Category: Music

KISS ALL THE TIME. DISCO, OCCASIONALLY secures #1 in 20 album charts globally.

GRAMMY Award®-winning global superstar Harry Styles new album KISS ALL THE TIME. DISCO, OCCASIONALLY.  has delivered the strongest global debut of his career with over 1 million units sold to date, dominating charts across the world and strengthening his position as one of the most daring and influential artists in modern music.

The new album has debuted at #1 in the U.S. on the Billboard 200 chart with over 430,000 units in consumption, the largest first week of the year. This huge debut is Harry’s fourth consecutive #1 solo album debut, extending his record as the first U.K. male artist, and second male artist ever, to debut at #1 on the Billboard 200 with their first four albums since Nielsen Music began electronically tracking sales data in 1991. He also logs the biggest first week vinyl sales for a male artist in the US, beating his Harry’s House record. 

The amazing U.S. debut comes hot on the heels of Harry’s massive international success where the album has entered charts at #1 in 19 other countries, earning the biggest selling album of the year in the U.K., Australia, Ireland, Netherlands, Sweden, New Zealand, Austria, Switzerland, Belgium, Norway, Portugal, Canada, and Spain, while landing #1 in Denmark, Finland, France, Germany, Italy, and topping the Czech Republic Spotify Album Charts. 

It becomes Harry’s third UK #1 album with 183,000 first week sales, comfortably surpassing the 113,000 copies Harry’s House achieved on release. It has also achieved the highest first week vinyl album sales figure for a UK artist this century. The album accomplished a rare chart double in the UK and Canada as both Kiss All The Time. Disco, Occasionally and “American Girls” have simultaneously topped the album and singles charts. This also marks the biggest week one sales from a male solo artist since Ed Sheeran’s Divide in 2017 in the UK & Australia. In Germany, it has become the best-selling album by a male solo artist in almost six years and best-selling album by an international male solo artist in nine years, doubling the sales of Harry’s House in Germany, Sweden, Austria and Switzerland and tripling it in the Netherlands. 

Harry celebrated the release with a special ‘ONE NIGHT IN MANCHESTER’ live show at Co-Op Live in Manchester UK. Relive the concert HARRY STYLES. ONE NIGHT IN MANCHESTER. available to stream now on Netflix globally. This weekend, Harry returned to NBC’s Saturday Night Live as host and musical guest. He will make his long-awaited return to the global stage with a seven-city residency in 2026. Together, Together will include 67 stops in Amsterdam, London, São Paulo, Mexico City, New York, Melbourne, and Sydney from May through December. Highlights on the run include 30 shows at New York’s Madison Square Garden and a 12-night run at Wembley Stadium. Special guests include Robyn, Shania Twain, Fcukers, Jorja Smith, Jamie xx, Fousheé, and Skye Newman across select dates.  Please visit hstyles.co.uk/tour for a full list of dates and more information.

The five-song EP highlights the band’s emotional storytelling and musical growth across more than two decades of Pinoy rock influence.

Filipino alternative outfit Imago continues to shape modern OPM with the release of their EP, Pasimple, unfolding into a new era for one of the most vital forces in Pinoy rock. The 5-track collection marks the band’s first official studio release under Sony Music Entertainment and their sixth overall.

For nearly three decades, Imago has redefined their sound with emotional introspection and expansive, guitar-driven arrangements. In Pasimple, they carry the legacy forward with confidence. Produced and arranged by the band alongside longtime collaborators Raymund Marasigan and Buddy Zabala, the new EP expands Imago’s signature sound while introducing subtle new influences that reflect the band’s openness to explore off-kilter and interesting instrumentations, textures, and songwriting styles.

Sonically, Pasimple reflects a band operating at full momentum. “We’re at peak creativity with this album with songs inspired by our years as music lovers, plus fresh creative input from Kurei (vocalist and chief songwriter). The EP is a representation of the interlocking energy and vibes of the members, and our life experiences from the past until the present.”

The 5-track EP also serves as one of Imago’s most collaborative efforts to date. Working closely with Marasigan and Zabala, the band intentionally pushed their arrangements into unfamiliar territory. “We set out to write more collaboratively than ever,” they say. “Taking the bumps and the smooth ride that comes with it and exploring things we haven’t done before.”

The EP’s focus track, “Lagi Na Lang,” captures the exhausting and repetitive patterns of a relationship in slow decay. Buoyed by restrained guitars, steady drums, and emotionally grounded vocals, the song explores the feeling of letting go in a relationship that sadly no longer works.

Track list:

1. Gulong-gulo
2. Pasimple
3. Lagi na lang (Focus Track)
4. Andito na tayo
5. Sayang Na Sayang

With Pasimple, Imago proves that their creative momentum remains vital as ever, reaffirming their place in the Filipino alternative rock space and managing to secure it since the late ‘90s. As the band looks ahead, one thing is certain: the stage is where they belong, and they’re eager to take the songs far and wide across the country.

Imago’s sixth EP, “Pasimple” will be available for streaming on all digital music platforms worldwide starting March 20 via Sony Music Entertainment.

The track pairs modern pop ballad with groove-driven polish.

Celebrated as Asia’s Romantic Balladeer, Christian Bautista embraces his signature romantic charm while exploring a fresh sonic direction—pairing nostalgic pop glow with a stylish, contemporary edge.

In “Sa’yo Lamang,” his new single under Sony Music Entertainment, Bautista embraces the romantic love song template with renewed confidence, pairing its feel-good energy with sophisticated production and city pop grooves. Imagine the neon glow of ‘80s Tokyo at twilight, yet the atmosphere feels distinctly Pinoy in its comforting glory. That’s how it sounds.

“Sa’yo Lamang captures exactly where I am musically and emotionally: fully committed, joyful, and ready to connect,” shares the award-winning OPM icon. “This year I’m all in. I want listeners to feel uplifted, have fun, and start the year with good energy.”

Produced by Ziv, the track benefits from its intentional marriage of global and local flavors, past and present sounds, and the insistence of not wanting to be easily defined or pinned down. From slick arrangements to meticulous production, Ziv’s instincts for groove—particularly in the drum pattern and basslines—anchor the track’s smooth, vintage edge while allowing Bautista’s vocals to shine and charm their way through the listeners.

Christian Bautista describes his collaboration with Ziv as a game-changing experience. “His attention to detail in sound design and vocal production elevated every element, while his clear vision and collaborative approach pushed us to take creative risks. The process was smooth and professional from start to finish, and his contributions shaped a final mix that truly exceeded our expectations.”

The vibrant personality of “Sa’yo Lamang” seamlessly translates into its upcoming music video, which incorporates smooth retro styling, warm neon tones, and playful choreography. Designed to be a joyful night out, the MV captures intimate singing moments, carefree dancing, and lilting city snapshots that somehow mirror the easygoing vibe of the track. “There’s also a small Easter egg hidden in the karaoke machine: make sure you look for that,” Bautista adds.

The music video is directed by Tristan Ortega and conceptualized in collaboration with the Sony Music Philippines team and Balcony Productions, with creative direction by Rico Blanco.

As Bautista steps into a new era, music fans can look forward to celebrating the moment live. He is set to share the stage with Mark Bautista for an exciting night of timeless hits and exciting new music. Dubbed “Bautista x Bautista,” the concert is set to take place on March 6, 2026, at the New Frontier Theater in Cubao, Quezon City. Tickets are available via ticketnet.com.ph.

Bautista is managed by NYMA Management. 

Christian Bautista’s “Sa’yo Lamang” will be out on Wednesday, February 25, 2026, on all digital music platforms worldwide via Sony Music Entertainment. The music video will be released on the same day, at 6:00 PM.

About Sony Music Entertainment

 At Sony Music Entertainment, we honor the creative journey. Our creators shape movements, culture, communities, even history. And we’ve played a pioneering role in music history, from establishing the first-ever music label to inventing the flat disc record. We’ve nurtured some of music’s most iconic artists and produced some of the most influential recordings of all time. Today, we work in more than 100 countries, supporting a diverse and distinctive roster of talented creators at every level and on every stage. Situated at the intersection of music, entertainment, and technology, we bring imagination and expertise to emerging products and platforms, embrace new business models, and employ breakthrough tools—all to support the creative community’s experimentation, risk-taking, and growth. And we form deep, trusted, cause-based partnerships to uplift and empower communities around the world. Sony Music Entertainment is part of the global Sony family. Learn more about our creators and labels here.

OPM rockestra band Silent Sanctuary is set to reach a new international milestone as the group performs a three-date tour in Japan from March 27 to 29, followed by a Singapore show on April 5 at Timbre+ One North. Originally planned as a single concert, the Japan run expanded to three performances after strong fan demand, with all shows now officially sold out.

“This is our first time in Japan. Supposed to be one show only, but because of the fans, they opened a second show and then a third,” shared vocalist Sarkie Sarangay, noting that the band did not expect to discover such a large fanbase in the country. Violinist Kim Mirandilla-Ng described the upcoming tour as a moment the band feels “grateful for a new adventure,” while cellist Anjo Inacay highlighted the growing reach of OPM across Asia, saying it is exciting to see Filipino music crossing into neighboring countries.

The band will perform at Mr. Back Saitama, Livehouse Shinjuku SAMURAI, and Heaven’s Door, bringing their signature blend of rock instrumentation and classical strings to new audiences. Members shared that performing in Japan presents both excitement and challenge, as they look forward to meeting overseas fans and delivering performances that match the high musical standards of the livehouse scene. Fans attending the shows can expect a mix of classic hits, deeper cuts, and selected fan requests.

Following the Japan dates, Silent Sanctuary will continue its international appearances in Singapore, where the band plans to deliver what Sarangay described as a “full-blast performance” for supporters abroad. Tickets for the Singapore show are available via Peatix.

Coinciding with the tour is the release of the band’s new single “UNA,” under Universal Records, a refreshed version of a track originally recorded as a demo in 2009 and previously performed in the band’s early live sets. The fans should expect the release of their new single this February 27. 

As Silent Sanctuary continues to evolve creatively after more than two decades in the industry, the band remains driven by its passion for songwriting, live performance, and the enduring connection with audiences worldwide. “Walang humpay na pasasalamat,” Sarangay said in a message to fans. “Thank you to all the old and new fans. Sana hindi kayo magsawa, dahil hindi kami magsasawa gumawa ng kanta para sa inyo.”

About Silent Sanctuary

Formed in 2002, Silent Sanctuary is one of the Philippines’ most recognized OPM rock bands, known for its distinctive “rockestra” sound that blends alternative rock with orchestral elements such as violin and cello. With numerous hit songs and sold-out concerts across the Philippines, the band continues to expand its international reach while creating new music for both longtime supporters and new listeners.

For the latest updates on Silent Sanctuary, follow them on 
Facebook | Instagram | TikTok | Spotify | YouTube  

The P-Pop trailblazers raise the stakes with a song that channels global ambition and systemic frustration into a rallying cry for change.

SB19 marks a watershed moment in P-Pop with the release of “VISA,” their first official single of 2026 and the bold follow-up to the Simula At Wakas era. Delivering a more confident and uncompromising approach in artistic direction, SB19’s “VISA” tackles socially relevant themes that stand as both a prologue and a promise: an assertion that the new musical era will not only entertain, but also dare to challenge, provoke, and shake up comfort for conviction.

[LISTEN TO “VISA” HERE]

Their brand-new song confronts the lived realities of Filipinos striving to shift culture and build a life of security and stability for their families. It channels the frustrations of overseas Filipino workers, athletes, creatives, and professionals, who dedicate their hard work and talent to representing the Philippines, only to be met with systemic barriers that hinder their goal and recognition. Through piercing lyricism that confronts as it wounds, the five-piece powerhouse “calls out the invisible cages that restrict opportunities” on their brand-new track, emphasizing the irony of a people celebrated for their resilience yet burdened by bureaucratic inequities.

“This release will really define SB19’s sound, personality, and the way we present ourselves,” Stell admits. “We have always been known for being vocal, but this time it is even stronger. We are addressing sensitive and current topics that people can relate to, even if not everyone agrees with us. We are ready to face any reaction. This release is very powerful and a strong way to start the year and introduce this new era.”

Inspired in part by real-world events and ongoing conversations around visa denials affecting Filipino talents, SB19’s latest single also serves as a commentary on access and privilege, on the disparity between global contribution and mobility. By centering these themes with a more defined perspective, SB19 transforms personal and collective frustrations into an anthem of awareness, and, to an extent, resistance.

“We were very affected by visa applications during our tour,” Pablo reveals. “SB19 has been active for seven years, and we hope that songs like these can reach officials and encourage laws that make it easier for athletes, artists, and others working overseas to access visas. This could include creative acts, producing content, or receiving rebates for spending related to the arts. This is not just an attempt to produce music, but to push Filipino culture forward. There is little support from the government, so it is important that our work can make an impact not only personally but also on a national level.”

Josh echoes the familiar frustration, sharing parallels with the struggles of athletes who train and work hard to compete abroad and make Filipinos proud. “I have always had this dream during our tour, as someone who represents the Philippines all over the world. I have also seen the struggles of athletes when they represent the country. They give so much for the Philippines, but it often feels like the country does not give back. There needs to be a change.”

Justin chimes in on the ongoing issue while highlighting the intentional messaging of the track. “We are highly skilled and hardworking, and we’ve significantly contributed to raising the morale of Filipinos abroad, as well as impacting the economy in positive ways. But somehow, it often feels like we are at the end of the line.”

Musically, “VISA” mirrors its thematic tension with bold, unconventional production and brass sounds. Conceived from a melody Pablo imagined in one of their brand campaign shoots, the track fuses satire, personal experience, and commentary with sonic experimentation. 

Ken explains, “This song is very unconventional and unorthodox. The instruments are not the usual ones, especially the melody. It is kind of unusual, but in a good way. The melody is impactful, and the instruments we used in the track are well chosen. The percussions, ad-libs, and other elements are perfectly placed, making it a very pleasing experience for the ears.”

SB19’s “VISA” is out now on all digital music platforms worldwide via Sony Music Entertainment. 

Rising pop artist Hakki returns with her newest single, “Halo-Halo,” set for release on February 20, 2026 under KDR Music House. The track serves as the exciting follow-up to her debut single, “Aaminin,” further establishing her voice and identity in the OPM pop scene.

Written and composed by Hakki herself, “Halo-Halo” showcases not only her vocal charm but also her songwriting talent. From the recording process to the final production touches, Hakki was hands-on in bringing the single to life — actively involved in vocal direction, creative input, and overall sound execution to ensure the song truly reflected her vision.

Built around the catchy hook “Kumakaba-kaba…,” the track captures that unmistakable kilig — the heart-racing, butterflies-in-your-stomach feeling when you’re around someone special.

“With ‘Halo-Halo,’ I wanted to express that mix of emotions you feel when you like someone — sweet, nervous, excited all at the same time,” Hakki shares. “It’s colorful, just like the dessert halo-halo. Different feelings combined into one happy vibe.”

With its dance-friendly beat, repeatable chorus, and performance-driven pop style, “Halo-Halo” marks Hakki’s confident step into a more dynamic, stage-ready musical lane. Designed for strong radio replay, digital engagement, and live crowd interaction, the single highlights her growth not only as a performer but also as a creative artist deeply involved in her craft.

Sweet, rhythmic, and instantly memorable, “Halo-Halo” is poised to become a relatable anthem for today’s generation — a soundtrack for crushes, kilig moments, and everything in between.

“Halo-Halo” will be available on all major streaming platforms starting February 20, 2026.

https://orcd.co/halohalohakki

Fresh off the chart success of ‘GOLDEN HOUR : Part.3’ and its repackage, ATEEZ continues to build momentum as one of K-pop’s most powerful global forces. Their 13th EP, ‘GOLDEN HOUR : Part.4,’ sees the group pushing forward with even more confidence, ambition, and an ever-expanding global reach. The EP is out now via Sony Music Korea/RCA Records.

ATEEZ kicked off 2026 with momentum, releasing their first lead single of the year, “Adrenaline.” The fast-paced track fuses the group’s explosive, larger-than-life sound with a hypnotic EDM drive, showcasing their signature intensity and precision.

Renowned for their fluidity across languages and styles, ATEEZ continue to build a globally resonant catalog, using “Adrenaline” to reach new audiences while sharpening their sonic identity.

2025 marked a defining chapter for ATEEZ, highlighted by major milestones on the global stage. The group earned their first Billboard Hot 100 entries with “Lemon Drop” (No. 69) and “In Your Fantasy” (No. 68), alongside their fifth No. 1 on Billboard’s Top Album Sales chart with ‘GOLDEN HOUR : Part.3.’ The year also saw ATEEZ recognized as K-pop Artist of the Year at the 2025 iHeartRadio Music Awards and nominated for Favorite K-pop Artist at the American Music Awards, affirming their place in the international music landscape.

Looking ahead to 2026, ATEEZ set their sights on an even bolder chapter, preparing to deliver bigger, more dynamic music and performances to audiences worldwide.

The fourth chapter of the ‘GOLDEN HOUR’ series features 5 new songs narrating ATEEZ’s determination to move forward with conviction amid a collision of emotions. The EP marks an exciting new turning point in the group’s seven-year-long career as their first official project post contract renewal.

As ATEEZ continues to prove their status as a global top artist, K-pop fans around the world are eagerly anticipating what they have in store for this year. ATEEZ offers their fans the power to pierce through the chaos of these uncertain times with “Adrenaline” – a party anthem for those who refuse to succumb to apathy. You can watch the music video here and stream the album here.

LISTEN TO [GOLDEN HOUR : Part.4]  HERE

[GOLDEN HOUR : Part.4] TRACK LIST

01. Ghost

02. Adrenaline **title track**

03. NASA

04. On The Road

05. CHOOSE

This EP arrives as ATEEZ kick off the Asia and Australia leg of their [IN YOUR FANTASY] world tour, bringing their immersive live performances to fans across the region. With added second shows in Sydney and Melbourne, the tour marks a new chapter as the group takes the stage in larger venues and continues to elevate their global live presence.

ATEEZ 2026 WORLD TOUR [IN YOUR FANTASY] Dates:

January 24 – Taipei, Taiwan – NTSU Arena

January 31 – Jakarta, Indonesia – ICE BSD City Hall 5-6

February 22 – Singapore, Singapore – Singapore Indoor Stadium

March 2 – Melbourne, Australia – Rod Laver Arena

March 3 – Melbourne, Australia – Rod Laver Arena

March 6 – Sydney, Australia – Qudos Bank Arena

March 7 – Sydney, Australia – Qudos Bank Arena

March 14 – Manila, Philippines – Smart Araneta Coliseum

March 22 – Kuala Lumpur, Malaysia – Axiata Arena, Bukit Jalil

March 28 – Macau, Macau – The Venetian Arena

April 4 – Bangkok, Thailand – IMPACT Exhibition Hall 5-6

Recorded across the two-day concert in the Philippine arena, the 19-track live album captures a defining moment in P-Pop history.

P-Pop phenomenon SB19 has released Simula At Wakas: Kickoff Concert Album, a live recording of tracks from their two-day concert at the Philippine Arena in Bulacan on May 31 and June 1, 2025. The album redefines a new era of boldness and ambition in SB19’s music, further elevated by the group’s undeniable world-class performance.

Mixed and mastered by Radkidz, with live arrangements by Jem Florendo, the 19-track album features live performances of songs from Simula At Wakas (2025), Pagtatag! (2023), and Pagsibol(2021), alongside the concert version of the fan-favorite single “Moonlight.”

Originally featuring US-based producer/DJ Ian Asher and Chinese electronic producer Terry Zhong, “Moonlight” takes a more restrained, but more soulful direction in its live iteration. For this version, the subdued arrangement places SB19’s vocals front and center, offering a more intimate take on the track.

“The live version of Moonlight is absolutely one of our favorites from the new record,” SB19 shares. “By keeping the production minimal and letting our voices lead, we found something more honest and human. Sometimes, less is more.”

Recorded during the opening stops of their Simula At Wakas world tour, the concert album reflects the Filipino group’s evolution on an artistic and emotional level. The two-night spectacle set the tone for a 21-show tour spanning cities and territories across the United States, Canada, Taiwan, Japan, Singapore, Hong Kong, the United Arab Emirates, Qatar, Saudi Arabia, Australia, and more.

“These versions reveal who we are now,” the P-Pop powerhouse adds. “Everything was done with intention, but also with openness, allowing the moment to shape the performance. This album represents years of hard work, discipline, and belief, and we wanted it to feel alive and heartfelt.

In addition to the album release, SB19 announced the official conclusion of their landmark world tour with “Wakas At Simula: The Trilogy Concert Finale,” happening on April 18 at the SMDC Festival Grounds. Tickets are anticipated to go on sale in February 2026.

SB19’s Simula At Wakas: Kickoff Concert Album is out now on all digital music platforms worldwide via Sony Music Entertainment.

Follow SB19 on their socials:

• YouTube: https://www.youtube.com/channel/UCm4v7afBTnJKRm4SlfHJzyg
• Facebook: https://www.facebook.com/SB19Official/
• X: https://twitter.com/SB19Official
• Instagram: https://www.instagram.com/officialsb19
• TikTok: https://www.tiktok.com/@officialsb19

The song completes the ‘Mahiwaga trilogy,’ which includes hit songs “Pagtingin” and “Araw-Araw”

Ben&Ben continued to solidify their status as one of the most important voices of OPM in 2025. The acclaimed band made history as the first Filipino act to surpass three billion streams on global streaming platform Spotify, while also earning major wins at the 28^th Awit Awards, including Album of the Year for their third studio album, The Traveller Across Dimensionsand Best Performance by a Group Recording Artist for “Triumph.” As the year drew to a close, Ben&Ben’s music found itself intertwined with national consciousness when “Kapangyarihan,” their collaboration with SB19, emerged as a modern anthem in protest spaces, echoing public anger amid allegations of corruption surrounding flood control and infrastructure projects.

Now, as they turn the page to a brand-new year, the multi-awarded nine-piece collective invites listeners to start the year on a more intimate yet optimistic note with the release of their new single “Duyan”—out now on all digital music platforms worldwide via Sony Music Entertainment.

Written and composed by frontman Miguel Benjamin and produced by longtime collaborator Ziv alongside Ben&Ben, “Duyan” represents a profound, romantic bond that defies distance, time, and obstacles. The rousing pop-rock ballad encapsulates what true love really means: deep affection, unwavering loyalty, and the choice to remain committed even when faced with challenges and adversities.

According to Miguel, he wrote the song three days before his wedding, while sitting alone in his car. The song contains everything he wanted to tell his then-future wife.

“There are songs where artists write themselves in the music, and this is one of them,” Miguel explains. “That day, the idea of fully offering oneself to another person stayed with me. It’s a love inspired by lifelong commitment, shared journeys, and selflessness. More than anything, I realized that I was ready to make the promise before God. I felt it in the deepest part of my heart.”

Musically, the band worked closely with their good friend and constant collaborator Ziv to honor the song’s emotional core, while “maximizing the soul and expanse of the band’s instruments to take it to the fullest version it was meant to become.”

The song is part of the Mahiwaga Trilogy, Ben&Ben’s thematic arc on romantic relationships. The series began with “Pagtingin,” a groovy meditation on love at first spark and infatuation, and continued with “Araw-Araw,” a folk-pop ode to choosing your partner every single day. “Duyan” closes the chapter with finality, speaking of lifelong commitment and assurance.

“Two years after I wrote the song Duyan and kept it as a very personal part of my life, it made sense for it to be put out there,” shares Miguel. “It also made sense for it to be the conclusion of the trilogy of songs/videos Pagtingin and Araw-Araw.”

Music Video

The song will be accompanied by the release of a music video starring real-life couple and actors Gabbi Garcia and Khalil Ramos, who also appeared in the previous installments of the Mahiwaga Trilogy. For Khalil, returning to the project was a full-circle moment for both Gabbi and him.

“Thematically, it’s beautiful to see how the story progressed since Pagtingin,” shares the Filipino actor, singer, and filmmaker. “I vividly remember how we shot those two videos, and the film LSS. Gab and I grew alongside these songs. At every stage of the trilogy, we could deeply relate to it, because it reflected the different phases of our own relationships through the years.”

Miguel praised both actors in the music video for their enduring role in the band’s visual storytelling. “It was so good to be able to work with our longtime friends Gabbi and Khalil once more in this music video. You could say we’ve both grown so much in life and in our careers ever since the last project we did together. It was great catching up and telling stories of the past and making new memories.”

Directed by Lunchbox Studios under the helm of Daniel Aguilar, the wedding-themed music video brings the trilogy to a close through rosy, introspective visuals.

Ben&Ben said viewers can expect to see a wonderful blend of magic and everyday life in the music video: “We’ve been working with (Lunchbox Studios) for a while now, and for this video, we wanted to do a very intimate but expansive conclusion to the videos we’ve done before. We collaborated on a concept of a portrayal of the stages of commitment done in magical realism.”

Ben&Ben’s “Duyan” is out now on all digital music platforms worldwide via Sony Music Entertainment. Watch out for the music video of “Duyan” on Ben&Ben’s official YouTube channel.

GRAMMY-nominated, multi-platinum chart-topping global superstar The Kid LAROI releases his first full-length album in two years, BEFORE I FORGET, out now via Columbia Records.

Introduced by three singles, “A COLD PLAY,” “A PERFECT WORLD,” and “BACK WHEN YOU WERE MINE,” BEFORE I FORGET signals a powerful turning point for the 22-year-old artist, defined by vulnerability and emotional clarity. Steeped in introspection and showcasing LAROI’s distinctive songwriting and genre-bending prowess at new heights, each track gives an intimate insight into his world.

“BEFORE I FORGET is about the music. Nothing else. That’s what I want people to hear.”

The new album follows LAROI’s 2023 album THE FIRST TIME, whose deluxe edition arrived the following year with five additional tracks, including “NIGHTS LIKE THIS PART 2,” the sequel to “NIGHTS LIKE THIS,” and fan-favorite “GIRLS.” LAROI continues to push creative boundaries with every new project, cementing him as one of the most compelling voices shaping music today.

BEFORE I FORGETTracklist:
ME + YOU
JULY
PRIVATE
COME DOWN
RATHER BE (feat. Lithe)
A PERFECT WORLD
5:21AM (feat. Andrew Aged)
A COLD PLAY
THE MOMENT (feat. Clara La San)
NEVER CAME BACK
THANK GOD
I’M SO IN LOVE WITH YOU
MAYBE I’M WRONG
HER INTERLUDE
BACK WHEN YOU WERE MINE

ABOUT THE KID LAROI

At just 22 years old, LAROI has already established himself as one of the fastest-rising stars in the music industry. In 2021, He logged a record-setting hold at the top of the Billboard Hot 100 chart with “Stay,” his collaboration with Justin Bieber, dominating radio waves and building global recognition. The Kid LAROI has captivated fans across the world with songs including “Let Her Go,” “Diva” ft. Lil Tecca, “Go” ft. Juice WRLD, and “Without You,” the latter of which led to his debut Saturday Night Live performance with Miley Cyrus. His 2020 debut mixtape, F*ck Love, earned chart-topping success, reaching number three on the Billboard 200 Chart. In recognition of his major achievements, LAROI received the highly coveted “Best New Artist” nomination at the 64th GRAMMY Awards (2022). LAROI’s full-length album, THE FIRST TIME, made a splash in 2023, debuting at #26 on the Billboard 200. The album also reached #3 on the ARIA Albums Chart, becoming LAROI’s second top-three entry in Australia.

LAROI had a massive 2024, starting with the release of the deluxe version of THE FIRST TIME, which featured five new tracks. He embarked on The First Time Tour, which brought him across Europe, North America, and Australia. He released three new singles, including “GIRLS,” which he debuted live on tour ahead of the release, along with “APEROL SPRITZ,” and “SLOW IT DOWN” featuring Quavo. “ALL I WANT IS YOU” marked LAROI’s first release of 2025 and was followed by his highly anticipated single “HOW DOES IT FEEL.” With his new releases, LAROI continues to push genre boundaries and impress audiences with his undeniable star power.

Connect with The Kid LAROI

Instagram | TikTok | YouTube | Twitter | Facebook | Website

The acclaimed Filipino band embraces a renewed sense of artistic ease and confidence on their dreamy, noisy, but melodic indie rock release.

Filipino indie rock band We Are Imaginary has released their self-titled third album on all streaming and other digital music platforms worldwide via indie label floppydisks.

Produced by Joey Santos of Love One Another and Ahmad Tanji, the album delves into themes of identity, emotional reckoning, and acceptance. Sonically, it’s a dreamy guitar-rock record infused with shoegaze and noise-pop textures: drifting through warm, fuzzy soundscapes before pulling listeners back into tension, doom, and angst.

We Are Imaginary was also recorded by Angee Rozul and Santos at Love One Another studio, and was mixed by the latter and mastered by Adam Haggar at Mount Olympia Mastering.

[PRESS PHOTOS HERE]

Frontman Ahmad Tanji describes the record as an internal monologue: one that begins in uncertainty and gradually opens into moments of understanding and calm. Rather than chasing resolution, the 9-track release embraces the idea that not all experiences require closure.

“This collection also feels more cohesive,” Tanji reveals. “There’s a sense of comfort and confidence when we started laying down our parts. I guess that comes with growing with the band for 17 years and trusting the people you work with.”

On their self-titled record, the band allows itself to inhabit extremes: hushed passages give way to surging intensity, and vulnerability coexists with restraint. The result is a cohesive and patient record, unburdened by the need to prove anything. “It felt unforced,” Tanji shares, crediting the band’s 17 years together for the sense of comfort and trust that shaped the sessions.

Designed to be experienced as a complete work, We Are Imaginary rewards attentive listening. Its sequencing, subtle shifts, and quiet moments form a gradual arc: one best heard in a single sitting, on vinyl or through good speakers or headphones.

Tanji explains it best: “Angee Rozul worked with our taste and style perfectly as our recording engineer, letting us lean towards a more ‘90s sound this time around, while Joey (Santos) gave each song a massive and dynamic mix. We would exchange several drafts per song, stripping them to their most essential, capturing what arrangement works with the story.”

With this release, We Are Imaginary presents an honest distillation of who they are now: assured, reflective, and fully at ease with the space they occupy.

The band is also set to release the album on vinyl via Eikon Records sometime in the first quarter of the year. Pre-order here.

About We Are Imaginary

We Are Imaginary is a Manila-based indie rock band that has been crafting emotionally resonant, guitar-driven anthems since 2008. Drawing comparisons to The Smashing Pumpkins with a lyrical sensibility reminiscent of Ben Gibbard, the band has carved out a distinct niche in the Philippine independent music scene.

Once known as Your Imaginary Friends, the band released two critically acclaimed EPs under their old name before rebranding due to trademark issues. Undeterred, they signed with respected local label Wide Eyed Records, releasing their debut full-length album, Death to Romanticism, in 2016 to widespread acclaim.

In 2018, to mark their 10th year, the band released “Dekada”, their first single in Filipino, showcasing their evolving sound and versatility. Following a pandemic-induced hiatus, they returned in 2023 with Swan Songs for Drifters, their fourth album, under emerging label Floppydisks—a record that reaffirmed their relevance and creativity in a fast changing musical landscape.

Internationally, We Are Imaginary has represented the Philippines at major regional events, including the Grass Tone Sound Festival (Thailand, 2015), Rocking the Region (Singapore, 2017), Archipelago Festival (Indonesia, 2017), and just recently, No Headliner 4 (Vietnam, 2025).

They have also opened for notable international acts such as Club 8, Moonpools & Caterpillars, and Beach Fossils. Currently composed of brothers Khalid (guitars) and Ahmad Tanji (vocals, guitars) and JJ Rodriguez (drums), the band is all set to release their fifth studio album this January 2026.

The band brings their most personal and sonically adventurous album on vinyl, reaffirming the enduring value of physical media

Award-winning Filipino pop-rock powerhouse IV OF SPADES continues to ramp up the celebration of their highly anticipated comeback with the exclusive vinyl release of their critically acclaimed album, Andalucia.

The new record will be available in a thousand copies for its first vinyl pressing, with a few of them already available during the first and second day of IV OF SPADES’ concert, which took place at the SM Mall of Asia Arena on December 12 and 13, 2025.

For those unable to attend the concert, worry not! Andalucia will be available starting December 15, 2025, through Backspacer Records via their official website.

“Andalucia feels like a special snapshot of where we are in our lives right now,” shares the acclaimed quartet in a press statement. “This is the first vinyl of IV OF SPADES.  Pangarap din namin ito.”

Hailed as one of the most astounding creative rebirths in OPM for the last decade, Andalucia stands as a testament to renewed brotherhood and friendship. Shaped by years of individual growth and nearly seven years of separation, the album was forged through trust, mutual respect, and a deep appreciation for the members’ creative process.

The twelve-track album also traverses a rich spectrum of sound and experiment, while remaining anchored in the band’s signature introspection, emotional honesty, and meticulous sonic craftmanship.

IV OF SPADES’ new album, Andaluciais out now on all digital music platforms worldwide via Sony Music Entertainment.

Arthur Nery, the current No. 1 OPM male artist in the Philippines, has dropped the official music video for his collaboration with Filipino hip-hop artist Kiyo called “Di Nakakasawa,” starring the highly acclaimed film and television actor Nadine Lustre.

Originally released in September last year, the song is part of Nery’s sophomore album called II: The Second. Now with over 23.9 million streams, “Di Nakakasawa” has spent 9 weeks on Spotify’s Weekly Top Songs chart as of writing.

Digging into the concept of the music video, the first frame features a neurologist and neuroscientist named Dr. Joel Barish, which seems to reference a popular fictional character from the classic film Eternal Sunshine of the Spotless Mind, where the plot revolves around couples who undergo a medical experiment to erase their memories after a breakup.

Set in contrast to the mentioned film, and across different timelines of the pairing portrayed by Arthur Nery and Nadine Lustre, the visual storytelling unofficially suggests that the male lead is suffering from Alzheimer’s disease. Instead of erasing memories, he attempts to go through a procedure to “relive your happiest memories,” showing moments from the first time they met at their high school batch reunion and again at their senior citizens reunion.

Kiyo also makes a special appearance in the music video. In the following scenes, the characters are seen running away from him, implying that he is part of the conflict the protagonists are facing. In the final clips, the medical treatment appears to be successful when the male character remembers his beloved partner. 

Stream the official music video of “Di Nakakasawa” by Arthur Nery and Kiyo, now available on YouTube.