Sam Concepcion is one busy guy. His first-ever series with GMA, Beauty Empire, just premiered on Viu last June 16, and will then be seen on GMA starting July 7. He is also returning on stage as Joseph in Joseph the Dreamer at the Carlos P. Romulo Auditorium in RCBC Plaza this July.
As if those were not enough, Sam just dropped a new single under Universal Records last July 4 — and it is a surprise collaboration with Moira Dela Torre. Entitled “Mapasakin Ka,” the duet is a heartfelt love song with soft harmonies and vivid imagery — expressing sincerity, longing, and devotion. At its core, it’s a gentle plea for love to be returned, sung in the most honest way the heart knows how.
Sam and Moira are known for their soulful voice and emotive singing, and there is definitely a lot of that in this unexpected collaboration, especially with lyrics such as: “Pag-ibig mo na ang hanap ng aking kamay, handang-handang marinig ang tanging tunay na nararamdaman mo sa’kin, o, aking sinta.”
This musical partnership may be unexpected for a lot of people, but it makes so much sense. Sam’s soulful voice perfectly fits the message and the melody of a song about yearning, while Moira’s melancholic singing style and soothing voice provide a contrasting yet complementary contribution to “Mapasakin Ka.”
This power duet from Sam and Moira is now available on all major streaming platforms. You can catch “Mapasakin Ka” in Beauty Empire, and be sure to check out the lyric video on Universal Records’ YouTube channel. Stay tuned for the official music video coming soon!
Born in Bali, refined across continents, their joint single kicks off a new era of sonic experiments and international synergy.
Filipino singer-songwriter Muri and Japanese producer Shigge have officially announced their collaborative new single, “Golden Hour,” via a minimalist teaser posted to Instagram last night, sparking anticipation for their cross-border release.
The soul-infused electronic track was conceived during an intensive songwriting camp at the AXEAN Festival in Bali, Indonesia last year, where Muri and Shigge crossed creative paths. What began as a spontaneous studio session has evolved into months of sonic exchange, with ideas bouncing fluidly between Tokyo, London, and Manila.
“I found Shigge’s music really unique and forward-thinking,” Muri shares in a press statement. “When we got the chance to work with each other at the songwriting camp, I felt we could make a really cool world fusing our styles together. For me, music is all about experimenting and trying something new, and this is a result of that.”
“Golden Hour” marks the first official release from their upcoming joint EP, SETSUNA, slated to drop next month. Described as a boundary-pushing collection of lo-fi house beats, ambient soundscapes, and neo-soul vocals, the EP promises a fresh take on cross-cultural music production.
To celebrate the collaboration, Muri and Shigge will embark on a two-city tour spanning Tokyo and Manila this July and August.
Tour dates:
July 22 – Tokyo City, Japan
July 24 – Tokyo City, Japan
August 1 – Makati City, Philippines
August 2 – Makati City, Philippines
For updates on the collaboration, tour, and more behind-the-scenes content, follow Muri and Shigge on their official social media platforms.
Filipinos enjoy it when a foreigner sings a Tagalog song — especially when it’s done well. That is definitely the case with Korean star Choi Bo Min, who just released his debut single under Universal Records last July 4. It is a full-Filipino song entitled “Nakaraang Buhay” — an original song written by Luke April, making it more impressive since it is not just a cover of an old hit.
The song is a heartfelt declaration of unwavering love and emotional commitment. It speaks about a love that endures despite distance, pain, or hardship—one rooted in destiny and past lives. “Wala namang mawawala’t magbabago. Nakatakda nang ako at ikaw habang buhay na magkaisa. Tadhana’y tatanda kasama ka. Tukso ma’y dadagsa, kumapit ka. Tayo’y pinagtagpo na sa nakaraang Buhay.”
While Bo Min does a great job singing in Filipino, one will most probably know that it is a foreigner who is singing “Nakaraang Buhay” — which is definitely not a bad thing. In fact, the way that Bo Min pronounces the words is quite charming. There is just something heartwarming about a foreigner singing a song in Filipino, especially when they do a good job.
Choi Bo Min is quickly becoming a household name in the Philippines. Apart from being the endorser for Ever Bilena and BlueWater Day Spa, the Korean celebrity is also part of the Viu-GMA-CreaZion series Beauty Empire, where he plays businessman Alex Jang. His song “Nakaraang Buhay” is part of its soundtrack, so expect for it to accompany many romantic scenes throughout the show.
Fans can look forward to more music releases and exciting projects from Choi Bo Min. Stay updated by following him and Universal Records on all social media platforms. Don’t miss out on streaming “Nakaraang Buhay,” now available on all major streaming platforms.
Singer-songwriter Alex Warren teams up with global icon ROSÉ to release their highly anticipated collaboration, “On My Mind” – listen here. The song was announced as a surprise track on Warren’s upcoming album You’ll Be Alright, Kid, dueout July 18th, pre-order here. Warren started teasing the potential ROSÉ collab on his socials a few weeks ago, and fans have been anxiously awaiting the release ever since.
“On My Mind” is a swelling love song in Alex Warren’s mastered style of anthemic pop. Produced by Ammo and John Ryan, the record beautifully meshes Warren and ROSÉ’s vocals for a striking listen. The accompanying music video was directed by Colin Tilley – watch here.
Alongside “On My Mind,” Alex’s new album You’ll Be Alright, Kid will feature all the songs on You’ll Be Alright, Kid (Chapter 1), released last fall, and 11 entirely new tracks. Amongst these new tracks are Warren’s chart-topping, global smash “Ordinary” and “Bloodline (with Jelly Roll)”. The majority of the album is co-written by Alex Warren, Cal Shapiro, Mags Duval and produced by Adam Yaron. While You’ll Be Alright, Kid (Chapter 1) focuses on dealing with grief, You’ll Be Alright, Kid turns the page with healing, resilience, and optimism.
Warren’s earth-shattering hit, “Ordinary,” was released in February to rave reviews, counting nearly 1 billion streams to date, and topping the charts. The smash hit spends its third week at #1 on the Billboard Hot 100 and is currently #1 across the Global 200 Ex US, Top 40 Radio, Hot AC Radio, UK Songs Chart and Spotify Global Top 50. “Ordinary” was not only Warren’s first top 10 on the Billboard Hot 100, but it also makes him the first male soloist to earn an initial Hot 100 #1 this year.
“Ordinary” spent 12 consecutive weeks at No. 1 on the UK chart. This marks the longest running No.1 in the UK by a US male solo act in OCC chart history and the longest running No. 1 of the 2020s. It just returned to #1 for its 13th week. In Australia, “Ordinary” at its 13th week is the second song this decade to have the longest continuous run at #1. “Ordinary” has also reached #1 at Top 40 Radio & Hot AC Radio and currently holds the top US radio audience. Warren now tallies over 2.4 billion career streams to date.
Warren’s previously released singles “Bloodline (with Jelly Roll),” and #1 song “Ordinary,” have seen massive success. “Bloodline” debuted in the Top 10 on the Spotify US Streaming Chart upon and had the highest debut on May 23 on Spotify. With nearly 3 million streams, it is the top song debut in both the US and globally. Directed by B.K. Barone, both Alex and Jelly Roll star in the music video that is set in medieval times – watchhere.
Most recently, Warren made his award show debut with a powerful performance at the 2025 American Music Awards – watchhere. Earlier this year, Warren also made his late night debut with a performance of “Ordinary” on the Tonight Show Starring Jimmy Fallon– watchhere. He also performed the song with Ed Sheeran at a local bar around Coachella – see his Instagram posthere.
Warren recently wrapped his first leg of his Cheaper Than Therapy Tour, hitting major cities across Europe and North America. He announced a 15 date extension to additional cities throughout the US, kicking off in August, see routing below.
You’ll Be Alright, Kid Track List:
DISC ONE
Eternity
The Outside
First Time on Earth
Bloodline (with Jelly Roll)
Never Be Far
Ordinary
Everything
Getaway Car
Who I Am
You Can’t Stop This
On My Mind (with ROSÉ)
DISC TWO
Burning Down
Catch My Breath
Carry You Home
Troubled Waters
Heaven Without You
Before You Leave Me
Save You a Seat
Chasing Shadows
Yard Sale
You’ll Be Alright, Kid
ALEX WARREN – CHEAPER THAN THERAPY TOUR DATES:
Saturday, Aug 9 – San Diego, CA – Frontwave Arena
Thursday, Aug 14 – Honolulu, HI – Waikiki Shell
Monday, Aug 18 – Auckland, NZ – The Civic
Tuesday, Aug 19 – Auckland, NZ – Auckland Town Hall
Thursday, Aug 21- Sydney, NSW – Hordern Pavilion
Friday, Aug 22 – Sydney, NSW – Hordern Pavilion
Saturday, Aug 23 – Brisbane, QLD – Riverstage
Monday, Aug 25 – Melbourne, VIC – Margaret Court Arena
Tuesday, Aug 26 – Adelaide, AUS – Adelaide Entertainment Center
Thursday, Aug 28 – Perth, WA – Perth HPC
Tuesday, Sep 23 – Indianapolis, IN – Everwise Amphitheater at White River State Park
Thursday, Sep 25 – Richmond, VA – Allianz Amphitheater at Riverfront
Helmed by filmmaker and screenwriter Fatrick Tabada, the comedy-drama stars award-winning actress Sue Ramirez.
Filipino singer-songwriter dwta releases “Kung Ikaw Ay Masaya,” a melancholic folk-pop track under Sony Music Entertainment.
The song is featured in the official soundtrack for the upcoming comedy-drama Flower Girl, starring Sue Ramirez.
Directed by multi-awarded filmmaker and screenwriter Fatrick Tabada, the quirk, fun, and deeply introspective film centers around Ena, a young woman in search of her lost “womanhood.”
Tabada offers nothing but high praises for dwta’s latest song, pointing out its pivotal role in supporting the lead character’s journey of self-discovery and acceptance. “Amid the film’s absurdity, the song grounds Ena and brings out her humanity,” Tabada adds. “Though Ena may come off as unlikeable at first, Kung Ikaw ay Masaya reminds the audience that she is a woman in the process of rediscovering her humanity—and that she, too, is allowed to stumble in her journey toward self-worth.”
“When I watched the trailer, I already felt that the story was very different,” shares the Bicol-born, Manila-based artist. “It’s not the usual love story you see in movies. That’s also how the song connects to the film. The original nursery rhyme is for kids but the way we used it in the song gave it a more serious feel, kind of like how the film talks about stuff people don’t usually talk about. It’s like both the song and the film took something familiar and made it feel more real and grown-up. It proves that even things that seem light can carry real weight.”
True to her roots as a storyteller and film enthusiast, dwta has always gravitated towards narratives that challenge convention. She sees Flower Girl as the type of film that aligns with her vision as an artist.
“it’s not just any movie,” she explains. “It’s bold, it’s unique, and it talks about things that are rarely depicted in mainstream Filipino cinema. “And with big stars like Sue Ramirez, KaladKaren, and other amazing actors in the cast, it’s a huge honor to be part of something this incredibly meaningful.”
DWTA’s “Kung Ikaw ay Masaya” serves as the soundtrack to Ena’s penultimate chapter in her search for true love. Amid the film’s absurdity, the song grounds Ena and brings out her humanity. Though Ena may come off as unlikeable at first, “Kung Ikaw ay Masaya” reminds the audience that she is a woman in the process of rediscovering her humanity—and that she, too, is allowed to stumble in her journey toward self-worth.
The song’s main hook, which also serves as its chorus, reimagines the beloved nursery rhymes of the same name. dwta’s take turns the familiar childhood melody into a haunting serenade that conveys the frustration of being at the receiving end of mixed signals and false hopes. She transforms what is typically lighthearted and innocent into something deeply personal.
The ’Santigwar” act reveals, “I ended up enjoying the process so much that I made a list of other nursery rhymes/ children games I could write songs from. Kung Ikaw Ay Masaya is one of them. I guess what inspired me the most was the idea that even the simplest, happiest songs can have deeper meaning if you look at them from a different angle.”
This isn’t her first foray into nursery rhymes-inspired music. Earlier, she released “Sampung Mga Daliri,” a nostalgic track turned bittersweet duet with SB19’s Justin and “Nasusunog (Pants On Fire).” The emotional juxtaposition between childhood joy and adult heartbreak, she explains, is what gives the songs their resonance.
“Nursery rhymes are nostalgic for us and we usually associate them with childhood and happy times. But when you pair that song with a different story like heartbreak, it hits differently.”
Produced by long-time collaborator Brian Lotho, “Kung Ikaw Ay Masaya” keeps things understated and intimate, with a stripped-back arrangement featuring only violin, guitar, and keyboard.
dwta’s “Kung Ikaw Ay Masaya” is out now on all digital music platforms worldwide via Sony Music Entertainment.”
MAKATI CITY, Philippines – June 15, 2025 – The countdown is officially on! Fête de la Musique Philippines’ highly anticipated Main Stage event is happening this coming weekend, Saturday, June 21, at the Ayala Triangle Gardens in Makati City. Doors open at 2:00 PM and admission is free.
Get ready for an unmissable celebration of music, uniting diverse sounds and talents under the “Un Monde” (One World) theme!
This year’s Main Stage promises an unforgettable experience, featuring an incredible lineup of both OPM icons and rising stars. Prepare to be swept away by performances from legendary artists, including Ely Buendia and The Methodists, and Armi Millare. Joining them on the main stage are crowd favorites such as James Reid, Brigada, Janine, Brass Pas Pas Pas Pas feat. Leanne & Naara, The Ridleys, and Tarsius x Ena Mori.
Adding an international flavor to the festivities, the FêtePH2025 Main Stage also Japanese sensation Ito Kashitaro and French groove master Emile Londonien, further embodying the Un Monde (One World) spirit of Fête de la Musique.
But the music doesn’t stop there! Even before the main acts take the stage, offstage performances will kick off the day, setting the vibrant atmosphere. Catch talented Filipino musicians Frank Ely and Zsaris, the dynamic Bolivian pop artist Bling Bling Papaya, and Singapore-based Pinoy queer artist Marian Carmel, delivering sonic surprises that will get you in the mood for a full day of music celebration.
Fête de la Musique Philippines, presented by Alliance Française de Manille in partnership with the Embassy of France to the Philippines, Funkybeat Entertainment and Anam Kara, invites everyone to come together and revel in the universal language of music. Admission to the Main Stage is free and open to all.
Mark your calendars, gather your friends, and prepare for an electrifying Saturday at Ayala Triangle Gardens with Fête de la Musique.
Unrivaled performance powerhouse ATEEZ is back with a new album!
Award-winning Korean all-star group ATEEZ returns with their 12th EP, GOLDEN HOUR : Part.3, ahead of their upcoming ‘IN YOUR FANTASY’ world tour.
Named iHeartRadio’s K-pop Artist of the Year, ATEEZ also earned their first American Music Awards nomination this year and is continuing their unstoppable success with a new album.
This album marks the beginning of a temptation that knows no bounds, as ATEEZ’s sweet yet dangerous allure captures the beauty of every wavering moment, shining brilliantly just as it is. It captures the fevered energy of a summer night—a fleeting burst of freedom and escape that quenches a deep, almost insatiable thirst.
GOLDEN HOUR : Part.3 explores how youth confronts raw emotion, taking listeners on a journey of temptation, rebellion, and wavering to uncover the true nature of feelings. Amid the fast-paced rhythm of daily life, emotions are often suppressed, causing that thirst to intensify—an unquenchable desire that only grows stronger.
It’s a burning thirst that can no longer be delayed and reaching for something sweet yet dangerously tempting offers only momentary relief, never true satisfaction. The EP follows their journey as ATEEZ chooses the path less followed, reclaiming their emotions and rediscovering what once connected them to themselves and others.
The EP features five songs, with members HONGJOONG and MINGI taking part in writing the lyrics for four out of the five tracks on the album. The focus track “Lemon Drop,” is a seasonal song perfectly crafted for summer. Like a refreshing Lemon Drop cocktail, ATEEZ’s sweet and cool confession infuses hot summer days with excitement. You can watch the music video here and stream the album here.
LISTEN TO ‘GOLDEN HOUR : Part.3’
[GOLDEN HOUR : Part.3] TRACK LIST
01. Lemon Drop **title track**
02. Masterpiece
03. Now this house ain’t a home
04. Castle
05. Bridge : The Edge of Reality
This EP comes following the announcement of their [IN YOUR FANTASY] world tour, kicking off in Incheon on July 5 and taking the show through the U.S., Mexico, and Japan. ATEEZ will be heading to 11 cities in the U.S., as well as Mexico City at the end of August before taking the show to Japan. This tour takes them to new heights, as they bring their immersive performances to even bigger venues, hitting five stadiums in North America with two nights at the BMO Stadium again.
The visuals capture the chaos, clarity, and catharsis of true friendship in motion.
Filipino alt-rock icon Barbie Almalbis has dropped the official music video for “Platonic,” a standout track from her critically acclaimed fifth studio album, Not That Girl. Helmed by long-time creative partner and award-winning photographer Nina Sandejas, the video features a gritty glimpse into a night of sweat and sound at Mow’s—an underground music venue in Quezon City.
Set against the backdrop of Barbie’s recent performance at the iconic gig space, the video unravels a documentary-style montage of mosh pits, dance breaks, and crowd surfing—fueled not by angst, but by the deep joy of shared, meaningful experience in music. “I wanna see a pit… lovingly,” Barbie calls out before launching into the two-minute burst of cathartic energy that is “Platonic.”
“This song is about loving people fiercely, unconditionally, generously, vulnerably, in a non-romantic context,” shares Almalbis. “Platonic love has been so enriching in my life, and I’ve really felt much less alone because I have deep friendships to count on or because I can be a friend to someone. I think the world would be less lonely if more people would embrace its joys.”
The idea for the music video came to Sandejas after attending a series of metal shows and noticing the primal yet euphoric energy in the mosh pit. “When I saw Barbie was playing Mow’s, it hit me; we have to document this,” says Sandejas. “Barbie starting a riot? That’s exciting. But of course, it had to be done with love. That’s what makes this different.”
The end result is a raw, kinetic visual experience: a time capsule of the night where friendships collide in the most visceral way. “It was a rush,” adds Sandejas. “We stitched together this fast, chaotic blur of sweat and joy. My favorite moment? That loving pit Barbie asked for. She knew exactly how wild it would get and how to ground it in something beautiful.”
Produced by Nick Lazaro, “Platonic” is Barbie’s first foray into heavier territory. What began as a quiet acoustic sketch quickly transformed into a thunderous anthem, thanks to Lazaro’s instrumentation and contributions from Eclectic Kiss artists Faye Yu, Marika Laciste, Marj Roxas, and Pikoy on gang vocals. “I just said, Nick, I have something—can you make it metal?,” Barbie laughs. “He absolutely did.”
The inspiration for “Platonic” draws from C.S. Lewis’s The Four Loves, specifically his writing on friendship as a rate but vital form of love. In “Platonic,” Barbie’s lyrics explore this idea with honesty and edge, pushed into sonic overdrive through a surprising and exhilarating metal turn.
Watch the music video of Barbie Almalbis’ “Platonic” here.
What began as an idea has become a reality. This collaboration proves that dreams can come true.
Before announcing the collaboration, SUYEN, a solo indie artist signed to filtered music, shared her desire to work with other artists after releasing her self-titled debut EP, “Suyen Imnida.” In several interviews, she mentioned that one of her dream collaborations would be with the renowned OPM rock band Sandwich, which she has loved since childhood. With their record labels, PolyEast Records and Filtered Music, a collaboration seemed possible.
Indeed, they made it happen.
On May 9th, SUYEN officially announced on her Instagram that she and Sandwich will release a song together titled “Basura,” which is now available on all music platforms.
Everyone wants to be heard and acknowledged. With the rise of social media, “keyboard warriors” have emerged—people who readily share their opinions, both positive and negative. The song “Basura” addresses this social issue, focusing on internet rumor- mongering and bullying. It highlights how these often consist of empty and baseless comments about individuals and social topics.
“There are children, partners, families, friends and careers that get caught in the crossfire.” Raymund Marasigan, vocalist of Sandwich, claims. In addition, he says that the goal of the song is to encourage people to have empathy towards others.
Collaborating on the track was a rewarding experience for both artists, as they learned a great deal from one another throughout the process. SUYEN mentioned that it was a refreshing change of pace to witness another person’s approach to songwriting, especially since she usually works independently on her projects.
Sandwich also found the experience invigorating, as it encouraged them to be more relaxed and experimental with melody-making. The fusion of their styles felt seamless, resulting in a sound that is both unique and familiar—one that still reflects their identities.
Multi-platinum seven-time GRAMMY® nominee GIVĒON continues his sophomore chapter with the release of his new single and video, “Rather Be.” The new single and its Loris Russier-directed music video are available now.
“Rather Be” is GIVĒON at his most comfortable: vulnerable, confident and unafraid to let his vocal range do some heavy lifting. The ballad is produced by Sevn Thomas, Maneesh, Matthew Burnett, jeff gitty and jahaan sweet and incorporates the bells and whistles fans have come to love from the Long Beach native, from the horns peppered throughout its instrumental to the intimacy and dashing fashion of its music video. Following the release of the cathartic lead single from his new campaign, “Twenties,” GIVĒON is generating impressive momentum, and pouring his heart into each lyric along the way.
The Russier-directed cut is an elegant montage of GIVĒON and his sleek troupe adorning airy spaces with a live rendition of the new song, as GIVĒON, the protagonist, tries to get comfortable with his love interest. Russier deftly plays with planes of space and symmetry to create a unique backdrop for the singer and his suit-clad crew.
“This song is a reflection on acceptance. The idea of seeing someone’s flaws and choosing to stay,” GIVĒON said about “Rather Be. “It’s about loving someone not for who they could be, but for who they are, and realizing that real connection isn’t about starting over, it’s about holding on.”
As fans eagerly anticipate his sophomore project, GIVĒON’s 2025 has already been one to remember. He celebrated the five-year anniversary of his breakout project, 2020’s TAKE TIME EP, with an intimate performance earlier this year in Los Angeles, attended by the likes of Epic Chairwoman Sylvia Rhone, Lena Waithe, Amerie and Jimmy Jam.
Shortly afterwards, “Twenties” notched a slot within the Top 10 of the Billboard Hot R&B Songs chart and went on to achieve a Top 20 position on the Hot R&B/Hip Hop Songs chart. The song’s music video has already surpassed 12 million YouTube views and earned GIVĒON the fourth Hot 100 hit of his solo career.
Earlier this month at Prada’s prestigious annual pre-Met Gala event, GIVĒON took the stage to perform “Twenties” live for a crowd that included Tracee Ellis Ross and Hunter Schafer. This summer, GIVĒON is up for a 2025 BET Award, ‘Best Collaboration,’ for his collaboration with Teddy Swims, “Are You Even Real.”
The pop-rock power ballad offers a lifeline for those who need help in times of despair and uncertainty.
Filipino alternative rock trailblazers The Dawn make a compelling return with their brand-new single, “Sa’n Ka Pupunta,” out now on Sony Music Entertainment. Known for their ever-evolving musicality and lyrical depth, the iconic band delivers an emotionally charged anthem that speaks to the silent battles people face in an uncertain, often overwhelming world.
At its heart, the song is a powerful reminder that even in moments of despair and uncertainty, there are people who will lift you up and help you find meaning in life even when it feels most elusive.
“it’s a song about uncertainties,” shares bassist and co-composer Bim Yance. “In today’s world, we’re all preoccupied with our struggles. It can feel like we’re alone. Sa’n Ka Pupunta is a reminder that someone out there is willing to listen and help. You just need to let them in.”
“Sa’n Ka Pupunta” marks yet another creative peak for the legendary band composed of Jett Pagan on lead vocals, guitars, and keyboards; Francis Reyes on guitars, backing vocals, and keyboards; Rommel Sanchez on guitars; JB Leonor on drums; and Bim Yance on bass. The track is intimate and explosive at once, an introspective power ballad that pleads for openness and understanding in times of emotional crossroads.
Initially composed by Yance, the track evolved through The Dawn’s distinctive collaborative process. The original demo, both sonically and lyrically, carried the seeds of what would become a poignant anthem. As the rest of the band joined in, the song took on a more expansive narrative.
“It began as a message to someone discouraged from continuing their life,” says frontman Jett Pangan. “But as all contributed, it grew into a broader reflection on relationships and how we slowly drift apart if we don’t speak up. It’s about desperation—but the kind that comes from love.”
Musically, “Sa’n Ka Pupunta” balances a raw, gritty energy with sonic restraint. Anchored in shimmering guitar layers, a propulsive shuffle rhythm, and a spacious mix, the arrangements amplify the emotional tension at the song’s core.
“Bim designed the intro and choruses to be louder and punchy, and the verses gentler,” explains Francis Reyes. “We made the first verses sound more open, leaving a lot of space for Jett’s voice— and hence, the initial lyrics that set up the narrative— to be heard and understood. My interpretation of the lyrics is there’s sadness and frustration there. The loud choruses, in my mind, allude to the frustration of ‘Please tell me what’s on your mind, because I’m here to listen.’ The choruses sound angry, but it’s more of desperation or a plea from someone who is trying to understand and help.”
The production draws subtle influence from ‘90s rock stylings of a power ballad while remaining rooted in The Dawn’s unmistakable sound. As Reyes puts it, the band worked to “Dawn-ify” the track, making something inherently theirs while letting new textures surface. He adds, “Jett suggested editing out a couple of bits from Bim’s original demo so the tune flows better overall. I think it was JB himself who suggested a shuffle-type thing for his drum parts to give the tune a bit of propulsiveness.”
Providing additional context, Rommel Sanchez shares that the band took cues from ‘90s bands and producers without making the references patently obvious. “It’s like, ‘what would [insert 90’s producer here]’ do at all times during the tracking process.”
Already receiving an enthusiastic response at recent live shows, the track is poised to resonate widely among long-time fans of the band and new listeners alike.
“I hope people find comfort in it,” says Yance. “That even in frustration and silence, music can remind us to reach out and be there for each other.”
The Dawn’s “Sa’n Ka Pupunta” is out now on all digital music platforms worldwide via Sony Music Entertainment.
Have you ever experienced love so deeply that it resonates within every part of you? Whether you’ve felt it before, are currently immersed in it, or simply dream of such an emotion, “Sagad” by Silent Sanctuary is the perfect song for you.
After a two-year wait, the beloved Filipino “Rockestra” is back with new material: the catchy and feels-filled “Sagad,” released under Universal Records.
Inspired by the popular Netflix series You, the song explores the theme of obsessive love, mirroring the intense emotions of the show’s protagonist. As you listen to it, you’re drawn into a love that feels overwhelmingly consuming yet painfully out of reach: “Sagad sa buto at laman. ‘Di ba mapagbigyan, lahat ng nais ko. Sana’y ako na lang sa ‘yo.”
The lyrics also articulate the heart-wrenching experience of seeing the person you yearn for in the arms of someone else, wishing that your love would choose you instead: “Sagad sa lungkot at kaba, sa tuwing nakikita kang kapiling mo na siya, masaya.”
While “Sagad” was released on April 25, lucky fans of the band were able to already listen to it last April 5, when Silent Sanctuary performed it at Cozy Cove in Baguio. And while that performance is not yet on the YouTube channel of the official Nine Degrees North, the band’s live performance of their hit song “Ikaw Lamang” is already up there.
Silent Sanctuary’s return with “Sagad” marks a significant moment for the band, as they reconnect with their fans after a hiatus. Known for their emotive lyrics and captivating rock orchestra melodies, the band continues to evolve while staying true to their roots, delivering a sound that is both fresh and familiar.
In the vibrant world of music, where passion and talent converge, the story of 11-year-old Jazzell Smith shines as a testament to the power of family, dedication, and a deep-rooted love for song. As the youngest artist under RJA Productions, LLC, a talent management company founded by her grandmother, Rosabella Jao-Arribas, Jazzell is already making waves with her debut single, “Song of Love.” This heartfelt track, released on March 14, 2025, not only showcases her remarkable vocal talent but also carries a meaningful message that resonates with audiences of all ages.
A Musical Legacy Rooted in Family Visionary of RJA Productions, LLC, Rosabella Jao-Arribas has dedicated years developing and showcasing Filipino talent internationally. Her explicit goal is to highlight the remarkable skills of Filipino artists and distribute their talents to the globe. Since her granddaughter Jazzell has carried on the family’s love of music, Rosabella finds great personal resonance in this work. “Music really runs in our family,” Rosabella could add, and Jazzell’s path serves evidence of this history.
Jazzell’s relationship to music started quite young. She found singing natural, and by the time she was nine she was eager to hone her skill with formal voice lessons. Her natural ability combined with her will to develop as an artist helped her to stand out on the RJA Productions roster. Jazzell, who is just 11 years old, not only follows her aspirations but also reflects the qualities of diligence and thanksfulness that her family imparted.
“Song of Love”: A Tribute to Grandparents
More than just a song, Jazzell’s first single, “Song of Love,” is a sincere expression of love and gratitude for the grandparents who are so very important in her life. Written by voice teacher Arnie Mendaros, gifted songwriter, and vocal arranger, the song appeals to listeners because of its universal message. Jazzell said, “The message of “Song of Love” is to always appreciate our grandparents, to cherish them, and to value the time we have with them,” using the knowledge and genuineness of someone well beyond her years.
As a fifth grader, Jazzell’s ability to convey such profound emotions through her music is remarkable. She dedicates the song to her grandmother Denise and her two grandfathers, as well as to her “Nanny,” Rosabella, who has been a pillar of support in both her life and her budding career. For Jazzell, music is not just about performing; it’s about connecting with others and sharing meaningful lessons that leave a lasting impact.
Inspiration from Music Icons
Like many young musicians, Jazzell gets inspirations from some of the most successful musicians of today. Looking up Taylor Swift, Selena Gomez, Ariana Grande, and Sabrina Carpenter, she appreciates their stage presence and craftsmanship. These artists inspire her to follow her aspirations with assurance and will, thereby helping her to develop her abilities and create her own original route in the music business.
Jazzell shows clearly her respect for great musicians by radiating a natural charm and love of singing. Yet, she remains grounded, focusing on continuous improvement and staying true to her values. Her ability to balance inspiration from global superstars with her own authentic voice is a testament to her maturity as an artist.
A Rising Star on the Stage
Jazzell’s skill has already brought her to venues all throughout the country, where she has accompanied Alisah Bonaoabra, a featured artist of RJA Productions. She has grown as a performer mostly depending on these encounters. “When people value my singing, especially in the events where I perform, it makes me feel very happy and motivates me to keep improving,” Jazzell said. Her determination to keep on is fed by the favorable comments from viewers; every performance offers a chance to interact with her supporters and hone her skills. Apart from fellow artists, Alisah Bonaoabra mentors and voice coach for Jazzell. Emphasizing their strong relationship, Jazzell affectionately calls her “Tita Alisah.” “Tita Alisah has been instrumental in realizing my singing career. Jazzell added with a smile, “She is not a strict coach; in fact, she is quite kind; but she makes sure I am doing my assignments.” Alisah’s direction has been crucial in enabling Jazzell to improve her vocal technique and stage presence, therefore assuring her readiness for the rigours of a professional music career.
Gratitude and Dedication
Jazzell’s path revolves around a great sense of thanks for the help her family provides. She appreciates her grandma Rosabella for her unflinching conviction in her abilities and her parents, who support her every stage of life. “I appreciate all of your help in my life and singing career!” Jazzell remarked, honoring her successes to her “Nanny” and the grandparents who influence her music.
The evening of April 26, 2025, in Dublin, California was a celebration Jazzell’s skill and provided attendees the opportunity to really enjoy the beauty of “Song of Love.” For those who tracked Jazzell’s path, RJA Productions, LLC’s Facebook page offered updates on her performances and benchmarks.
A Bright Future Ahead
At just 11 years old, Jazzell Smith is already making waves in the music business. With her first song, “Song of Love,” she has shown herself as an artist with both skill and emotion, able to provide performances her audience will find very meaningful. Her commitment to her trade, together with the encouragement of her family and mentors, will help her to lay a clear and bright future.
As Jazzell continues to grow as an artist, her story serves as an inspiration to young dreamers everywhere. Her music is a reminder that talent, when nurtured with love and hard work, can create something truly special. With her grandmother’s legacy behind her and her own passion leading the way, Jazzell Smith is poised to become a name to remember in the world of music. Keep an eye on this young prodigy—her “Song of Love” is just the beginning.
Angeline Quinto, who is now under Universal Records, just released a brand new song entitled “Being With You.” It is the quintessential Angeline Quinto song: beautifully sung, full of emotions, and boasts of impressively high notes.
Fun fact: before it became the beautiful track we now know as “Being With You,” the song was originally penned in Korean. The song was composed, produced, mixed, and mastered in Korea, as well.
The track is a romantic ballad made up of beautiful orchestral elements, from the hypnotically soft keys, to the emotional strings, supported by story-telling through percussive instruments, constantly building up to a powerful climax.
The Power Diva went live on TikTok minutes before the drop of her newest song, and excitedly waited for the release together with her fans and supporters. After listening to it together with those who joined her livestream, Angeline couldn’t help but feel grateful for all the words of support from the comments section. Some used compliments like “ganda” and “sarap pakinggan,” while others said that they would definitely get LSS or last song syndrome after hearing the song, which fans and curious listeners alike can now stream on all major music streaming platforms.
A heartwarming moment was when her son Sylvio joined the livestream. But what’s cuter than her son joining the live? Angeline having a hard time ending the livestream! She didn’t know how to, so she had to ask help from her fans, who then sent instructions in the comment section just so she could end the livestream.
One good thing about “Being With You” is that while it doesn’t stray away from the typical Angeline Quinto sound, it still sounds very current and relevant, something that anyone and everyone can appreciate and enjoy now.
What’s next? The “Being With You” music video, which promises to be just as emotion-filled as the song. While waiting for its release, the “Being With You” official lyric video is something that fans can already watch on the Universal Records YouTube account. The song is also now available on all major streaming platforms: Spotify, Apple Music, YouTube Music, Amazon Music, and Deezer.
From revolutionary street movements to intimate family moments, the P-Pop powerhouse delivers a double feature packed with heart and meaning.
Music fans are in for a compelling audio-visual experience as SB19 drops the official music video for their two singles “DUNGKA!” and “Time,” released under Sony Music Entertainment and 1Z Entertainment.
Both tracks are part of their third EP, Simula at Wakas, which marks the final chapter in a trilogy that began with 2021’s pagsibol and continued with 2023’s PAGTATAG!.
Helmed by Kerbs Balagtas of YouMeUs MNL, the music video of “DUNGKA!” reflects the chaotic but vibrant world of urban Manila. It’s a dynamic tribute to individuality, community, and the unfiltered beauty of everyday life, where people of diverse classes and backgrounds come together to raise their voices and stand up for something bigger than themselves.
Released with no teaser and fanfare, the song’s MV was a surprise drop for the fans. . In conceptualizing the video, SB19 set out to mirror the track’s chaotic energy through a visual celebration of diversity and self-expression. The five-piece group explains, “That energy really stood out to us. Our idea was to highlight our group’s diversity and showcase each member’s unique personality. From there, it grew into something bigger, bringing in people from all walks of life to reflect the extraordinariness in our differences.”
The music video features an impressive roster of guest stars, including Mimiyuuuh, Maymay Entrata, Alodia Gosiengfiao, Sassa Gurl, Jayat, Kween Yasmin, Malupiton, Ghost Wrecker, Shehyee, Smugglaz, Pat Lasaten, Agnes Reoma and Vice Ganda, whose presence added a deeper layer of impact to the project.
“When someone brought up Ate Vice, it just made perfect sense,” shares SB19 in a collective statement. “Her personality and connection to the public really aligned with the message we were trying to send.”
Beyond the music, “DUNGKA!” serves as a statement, one that mirrors current realities and encourages collective action. In the video, SB19 leads a symbolic movement, echoing calls for change and empowerment from the streets, where real transformation often begins.
“We brought in artists and personalities who we felt matched the spirit of what we wanted to say,” SB19 adds. “They’re people who also want to speak up, who want change, who want to be part of a movement that challenges a flawed system. Everything just fell into place. The concept, the message—it all aligned. It felt like the right time to show people that we can do this now—that this is where SB19 is. We also wanted to share that power, that message, with everyone: that movements and revolutions aren’t just for celebrities or people in certain positions. No matter who you are or where you’re from, you can take part in change. That’s really the heart of the idea.”
Complementing the bold energy of “DUNGKA!” is the more reflective and heartfelt “Time,” which arrives with its own music video—this time under the creative direction of 1032 Lab. The visual narrative focuses on the fleeting nature of time and the importance of cherishing meaningful moments with loved ones.
Stripped of ornate visuals, the “Time” video leans into emotional authenticity. It was deliberately kept simple, allowing the message to resonate with clarity and sincerity.
“More than just creating a visually appealing music video, our main goal was to clearly deliver the message—about time,” SB19 explains. “It’s a universal concern. Everyone, no matter who you are or where you’re from, is affected by how we use time. And while we all have time, not everyone uses it wisely mostly because of different priorities or distractions.”
The music video captures everyday moments that hit close to home, making its message universally accessible to all. “The core message is this: we’re all running out of time one way or another,” the group adds. “Let’s use it wisely, before it slips away.”
With these two new releases, SB19 once again proves their commitment not just to sonic evolution, but also to storytelling the resonates deeply with the Filipino people.
Watch the music videos here:
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