15 June 2026 — The Theatre Group Asia (TGA) is delighted to announce the casting of Filipino-Kiwi performer Laurence Mossman as Middle Noah in the Philippine production of the celebrated Broadway musical The Notebook. As Middle Noah, Mossman is set to play opposite previously announced Middle Allie, Asia’s Phoenix, Morissette.
Currently based in London, Mossman brings an impressive international résumé to the production. He was most recently seen as Thuy in the International and Australian Tour of Miss Saigon, where his performance earned praise for its vocal power and emotional depth. His theatre credits also include Charlie Price in Kinky Boots, Young Ebenezer in A Christmas Carol, multiple roles in Fun Home opposite Lea Salonga, and Sky in Mamma Mia!. His screen credits include the television series Dolce Amore and the acclaimed Filipino film Die Beautiful. He is also a graduate of the University of Otago with First-Class Honours in Music.
In The Notebook, The Musical, Middle Noah embodies the enduring passion and devotion that define one of the most beloved love stories of a generation. Mossman’s combination of vocal excellence, emotional honesty, and commanding stage presence makes him a compelling choice for the role.
“We are thrilled to welcome Laurence to the company,” said TGA Overall Artistic and Creative Director Clint Ramos. “His artistry, warmth, charm, and remarkable ability to connect with audiences through his musicality make him the perfect fit for the role of Middle Noah at this pivotal stage of the character’s journey.”
“It is an incredible honor to join TGA’s production of The Notebook, The Musical,” said Mossman. “This story has touched audiences around the world because of its honesty, heart, and humanity. I’m excited to bring Middle Noah’s journey to life alongside this extraordinary cast and creative team.”
Based on the bestselling novel by Nicholas Sparks and the beloved film adaptation, The Notebook, The Musical tells the unforgettable story of Allie and Noah, whose enduring love transcends time, memory, and circumstance.
Watch Laurence Mossman’s Performance of “Leave The Light On from The Notebook: The Musical.
For more information, visit TGA’s website www.theatregroupasia.com, Instagram @theatregroupasia, or Facebook page https://www.facebook.com/theatregroupasia.
Theatre Group Asia (TGA) proudly announces its 2026-27 season theatrical lineup featuring three globally celebrated works, all of which, is set to be staged in Philippines for the first time.
TGA Creative and Overall Artistic Director Clint Ramos shares, “TGA’s 2026-27 honors three unforgettable, powerful stories that stir, challenge, and transform. This season places the human capacity to influence through love, survival, and creation on center stage. While each production proudly spotlights artists and narratives, the season ultimately celebrates something even greater: the power every person holds to shape hearts, defy limits, and leave a lasting mark.”
Opening the season in September 2026 is The Notebook: The Musical, which makes its international premiere in Manila. Featuring music and lyrics by Ingrid Michaelson and a script by Bekah Brunstetter, the musical debuted in 2022 at Chicago Shakespeare Theater under the direction of Michael Greif and Schele Williams. The production is touted for its emotional restraint and lyrical storytelling, offering a more intimate and reflective take on Nicholas Sparks’ iconic novel. While the story is best known through the 2004 film adaptation starring Ryan Gosling and Rachel McAdams, the stage version expands the narrative by portraying Allie and Noah across multiple stages of their lives, allowing audiences to witness how love matures, fractures, and ultimately endures. As a contemporary romance written with modern musical sensibilities, The Notebook: The Musical holds cultural significance for its tender exploration of memory, aging, and devotion, redefining the epic love story for a new generation.
In February 2027, TGA presents the Philippine premiere of Ang Tahanan ni Bernarda Alba, a Filipino-language staging of Federico García Lorca’s final and most powerful play. Written shortly before Lorca’s death, the work premiered posthumously in Buenos Aires in 1945 under the direction of Margarita Xirgu and was immediately recognized as a cornerstone of modern drama. The play follows the tyrannical Bernarda Alba, who enforces an eight-year mourning period on her daughters after her husband’s death, ruling her household through fear, tradition, and repression. Beneath the suffocating silence, desire and rebellion grow until the family is driven toward tragedy. Widely regarded as one of the greatest Spanish-language plays of the twentieth century and adapted countless times for stage and film, Bernarda Alba remains a searing critique of authoritarian control, patriarchy, and social conformity. In its Filipino incarnation in Chay Yew’s adapted version and transposed by Guelan Varela-Luarca, the play resonates with renewed urgency, underscoring the universal human struggle for freedom, dignity, and life itself.
Concluding the season in June 2027 is Stephen Sondheim and James Lapine’s Sunday in the Park with George. The musical premiered on Broadway in 1984 under Lapine’s direction and was initially met with awe for its intellectual ambition and emotional depth, even as it challenged conventional musical theatre audiences. Inspired by Georges Seurat’s painting A Sunday Afternoon on the Island of La Grande Jatte, the work explores the obsessive drive of an artist consumed by creation and the personal costs that accompany artistic brilliance. A parallel narrative set a century later reflects on legacy, innovation, and the enduring question of what it means to make meaningful art. Awarded the Pulitzer Prize for Drama in 1985 and now widely regarded as one of the greatest musicals ever written, Sunday in the Park with George stands as a profound meditation on creativity, sacrifice, and the power of art to transcend time.
Together, these three productions form Theatre Group Asia’s boldest season yet. TGA’s Season 2026-27 is made possible with the support of Ayala Land, BPI, and Philippine Airlines. For more information, visit TGA’s website www.theatregroupasia.com, Instagram @theatregroupasia, or Facebook page https://www.facebook.com/theatregroupasia.
Part of the fun of watching Bagets has always been picking a favorite member of the barkada, whether it was Adie, Arnel, Tonton, Topee, or Gilbert. As Bagets The Musical gears up for its run, Newport World Resorts has released the cast performance schedule for shows from January 23 to February 1, giving audiences a heads up on who they will be seeing on stage!
Audiences can catch Andres Muhlach as Adie, Ethan David as Arnel, Milo Cruz as Tonton, Jeff Moses as Topee, and Tomas Rodriguez as Gilbert in performances scheduled on January 23 at 8 PM, January 25 at 3 PM, and January 31 at 3 PM and 8 PM. This lineup brings together five performers whose portrayals highlight the youthful energy and camaraderie at the heart of the story.
Mico Chua takes on the role of Adie alongside KD Estrada as Arnel, Migo Valid as Tonton, Sam Shoaf as Topee, and Noel Comia Jr. as Gilbert in performances set for January 24 at 3 PM and 8 PM, January 30 at 8 PM, and February 1 at 3 PM. These show dates offer audiences another chance to experience the beloved barkada through a different ensemble of performers.
The production’s gala night performance on January 29 at 8 PM features Muhlach, Estrada, Cruz, Moses, and Rodriguez onstage.
The actors listed are scheduled to appear on the indicated dates. In the event of unforeseen circumstances, their alternates may perform the role without prior notice.
A production of Newport World Resorts with Philippine STAR and VIVA Communications, the show is staged by PETA plus. This show is also presented in cooperation with Sun Life Philippines.
Bagets The Musical runs from January 23 to March 2026 at the Newport Performing Arts Theater. Tickets are now available online at https://tickets.newportworldresorts.com/products/bagets-the-musical and all Ticketworld and Ticket2Me outlets: PHP 4,000 (SVIP), PHP 3,500 (VIP), PHP 3,000 (GOLD), PHP 2,000 (SILVER), and PHP 1,000 (BRONZE). For inquiries, contact Customer Care at 7908-8888.
Learn more about the artists and the production through VIVA Communications, Inc. (@vivaartistsagency), The Philippine STAR (@philippinestar), and Newport World Resorts (@newportworldresorts) on Facebook, Instagram, and TikTok.
The magical world of Willy Wonka is set to enchant Filipino audiences for the very first time! The Broadway musical adaptation of Roald Dahl’s beloved classic Charlie and the Chocolate Factory will premiere in Manila at The Theatre at Solaire from July 8 to July 26, 2026.
Broadway International Group and Broadway Asia, in association with HY Culture Fund, Doug Meyer, AMA Group, GMG Productions, UnionBank of the Philippines, Bergamot Front Row Fund, and Willette Klausner invite audiences of all ages, including fans of the book and movies, to step inside an immersive theatrical world of pure imagination. This international tour follows a successful sold-out run in Shanghai in November 2025. The production promises an immersive experience filled with chocolate rivers, mischievous Oompa-Loompas, nut-sorting squirrels, and cutting-edge illusions, including hologauze 3D technology designed by renowned illusionist Tim Clothier.
The musical features iconic songs from the 1971 film, such as “Pure Imagination,” “The Candy Man,” and “I’ve Got a Golden Ticket,” alongside original score by Grammy and Tony Award winners Marc Shaiman and Scott Wittman (Hairspray, Mary Poppins Returns). The book is by David Greig, based on Roald Dahl’s timeless novel.
Producers Simone Genatt and Marc Routh enthused: “This new production features miraculous special effects… We are so excited to share the breathtaking world of this beloved Broadway musical about the power of imagination.”
The global tour, directed by Matt Lenz with choreography by Alison Solomon, will visit major Asian cities including Hong Kong, Singapore, Beijing, Taipei, and Seoul over the next 2-3 years.
The state-of-the-art The Theatre at Solaire in Entertainment City, Paranaque, will host the Manila season.
Ticket Information UnionBank Pre-sale: January 12–15, 2026 via ticketworld.com.ph
GMG Productions Waitlist: Open now until January 14, 2026 (11:59 PM PT) at https://www.gmg-productions.com/
General Public On-sale: January 17, 2026 via TicketWorld
For updates, follow @gmg.productions on social media or @charlieglobaltour on Instagram.
This family-friendly spectacle is perfect for fans of the book, films, and musical theatre alike—get ready to step into a world of pure imagination!
For over four decades, Bagets has remained one of Philippine cinema’s most iconic coming-of-age films. Audiences still remember the bright energy of the barkada, the unforgettable school scenes, the prom sequence, and the way the film captured the feeling of being young in the ‘80s. The characters Adie, Topee, Tonton, Arnel, and Gilbert have lived on in popular culture, and the movie continues to be discovered by new generations.
In its newest stage adaptation, the creative team offers audiences a new perspective on the five women behind the boys’ journey. This time, the ermats, or mothers, of the original barkada move from the sidelines to the center of the story in Bagets The Musical.
The ermats of Bagets The Musical: Women with depth, complexity, and heart
The musical presents a spectrum of ’80s Filipina womanhood—working moms, high society wives, single parents, hustlers, and creatives. Once background characters, they now emerge as layered and vulnerable, grappling with the same themes that remain relevant today: the mental load of mothers, the fear of failing her child, the struggle to communicate, and the hope for healing.
A talented line-up of actresses brings these characters to life including Carla Guevara-Laforteza as Virgie (Adie’s mother), Neomi Gonzales as Anna (Topee’s mother), Kakai Bautista and Natasha Cabrera alternating as Delia (Tonton’s mother), Mayen Bustamante-Cadd as Ditas (Arnel’s mother), and Ring Antonio as Luz (Gilbert’s mother).
Carla Guevara-Laforteza is Virgie, the mother of Andres Muhlach and Mico Chua’s Adie
Carla Guevara-Laforteza as Virgie (Mother of Adie)
Virgie is the quintessential ’80s working mother who is educated, constantly busy, and terrified of stillness. Carla approaches her with grounded realism, drawing from her own life as a mother: “I have to find myself in the character so that it is genuine.”
As a multi-award winning performing artist, Carla Guevara-Laforteza brings three decades of acclaimed theater work to the role, having graced the international theater scene with roles such as Kim and Gigi in the original West End production of Miss Saigon at the Theatre Royal Drury Lane in London, as the Club singer and Flo Manero for the Asian tour of Saturday Night Fever, and as one of the official vocalists for the Disney in Concert tour around Asia, to name a few.
In the Philippines, she has starred in Original Filipino Musicals which include Ang Huling El Bimbo, Joseph the Dreamer, Rak of Aegis, IBARRA the Musical, One More Chance: The Musical, Binondo o Tsinoy Musical, 3 Stars and a Sun, The Quest for the Adarna, Come from Away, and Into The Woods. Carla staged her first major solo concert at the CCP as part of the “Triple Threat Series” in 2024 to celebrate her 30 years in the industry.
This past year alone, Carla has received five awards. Having been recognized as one of the Top 50 Most Influential by Tiger Magazine, Outstanding Filipino Achiever of the Year, and Outstanding Performer in Theater Arts and Music given by the American Association of the Philippines, Carla is a premiere character actress, leading lady, singer and host, known for being on the strongest and most fearless stage performers in the Philippines.
Neomi Gonzales is Anna, the mother of Jeff Moses and Sam Shoaf’s Topee.
Neomi Gonzales as Anna (Mother of Topee)
Anna is a single mother and an ambitious actress, constantly performing for the world. Neomi relates deeply to her exhaustion as a teacher, freelancer, and homemaker: “Mothers are always auditioning: for work, for family, for life.”
Her defining moment is choosing her son over a career-making Brocka film—a dilemma women still face today amidst social pressure and perfection standards.
Stepping into the role of Anna is Neomi Gonzales. The Gawad Buhay and LEAF Award–winning performer known for her roles in Walang Aray, Rak of Aegis, One More Chance: The Musical, Rose, Tabing Ilog The Musical, Eto Na: Musicakal nAPO sila, and Himala: Isang Musikal, where she also reprised her role as Chayong in the 2024 film adaptation of “Isang Himala”. As a long-time PETA artist-teacher, vocal coach, and homeschool mom, she brings authentic insight into the life of a performer balancing many roles.
Mayen Bustamante-Cadd is Ditas, the mother of Ethan David and KD Estrada’s Arnel.
Mayen Bustamante-Cadd as Ditas (Mother of Arnel)
Ditas was raised to prioritize image, tradition, and reputation. Mayen plays her with empathy, showing a woman shaped by strict upbringing and societal pressure. Her arc softens when she realizes: “I can love my son even if he’s going against the grain.”
If she lived today, Ditas might thrive with more freedom or struggle with modern pace. One thing is for sure: Her journey toward acceptance remains universal.
Mayen brings in more than thirty years of professional theater experience from productions such as Alice in Wonderland, Joseph the Dreamer, Hairspray, The Bluebird of Happiness, Come from Away, and Going Home to Christmas.
With her vast experience in the world of acting on stage and on screen, singing, doing VOs and ad jingles, hosting for live events, directing shows and plays, and teaching Acting & Musical Theatre to teens and adults, Mayen Bustamante-Cadd brings the emotional precision needed to portray a mother learning acceptance in a world evolving faster than she expected.
Ring Antonio is Luz, the mother of Tomas Rodriguez and Noel Comia Jr.’s Gilbert.
Ring Antonio as Luz (Mother of Gilbert)
Luz is the ’80s Filipina hustler married to a gambling husband and juggling endless ‘rakets’ or side gigs to keep the family afloat. As a single mom of a teenage boy herself, Ring Antonio understands Luz’s exhaustion and fierce love.
Aireen Melanie Antonio or professionally known as Ring, has built more than 15 years of stage experience with roles in Newport World Resorts’ Full House Theater Company productions such as Delia D.: A Musical featuring songs of Jonathan Manalo, Annie, Bitiuin Walang Ningning, Priscilla: Queen of the Dessert, Cinderella, King And I, Buruguduystunstugudunstuy: Parokya ni Edgar The Musical, and Side Show.
Her experience as a theater actress and head teacher of Children’s Musical Theater has honed her ability to ground characters in emotional truth, as she makes connections with the character and the audience – strengthening Luz’s journey on stage.
Kakai Bautista and Natasha Cabrera alternate as Delia, the mother of Milo Cruz and Migo Valid’s Tonton.
Kakai Bautista and Natasha Cabrera as Delia (Mother of Tonton)
Delia is the talakera—the loud, loving, nagging mom shaped by fear of failing her family. Bautista and Cabrera reveal her not as a caricature but as a woman doing her best with the tools she had.
Her awakening arrives during a pivotal confrontation where she realizes that love requires listening, not just protecting. Their powerful number “State of the Nation” becomes Delia’s mirror – showing the impact of loud affection and the need for gentleness.
Catherine Herrera Bautista, professionally known as Kakai Bautista, may have gained recognition for her supporting roles playing comedic or villainous characters in TV shows and movies such as Hello, Love, Goodbye and Four Sisters Before the Wedding, but her career began in theater back in 2000.
For over a decade, she has been a consistent performer in the musical Rak of Aegis. Kakai’s achievements, discipline, and work ethics on stage and on screen truly showcases her emotional and comedic versatility.
As for Natasha Cabrera, she has appeared in Delia D.: A Musical Featuring the Songs of Jonathan Manalo, Buruguduystunstugudunstuy: Ang Parokya ni Edgar Musical, Kung Paano Ako Naging Leading Lady, Bar Boys The Musical, and Ang Huling El Bimbo the Musical.
She has also played various roles in local productions such as Lapu-Lapu: Ang Datu ng Mactan, Corazon Negro, Sandosenang Sapatos, Paglayang Minamahal, Ding! Ang Bato, the Silent Soprano, Rizal X, and Shock Value.
A University of the Philippines Theater Arts alumna, and the recipient of the Gawad Kumintang sa Sining sa Larangan ng Teatro from the Batangas Culture and Arts Council in 2024, Natasha has earned recognition for her vocal power and crisp character work.
Bagets The Musical expands the audience’s view of the story by highlighting the mothers’ roles in the lives of the barkada. Their experiences and relationships provide a different perspective that complements the original film’s coming-of-age narrative.
Audiences can look forward to new insights when the five mothers—Virgie, Anna, Ditas, Luz, and Delia—step into the spotlight.
A production of Newport World Resorts with Philippine STAR and VIVA communications, the show is staged by PETA plus led by director Maribel Legarda, playwright J-mee Katanyag, and musical director Vince Lim. This show is also presented in cooperation with Sun Life Philippines.
Bagets The Musical runs from January 23 to March 2026 at the Newport Performing Arts Theater. Tickets are now available at Newport World Resorts Box Office, Ticketworld, and Ticket2Me: PHP 4,000 (SVIP), PHP 3,500 (VIP), PHP 3,000 (GOLD), PHP 2,000 (SILVER), and PHP 1,000 (BRONZE). For inquiries, contact Customer Care at 7908-8888.
For more information on Bagets The Musical, visit Learn more about the artists and the production through VIVA Communications Inc. (@vivaartistsagency), The Philippine STAR (@philippinestar), and Newport World Resorts (@newportworldresorts) on Facebook, Instagram, and TikTok.
Manila, Philippines – December 1, 2025 Theatre Group Asia (TGA) has officially revealed the complete cast for its groundbreaking 2026 staging of the iconic musical A Chorus Line, directed and choreographed by Emmy Award-winning Broadway sensation Karla Puno Garcia.
In a casting journey that spanned six intense months across New York, Manila, Cebu, Bacolod, and Davao, hundreds of triple-threat performers poured their hearts into auditions that felt uncannily like the show itself complete with the nerve-wracking plea of “I Hope I Get It.” The result? An electrifying, predominantly Filipino ensemble that promises to make this production one of the most culturally significant in Philippine theatre history.
Leading the company are the previously announced Conrad Ricamora (Tony & two-time Grammy nominee, The King and I, Here Lies Love) as the exacting director Zach, and Lissa de Guzman (Broadway’s Wicked National Tour Elphaba) as the resilient Cassie.
They will be joined by an extraordinary lineup of Filipino and Fil-Am talents:
Renee Albulario as Diana Morales. A Fil-Am New York–based artist whose Broadway credits include assistant director for Just in Time, assistant choreographer for Here Lies Love, and performer in David Byrne’s American Utopia.
Angelo Soriano as Mike Costa. A Manila-born performer who has shared the stage with Lea Salonga, Vina Morales, Justin Bieber, Zendaya, and Macy Gray. Broadway credits: Aladdin: The Musical and Here Lies Love.
Michaela Marfori as Bebe Benzenheimer. The Orlando native has appeared in the Broadway National Tour of West Side Story, MJ the Musical, and Frozen. TV appearances include the 78th Tony Awards, Saturday Night Live, Disney’s Magical Christmas Day Parade, and Eurydice.
Jordan Andrews as Al DeLuca. The Pinoy Big Brother S10 “Musical Dream Chaser” made his West End debut as Tam in Miss Saigon, followed by The King and I. Local credits: Joseph the Dreamer, Ang Huling El Bimbo, Spelling Bee, Rent, Once on This Island, Tabing Ilog: The Musical, and Shrek the Musical.
Rapah Manalo as Richie Walters. Seen in Shrek the Musical, Ang Huling El Bimbo, Delia D., Buruguduystunstugudunstuy, Snow White and the Prince, Mula Sa Buwan, Bar Boys: A New Musical, and Coriolano.
Ken San Jose as Mark Anthony. A Fil-Am dancer, singer, and choreographer who rose to prominence on World of Dance Philippines. He has worked with Matt Steffanina and WilldaBeast Adams, is a member of Supahdance, and has performed in Joseph the Dreamer and Mark Tuan’s tour in LA, Korea, and China.
Stephen Viñas as Bobby Mills. A Gawad Buhay Award winner with credits including Shrek the Musical, Delia D., Ang Huling El Bimbo, Carousel, Alice in Wonderland, I Love You, You’re Perfect, Now Change, Next to Normal, Little Shop of Horrors, Dani Girl, Mula Sa Buwan, Lapu-Lapu, Newsies, Sandosenang Sapatos, and Tabing Ilog: The Musical.
Mikaela Regis as Sheila Bryant. Credits include Shrek the Musical, Delia D., Buruguduystunstugudunstuy, Quomodo Desolata Es?, Bar Boys: A New Musical, Mula Sa Buwan, and Dekada ’70. As a playwright, she has earned a Gawad Buhay nomination for Best Original Script.
Iya Villanueva as Maggie Winslow. Trained in ballet and jazz from age five under the Bacolod Dance Academy and Garcia-Sanchez School of Dance. Credits: Ang Huling El Bimbo, Buruguduystunstugudunstuy, Mula Sa Buwan, The Bodyguard the Musical, Liwanag Sa Dilim, Joseph the Dreamer, and Si Faust.
Universe Ramos as Paul San Marco. A former dance captain of Glendale High’s award-winning team and EDGE Performing Arts Center scholar. Recently made his Manila debut as Oberon/Theseus in A Midsummer Night’s Dream.
Richardson Yadao as Larry. Two-time Gawad Buhay awardee, dancer, educator and choreographer. He has dance for the Alice Reyes Dance Philippines, Royal Caribbean Productions, Ballet Philippines, Romançon Dance Company, Filipinescas Dance Company, Vela Damian School of Ballet, Maquiling Ballet and Manila Dance Center. Theater performances include Rama Hari, Mabining Mandirigma, Manhid, The BodyGuard the Musical and A Christmas Carol.
Julio Laforteza as Don Kerr. Began training at age 7 under Sofia Zobel Elizalde, James and Liesl Laforteza, and PJ Rebullida. A NYU Tisch scholar, he is Associate Director of Galaw Co Dance Theater and faculty at Studio Dance by Lina.
Brie Chappell as Val Clark. Trained at Tring Park School for the Performing Arts and The Urdang Academy. Credits include Made in Dagenham, Jane Eyre, and The Album: Skool Edition.
Sam Libao as Kristine Urich. Trained with Steps Dance Studio, La Salle Dance Company, and G-Force. Theater credits include Joseph the Dreamer and Once on This Island.
Alyanna Wijangco as Judy Turner. Seen in Shrek the Musical and Delia D., and Jepoy and the Magic Circle.
Jessica Carmona as Connie Wong. A New York-based Fil-Am performer and NAAP member who has trained at Juilliard, Carnegie Mellon, and the Point Park Conservatory.
Luca Olbes as Gregory Gardner. A high-school senior who has appeared in Footloose, The Addams Family, High School Musical, and Ballet Philippines’ The Nutcracker.
Jim Ferrer as Butch Barton. UK credits include Here Lies Love and Matilda. Philippine credits: Saturday Night Fever, Tarzan, Legally Blonde, Newsies, Oz, Alice in Wonderland, The Quest for the Adarna, Camp Rock. Former dance captain for Joseph the Dreamer and choreographer for Legally Blonde and Si Faust.
Winchester Lopez as Tom Tucker. Part of Miss Saigon’s UK International Tour, Danish production, and Austrian run (as dance captain). Recently Dance Supervisor for Miss Saigon Australia and Asia, and appeared in The Bodyguard The Musical.
Rofe Villarino as Victor Vickers. Trained in dance and voice at Mandaue City School for the Arts, performing with the MCSFA Dance Company and Children’s Choir. Credits: Shrek the Musical, Delia D., Ang Huling El Bimbo, Mula Sa Buwan, and the international tour of Siddhartha the Musical.
Lord Kristofer Logmao as Frank. A multidisciplinary performer and former UPeepz world champion, with credits in Shrek the Musical, Delia D., and major theme-park productions. Associate Choreographer for select Full House Theater Company shows.
Paulina Luzuriaga as Tricia. Trained at Steps Dance Studio and CityDance Conservatory (Washington, D.C.). Debuted in Peter Pan the Musical and recently appeared in Ang Parokya ni Edgar: Buruguduystunstugudunstuy.
Anna del Prado as Lois Dillettente. Performed for five years at Hong Kong Disneyland’s Mickey and the Wondrous Book. Recently starred as Kasing in Pulang Langob and has sung and danced in concerts for Gary Valenciano and SB19.
Vince Denzel Sarra as Roy. Also known as “Bomba Ding,” he is a dancer and drag performer from the House of Ding. Theater credits include Delia D., and Walang Aray.
Franco Ramos (Swing). A De La Salle–CSB Technical Theater scholar with over a decade of experience. Known for Gaya Sa Pelikula, he recently appeared in Shrek the Musical, Delia D., and Jepoy and the Magic Circle.
Anyah de Guzman (Swing). A Fil-Am performer trained at Osceola County School for the Arts, earning acting nominations for Guys & Dolls and West Side Story. Philippine credits include Snow White and The Prince and Zsazsa Zaturnnah.
A landmark of American musical theatre, A Chorus Line celebrates its 50th Anniversary by continuing to shine a spotlight on the ensemble—the unsung heroes of every show. Following 17 hopefuls vying for eight roles, it remains a timeless ode to ambition, sacrifice, and individuality.
Tickets are available via TicketWorld, priced from ₱900 to ₱5,500. The show runs March 12–29, 2026, with performances on Thursdays and Fridays at 7:30 p.m., and on Saturdays and Sundays at 2:00 p.m. and 7:30 p.m.
A Chorus Line is presented by Ayala Land, BPI and Philippine Airlines, the official carrier with additional support from Make it Makati, Circuit Makati and Ayala Malls.
For more information, visit theatregroupasia.com, follow @theatregroupasia on Instagram, or like the official Theatre Group Asia Facebook page.
A Chorus Line is presented in arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com
Manila, Philippines – Following triumphant, sold-out seasons in London and an extensive tour across North America, the UK, and Australia, the reimagined, Olivier Award-winning production of Tim Rice and Andrew Lloyd Webber’s iconic rock musical Jesus Christ Superstar is set to make its highly anticipated Manila debut at The Theatre at Solaire from May 2 to 24, 2026.
Originally conceived at London’s Regent’s Park Open Air Theatre, this electrifying revival—directed by Timothy Sheader and choreographed by Drew McOnie—breathes raw, contemporary energy into the timeless 1970s rock opera. The creative team includes design by Tom Scutt, lighting by Lee Curran, sound by Nick Lidster, and music supervision by Tom Deering.
Told entirely through song, Jesus Christ Superstar re-examines the final week of Jesus Christ’s life through the conflicted perspective of Judas Iscariot. The score—penned by Emmy, GRAMMY, Oscar, and Tony winners Rice and Lloyd Webber—features enduring anthems like “Superstar,” “I Don’t Know How to Love Him,” and “Gethsemane,” blending rock, gospel, and orchestral grandeur.
Since its 1971 Broadway premiere at the Mark Hellinger Theatre and 1972 West End opening at the Palace Theatre (where it ran for a then-record 3,358 performances), the musical has captivated global audiences. Notable milestones include a 2012 Broadway revival, an ITV casting competition Superstar that launched Ben Forster in an arena tour, and the Regent’s Park production that marked the show’s 45th anniversary.
This Manila engagement is produced by GMG Productions and David Ian for Crossroads Live and Work Light Productions, with the original staging by Regent’s Park Open Air Theatre.
“After incredible success in Australia and the UK, we’re delighted to be bringing Jesus Christ Superstar to Manila. This Olivier Award-winning production has amazed audiences around the world with its raw energy and breathtaking performances. Whether you’ve loved the show for decades or are discovering it for the first time, this will be an unforgettable experience.” — David Ian, Producer
“We’re beyond thrilled to bring one of Andrew Lloyd Webber’s most iconic and influential musicals of all time to Manila. Jesus Christ Superstar is a show that transcends generations. Its music and story continue to inspire audiences, and we can’t wait for Filipino fans to experience this powerful production live.” — Carlos Candal, CEO, GMG Productions
Ticket Information Official on-sale: November 8 via TicketWorld
Early access pre-sale (UnionBank cardholders): November 3–7
Join the waitlist at www.gmg-productions.com for priority updates
Stay connected via @gmg.productions on social media for casting announcements and behind-the-scenes exclusives.
Jesus Christ Superstar is more than a musical—it’s a cultural phenomenon. Secure your seats early for what promises to be one of Manila’s theatrical highlights of 2026.
Bring the whole kingdom and join the fun as premier event company QR Events Solutions presents “Shrek The Musical” at Newport Performing Arts Theatre on November 15, 22, 29, and December 13, 2025. Showtime is at 8 pm.
“Shrek The Musical” is based on DreamWorks’ blockbuster animated film and William Steig’s book about a green ogre who lives in isolation in a swamp to escape fear and mockery. Shrek’s happy solo existence is disrupted by a band of homeless fairytale characters and the little Lord Farquaad who offers the ogre a deal: he will reinstate the characters to their homes if Shrek rescues the lovely Princess Fiona.
With music by Jeanine Tesori and book and lyrics by David Lindsay-Abaire, “Shrek The Musical” has wowed audiences on Broadway and the West End. The Broadway production received 12 Drama Desk Awards and eight Tony Award nominations including Best Musical and acting nominations. Linda Winer of Newsday wrote, “Shrek The Musical is sweet, big and extremely lovable.”
The Philippine production stars a topnotch cast of 40+ actors led by Jamie Wilson as Shrek, Krystal Kane as Fiona, Topper Fabregas as Donkey, Alfredo Reyes as Lord Farquaad, and Julia Serad as Dragon. Dexter Santos is the director and the musical director is Ejay Yatco.
For Jamie Wilson, who is celebrating his 45th anniversary as an actor this year, Shrek is a dream role. “I’ve been wanting to play Shrek. When I told my friends and family I was playing Shrek, they said, ‘Perfect! The only difference is you’re going to be green.’ I love Shrek because he’s an ogre, but he has a heart of gold. He’s an ogre, but he’s the same as every other regular guy, he has his ups and downs…”
He encouraged the audience to watch “Shrek The Musical” saying, “Iba yung energy, iba yung impact… that’s the magic of live theater!”
Four decades since the original Bagets film became a hit, the legacy of Adie lives on as another Muhlach takes the spotlight in Bagets The Musical.
Andres Muhlach as Adie in Bagets The Musical
Andres Muhlach, fresh from his film debut in Minamahal: 100 Bulaklak Para Kay Luna, will step into the role once played by his father, Aga Muhlach, in the 2026 stage adaptation of the beloved 1984 classic.
He completes the new-generation Bagets barkada, alternating performances with fellow VIVA artist Mico Hendrix Chua.
With this final cast reveal, audiences are all set to relive the magic, friendship, and first-love thrills of their teenage years.
From Aga to Andres It is a full-circle moment for the young star to breathe new life into Adie, the charming boy-next-door.
“I understand how big Bagets was, and still is, in the Philippines. It’s such a huge part of many Filipino childhood,” he says. “To be part of it, let alone play my dad’s role, feels surreal.”
The original Adie, Aga Muhlach, could not be prouder.
“When we first found out that I got his breakthrough portrayal, he was super happy for me,” he shares. “He was also excited to see how I’m going to approach the character.”
Making the role his own Bagets The Musical marks Andres’ first major theater project. Nerves were real, he admits, but with thorough practice and workshops, he felt ready.
“It’s really about honing your talents,” he says. “Once you start learning more about yourself and your abilities, it just makes you more motivated—to perform, improve, and keep getting better.”
While some might call it following in his father’s footsteps, he sees it differently.
“I’d want this to be my own path,” he explains.
“At the end of the day, the hard work is on us, the new Bagets cast. What we put out isn’t because of what the original actors did, but because we want to create something worthy for today’s fans.”
His dedication was evident in his thorough preparation for the role. Muhlach trained extensively, entered auditions well-prepared, and sang before the panel, even though he had never done anything like it on the spot.
“Ever since I was little, I dreamed of seeing myself on the silver screen and on stage,” shares Muhlach. “Now it’s happening. I just feel blessed.”
The rising star has already built a resume that includes TV series like Ang Mutya ng Section E and Da Pers Family.
The heart of ‘Bagets The Musical’ Though he has played high school roles before, Bagets The Musical gives him a chance to show a different side.
“Playing Adie now is a completely new experience,” he says. “He’s still the charismatic, charming boy-next-door type, but his story feels more mature because of his love interest.”
Audiences can once again enjoy the thrills and mischief of student days with the barkada.
“Atasha and I studied abroad, but I enjoyed my time here more because I was with my best friends,” he recalls. “Nothing beats being close to the people who made student life bearable. That’s really at the heart of Bagets The Musical.”
Bagets The Musical is scheduled to run from January 23 to March 2026 at the Newport Performing Arts Theater. Joining Muhlach in the lead cast are Noel Comia Jr. and Tomas Rodriguez as Gilbert, Milo Cruz and Migo Valid as Tonton, Ethan David and KD Estrada as Arnel, and Jeff Moses and Sam Shoaf as Topee, and Mico Hendrix Chua as Adie.
The musical is a joint production of VIVA Communications Inc, The Philippine STAR, and Newport World Resorts, guided by the creative vision of the Philippine Educational Theater Association (PETA) Plus, with director Maribel Legarda, playwright J-mee Katanyag, and musical director Vince Lim. Bagets the Musical is also supported through a partnership with Sun Life Philippines.
Learn more about the artists and the production through VIVA Communications Inc. (@vivaartistsagency), The Philippine STAR (@philippinestar), and Newport World Resorts (@newportworldresorts) on Facebook, Instagram, and TikTok. Sign up for the waitlist now via https://newportworldresorts.com/bagets-musical-waitlist to be the first in line for tickets
Today is gonna be a good day! GMG Productions announced today a sign language-interpreted performance of the Tony® and Grammy® Award-winning Dear Evan Hansen.
In collaboration with the Filipino Sign Language (FSL) Deaf consultants and interpreters of Benilde Center for Education Advancement of the Deaf (CEAD) and the School of Deaf Education and Applied Studies – Interpreting Education Program (SDEAS-IEP), GMG Productions ensured that their upcoming October 2 show of Dear Evan Hansen will be accessible to the Deaf community. The musical will be interpreted in FSL live by Benilde’s FSL interpreters, enabling Deaf audience members to fully engage with the emotion, storytelling, and musicality of the production.
“At GMG Productions, we’ve always believed in the power of theatre to connect, heal, and bring people together,” said Carlos Candal, CEO of GMG Productions. “Dear Evan Hansen carries a deep message, one that reminds us that everyone deserves to be seen, heard, and understood. This is why we are proud to make this production more inclusive by offering an FSL interpreted performance. By working closely with the Benilde FSL interpreting team, we are taking another meaningful step toward making theatre accessible to audiences of all abilities.”
A dedicated orchestra seating section has been reserved exclusively for Deaf audience members and their companions to ensure clear sightlines and the best possible viewing experience of the interpreter. Access to these seats is available only through the promo code ACCESSSEATS, which provides a 20% discount. In addition to the 20% discount, the standard PWD discount is available at physical TicketWorld outlets for Deaf or Hard-of-hearing patrons with a valid PWD card. This arrangement supports accessibility efforts and a welcoming environment for all attendees.
Dear Evan Hansen runs now and must close October 5 at the Theatre at Solaire, with tickets exclusively available via TicketWorld. Stay updated on upcoming productions by visiting www.gmg-productions.com or following @gmg.productions on social media.
Dear Evan Hansen is presented through a special arrangement with Music Theatre International (MTI). All authorized performance materials are supplied by MTI. www.mtishows.com.
Dear Evan Hansen features a book by Steven Levenson and music by Benj Pasek and Justin Paul. The ATG Productions, Gavin Kalin Productions, and Nottingham Playhouse UK tour production is directed by Adam Penford, with set and costume and co-video design by Morgan Large, choreography by Carrie-Anne Ingrouille, lighting design by Matt Daw, sound design by Tom Marshall, and co-video design by Ravi Deepres—musical supervision by Matt Smith, with musical direction by Michael Bradley. Casting is by Natalie Gallacher CDG for Pippa Ailion & Natalie Gallacher Casting, with Michelle Payne as associate director, Bob Broad as associate musical director, and Laura Llewellyn-Jones as orchestral manager
On September 5, GMG Productions rolled out the blue carpet for the gala night of Dear Evan Hansen at The Theatre at Solaire, marking the Manila debut of the UK touring cast. Ellis Kirk stepped into the titular role, with Sonny Monaghan as alternate.
The decision to bring the show to Manila was straightforward — the people wanted it. GMG Executive Producer Sam Sewell shared that their programming is shaped by audience surveys. With the chatter at the lobby before the show began, the city’s excitement was undeniable.
Dear Evan Hansen has become a touchstone of the musical theatre genre since its premiere in 2016, winning four Tony Awards, an Olivier, and a Grammy. But prestige alone doesn’t explain its endurance. Its narrative—a teenager spinning a lie into online virality—should read as bleak, yet the production offsets the gravity with humor. That balance leaned hard on Tom Dickerson’s Jared Kleinman, who kept the show buoyant as comic relief and chaos engine. “My happiness is based on whether the audience laughs,” he said at a press conference. By that measure, Manila delivered.
What makes the show resonate isn’t just the score or the accolades, but the mirror it holds up to its audience. Its portrayal of the weight of existence, the desire to disappear, and the fumbling attempts at connection in the age of social media are lived experiences for many.
Part of that connection is demographic. Sewell noted that Filipino theatergoers skew 10 to 12 years younger than their Western counterparts. With a youthful cast and storyline, the closeness in age makes the themes hit harder.
Rebecca McKinnis’ turn as Heidi Hansen drew some of the night’s loudest applause, while Kirk, as Evan, landed a standing ovation. His take on Evan embraced awkwardness without slipping into caricature, his vocals inevitably inviting comparisons to Ben Platt, the original Broadway Evan. Whether that proves a blessing or a burden is for the audience to decide.
Dear Evan Hansen runs until October 5 at The Theatre at Solaire, with tickets available via Ticketworld.com.ph.
September 15, 2025 – Fresh from the success of Into the Woods, Theatre Group Asia (TGA) brings another Broadway landmark to local audiences with A Chorus Line*, celebrating its 50th anniversary this year. Tickets sales roll out starting September 15-17 for BPI card holders, TGA early sign-ups on September 18, and to the general public September 19 via Ticket World.
A landmark in American musical theatre and celebrating its 50th Anniversary this year, A Chorus Line revolutionized Broadway by spotlighting the lives of ensemble dancers—the unsung heroes of every musical. As it follows 17 hopefuls vying for eight spots, it becomes an ode to ambition, sacrifice, and individuality. TGA is bringing this story to life with an all-Filipino cast, celebrating the global talent and cultural depth of the Philippines.
TGA’s Overall Artistic and Creative Director, Tony Award-winner Clint Ramos, shares, “This local production of A Chorus Line will honor the iconic legacy of its original 1975 premiere while breathing new life into its message for a new generation.” The musical is notable for its stripped-down set, iconic choreography, and intensely personal monologues that explore identity, perseverance, and the often invisible cost of chasing a dream. It remains one of the few musicals to ever win the 1976 Pulitzer Prize for Drama aside from winning the Tony Awards for Best Musical, Best Book of A Musical (James Kirkwood), Best Original Score (Marvin Hamlisch and Edward Kleban), Best Director (Michael Bennett), and Best Choreography (Michael Bennett and Bob Avian) that same year.
As it celebrates its golden year, this enduring production continues to inspire anyone who’s ever dared to chase a dream. Beloved songs include “One [Singular Sensation],” “What I Did For Love,” “I Can Do That,” “I Hope I Get It,” and “The Music and the Mirror.” A film adaptation was released in 1985, directed by Richard Attenborough and starring Michael Douglas.
New York-based Emmy Award-winning Karla Puno Garcia who is set to direct and choreograph the musical shares, “This production is as much about discovering raw, beautiful talent as it is about telling a story.” The celebrated respected Fil-Am artist and dance educator expounds, “I’ve lived this story. I’ve been the dancer hoping to be seen, fighting to be chosen, giving everything to the moment. Now, I get to turn that experience into an opportunity for others.”
Puno Garcia promises a production that remains faithful to the original material while making it resonate with a younger set of Filipino theatergoers, “I’ve been in conversation with Baayork Lee, who embodies the spirit of the original production. Once we complete the casting, we’ll breathe new life into the material while staying true to the original show’s hallmarks. I’m especially excited to explore the characters with the all-Filipino cast we’re forming. I want to hear their stories and how they connect with the roles they’re portraying. I can’t wait to be inspired by their perspectives and find a way to use our combined experiences to organically create something that translates into today.”
Puno Garcia collaborates with TGA Executive Director and former internationally acclaimed danseur Christopher Mohnani, Associate Choreographer JM Cabling, and a host of Filipino talents driven to make this staging in the words of the musical, “One singular sensation!”
Tickets are available through Ticket World premiere.ticketworld.com.ph. Ticket prices start from PHP900 to PHP5,500. A Chorus Line will run from March 12-29, 2026. Thursday and Friday shows are at 7:30 p.m. Two shows are staged on Saturdays and Sundays at 2 p.m. and 7:30 p.m.
For more information, visit TGA’s website www.theatregroupasia.com, Instagram @theatregroupasia, or Facebook page https://www.facebook.com/theatregroupasia.
The tower doors have opened, and the chosen princesses are ready to sing. Newport World Resorts has officially named the young actresses who will portray Young Fiona and Teen Fiona in its upcoming ogre-sized production of Shrek The Musical, set to open on October 31, 2025, at the Newport Performing Arts Theater.
The casting news comes after a weekend of fairytale-worthy auditions held on July 19 and 20 at the Academy for Leisure and Tourism in Newport World Resorts. Dozens of aspiring performers belted out “I Know It’s Today” in front of the show’s creative team, all vying to portray the younger versions of Fiona.
Selected to alternate as Young Fiona are Nela Quilloy Cu Unjieng, Tiffany Criss Ching, and Althea Ruedas. Cu Unjieng has performed in various youth theater productions, including Godspell and Joseph and the Amazing Technicolor Dreamcoat. Ching, a homeschooled student, brings solo vocal experience and stage confidence. Ruedas, the eldest among the trio, has a background in both film and television, with appearances in local and international screen projects.
For Teen Fiona, the production has cast Daniella Albano, Lois Bersalona, Simone Valderrama Martinez, and Crystalia Jaya. Albano, a former cast member of the international touring production of The Lion King, brings professional musical theater experience to the ensemble. Bersalona is a soprano and student performer affiliated with the University of Santo Tomas, while Martinez has appeared in concerts, music videos, and television commercials. Jaya, the youngest among them, is set to showcase her expressive soprano and strong stage presence.
Rehearsals for Shrek The Musical began in August, with the cast preparing for a full-scale fairytale spectacle this holiday season. The musical, beloved for its irreverent humor and heartwarming message, will feature original Broadway staging elements, an ensemble of local talents, and a swamp-load of theatrical magic that promises fun for all ages.
Shrek The Musical is based on the DreamWorks Animation Motion Picture and the book by William Steig. It features book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori. The hit musical was originally produced on Broadway by DreamWorks Theatricals and Neal Street Productions. Shrek The Musical is presented through special arrangement with Music Theatre International (MTI), New York, NY, USA. All authorized performance materials are also supplied by MTI. www.mtishows.com.
Catch Shrek The Musical starting October 31, 2025, at the Newport Performing Arts Theater. Additional November show dates are now open. Tickets are available at Ticketworld, Newport World Resorts Box Office, and Helixpay: PHP 4,500 (SVIP), PHP 4,000 (VIP), PHP 3,000 (GOLD), PHP 2,000 (SILVER), and PHP 1,500 (BRONZE). For inquiries, contact Customer Care at 7908-8888 or info@fhtcentertainment.com.
For more information on Shrek The Musical, visit www.newportworldresorts.com/shrekthemusicalph and follow @newportworldresorts and @nwr.musicals on Facebook, Instagram, and TikTok. Join Newport World Resorts Viber Community at https://newportwr.com/nwrvibercommunity for exclusive updates. Every visit is made more rewarding with an Epic Rewards membership, download the Epic Rewards Mobile App for free at the Apple App Store and Google Play Store.
A happily-ever-after press conference for Shrek The Musical!
Once upon a time, the world’s favorite ogre and his crew of fairytale creatures gathered at Newport World Resorts for the press conference of Shrek The Musical. Special guests, trusted partners, and friends from the media were invited on Wednesday, August 13, for a magical afternoon in the swamp. There, the cast and creative team of Shrek The Musical offered an exclusive sneak peek into the Broadway favorite that will storm the Newport Performing Arts Theater starting October 31.
Jamie Wilson (2nd from left), Krystal Kane (2nd from right), Topper Fabregas (center), Alfredo Reyes (right), and Julia Serad (left) take center stage in Shrek The Musical 2025 as Shrek, Fiona, Donkey, Lord Farquaad, and Dragon, respectively.
Newport World Resorts’ Chief Hospitality Officer John Lucas welcomed guests to a special preview of the highly anticipated musical. “Bringing the Broadway production to life by an all-Filipino cast and creative team, it is a world-class spectacle with a distinctly Filipino heart,” he shared. As attendees were then transported into Shrek’s world with high-energy performances of fan favorites including “Who I’d Be,” “Don’t Let Me Go,” “The Ballad of Farquaad,” “I Know It’s Today,” and the feel-good finale “I’m A Believer.”
The swamp takes center stage in the newest offering from Newport World Resorts’ Full House Theater Company (FHTC), Shrek The Musical. Leading this big, green adventure is an all-star creative team headed by Director Dexter M. Santos, Associate Director Michael Stuart Williams, Artistic Director Menchu Lauchengco-Yulo, Assistant Director Cara Barredo, and Music Director Ejay Yatco.
The Cast and Creative Team of Shrek The Musical 2025 share a shrek-tacular preview of the highly-anticipated production.
“Like Shrek says, ogres have layers and so does this show,” said Williams. “Underneath the fun and the outrageous moments, there’s a story about friendship, courage, and embracing who you are. It’s wildly funny, heartwarming, and visually spectacular, but what makes it truly special is how the performances, music, and design all peel back to reveal something real and relatable. Lauchengco-Yulo added, “It’s the same Broadway magic audiences know and love, while infusing it with the artistry and spirit of Filipino performers and creatives.”
Leading the cast are Jamie Wilson as Shrek, Krystal Kane as Fiona, Topper Fabregas as Donkey, Alfredo Reyes as Lord Farquaad, and Julia Serad as Dragon. Joining them is a vibrant ensemble of fairytale creatures from Gingy to Pinocchio to the Big Bad Wolf, each ready to bring a little mischief and a lot of magic to the stage.
Shrek The Musical is based on the DreamWorks Animation Motion Picture and the book by William Steig. It features book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori. The hit musical was originally produced on Broadway by DreamWorks Theatricals and Neal Street Productions. Shrek The Musical is presented through special arrangement with Music Theatre International (MTI), New York, NY, USA. All authorized performance materials are also supplied by MTI. www.mtishows.com.
Catch Shrek The Musical starting October 31, 2025, at the Newport Performing Arts Theater. Tickets are available at Ticketworld, Newport World Resorts Box Office, and Helixpay: PHP 4,500 (SVIP), PHP 4,000 (VIP), PHP 3,000 (GOLD), PHP 2,000 (SILVER), and PHP 1,500 (BRONZE). For inquiries, contact Customer Care at 7908-8888 or info@fhtcentertainment.com.
For more information on Shrek The Musical, visit www.newportworldresorts.com/shrekthemusicalph and follow @newportworldresorts and @nwr.musicals on Facebook, Instagram, and TikTok. Join Newport World Resorts Viber Community at https://newportwr.com/nwrvibercommunity for exclusive updates. Every visit is made more rewarding with an Epic Rewards membership, download the Epic Rewards Mobile App for free at the Apple App Store and Google Play Store.
The highly anticipated Manila season of Cameron Mackintosh’s Les Misérables: The World Tour Spectacular, produced by Alain Boublil and Claude-Michel Schönberg, has announced a final two-week extension due to overwhelming demand. Originally scheduled from January 20 to February 15, 2026, the production will now run until March 1, 2026, at The Theatre at Solaire.
The announcement follows an extraordinary response from Filipino audiences, with thousands joining the ticket waitlist even before sales began. Presented by GMG Productions in association with Cameron Mackintosh and Nick Grace Management, this landmark production promises a never-before-seen experience in Manila. “From the moment we announced Les Misérables: The World Tour Spectacular, it was clear how deeply the show resonated with Filipino audiences,” said Carlos Candal, CEO of GMG Productions. “We’re thrilled that even more fans will now get the chance to experience it.”
This production builds on the success of Les Misérables: The Staged Concert, which ran for over 200 record-breaking performances in London’s West End. The World Tour Spectacular features a bold new design with enhanced set and lighting, a company and crew of over 110, and a live orchestra combining Filipino and international musicians. The international all-star cast will be announced soon.
Tickets for the newly added show dates are now available exclusively through TicketWorld. The production, sponsored by UnionBank of the Philippines as GMG Productions’ official 2025 season bank sponsor, will run from January 20 to March 1, 2026, with no further extensions possible. For updates, visit www.gmg-productions.com or follow @gmg.productions on social media.
About the Production
Les Misérables: The World Tour Spectacular is based on Victor Hugo’s novel, with music by Claude-Michel Schönberg, lyrics by Herbert Kretzmer, and original French text by Alain Boublil and Jean-Marc Natel. Adapted by Trevor Nunn and John Caird, with additional material by James Fenton, the production features orchestrations by Stephen Metcalfe, Christopher Jahnke, and Stephen Brooker, and original orchestrations by John Cameron. Directed by James Powell and Jean-Pierre Van Der Spuy, the show boasts set design by Matt Kinley, costumes by Andreane Neofitou, Christine Rowland, and Paul Wills, lighting by Paule Constable and Warren Letton, sound by Mick Potter, projections by Finn Ross, and music supervision by Stephen Brooker and Alfonso Casado Trigo. The orchestra is conducted by Adrian Kirk.
Don’t miss this electrifying production at The Theatre at Solaire, bringing the timeless story of Les Misérables to life on an unprecedented scale
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