in 2016, the game has become a sanctuary for people when reality gets overwhelming. It was as if the alternative 16-bit country life made them feel in control, and kept them entertained at the same time. It was a no-brainer then that it further blew up during the outbreak of the COVID-19 pandemic, making it one of the most played video games during that era. They poured long hours into the game which became their outlet, an alternate reality that kept them grounded.
Watching Stardew Valley: Festival of Seasons live was a riveting way to experience the game through its charmingly calming soundtrack, and in a format that only the live audience could get to hear. As confirmed by the Thanapol Setabrahmana who is also the chief arranger for Symphony of Seasons, the versions they played in the concerts in the Philippines were slightly different from the recorded versions online. The arrangements gave a more polished touch to the original compositions. The instruments were more pronounced and the harmony was more layered, making the music more tangible, so to speak.
While there were no video snippets flashing on the screen, the ambient lighting and occasional stage effects helped in emulating the game’s serene atmosphere. It felt natural to get into the flow of the music, and to just immerse yourself completely into the wonders of Stardew Valley. The crowd was captivated by the live orchestral music, as proven by the collective gasps, sniffles and giggles heard from them.
The concert began with “Grandpa’s Theme”, faithful to the game’s opening cutscene wherein the player, who is living a mundane corporate life, opened their grandfather’s old letter that contained a deed that bequeaths them with a farmhouse. Conductor Thanapol Setabrahmana provided short, insightful narrations in between each piece, guiding the audience about the progression of the story through the four seasons: spring, summer, fall and winter. As the 11-piece chamber of the Filharmonika Orchestra played the orchestral suites for each season, it was easy to imagine the blooming flowers of spring, the bright grooviness of summer, the muted coolness of fall and the icy somberness of winter.
We also heard the ever familiar tunes during the “Town Medley”, “Mines Medley”, “Saloon Medley” and “Villagers Medley” (particularly themes for Haley, Abigail and Penny). They also fan favorites like “Dance of the Moonlight Jellies” and “A Golden Star Is Born”.
Seeing Stardew Valley: Festival of Seasons was a complete delight for fans who have poured in lots of time and effort in building their 16-bit community in the game. Hearing the game’s soundtrack played by a live orchestra is an experience that cannot be replicated easily, and the Filharmonika Orchestra handled it splendidly.
Near the end of the concert, Maestro Thanapol Setabrahmana hinted on a bigger show soon. Are we (hopefully) seeing Symphony of Seasons soon? Stay tuned for updates!
Their songs became anthems for a generation—capturing restless emotion, youthful defiance, and the evolving sound of post-hardcore. American rock band Saosin made a powerful return to the Philippine concert stage, headlining a monumental stop of their 20th anniversary tour on May 7, 2026, at the SM North EDSA Skydome for SAOSIN Asia Tour 2026 Live in Manila.
The Manila leg followed a high-energy kickoff in Cebu City, where the band first reconnected with Filipino fans—setting the tone for what would become a two-city celebration of their enduring legacy in the country. By the time they reached Manila, anticipation had reached a fever pitch, fueled by memories of their sold-out double-header in 2023 and a fanbase that had only grown more passionate over time.
This return carried a deeper meaning. More than just another tour stop, it marked two decades since the release of their self-titled 2006 album—a record widely credited for reshaping the post-hardcore and alternative rock landscape. In Manila, that legacy came alive in full force.
The night unfolded like a masterclass in precision and emotion. Staying true to the tour’s promise, Saosin performed their self-titled album in its entirety, delivering tracks like “Come Close,” “The Silver String,” “I Never Wanted To,” “Collapse,” and “Bury Your Head” with the same urgency that defined their early years. The band also treated Filipino fans to a special moment with the live debut of their new track, “Starting Over Again,” signaling that their story is far from over.
Inside the Skydome, the energy was relentless. “Voices” and “You’re Not Alone” transformed the venue into a massive sing-along, with the crowd nearly overpowering the sound system. But the emotional peak arrived with “Seven Years”—the song that launched Saosin into the global scene. As soaring vocals met a sea of voices screaming every lyric, it became clear why the band continues to stand as a pillar of the genre.
Presented by PULP Live World, the Manila show was more than just a performance—it was a reaffirmation of a long-standing bond between Saosin and their Filipino fans. From Cebu to Manila, the band’s return wasn’t just a celebration of the past two decades, but a powerful reminder that their music remains as urgent, visceral, and deeply felt as ever.
Theatre Group Asia proudly announces acclaimed iconic Filipino performer Celeste Legaspi will take on the role of Older Allie in its highly anticipated production of The Notebook, The Musical. A defining figure in Philippine performing arts, Legaspi brings with her not only a storied career, but a lifetime of shaping the very landscape of Filipino music, theater, and cultural advocacy. Born into a family of artists as the daughter of National Artist for Visual Arts Cesar Legaspi, Legaspi’s creative foundation was established early. She began singing in kindergarten and rose to prominence in 1969 as part of The Ambivalent Crowd before transitioning into a solo career that would redefine the possibilities of Original Pilipino Music.
Her splendid recording career boasts legendary successful albums such as Ako si Celeste and Bagong Plaka, Lumang Kanta that achieved gold and double platinum status, while songs like “Saranggola ni Pepe,” “Tuliro,” “Mamang Sorbetero,” and “Gaano Ko Ikaw Kamahal?” became enduring Filipino classics. These works not only solidified her place in OPM history but helped popularize Filipino songwriting on an international scale.
Parallel to her music career, Legaspi cultivated an extraordinary presence in theater. She appeared in early productions such as Showboat and Oliver! before gaining widespread acclaim through performances at the Cultural Center of the Philippines, where she collaborated with literary giant Rolando Tinio. Her repertoire would come to include seminal works like Manila, Manila, Doon Po Sa Amin, Jesus Christ Superstar, Katy!, Paglipas ng Dilim, North Diversion Road, and Ang Larawan, each contributing to the development of a distinctly Filipino theatrical tradition.
In 1988, alongside longtime collaborator Girlie Rodis, Legaspi co-founded Musical Theater Philippines, a company that became instrumental in producing original Filipino musicals. Through this platform, she helped bring to life works such as KenKoy Loves Rosing, Alikabok, Sino Ka Ba Jose Rizal, Fire Water Woman, and Saranggola ni Pepe, championing narratives rooted in Filipino identity and history.
Her contributions extended into film and television, where she worked with acclaimed directors including Lino Brocka and Ishmael Bernal, and appeared in projects ranging from Santiago and Mamang Sorbetero to contemporary series such as Can’t Buy Me Love. In recent years, she has taken on roles that explore aging and memory, including a critically recognized performance as an elderly woman living with dementia, earning a Best Actress nomination and further demonstrating her range and relevance.
Offstage, Legaspi’s impact is equally profound. She served as founding president of the Organisasyon ng Pilipinong Mang-aawit (OPM), advocating for the rights and recognition of Filipino musicians, and helped establish PHILSTAGE, the country’s alliance of professional performing arts companies. She continues to serve the industry as Vice President of the Performers’ Rights Society of the Philippines, reinforcing her commitment to protecting and uplifting artists.
Her lifetime of achievement has been recognized through numerous accolades: Aliw Awards for Entertainer of the Year and Best Actress, multiple Tinig Awards, the TOWNS Award, the Natatanging Gawad Buhay Lifetime Achievement Award, and the Ryan Cayabyab Award.
TGA Creative and Overall Artistic Director Clint Ramos remarks, “It is our honor to have a Philippine icon play the role of Older Allie. This is a dream casting for us. Ms. Celeste Legaspi is a titan in the musical theater industry and Philippine music in general. She brings gravitas and wisdom to the role; and we can’t wait for the Philippine audience to see another side of this legendary artist. We are so excited to see the evolution of Allie’s character from her younger version with the vulnerable innocence of Sheena Belarmino, her blossoming through the strength and prowess of Morissette, and onto her full unravelling into the masterful insight of Ms. Celeste Legaspi.
In stepping into The Notebook, The Musical, Legaspi embraces both the artistic challenge and emotional depth of the role. She reflects: “The characters in Notebook are interesting. How it shows their growth and learnings. To be able to portray that is a challenge. And as I study the music of older Allie I learn that the music is modern and exacting; at the same time I will need to get to the heart of her. A great challenge. And I love challenges. Accepting challenges has been my motivation through all my years.”
Her portrayal of Older Allie is shaped by personal experience as well. “My family suffered when my mother got sick with Alzheimer’s for 10 years. It was one of the most difficult times in our lives. Although remembering that is painful, it will be my responsibility to honor my mother by bringing understanding and compassion to my role.”
As a pioneer who has witnessed the evolution of Philippine theater firsthand, she reflects on its journey, “I still remember the times when we were more numerous on stage than the audience. A painful but learning time. We, the thespians, would always be even more driven to deliver our best. I have watched many young actors these recent past years and the talent is amazing! It just emphasizes that the Filipino has no equal in creativity and talent in many fields.”
Her advice remains grounded in excellence and responsibility, “My advice would be to always seek for excellence. In whatever role, big or small. The unique feature of theater is that it’s live… every minute is exciting and unpredictable. Thus it is all our responsibility to deliver only our very best, keeping audiences interested and mesmerized. That we can control and realize!” And at the heart of the story she now helps tell through The Notebook, The Musical, she describes, “What I see is the family. How its strength helps us all; how love as it goes through the ages can remain even stronger and more textured. When we say ‘love story’ it does not remain the same. It transforms and changes. That is the strength of true love.”
With Celeste Legaspi bringing her unparalleled legacy, emotional insight, and lifelong dedication to the craft, TGA’s production promises to be a landmark theatrical event, one that honors both a beloved story and the enduring brilliance of Filipino artistry.
Together with Morissette as Middle Allie and Sheena Belarmino, the casting reflects TGA’s commitment to assembling a multi-generational ensemble capable of capturing the sweeping emotional scope of The Notebook: The Musical. Featuring music and lyrics by Ingrid Michaelson and a Tony Award-nominated book by Bekah Brunstetter, the musical is celebrated for its intimate storytelling and its portrayal of love as it evolves through youth, adulthood, and old age.
Watch Celeste Legaspi’s performance of “I Know” from The Notebook: The Musical.
Ashtine Olviga Announces First Solo Concert “Love Like Ashtine” at New Frontier Theater, Alongside New Fragrance and Mini Album
Filipino singer-actress Ashtine Olviga is celebrating a new milestone in her solo career with the announcement of her first major solo concert, Love Like Ashtine, to take place on August 22, 2026, at the New Frontier Theater in Quezon City.
The big reveal came at a recent press conference, which also doubled as an early birthday celebration for her. Born May 19, the multi-talented artist celebrated the milestone early and updated her on her thriving ventures. Fans will be treated to the unforgettable night of her vocals, flawless moves, and signature all-around artistry that has mesmerized audiences from her P-pop beginnings to her breakout acting roles.
Adding to the celebratory vibe, Ashtine unveiled her new fragrance in partnership with Viva Beauty. Dubbed Dear Ash, the scent captures her essence, soft, radiant, sweet, juicy, and confidently captivating. It’s designed to be versatile and lingering, much like the artist herself.
The singer also teased a mini album to come soon, building excitement following the release of her debut single Love Like U. This project promises to reveal more dimensions of her artistry as she continues to evolve past her group stints with UGG, P-Pop Generation, LITZ, and her recent acting stint in Ang Mutya ng Section E.
When asked about the genres she wants to explore for her mini-album, she revealed that she’s going for pop, dance-pop, ballad-pop, and ballads. She wants to try out different genres and styles.
She also said she looks up to Sabrina Carpenter (who recently headlined Coachella), Taylor Swift, and Olivia Rodrigo. “Uy, bakit hindi ko subukan din magsulat?” she said, saying these artists inspire her to write music.
As a multimedia artist, she shared how she balances her craft as an actress, singer, and performer: “Iba’t iba ang strengths ko sa acting, singing, and dancing. I feel like I still need to improve my singing and dancing. You need to have the willingness to learn and grow, so pag mag perperform ka na, mabibigay mo yung 100%.”
She also said she would like to show her skills in rapping, dancing, and singing and her journey as an artist in her upcoming solo concert.
It’s fair to say Ashtine is still growing as a vocalist, with room to develop her technique, range, and emotional depth, but that very journey is part of what makes her compelling. She’s not pretending to be a finished product; she’s an artist in progress, learning and growing in real time. In an industry where much of the music is concealed behind layers of production, she deserves genuine respect for her willingness to present herself in a raw and unfiltered manner.
But what sets Ashtine apart is her dedication to being authentic. I have seen her perform live on stage many times, and each of those performances highlighted her impressive live vocals; she delivers with raw vocals and her signature sweet tone, without heavy autotune or lip-syncing. She shows up ready to sing live.
Ashtine Olviga is best known for being humble and grounded. While her popularity is on the rise and there is a buzz about her projects, she is refreshingly down-to-earth. She admits she still rides public transport like the MRT, a testament to her genuine connection with her roots and her fans. “Tratuhin ko ng tama at pantay pantay ang mga tao no matter how big or small sila,” she added.
Going to the press conference gave a glimpse into the person behind the performances. Ashtine is one of a kind, a true all-rounder. You can see in everything she does a true warmth, resilience, and love for her craft. In an industry often defined by glitz and glamour, her relatability makes her all the more endearing and inspirational.
Here’s to the artists who keep it real. Ashtine Olviga might still be honing her craft, but her refusal to hide behind autotune or lipsync is something to applaud loudly. She’s not only doing a real performance; she’s also being herself. Keep singing your truth, Ashtine. Your audience is here for the ride, and the best is yet to come.
Love Like Ashtine tickets go on sale on TicketNet beginning May 15, 2026. This concert is expected to be a defining moment for the “Nation’s Mutya,” a celebration of her journey, her music, and the love she shares with her supporters.
Mark your calendars for an evening of pure talent and heartfelt moments with Ashtine Olviga on Aug 22. Whether you love her voice, her acting, her new scent, or just her inspirational presence, you won’t want to miss this event.
The SM North Skydome was already trembling before a single note was played. Hundreds of Filipino fans, many of them in band tees faded from years of love, armed with voices ready to break, had been waiting for this moment for what felt like a lifetime. When the lights finally dropped, and Hawthorne Heights took the stage, the room didn’t just erupt. It exhaled the way you do when something you’ve needed for a very long time finally arrives.
The Ohio post-hardcore pioneers wasted absolutely no time. Opening with “This Is Who We Are,” the band announced their presence with the kind of conviction that only a group two decades deep into their craft can carry. The Skydome screamed in recognition, every word already written on the lips of the crowd before JT Woodruff even leaned into the mic.
“We Are So Last Year” followed, and the energy in the room doubled, a wall of voices rising to meet the band’s signature interplay of jagged guitars and raw, aching melody. By the time “Language Lessons” rounded out the opening salvo, the tone for the evening had been set in stone: this was not going to be a passive concert experience. This was going to be a communion.
Between songs, Woodruff paused to properly introduce the band to the Manila crowd. Though judging by the reception, no introduction was necessary. But it was what he said next that sent the first real wave of chills through the room. Speaking with the kind of warmth that only comes from someone who genuinely means every word, he reminded everyone why they were all there together.
“We’re only here for one thing only, play non-stop emo throwback!”
The crowd lost it. Because that is, without question, exactly what they got.
If the opening trio was a declaration, the second act of the evening was a full emotional reckoning.
“Pens and Needles” cracked the room wide open, its familiar urgency hitting like muscle memory for a fanbase that grew up on this record. “Saying Sorry” came next, and somewhere in the crowd, someone was definitely crying, and not even trying to hide it. “Dead in the Water” kept the energy coiled tight, while “I Am on Your Side” offered a moment of something almost tender amid the controlled chaos.
The band moved through “Breathing Sequence,” “Light Sleeper,” “Cross Me Off Your List,” and the fan-beloved deep cut “Where Can I Stab Myself in the Ears” with the precision of a group that has never stopped caring about how these songs land, because they know exactly what they mean to the people in the room.
But the emotional crescendo of the set came before “Decembers.” Woodruff stepped back from the noise for a quiet moment and spoke about the song’s meaning, a piece written about his wife, Niki FM, someone who isn’t just a name on a track but the person he has chosen, every day, for over twenty years. With her half a world away while the band was on tour, the weight of that distance was palpable in his voice.
“You guys are the reason we smile,” he told the crowd.
The Skydome held that truth for a second, and then sang every single word of “Decembers” back to him. If there were any dry eyes left in the building before that song started, there certainly weren’t by the end of it.
If the crowd thought the night was winding down, Hawthorne Heights had other plans.
They came back swinging with “Spray Paint It Black,” which jolted the room back to life with gleeful aggression. “Bring You Back” and “Dandelions” followed in quick succession, each one landing like a gift to a crowd that had been waiting years for this very moment. And then came “Niki FM”, the song, the name, the everything, delivered with every ounce of sincerity the band possesses, while the Skydome sang along with the kind of unified voice that makes you genuinely believe in the power of a shared song.
In a moment that stopped the room, the band also unveiled “Like a Cardinal,” a brand new track making its Philippine debut that night. For a crowd steeped in nostalgia, hearing something fresh from Hawthorne Heights felt not like a disruption, but like a promise: that this band isn’t just living in the past. They’re still building something.
Before departing for the final time, Woodruff addressed the crowd one last time, not with fanfare, but with the kind of sincerity that makes you believe every syllable.
“Thank you so much for singing with us! We promise it won’t take us another 20 years to come back.”
And then, as if to make absolutely certain no one was going home without completely emptying their hearts, they closed with “Ohio Is for Lovers.” The band barely had to sing a word. The crowd, already hoarse, already overwhelmed, already exactly where they needed to be, carried it straight to the rafters of the Skydome.
PULP Live World delivered, once again, an event that transcended a simple concert. What happened at SM North Skydome on May 6, 2026, was a reminder, vivid, loud, and deeply felt, that emo was never just a genre. It was always a community. A place for people who feel too much, who need somewhere to put it all.
Hawthorne Heights showed up, played every song as it mattered, spoke to their audience like human beings, and left Manila with the very thing JT Woodruff said they came for: a room full of people who got exactly what they needed.
Twenty years in, and not a step slower. If anything, they’ve only gotten more important.
The SM Mall of Asia (MOA) Arena continues to anchor major live events in the Philippines, with a Q2 lineup led by women across global pop, OPM, and pageantry. From sold-out concerts to national competitions, the venue drew thousands of fans and reinforced its role as a platform for large-scale, women-led entertainment.
A celebration comes alive at the SM Mall of Asia Arena with Sexbomb Girls.
A Powerful Return to the Venue IVE returned to the Arena on April 25, delivering a high-energy show for thousands of Filipino fans, known collectively as DIVE.
Known for hits like “I AM,” “Baddie,” and “Rebel Heart,” the group combined sharp choreography with strong live vocals. Each member staged solo performances, adding depth to the setlist and strengthening fan engagement. The show marked their return to the venue following their 2024 concert, with a visibly larger and more engaged audience.
IVE makes a comeback to the SM Mall of Asia Arena. Photo Source: Live Nation Philippines on Facebook.IVE performs ‘I AM’ exhibiting powerful vocals and skill.
Talent and Charisma knows no age SexBomb Girls closed their five-day run at the Arena on April 30, drawing a multi-generational audience.
The SM Mall of Asia Arena lights up with SexBomb Girl’s performance.
The production leaned into nostalgia while scaling up for a modern arena experience. The show featured large ensemble numbers, themed segments, and guest appearances from SB19’s Stell, Apl.de.Ap, and Wendell Ramos. The performance reinforced the group’s longevity and their continued pull across age groups.
SexBomb Rochelle Pangilinan is joined by SB19’s Stell for their performance of ‘Baile’.
Along with a generation of fans who grew up with the group, the concert became a reflection of thriving Filipino novelty music in the Philippines.
Confidence in every walk The Arena also hosted the Miss Universe Philippines 2026 coronation night on May 2, bringing together 50 candidates from across the country.
50 candidates take part in the Miss Universe Philippines 2026 competition.
Bea Millan-Windorski of La Union secured the crown, earning the right to represent the Philippines on the global stage. The event highlighted the scale and production value expected from one of the country’s leading national competitions.
Miss Universe Philippines 2026 crowns a new queen.
A venue for scale and influence Across genres and formats, the SM Mall of Asia Arena continues to host high-impact events that attract large audiences and deliver premium live entertainment. From concerts and cultural performances to national pageants, the venue reinforces its position as a destination for immersive, maxed out experiences that place women at the forefront of today’s entertainment scene.
Filipino P-Pop sensation BINI serenaded Senator Bam Aquino with a birthday song when they visited the Senate on Wednesday, May 6, 2026, to receive recognition for their historic stint at the Coachella Valley Music and Arts Festival in Indio, California.
Sen. Bam, who turned a year older on Thursday, May 7, playfully danced as the “Nation’s Girl Group” sang a cheerful birthday greeting.
Afterward, the group joined the plenary session, where they received a parchment copy of Sen. Bam’s Senate Resolution No. 370, which was officially adopted by the Senate in recognition of their achievement.
In his resolution, Sen. Bam lauded BINI for bringing pride and honor to the country and for showcasing Filipino talent and artistry on the global stage during their April 10 and 17, 2026 performances at Coachella, one of the world’s most prestigious and highest-grossing music festivals.
“Sa kauna-unahang pagkakataon, isang Filipino act ang nagtanghal sa isa sa pinakamalaking music festivals sa buong mundo. Masasabi natin na ang tagumpay na ito ay isang Salamin ng galing at talento ng Pilipino sa pandaigdigang entablado,” Sen. Bam said in his sponsorship speech.
“Ang tagumpay ng BINI ay isang panalong dapat ipagdiwang sa gitna ng mga hamon at krisis na kinahaharap ng ating bansa. Sa kanilang pagtatanghal sa Coachella, ipinamalas nila ang ating Filipino Pride sa pamamagitan ng pagsasama ng mga tradisyonal na elemento sa kanilang mga kasuotan, musika, at koreograpiya,” he added.
Sen. Bam emphasized that BINI’s accomplishment on the international stage will serve as an inspiration for many Filipino youth to strive for their dreams.
“Ang kanilang tagumpay ay nagsisilbing inspirasyon sa napakaraming kabataang Pilipino na mangarap at maniwala na kaya rin nilang maabot ang world stage,” he pointed out.
Coachella royalty BINI serenading Sen. Bam on his birthday.
Historic Coachella performers BINI dropped by the Senate yesterday to receive recognition, and ended up serenading Sen. Bam Aquino on his birthday. What a moment! Happiest birthday, Sen. Bam! 🇵🇭 #BamBinipic.twitter.com/95JoB3daHf
The Senator also said that BINI’s Coachella appearance is not only a victory for the music industry, but also for the entire Philippines.
“Pinatutunayan nito ang lumalaking potensyal ng ating creative economy at ang kakayahan nitong magbigay ng dangal at oportunidad sa ating mga kababayan sa buong mundo,” he stressed, adding that his daughters, Rory and Coco, are certified fans of BINI, whose fandom is called “BLOOM.”
“Pinagmamalaki ko na ang aking mga anak ay kabilang sa ‘Bloom’ community at pati shared Spotify account namin ay halos puro BINI ang kanta,” he added.
BINI is composed of Maraiah Queen Arceta (Aiah), Ma. Nicolette Vergara (Colet), Mary Loi Yves Ricalde (Maloi), Gweneth Apuli (Gwen), Lindtsey Stacey Aubrey Sevilleja (Stacey), Mikhaela Janna Lim (Mikha), Jhoanna Christine Robles (Jhoanna), and Sheena Mae Catacutan (Sheena).
Sen. Bam is a staunch supporter of Filipino talent. During the 2022 and 2025 election campaigns, he tapped local artists to celebrate their talents and skills, and once again highlighted the strength of Filipino music during the People Power 40 Kick-Off Concert.
Fromdrivers licensetovampire,Filipino fans put the Philippines among Olivia Rodrigo’s top global markets
Spotify is bringing one of music’s most defining voices to the world’s biggest football stage, announcing Grammy award-winning global superstar Olivia Rodrigo as the latest artist to take over the front of the FC Barcelona jersey. For El Clásico on May 10 at Spotify Camp Nou, FC Barcelona players will wear a version of the iconic blaugrana jersey featuring the logo of one of the most celebrated artists of her generation, making her the youngest artist to feature on the jersey in the partnership’s history.
Olivia Rodrigo stands as one of the most acclaimed artists of her time. At just 23, the Grammy Award-winning global superstar has amassed over 55 million monthly listeners on Spotify worldwide, with the Philippines ranking among her top fifteen markets globally. From drivers license to vampire, her music has resonated deeply with Filipino fans since day one. She also has nine songs in the Spotify Billions Club, a milestone she will mark with a Billions Club Live performance in Barcelona.
Four years into its partnership with FC Barcelona, Spotify has built the jersey takeover into one of football’s most anticipated moments, by doing something no partner does. It removes its own logo and hands that space to an artist. El Clásico is back at Spotify Camp Nou for the first time since the renovation and it arrives with an Olivia Rodrigo jersey on the pitch.
Marc Hazan, Senior Vice President, Marketing and Partnerships, Spotify said: “Olivia Rodrigo has built one of the most passionate fan communities in the world, and so has FC Barcelona. Fandom doesn’t have borders and the most powerful thing Spotify can do is bring those worlds together. Putting her most dedicated fans in the room with her on the eve of El Clásico, that’s what this partnership was built for.”
Alongside the jersey, Spotify and FC Barcelona have created a capsule collection with Olivia Rodrigo, bringing together the iconic identity of Barça with Olivia’s own visual world across exclusive apparel and accessories.
Olivia Rodrigo said: “Seeing OR on a FC Barcelona jersey for El Clásico, I don’t even know how to process that. It’s been so fun seeing the jersey come to life and creating a full collection with Spotify and Barca. On top of that, getting to perform for the fans who’ve been listening since day one, in a city like Barcelona, is going to be so special. That’s everything to me. I cannot wait to see them.”
FC Barcelona will also share a special edition of the popularBarça Matchday playlist on Spotify featuring themed songs to motivate the players and fans in the build up to the game, which was curated by Olivia Rodrigo.
Barça’s Olivia Rodrigo collection will include a t-shirt, fleece crew, hoodie, bucket hat, and scarf, as well as travel mug, sticker pack and tote bag. The limited edition collection can be purchased online starting May 1 at 4 PM PHT.
The Olivia Rodrigo logo will feature on the FC Barcelona jersey, which will be worn for the El Clásico match against Real Madrid on May 10. FC Barcelona Femení will be wearing the jersey in their Liga F match against Levante on May 6.
Spotify has also made it personal for Olivia’s most devoted fans in Barcelona, an intimate, invite-only concert on the evening of May 8th. This one-off event will celebrate the fandom unique to Livies and the connected spirit which flows through the community. At an iconic venue in the heart of the city, Spotify is bringing Olivia face to face with her top fans, selected through their listening on Spotify.
International powerhouse vocalist Jessica Sanchez joins forces with Asia’s Phoenix Morissette for “Stronger Than Before,” an anthemic new single that celebrates resilience, faith, and personal growth. Written by Jessica Sanchez and Rodney Jason, and distributed by Universal Records, the track is now available on all major streaming platforms. Released during the month that celebrates Mother’s Day, the song carries an added layer of meaning for listeners, especially mothers whose strength and sacrifices echo its message.
“Stronger Than Before” traces a journey of overcoming doubt and emerging renewed. Jessica—who tried her luck in various competitions before ultimately winning America’s Got Talent in 2025—draws from both her personal and professional experiences to shape the song’s emotional core.
“‘Stronger Than Before’ is such a special song to me because it really reflects so much of my personal journey—both in my career and in my life,” Jessica shares. “This song is about resilience, growth, and finding strength through those difficult moments. I wanted it to be an anthem for anyone who has ever felt knocked down but chose to rise again.”
The collaboration marks a long-awaited moment for fans, bringing together two of the most celebrated vocalists of their generation. The track was recorded in Texas, with Morissette flying in from the Philippines to join Jessica in her home studio—an experience that added an intimate and personal touch to the recording process.
Jessica speaks warmly of the collaboration: “I’ve admired Morissette for so long—not just because of her powerhouse vocals, but because of the passion, emotion, and strength she brings to everything she does. Collaborating with her has been a dream, and I’m so grateful we got to create this together.”
She adds, “One of my favorite parts was hearing how beautifully our voices blended. It felt so natural and powerful. There were definitely moments in the studio where we both just looked at each other like, ‘Wow, this is something really special.’”
Fans will soon get to experience the song live as Jessica holds a concert at the Araneta Coliseum on May 16, 2026. Morissette joins the show as a special guest, alongside Darren Espanto, James Reid, Gary Valenciano, Martin Nievera, and Regine Velasquez. A highlight of the night will be the live performance of “Stronger Than Before,” with Jessica and Morissette sharing the stage for the moment fans have been waiting for.
With its powerful vocals and deeply personal message, “Stronger Than Before” is not just a milestone collaboration, it’s an inspiring anthem for listeners everywhere, too.
“Stronger Than Before” is out now on all digital streaming platforms.
His Excellency Lee Sang-hua, Korean Ambassador to the Philippines (sixth from left), and Dr. Eric B. Zerrudo, Chairman of the National Commission for Culture and the Arts (center) welcome the guests to the 2026 ROUND Festival. Area Manager Joseph Trinidad (fourth from left) represents Mang Inasal.
Aligned with its commitment to support gastronomy tourism under its Love the Flavors campaign, Mang Inasal, the Philippines’ grill expert, brought Filipino flavor to the forefront of a major international event when it joined the ASEAN-Korea Music Festival “2026 ROUND in the Philippines” on April 18–19, 2026 at the Araneta Coliseum.
As the Philippines hosted this year’s festival in its role as ASEAN Chair, the event further strengthened ties across the region through shared creative expression. Filipino artists Ben & Ben, Cup of Joe, HORI7ON, TJ Monterde, KAIA, 1st ONE and VIVID performed in this year’s ROUND Festival that is now on its sixth run.
Participating in the 2026 ROUND Festival was an opportunity for Mang Inasal not only to serve its best-selling dishes but also, to showcase Filipino hospitality on a global stage—creating meaningful fan moments and reinforcing its role as a proudly homegrown brand connecting people through food and joy.
In bringing Filipino flavors to an international stage, Mang Inasal’s participation also reflected the spirit of the “Love the Philippines” campaign—where culture is not merely presented, but lived and shared through authentic Filipino experiences. By creating moments of connection through food, hospitality, and joy, the brand helped transform the festival into a space where both locals and visitors could genuinely experience what it means to love the Philippines—through its people, its energy, and its distinct sense of community.
Mang Inasal was the only Filipino quick-service restaurant present at the event.
Mang Inasal’s booth at the Quantum Skyview in Gateway Mall 2 became a go-to destination for local and international fans looking to refuel and recharge. On April 17 and 18, the brand served its well-loved Chicken and Rice, offering a satisfying and familiar favorite amid the high-energy performances. On April 19, attendees were treated to free samples of its Extra Creamy Halo-Halo, giving festival-goers a refreshing taste of a classic Filipino dessert.
Mang Inasal also elevated the fan experience through interactive booth games that reflected the brand’s commitment to creating Unli-Saya experiences for its customers
The ASEAN-Korea Music Festival is a key platform for fostering cultural exchange and collaboration between ASEAN countries and Korea through music. Previous editions of ROUND were held in Jakarta, Vientiane, and Kuala Lumpur.
Want more Mang Inasal exclusives NOW? Visit https://manginasal.ph for the latest news, https://manginasaldelivery.com.ph for delivery deals, and follow Mang Inasal on social media for more Ihaw-Sarap and Unli-Saya updates!
Manila’s vibrant cultural scene is set to sparkle once again on May 9, 2026, as Medium Rare: Kaleidoscope transforms Salon de Ning at The Peninsula Manila into an immersive, multi-sensory experience. Now on its 7th edition, the highly anticipated event continues its tradition of blending world-class gastronomy with cutting-edge music and artistic expression.
Curated by renowned Chef Chele Gonzalez, Medium Rare: Kaleidoscope promises an evening where flavors, sounds, and visuals converge in perfect harmony. The night explores the beautiful intersection of Italian neoclassical piano and deep ambient techno, creating a sonic journey that feels both intimate and transcendent.
Headlining the musical experience are two internationally acclaimed artists:
Pablo Bolivar (Seven Villas Music) – the Spanish producer known for his hypnotic, atmospheric techno sets.
Bosco Studio – delivering elegant Italian neoclassical piano performances.
Together, they will weave a musical narrative that moves seamlessly between deep, pulsating rhythms and refined, emotive melodies — the perfect soundtrack for a night of refined indulgence.
Together, they will weave a musical narrative that moves seamlessly between deep, pulsating rhythms and refined, emotive melodies, the perfect soundtrack for a night of refined indulgence.
Guests can look forward to: Curated gourmet bites prepared under Chef Chele Gonzalez’s direction, showcasing premium ingredients and creative culinary techniques.
An intimate, high-end nightlife atmosphere within the elegant confines of Salon de Ning at The Peninsula Manila.
A true multi-sensory “cross-cultural experience” that marries Spanish electronic energy, Italian classical refinement, and Filipino hospitality.
The event is designed for those seeking something more elevated than a typical night out of a sophisticated gathering where food, music, and ambiance become one.
Two ticket options are available for the May 9, 2026 event:
Full Experience (7 p.m. to 4 a.m.) – Starting at P2,200
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