Fast-rising Singapore-based bands return home to share the stage with Philippine bands
Bistro Rising 2025 returns to Manila with a renewed sense of purpose, bringing together some of the most promising Filipino indie artists from Singapore and the Philippines in a cross-cultural music showcase. The highly anticipated event will take place at 70’s Bistro in Quezon City on December 29, 2025.
Co-headlining the show are three Singapore-based Filipino bands that have steadily gained recognition within the Lion City’s underground music circuit: soul-pop act iLaya, indie rock outfitNostress, and ‘80s new wave-inspired band The Next Wave. The trio will share the stage with Shumi, a Bulacan-based city pop band, and Rooftop Reveries, an indie pop-rock group known for their compelling songwriting and polished live performances.
Bistro Rising 2025 is presented by Mushi Entertainment. The show is part of a broader effort to strengthen creative ties between the Philippines and Singapore, both of which are linked by an increasingly visible community of Filipino musicians and talents.
“This event is a testament to the vibrant and growing indie music community in both Singapore and the Philippines, creating opportunities for creative collaboration and talent showcase,” Requiem Rising Singapore General Manager and Founder Monx Moncayo shares.
Based in the Philippines, Mushi Entertainment is an emerging production company dedicated to creating rich, cross-cultural music experiences. They’ve made a name for themselves by frequently collaborating with Requiem Rising of Singapore, mounting gigs and concerts that showcase the convergence of diasporic and homegrown Filipino artistry in a single setting.
K-pop hitmaker Jang Yi-jeong, more popularly known for his pseudonym EL CAPITXN, finally took the Manila stage last December 12 at the SM North EDSA Skydome and transformed it into a space where artistry, vulnerability, and raw sound collided. Primarily known as one of K-pop’s most respected producers of this age, EL CAPITXN‘s concert was not a typical idol showcase and more of an invitation into the mind of a creator who has spent years shaping other artists’ voices, and is now more ready to show another side of himself to the world.
Best known as one of K-pop’s most influential producers, EL CAPITXN has shaped the sound of some of the industry’s most iconic tracks. Debuting as a member of the boy group HISTORY in 2013 before transitioning fully as a producer after the group disbanded, he built a reputation as a hitmaker with a distinct emotional and sonic identity. As a producer and songwriter, he has been instrumental in shaping the sound of worldwide artists, most notably through his long-running collaboration with SUGA of BTS. His production credits include globally recognized songs such as “Eight” by IU, “Telepathy” and “Take Two” by BTS, “Daechwita” and “AMYGDALA “by Agust D, all known for their emotional depth and layered storytelling. He also contributed to music for artists like PSY, Heize, TOMORROW x TOGETHER, PLAVE, ZEROBASEONE, and AHOF, establishing himself as a producer who balances mainstream appeal with introspective artistry.
The Manila concert marked a significant moment in his evolution as a solo performer, bringing the music he once crafted behind the scenes directly to the stage. Opening with a gothic-themed VCR drenched in shadows and crimson hues, EL CAPITXN set the tone for a night that was equal parts intensity and intimacy. The visual set the tone most especially for the first part of his set list, with tracks such as “The Vampires”, “THEY”, “WHO KILLED EL?” and “Bite Down!”.
Clad in black, tattoos on full display, and commanding the stage with understated confidence and effortless charisma, he stepped fully into the spotlight as a compelling artist in his own right. Rather than relying on elaborate choreography, the performance focused on atmosphere and sound, allowing the music’s intensity to take centerstage.
The concert unfolded as a carefully curated narrative, balancing high-energy electronic tracks with darker, introspective moments. Heavy basslines and cinematic synths filled the venue, while quieter segments revealed EL CAPITXN‘s more vulnerable side.
“Boys Gang!” took a turn towards the end the moment sounds of a gong in exact intervals were mixed in the song. As if bringing us to a new side of EL CAPITXN‘s world in the second part of his setlist, he took off his jacket and wore a long black robe with thick golden cuffs and waistband, alluding to hanbok worn by kings in Korea in the olden days as he introduced the next song.
“Daechwita” signaled the start of the second half of the setlist, and the crowd erupted the instant the familiar clash of kkwaenggwari, a flat gong of Korean traditional music, rang through the Skydome. EL CAPITXN led the chant, shouting “Daechwita! Daechwita!” in unison with the audience, even rapping along to sections of the song, and played the “shibal” remix made famous during Agust D’s world tour, where he also played a key role. He followed with other collaborations with Agust D, including “Haegeum”, before pushing the energy even higher with BTS staples like “Fake Love”, “MIC Drop (feat. Desiigner)”, “Ddaeng”, “UGH!”, and “IDOL”. PSY’s “That That” proved to be a crowd-pleaser, sending the entire arena into motion as the audience danced along.
He also mixed in tracks by other artists, including CORTIS’s “FaSHioN” and “Go!”, before surprising the audience with selections from BIGBANG. During “Bad Boy” and “We Like 2 Party”, he stepped down into the crowd to interact with fans, followed by G-DRAGON’s “Crooked” which pushed the energy higher as the audience chanted along. As a change of mood, EL CAPITXN performed AHOF’s “Rendezvous”, playing both keyboard and bass guitar and extending the track with a prolonged coda. Earlier, he played AHOF’s “Pinocchio” while forming the group’s signature hand sign as he looked out at the crowd. As AHOF’s producer and a major contributor to their sound, his onstage involvement offered a rare look at his work beyond production, emphasizing his direct musical connection to the group’s catalog.
As the set drew to a close, EL CAPITXN shifted the mood with Radiohead’s “No Surprises“, standing under pinspot lights as he watched the audience wave their phone flashlights. The energy briefly lifted with Earth, Wind and Fire’s “September”, a cross-generational favorite that had him grooving with his tour band onstage. He then moved to the keyboard and announced the final song, dedicating it to “the friend I love the most in the world,” before playing the opening chords of “Dear My Friend“ which he co-wrote with Agust D. Performed on piano and extended with a lingering coda played on the bass guitar gifted to him by Agust D, the closing moment conveyed vulnerability and gratitude, leaving the audience visibly moved.
EL CAPITXN paused to address the audience, thanking them for attending the first show of his tour and encouraging continued support for the artists he collaborates with most, notably AHOF and “his most precious friend, Min Yoongi (Agust D/SUGA from BTS).” He also took a moment to offer a heartfelt message of gratitude to Yoongi, expressing that their friendship was one he intended to carry for life.
For fans, the night carried added significance. Hearing and singing along songs they have cherished, now performed by the creator himself, offered a rare and affirming connection between artist and audience. As the concert came to a close, the emotion in the room suggested not an ending, but a release, leaving both EL CAPITXN and the crowd visibly moved.
EL CAPITXN’s Manila concert served as a statement, affirming his identity, not only as a celebrated producer, but as an artist worthy of paying attention to in his own right. For those in attendance, December 12 was a reminder that some of the most memorable voices belong to those who first shaped music from behind the scenes before stepping once again into the spotlight.
EL CAPITXN continued his Philippine leg to Bacolod on December 14, and is set to continue his first world tour in early 2026, including cities in Mexico, Los Angeles, New York, and Canada.
The Tourism Promotions Board (TPB) Philippines has just appointed two major Korean stars—Kim Myung Soo and Choi Bo Min—as their newest Tourism Ambassadors for Korea. It’s a bold step to strengthen the bond between the Philippines and South Korea, especially in the realm of travel.
The official announcement took place on December 14, 2025, at Consuelo by Chef Vince Garcia, where the two artists appeared in custom creations by Filipino designer Avel Bacudio. Their outfits featured intricate embroidery inspired by iconic Filipino elements such as jeepneys, the bahay kubo, and street vendors, and were crafted from handwoven abaca, piña, silk cocoon, and inabel. More than just celebrated personalities, Kim Myung Soo and Choi Bo Min are now officially partners of TPBPHL, with a shared mission to inspire more Korean travelers to visit and explore the Philippines.
They wasted no time getting started. The two stars arrived in the Philippines from December 13 to 14 for a fast-paced trip full of specially curated experiences. They began their visit with a round of golf at Beverly Place Golf Club in Clark, Pampanga—known for its beautiful scenery, excellent facilities, and a premium leisure atmosphere. It’s exactly the kind of destination that highlights the country’s wellness and luxury appeal.
The following day brought even more excitement. Both stars took part in the PUMA Clark Half Marathon. Choi Bo Min joined the 5K run alongside local fans, while Kim Myung Soo took the stage with TPB’s Chief Operating Officer, Marga Nograles. He mentioned his desire to visit Siargao soon and even hinted at inviting his fellow INFINITE members for the next trip.
So, why were these two chosen? The answer is simple. Both Kim Myung Soo and Choi Bo Min have genuine connections to the Philippines and a significant influence across Asia. Kim Myung Soo—actor and member of K-Pop group INFINITE—has visited the Philippines multiple times for concerts and fan meetings. Over the years, he has formed a meaningful bond with the Philippines, rooted in his continued presence and strong relationship with Filipino fans. He’s also preparing for new projects, which will only expand his global reach.
Choi Bo Min’s journey is equally noteworthy. He has been steadily building a loyal Filipino fanbase since joining the local TV series Beauty Empire, spending a total of four months traveling back and forth to the Philippines. This extended time allowed him to immerse himself in the culture, explore different locations, and experience local cuisine, further strengthening his familiarity with the country. With a new drama set to premiere next year, his profile is on the rise, helping to bridge even more Korean fans to the Philippines.
The two artists are supported in the Philippines through local management and agent services provided by GLXY Talent Management, a subsidiary of Universal Records Inc.
Now, as official TPBPHL Tourism Ambassadors, we’ll be seeing more of Kim Myung Soo and Choi Bo Min soon—from destination tours and digital campaigns to a variety of promotional events. Whether it’s beaches, city attractions, wellness getaways, or cultural landmarks, they’ll be showcasing it all. The goal is to leverage their star power and authentic love for the Philippines to inspire more Koreans to discover the country for themselves.
With these two leading the way, the partnership marks a new chapter in promoting Philippine tourism. It’s not just about beautiful destinations—it’s about encouraging people to create lasting, meaningful memories in the Philippines.
For over four decades, Bagets has remained one of Philippine cinema’s most iconic coming-of-age films. Audiences still remember the bright energy of the barkada, the unforgettable school scenes, the prom sequence, and the way the film captured the feeling of being young in the ‘80s. The characters Adie, Topee, Tonton, Arnel, and Gilbert have lived on in popular culture, and the movie continues to be discovered by new generations.
In its newest stage adaptation, the creative team offers audiences a new perspective on the five women behind the boys’ journey. This time, the ermats, or mothers, of the original barkada move from the sidelines to the center of the story in Bagets The Musical.
The ermats of Bagets The Musical: Women with depth, complexity, and heart
The musical presents a spectrum of ’80s Filipina womanhood—working moms, high society wives, single parents, hustlers, and creatives. Once background characters, they now emerge as layered and vulnerable, grappling with the same themes that remain relevant today: the mental load of mothers, the fear of failing her child, the struggle to communicate, and the hope for healing.
A talented line-up of actresses brings these characters to life including Carla Guevara-Laforteza as Virgie (Adie’s mother), Neomi Gonzales as Anna (Topee’s mother), Kakai Bautista and Natasha Cabrera alternating as Delia (Tonton’s mother), Mayen Bustamante-Cadd as Ditas (Arnel’s mother), and Ring Antonio as Luz (Gilbert’s mother).
Carla Guevara-Laforteza is Virgie, the mother of Andres Muhlach and Mico Chua’s Adie
Carla Guevara-Laforteza as Virgie (Mother of Adie)
Virgie is the quintessential ’80s working mother who is educated, constantly busy, and terrified of stillness. Carla approaches her with grounded realism, drawing from her own life as a mother: “I have to find myself in the character so that it is genuine.”
As a multi-award winning performing artist, Carla Guevara-Laforteza brings three decades of acclaimed theater work to the role, having graced the international theater scene with roles such as Kim and Gigi in the original West End production of Miss Saigon at the Theatre Royal Drury Lane in London, as the Club singer and Flo Manero for the Asian tour of Saturday Night Fever, and as one of the official vocalists for the Disney in Concert tour around Asia, to name a few.
In the Philippines, she has starred in Original Filipino Musicals which include Ang Huling El Bimbo, Joseph the Dreamer, Rak of Aegis, IBARRA the Musical, One More Chance: The Musical, Binondo o Tsinoy Musical, 3 Stars and a Sun, The Quest for the Adarna, Come from Away, and Into The Woods. Carla staged her first major solo concert at the CCP as part of the “Triple Threat Series” in 2024 to celebrate her 30 years in the industry.
This past year alone, Carla has received five awards. Having been recognized as one of the Top 50 Most Influential by Tiger Magazine, Outstanding Filipino Achiever of the Year, and Outstanding Performer in Theater Arts and Music given by the American Association of the Philippines, Carla is a premiere character actress, leading lady, singer and host, known for being on the strongest and most fearless stage performers in the Philippines.
Neomi Gonzales is Anna, the mother of Jeff Moses and Sam Shoaf’s Topee.
Neomi Gonzales as Anna (Mother of Topee)
Anna is a single mother and an ambitious actress, constantly performing for the world. Neomi relates deeply to her exhaustion as a teacher, freelancer, and homemaker: “Mothers are always auditioning: for work, for family, for life.”
Her defining moment is choosing her son over a career-making Brocka film—a dilemma women still face today amidst social pressure and perfection standards.
Stepping into the role of Anna is Neomi Gonzales. The Gawad Buhay and LEAF Award–winning performer known for her roles in Walang Aray, Rak of Aegis, One More Chance: The Musical, Rose, Tabing Ilog The Musical, Eto Na: Musicakal nAPO sila, and Himala: Isang Musikal, where she also reprised her role as Chayong in the 2024 film adaptation of “Isang Himala”. As a long-time PETA artist-teacher, vocal coach, and homeschool mom, she brings authentic insight into the life of a performer balancing many roles.
Mayen Bustamante-Cadd is Ditas, the mother of Ethan David and KD Estrada’s Arnel.
Mayen Bustamante-Cadd as Ditas (Mother of Arnel)
Ditas was raised to prioritize image, tradition, and reputation. Mayen plays her with empathy, showing a woman shaped by strict upbringing and societal pressure. Her arc softens when she realizes: “I can love my son even if he’s going against the grain.”
If she lived today, Ditas might thrive with more freedom or struggle with modern pace. One thing is for sure: Her journey toward acceptance remains universal.
Mayen brings in more than thirty years of professional theater experience from productions such as Alice in Wonderland, Joseph the Dreamer, Hairspray, The Bluebird of Happiness, Come from Away, and Going Home to Christmas.
With her vast experience in the world of acting on stage and on screen, singing, doing VOs and ad jingles, hosting for live events, directing shows and plays, and teaching Acting & Musical Theatre to teens and adults, Mayen Bustamante-Cadd brings the emotional precision needed to portray a mother learning acceptance in a world evolving faster than she expected.
Ring Antonio is Luz, the mother of Tomas Rodriguez and Noel Comia Jr.’s Gilbert.
Ring Antonio as Luz (Mother of Gilbert)
Luz is the ’80s Filipina hustler married to a gambling husband and juggling endless ‘rakets’ or side gigs to keep the family afloat. As a single mom of a teenage boy herself, Ring Antonio understands Luz’s exhaustion and fierce love.
Aireen Melanie Antonio or professionally known as Ring, has built more than 15 years of stage experience with roles in Newport World Resorts’ Full House Theater Company productions such as Delia D.: A Musical featuring songs of Jonathan Manalo, Annie, Bitiuin Walang Ningning, Priscilla: Queen of the Dessert, Cinderella, King And I, Buruguduystunstugudunstuy: Parokya ni Edgar The Musical, and Side Show.
Her experience as a theater actress and head teacher of Children’s Musical Theater has honed her ability to ground characters in emotional truth, as she makes connections with the character and the audience – strengthening Luz’s journey on stage.
Kakai Bautista and Natasha Cabrera alternate as Delia, the mother of Milo Cruz and Migo Valid’s Tonton.
Kakai Bautista and Natasha Cabrera as Delia (Mother of Tonton)
Delia is the talakera—the loud, loving, nagging mom shaped by fear of failing her family. Bautista and Cabrera reveal her not as a caricature but as a woman doing her best with the tools she had.
Her awakening arrives during a pivotal confrontation where she realizes that love requires listening, not just protecting. Their powerful number “State of the Nation” becomes Delia’s mirror – showing the impact of loud affection and the need for gentleness.
Catherine Herrera Bautista, professionally known as Kakai Bautista, may have gained recognition for her supporting roles playing comedic or villainous characters in TV shows and movies such as Hello, Love, Goodbye and Four Sisters Before the Wedding, but her career began in theater back in 2000.
For over a decade, she has been a consistent performer in the musical Rak of Aegis. Kakai’s achievements, discipline, and work ethics on stage and on screen truly showcases her emotional and comedic versatility.
As for Natasha Cabrera, she has appeared in Delia D.: A Musical Featuring the Songs of Jonathan Manalo, Buruguduystunstugudunstuy: Ang Parokya ni Edgar Musical, Kung Paano Ako Naging Leading Lady, Bar Boys The Musical, and Ang Huling El Bimbo the Musical.
She has also played various roles in local productions such as Lapu-Lapu: Ang Datu ng Mactan, Corazon Negro, Sandosenang Sapatos, Paglayang Minamahal, Ding! Ang Bato, the Silent Soprano, Rizal X, and Shock Value.
A University of the Philippines Theater Arts alumna, and the recipient of the Gawad Kumintang sa Sining sa Larangan ng Teatro from the Batangas Culture and Arts Council in 2024, Natasha has earned recognition for her vocal power and crisp character work.
Bagets The Musical expands the audience’s view of the story by highlighting the mothers’ roles in the lives of the barkada. Their experiences and relationships provide a different perspective that complements the original film’s coming-of-age narrative.
Audiences can look forward to new insights when the five mothers—Virgie, Anna, Ditas, Luz, and Delia—step into the spotlight.
A production of Newport World Resorts with Philippine STAR and VIVA communications, the show is staged by PETA plus led by director Maribel Legarda, playwright J-mee Katanyag, and musical director Vince Lim. This show is also presented in cooperation with Sun Life Philippines.
Bagets The Musical runs from January 23 to March 2026 at the Newport Performing Arts Theater. Tickets are now available at Newport World Resorts Box Office, Ticketworld, and Ticket2Me: PHP 4,000 (SVIP), PHP 3,500 (VIP), PHP 3,000 (GOLD), PHP 2,000 (SILVER), and PHP 1,000 (BRONZE). For inquiries, contact Customer Care at 7908-8888.
For more information on Bagets The Musical, visit Learn more about the artists and the production through VIVA Communications Inc. (@vivaartistsagency), The Philippine STAR (@philippinestar), and Newport World Resorts (@newportworldresorts) on Facebook, Instagram, and TikTok.
Much like their music, The Fray played through their each song in their debut album How to Save a Life, plus some of their newer material, with unobstructed grace and warmth, which the Filipino crowd welcomed with open arms.
On December 12, The Fray returned to the Philippine concert stage after 13 long years. Their How to Save a Life 20th Anniversary World Tour at the Araneta Coliseum marked our country as the only stop in Asia as well the venue for their grand finale – two factors that made the evening extra special for longtime fans of the band. Presented by Midas Promotions, the show was one to be remembered.
In the mid-2000s, The Fray’s debut album became a spectacular hit, receiving two Grammy nominations and receiving multiple Billboard Awards which included Digital Album of the Year. The band is known for their heart-tugging, piano-driven pop-rock songs – the kind that you want to listen to when you need a warm hug. Their lyrics, filled with dramatic push and pull of life and human relationships, were uplifting and reassuring.
In pop culture, their influence was also greatly felt as their songs became soundtracks to a lot of popular TV shows back then such as Grey’s Anatomy, One Tree Hill and The Vampire Diaries. When you play “Over My Head (Cable Car)” or “How to Save a Life”, you could be almost sure that any millennial will recognize the song in an instant; and just like any millennial would tell you: it would be quite difficult to say that it has been 20 years since then.
Still, 20 years did take its toll for the band. Since then, the band had released 4 studio albums, with their latest Helios released in 2014. The Fray is currently composed of Joe King, Dave Welsh, Ben Wysocki and touring members Dane Poppin and Kai Welch. In 2022, after a long hiatus, their previous lead singer, Isaac Slade, left the band due to personal reasons. It wasn’t until 2024 when they started releasing new music with their EP The Fray Is Back. Shortly after, they announced a world tour for their iconic debut album to celebrate the 20th anniversary of How to Save a Life, selling out majority of the dates worldwide.
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Filipino rock band December Avenue opened the show with their hits “Huling Sandali” and “Sa Ngalan Ng Pag-Ibig”. Frontman Zel Bautista thanked the crowd for their support this year, and hinted at a possible Valentine’s concert next year.
When it was time for The Fray to take the stage, they made their entrance with “She Is”, “All At Once” and “Look After You”. Their connection with the crowd ignited an immediate spark. One second, it was silent; the next, people were sweetly singing ‘be my baby; in unison.
The stage set-up was simple. There were 2 elevated platforms for the drummer and the guitarist. Flower patches adorned the floor while a flowing curtain which reflected gradients of light served as the backdrop. There were no LED screens at the back and the sides. No flashy visualization and no loud decorations; it seemed the band wanted to focus on the music and rightfully so. Following a theater set-up, each person in the crowd was assigned a specific seat.
As the concert was primarily a celebration of the 20th anniversary of their debut album, The Fray made sure to play the entire tracklist, arranged as if to tell a story. Hearing “Fall Away” felt like being drawn back to a time warp, followed by the somberly foreboding tones of “Little House” and “Dead Wrong”, only to be washed away to the gently comforting tides of “Trust Me” and “Heaven Forbid”. An extended piano intro was played for the haunting melodies of “Hundred” and “Vienna”, making the songs more impactful.
While the crawling tick-tock sound of “Over My Head (Cable Car)” was playing, Joe King took the time to address a specific person in the crowd. “I’d like to dedicate this song to this incredible human being, back there vibing, dancing to our music”, he said. During the early part of the concert, there was a guy at the patron area who stood up by himself, singing and dancing all alone as the audience remained seated. A security personnel later approached him to tell him to sit down which Joe also apologized for.
Encouraging the rest of the crowd, Joe shouted, “If you want, you can stand up, and you can feel however you wanna feel, and you can sing it however you want to sing it, because that is what music does, it’s free!” The whole arena then got on their feet and did exactly like the guy did: immerse themselves in the music. This tremendous energy was sustained until the end of the show.
By the time The Fray played “How to Save a Life”, the entirety of the Big Dome was like a huge karaoke choir, singing each word in unison. This was made even more special when people started raising their flash lights in the dark. What started as a few lights in the upper part of crowd spread all over the arena gradually, until it filled the entire venue.
Beyond their debut album, The Fray also performed a few of their newer tracks including the flaring “My Heart’s a Crowded Room” and the EDM-tinged “Hurricane”, during which Joe King personally went down the stage to meet the crowd.
“Thank you for sharing this evening with us. We’ll never forget it. This tour is the last night of the tour for us, we’ve had an absolute dream,” Joe said toward the end of the show. He shared the tour lasted 5 months, they had played in 16 countries and around 85 shows, more that they had ever played in 15 years.
Reminiscing about what the tour meant to them, he said, “Music is healing, and it can save you, and it saves us. Music is connecting, it brings you to who you are, brings you to where you were… reminds you that we’re not alone, that we’re all connected, we’re all in this together.” He reiterated that it has both been an honor and a dream to play these songs after 20 years, expressing his gratitude for allowing them to be part of their story.
For the encore, The Fray performed “Love Don’t Die” followed their latest single “Songs I’d Rather Not Sing”. For the grand finale, they played “Never Say Never”, a song that took a life of its own when the audience repeatedly sang the line ‘don’t let me go’ as the band took their bow on stage.
The song and the album How to Save a Life really did save lives, and it continues to do so until today, 20 years after it was released. Since then, a lot of things had changed both in the band’s landscape and their fans’ lives as well. It had been well over 13 years since The Fray’s last concert in Manila yet the intense energy the crowd had when singing along to their old songs felt exactly the same. As Joe said, music has the power to heal, and that is precisely what the fans could come back to time and time again. Beyond the nostalgia for old times, The Fray’s music has now found a home in people’s lives.
Special thanks to Midas Promotions! Words by Sandra Mae Laureano
After revealing two different sides of themselves with “Hijacker” and “Nakaraan,” Metro Manila-based band semiclone pushes into their most intense territory yet with “TTG.” The single confronts the moment when emotional exhaustion reaches its limit and leaving becomes the only way forward. It is a song built on clarity earned through hurt, and the release that follows once the truth is finally accepted.
“TTG” tells the story of holding on despite all the warning signs. The lyrics move between Tagalog and English, reflecting confusion, resentment, and the quiet resignation that grows with every unanswered question. The hook captures the breaking point with stark honesty, repeating the final decision without hesitation. It is time to go, and this time there is no turning back.
The band delivers its heaviest sound yet. Guitars fly with sharp, restless energy. Vocals hit with full emotion, raw and unfiltered. The drums keep a steady pulse that carries the weight of the moment while the bass drives underneath, anchoring the track with force. The performance builds a sense of inevitability, mirroring the emotional release woven into the song.
“TTG” marks a powerful evolution in semiclone’s catalogue, proving they can shift from playful, to vulnerable, to explosive without losing their identity.
Listen to “TTG” on Spotify and all major platforms:
Santa Claus is making a special stop at Brickman® Wonders of the World! Families can enjoy the exhibit at The Space at Solaire all the way through February 8, with Santa spreading holiday cheer for a limited time, from December 15 to January 4, 1:00 to 6:00 PM daily. Celebrate an unforgettable Christmas with Santa and a walk through remarkable LEGO® brick creations that turn the world’s most iconic landmarks into a playground of imagination, creativity, and play.
Visitors can journey through the world-famous Brickman® Wonders of the World, discovering jaw-dropping LEGO® recreations of iconic landmarks from across the globe. With over 45 breathtaking builds, like the Taj Mahal and the Arc de Triomphe, each piece was crafted by Ryan “The Brickman” McNaught, the only LEGO® Certified Professional in the Southern Hemisphere, together with his team of expert LEGO model builders.
Kids can also unleash their creativity at the exhibit’s interactive LEGO build areas where they can design their own mini-masterpieces inspired by the landmarks they’ve just seen. It’s a hands-on experience that sparks curiosity, imagination, and hours of fun, perfect for busy parents looking to treat their kids to something meaningful and engaging during the holidays.
With Santa making special appearances throughout the season, families can capture magical Christmas moments and enjoy a thoughtful, exciting experience that brings together holiday magic, creativity, connection, and memories that last long after the holidays. “Christmas at Wonders of the World is all about creativity, imagination, and togetherness,” said Carlos Candal, CEO of GMG Productions. “Santa’s visit brings the festive spirit to life, giving families the chance to celebrate the season in a setting that inspires creativity and curiosity.”
Brickman® Wonders of the World runs from December 13, 2025, to February 8, 2026, at The Space at Solaire. Tickets are officially on sale exclusively via TicketWorld. Stay updated on upcoming productions by visiting www.gmg-productions.com or following @gmg.productions on Facebook and @gmgp.exhibits on Instagram.
Concert Features One Piece Composer Kohei Tanaka’s Score Performed Live by the Filharmonika Orchestra Led by a Guest Conductor
Manila, Philippines – The wait is almost over. In less than a month, ONE PIECE Music Symphony returns to Manila for a one-night-only performance on January 11, 2026 (Sunday) at 5:00 PM at The Theatre at Solaire.
Presented by Film Concerts PH, this show brings the full, official One Piece Music Symphony experience to life. Fans will enjoy the renowned music of Kohei Tanaka performed live by 71 musicians from the Filharmonika Orchestra led by another guest conductor.
Step aboard for a journey through 25 years of the Straw Hat Crew’s greatest adventures. The international concert features breathtaking HD scenes from the anime perfectly synchronized with Tanaka’s powerful score. Newly arranged pieces for this world tour include the energetic new TV opening “UUUUUS!”, alongside beloved tracks such as “Haha naru Umi” (Mother Sea), “Sekai no ichiban oden da!!”, and “Ore no saikouchiten” (Luffy’s Gear 5 Theme).
The show has already won the hearts of fans who experienced the previous run. Content creator Kuya Bols (HyperGeek) described it as “the best One Piece event of the year,” sharing how the concert made him relive the Straw Hats’ journey. “It reminded me of everything they’ve conquered, right from the very start until the latest episode.”
Cosplayer and streamer Jane Yuexpressed how the event reignited her passion for the franchise. “I had the best time! I went as Nami and even met fellow Nakamas,” she said. “The orchestra’s performance was an emotional roller coaster, and singing along with the crowd made me fall in love with One Piece all over again.”
Meanwhile, gaming creator Dimpsss highlighted the concert’s immersiveness, calling the performance “absolutely incredible.” “The live orchestra brought the world of One Piece to life. It was so nostalgic and immersive. I genuinely enjoyed the entire experience, from start to finish, and I’m excited to attend more concerts like this in the future!”
With January 11 fast approaching, fans are invited to join the adventure. Come in cosplay, wave their Jolly Rogers high, and let their emotions run free. Your energy is part of the journey—so bring the spirit of the Grand Line with you.
Whether you’ve been following Luffy since the East Blue or are just starting your voyage across the Grand Line, this performance is expected to deliver all the heart, humor, and excitement that make One Piece a global phenomenon.
Set sail with us. Tickets are available now at TicketWorld.com.ph and all authorized TicketWorld outlets.
ABOUT FILM CONCERTS PH – Facebook | Instagram | TikTok | Website Film Concerts PH is reimagining live entertainment in the Philippines by presenting cinema, video games, anime, and television series through the power of live music. Founded in 2024, the company stages immersive productions featuring orchestras, ranging from full symphony to chamber ensembles, performing scores that elevate each story. Whether performed in sync with on-screen visuals or as standalone symphonic experiences, every concert offers audiences a powerful new way to connect with the content they love.
ABOUT THE FILHARMONIKA ORCHESTRA The Filharmonika Orchestra, affiliated with Film Concerts PH, is a Manila-based ensemble founded in 2005 by conductor Gerard Salonga and revived in 2024 after a decade-long hiatus. Many of its musicians hail from the former ABS-CBN Philharmonic Orchestra, which Salonga led until 2020.
ABOUT ONE PIECE MUSIC SYMPHONY
Premiered on July 30, 2013, ONE PIECE Music Symphony is the only official One Piece concert, arranged and curated in collaboration with original composer Kohei Tanaka and licensed by TOEI ANIMATION.
In 2026, ONE PIECE Music Symphony celebrates its 13th year in Asia, 12th year in Europe, and 4th year in America. The world’s most renowned concert venues, including the Dolby Theatre in Los Angeles, the Philharmonie in Paris, and the Beijing Workers’ Stadium, have all sold out for the performance. It has also been performed by national orchestras, such as the Royal Philharmonic Concert Orchestra, the Aarhus Symfoniorkester, and the national orchestras of Strasbourg, Marseille, and Mulhouse in France.
With videos perfectly synchronized with the anthology soundtrack and projected in HD onto a giant screen, action, adventure, and emotions are guaranteed. Enhanced by a symphony orchestra of more than 60 musicians, each show is a chance to experience the most famous music from the TV series live.
ABOUT ONE PIECE
Holding the Guinness World Record as the top-selling manga title of all time, One Piece has more than 500 million copies printed and over 108 volumes. Created by Eiichiro Oda and produced by Toei Animation, this anime TV series debuted in Japan in October 1999 and continues to captivate audiences worldwide. The story follows pirate Monkey D. Luffy and his Straw Hat crew on their epic quest to find “The One Piece,” the legendary treasure of the former King of the Pirates, Gol D. Roger.
Over 25 years later, the One Piece franchise encompasses 15 feature films (including the recent movie “One Piece Film Red”), video games, home videos, and a vast catalog of licensed merchandise, such as accessories, toys, games, furniture, housewares, apparel, and novelties. In addition to being available on Hulu, Netflix, and Tubi, One Piece is simulcast on Crunchyroll in the United States.
Japanese composer, arranger, and singer Kohei Tanaka has written musical scores for numerous famous anime TV series, OVAs, movies, computer games, and tokusatsu series—among them One Piece, Sakura Taisen, Jojo’s Bizarre Adventure, and Gunbuster.
Tanaka began playing the piano at an early age. After graduating from Osaka Seiko Gakuin High School, Tanaka studied music composition under Tomojirō Ikenouchi at Tokyo National University of Fine Arts and Music. Once he graduated, Tanaka worked for three years in the advertising department of Victor Music Industries before spending two years at the Berkley College of Music in Boston, Massachusetts. He then returned to Japan to pursue a career as a pianist and a composer.
ABOUT SOUND OF FAERIES (PRODUCER)
The Wild Faery Group’s Hong Kong division, Sound of Faeries, specializes in producing film concerts and presenting video games, anime, and movies worldwide. It is a leading concert production company in Hong Kong.
Manila, 18 December 2025 – Internationally acclaimed Australian singer-songwriter Rick Price will perform in Manila as part of his highly anticipated “For Lovers” Concert Tour 2026, taking place at the Newport Performing Arts Theater on Tuesday, 7 April 2026, at 8:00 PM.
Renowned for his emotive songwriting and unmistakable voice, Price rose to international prominence with timeless hits including “Heaven Knows,” “Nothing Can Stop Us Now,” and “If You Were My Baby.” His music continues to resonate across generations, defined by sincerity, melodic strength, and emotional storytelling.
With a career spanning more than three decades, Rick Price has released multiple studio albums, toured extensively worldwide, and built a loyal global following. He remains one of Australia’s most respected and enduring pop-rock ballad singer-songwriters, celebrated for his heartfelt live performances.
The “For Lovers” Concert Tour 2026 promises an intimate and nostalgic concert experience, featuring a carefully curated setlist of Rick Price’s greatest hits alongside selected tracks from his later works. Each show showcases the warmth, authenticity, and musical craftsmanship that have defined his career.
The Manila concert offers Filipino fans a rare opportunity to experience Rick Price live in an intimate setting. Join us for a beautiful night of music for lovers, dreamers and believers in love.
Tickets are expected to sell quickly. Fans are encouraged to secure their seats early once ticket sales information is announced.
Event Details: Rick Price “For Lovers” Concert Tour 2026 – Manila
Date: 7 April 2026 (Tuesday) Time: 8:00 PM Venue: Newport Performing Arts Theater, Manila Ticket Sales: From 22nd December 2025 12PM (Local Time) Ticket Prices: 3500 PHP, 4500 PHP, 5500 PHP, 6500 PHP Ticketing: www.fantopia.io
World-class Filipino artists at the heart of Bonifacio Global City
DECEMBER 2025, TAGUIG CITY, PHILIPPINES – Bonifacio Global City (BGC) and the City Government of Taguig is set to welcome 2026 with another one-of-a-kind festive event that will gather some of the country’s biggest local acts in one venue, NYE at the 5th.
After an exciting year that’s overflowing with milestones and moments that continuously shape the district’s next chapter, BGC is preparing for an all-out celebration to thank everyone who has become a part of its story this year.
This year’s program reflects the momentum that BGC is in right now, and aims to express a feeling of local pride and optimism, rooted in various breakthroughs that were achieved through synergy.
As one of the most international districts in the country, BGC and the City Government of Taguig’s choice to spotlight OPM is deliberate–in a city shaped by global ideas, nothing hits harder than coming home to the sound of our own.
At the core of the celebration is a powerhouse OPM lineup engineered to electrify the city. DJ Mars Miranda, Jay-R, Dionela, G22, Parokya Ni Edgar, TJ Monterde, KZ Tandingan, and SB19 lead the night with a succession of performances that reflect the full spectrum of Filipino sound—from nostalgic and comforting to modern and genre-breaking, but all proudly local.
Joining this powerful lineup is apl.de.ap, global Filipino icon and member of The Black Eyed Peas, whose presence bridges the local and international.
As 5th Avenue transforms into a living corridor of music and lights, the night extends into a shared visual journey. With immersive light choreography and LED satellite screens across the district, the entire community is part of the moment.
Capping off the night — and the year — BGC will light up the sky with its dual-zone fireworks display. The tradition has become a familiar part of the city’s New Year’s Eve, but it still carries that collective pause — a moment where everyone looks up, takes it in, and steps into the new year together.
Since its maiden year, NYE at the 5th has become one of Metro Manila’s most anticipated events, and for good reasons. It’s one that’s known for effectively merging artistry, technology, and a shared energy that sets the tone for the year ahead. This year’s celebration takes a moment to honor the now—the victories and breakthroughs of 2025—whilst opening the door to the next chapter, not only of BGC but of the people who live, work, and play in it.
This year’s celebration is made possible with the support of partners who share BGC’s vision to create connection and energy across the district. Globe, MG Motor, Pru Life UK, Vivo, and PepsiCo join BGC in bringing NYE at the 5th to life, shaping a celebration that feels true to the district and the people who call it home.
There are artists who write songs about love, heartbreak or growing up. Topics we already expect from the music we consume. And then there’s Cavetown, who writes about all of that, but in a way that sounds like someone quietly sitting beside you while you’re curled up at your lowest. His music doesn’t tell you to “get better.” It just says, “You’re hurting. I get it. Sit here as long as you need.”
That’s why his first ever Manila show on February 18, 2026, at Skydome, SM North EDSA, feels bigger than a debut performance. It’s not just a concert date. It’s a chance to listen to the songs that once patched you together and this time, outside the safety of your bedroom walls.
Music that doesn’t demand anything from you
Some artists create songs that feel like fireworks, exploding, dramatic, loud enough to fill arenas. Cavetown creates songs that feel like a window cracked open at dawn, letting just enough air in to remind you you’re still breathing.
You don’t listen to “This Is Home” because you’re feeling okay, you listen to it when things don’t make sense, and you’re trying to decide if you can handle tomorrow. “Green” is less a song and more a sigh you’ve been holding since you were 15. “Devil Town” isn’t a sad anthem; it’s the kind of track that says, “I don’t know why this feels heavy, but I’m going to sit with you anyway.”
Some listeners call his music love songs. Others call them coming-of-age songs. Some people don’t label them at all and they just call them comfort.
The point is, Cavetown doesn’t tell you what his music should be.
He lets you decide which part of yourself needs it most.
Healing is not always loud
Healing is rarely cinematic. It doesn’t arrive with inspirational speeches or a dramatic chord progression. Sometimes healing sounds like a quiet voice saying things you would never say out loud:
“I’m scared.”
“I don’t know who I am yet.”
“I’m trying, even if it doesn’t look like it.”
That’s where Cavetown sits. Not in the triumph, but in the trying. His songs don’t fix you magically but they remind you you’re worth fixing. There’s a particular ache his music understands and that’s the kind that makes your chest cave in without warning, the kind you don’t know how to explain to anyone else. It doesn’t try to wrestle that feeling. He simply hands you a blanket and says, “You don’t have to outrun it just yet.”
And when a song does that, it stops being “just music.”
It becomes a quiet kind of healing.
Hearing it live is a small “Thank You” to yourself
You’ve listened to these songs alone, on buses, in bed, or while crying in the bathroom. Life has probably changed since then. You may have outgrown some pain and developed new ones. But those songs stayed with you, even when you didn’t notice.
Seeing Cavetown live is not a reward for being a loyal fan. It’s a thank-you to yourself. It’s like standing in a room full of strangers who have their own reasons for being there and realizing you all quietly survived something. It’s hearing “This Is Home” and thinking, not “I am healed,” but “I am healing.” It’s that moment when you can finally tell yourself:
“I gave myself this comfort. I brought myself here.”
No one else gets credit for it.
Not TikTok, not a best friend, not Spotify Discover Weekly.
Just you.
That’s what makes this concert different.
It’s not just entertainment, it’s a gentle affirmation.
Not everyone hears the same song
You may sit next to someone who screams the lyrics back at the stage.
You may stand behind someone who closes their eyes and lets every note sink in.
You may see a fan clutching their own sleeve, breathing slowly, trying not to fall apart.
Every listener has a different version of Cavetown.
Some found a friend in the music.
Some found courage.
Some found an identity.
Some found permission to be gentle.
And all those versions will coexist in the same room on February 18.
That’s the beauty of it and no one will experience the concert the same way and that’s exactly the point. Cavetown’s music doesn’t force you into a narrative. It meets you wherever you are.
You don’t need to have the right words
If you try to explain why Cavetown matters to someone who’s never heard him, you’ll probably sound unsure, “It just feels safe,” “I don’t know why, but it helps,” “It makes me feel okay.”
Those aren’t weak explanations. They’re honest ones.
We are so used to justifying our feelings that we forget comfort doesn’t always need a reason. Some music comforts you because you’re hurting. Some because you’re healing. Some simply because you exist and you deserve softness once in a while.
Cavetown’s songs remind you of that, in the most human way possible.
And maybe when the show is over, and you walk into the Manila night, you won’t have a grand transformation or a dramatic epiphany. But maybe…
Maybe you’ll just feel a little lighter.
Maybe you’ll breathe a little easier.
Maybe you’ll whisper to yourself,
“Thank you for coming.”
Not to anyone else,
but to yourself.
Show Details & Tickets
CAVETOWN will perform live in Manila for the very first time on February 18, 2026, 8PM at the Skydome, SM North EDSA, where his music will finally step out of your headphones and into a space shared with people who understand what his songs mean.
Tickets are now available at SM Tickets and TicketNet outlets, and online via smtickets.com and ticketnet.com.ph. If you’ve ever needed a sign to give yourself something gentle, this is it. Reserve the date. Claim the moment. And allow yourself to experience the music that once held you together and this time, it’s live!
For more information and updates, follow PULP Live World on social media or visitpulpliveworld.com .
It was CENTIMILLIMENTAL’s first time in Manila, and judging by the warm reception he received from his fans, it wouldn’t be his last. Also known as Atsushi, the 32-year-old singer-songwriter from Japan has become a very familiar name among anime fans and J-pop enthusiasts. Widely known for his enormous contributions to the popular anime series GIVEN, which premiered in 2019 and continued until the sequel movies released up to 2024, he has carved out his career with emotionally resonant and straightforwardly sentimental pop-rock tracks.
This year, he released his new studio album, Cafuné,which shares the title of his first-ever world tour. By nature, the Brazilian Portuguese word “cafuné” is a wondrous concept: it denotes the act of touching the strands of a loved one’s hair – the kind that lovers extend to express their affection, the kind that mothers give to soothe their child, the kind of touch that longs to heal someone. It is such a small yet meaningful gesture, filled with warmth and tenderness, and precisely enough, it was exactly what Centimillimental’s concert was all about.
Despite being an unusual venue for concerts and fanmeets, the area around Paco Arena was filled with people, who in their eagerness, queued as early as 1 PM. Presented by Wish Us Luck Entertainment, the concert turned out to be a wonderful success. Upon the show’s announcement, fans were quick to purchase tickets, reaching a sold-out capacity for general admission early. Centimillimental’s first visit to the Philippines was also packed with special activities, which included autograph signing, photo-ops, and a high-touch session for selected tiers.
Making his entrance, Centimillemental performed the yearning “Kimi Omou Yoru” (The Night I Think of You) followed by “Tsukiakari” (Moonlight) while playing the keyboard. He was supported by a live band – 2 guitarists and 1 drummer. When he took the stage, he focused on his craft – he let his music run through him, singing and playing with unparalleled intensity. The crowd’s appreciation was the same as they cheered and sang along to each song. They vibed with the unabashedly upbeat “Super Ultra I LOVE YOU” and “Hitorigoto” (Talking to Myself). When he played tracks from GIVEN – songs like “Fuyu no Hanashi” (A Winter Story), “Umi e” (To the Sea), and “Kizuato” (Scar) – fans sang along like they were anthems.
Centimillimental was not a man of many words. In fact, he was rather timid on stage. Before playing certain songs, he would sometimes mention the title. When he addressed the crowd, he said in an apologetic tone while reading from his phone, “I can’t speak English very well.” Fans then gave reassuring cheers. He mumbled “salamat” while slightly raising his arm.
Despite this, he is a seasoned performer, both as a vocalist and a multi-instrumentalist. He switched from playing the keyboards to rocking out with a guitar flawlessly. His vocals in his recorded songs are already very emotionally-driven, but still, his live performance was even better. One prime example of this was when he played “Marutsuke”. While the spotlight was solely on him and his keyboards, he sang in such an impassioned tone that it was easy to feel the lonesome existentialism that lingered in the song. His passion for singing and playing music was palpable. It’s exactly what made his concert worthwhile.
Toward the end of the concert, he took a photo with the crowd while holding a banner filled with their handwritten messages. For the encore, Centimillimental bid goodbye with “Hoshi Ga Furu” (Stars Are Falling) and “Yuigon”.
Netflix has finally revealed the next chapter of its live-action epic, Avatar: The Last Airbender. This news is sending shockwaves through the bending community. On December 10, 2025, the streaming giant released an exciting official teaser trailer and a set of amazing first-look photos. This confirmed that Season 2 will come out in 2026. Fans of the original Nickelodeon animated show, as well as the record-breaking first season that started in February 2024, can now see the Gaang’s new adventures, which include the long-awaited arrival of Toph Beifong, the blind Earthbending prodigy.
AVATAR: THE LAST AIRBENDER follows Aang, the young Avatar, who learns to control the four elements (Water, Earth, Fire, and Air) to bring balance back to a world that is in danger from the scary Fire Nation. After a bittersweet victory saving the Northern Water Tribe from the invading Fire Nation in Season 2, Avatar Aang, Katara, and Sokka regroup and set off on a mission to get the elusive Earth King to help them fight against the terrifying Fire Lord Ozai.
Photos courtesy of Netflix
The first-look photos, which are just as exciting, show the Gaang in different states of danger and friendship. One picture shows Toph in the middle of a bend, with her feet firmly planted and rocks floating around her, showing the character’s strong spirit. Another shows the whole team, Aang, Katara, Sokka, and Toph huddled together to plan their next moves, hinting at the alliances they’ll make (and betrayals they’ll face) on their way to the capital of the Earth Kingdom. Returning actors like Zuko (Dallas Liu), Azula (Elizabeth Yu), Ty Lee (Maria Zhang), and the always-calm Uncle Iroh (Paul Sun-Hyung Lee) also have their moments. Daniel Dae Kim plays the tyrannical Fire Lord Ozai.
After the bittersweet victory at the Northern Water Tribe in Season 1, where Aang and the Gaang stopped a terrible Fire Nation invasion but lost a lot of people, Season 2 begins. The young Avatar must now learn how to bend Earth in order to have any chance against Fire Lord Ozai’s never-ending conquest. What was their mission? Get into Ba Sing Se, the Earth Kingdom’s impenetrable heart, and convince the secretive Earth King to join the fight for global balance. Expect big changes, like underground tournaments, the return of fan-favorite characters like the Dai Li secret police, and Toph’s legendary metalbending.
The full ensemble for Season 2 includes:
Gordon Cormier as Aang Kiawentiio as Katara Ian Ousley as Sokka Dallas Liu as Zuko Miya Cech as Toph Beifong Elizabeth Yu as Azula Maria Zhang as Ty Lee Paul Sun-Hyung Lee as Uncle Iroh Daniel Dae Kim as Fire Lord Ozai
Additional casting announcements have teased more Earth Kingdom intrigue, but Netflix is keeping those cards close to the vest for now.
In the meantime, revisit Season 1 on Netflix or dive into the original animated series for a refresher. And keep an eye out for more first-look photos below, because when Toph says “I see everything that you see, except multiplied by fifty,” you know the ground is about to shift.
Support for Sen. Bam Aquino’s call for vigilance during the bicameral conference committee deliberations on the P1.38-trillion education fund in the 2026 national budget has snowballed, drawing backing from various musicians, comedians, and artists.
Among them were actor Edu Manzano, stand-up comedian Alex Calleja, rapper Pio Balbuena, hip-hop band Morobeats, , artist Andrea Guevarra, and Drag Race Philippines winner Brigiding.
In a statement on his Facebook page, Edu said heightened vigilance is necessary to protect the budget from corruption and questionable projects.
“LIVESTREAM ANG BICAM. Ilang tulog na lang bago Pasko, ang Christmas wish ko: huwag bawasan yung education budget ni Senator Bam! #EdukasyonHindiKorapsyon,” he posted.
“Monitor natin ‘to. Kung may dapat tutukan sa pondo ng bayan, bantayan ang budget para sa edukasyon ni Senator Bam! Huwag hayaan mabawasan sa darating na bicam,” Alex commented, sharing a post from Senator Bam’s Facebook page highlighting his call for vigilance.
“Tinupad ni Sen. Bam yung Diskarte at diploma! 1.3 TRILLION BUDGET SA EDUKASYON, 65 BILLION PARA SA MGA CLASSROOM. babantayan na lang natin yan para di magka istapahan, pampaaral ng tambay,” Pio said on Facebook.
Andrea called on her family, friends, and followers to monitor the bicam’s livestream, saying it is an opportunity for them to ensure the education budget remains intact.
“Ngayong December 11, papasok na sa final stage ang budget for education sa BICAM at first time itong ililivestream in our history. Sa public schools, kulang ang classrooms, kulang ang kagamitan, kulang ang suporta. Kasama rin dito ang budget para sa Libreng Kolehiyo.. Libreng tuition at miscellaneous fees ng 5.7M students, at dagdag allowance para sa 1.5M students,” she said.
“Para sa millions of students who rely on the public education system, every peso truly matters. At ang BICAM ang last window para makita kung mababawasan o hindi ang budget na para sa kanila. Let’s show up. Watch. Bantayan natin ang budget sa edukasyon. Para sa kabataan. Para sa kinabukasan. Edukasyon, hindi korapsyon,” she added.
Morobeats, for its part, underscored the need to protect the education budget to maintain the P65 billion fund for classroom construction.
“May mahigit na 65 billion na budget para sa edukasyon! Huwag hayaan na mabawasan at bantayan natin yung para sa mga anak natin!” it said.
“Malapit na mag 2026. National Budget!!! Please wag magic-in ang pondo ng bayan, protektahan ang budget para sa edukasyon, bantayan natin kasama ni @bamaquino,” Bridiging posted on her X account.
The bicameral conference committee, or simply bicam, is a small group of senators and representatives tasked with reconciling differences between the Senate and House versions of a bill.
While its intention is noble, the word bicam has become synonymous with hidden agendas and illegal or questionable insertions, especially when the anomalous flood control projects were exposed.
The Senate will livestream the bicam for the proposed 2026 national budget, giving citizens, media, and civil society organizations a unique opportunity to monitor the proceedings and see firsthand how their hard-earned money is allocated and utilized.
It’s no secret that EL CAPITXN and SUGA of BTS are close friends. The two South Korean talents have collaborated on several projects, including SUGA’s ownD-Day and D-2 solo albums, where EL CAPITXN played a significant role in writing and music production.
For his upcoming concerts in Manila and Bacolod, happening on December 12 and 14, respectively, EL CAPITXN plans to play “Dear My Friend,” a song by SUGA from his album D-2, co-written and co-produced by EL CAPITXN.
As a teaser for the special performance, EL CAPITXN released a rehearsal video where he is seen playing the electric guitar to the chords of “Dear My Friend.”
The song has a special place in both EL CAPITXN and SUGA’s hearts who have both expressed how cathartic this song was for both of them.
In an episode of “Suchwita,” SUGA’s YouTube series, EL CAPITXN talked about how memorable the live performance of “Dear My Friend” was, sharing that he still hasn’t gotten over that moment.
He also added that when he realized SUGA was crying, it “only took a second” for his own tears to start running down his face as a “panorama” of old memories flashed through his mind.
It is for this reason that EL CAPITXN is excited to play the song at his own concert, giving it another life for a different stage.
ARMYs can look forward to hearing this song and more at “WHO KILLED EL? EL CAPITXN IN MANILA AND BACOLOD.” Tickets are now available at SM Tickets outlets and www.smtickets.com.
EL CAPITXN is a music producer, DJ, and singer-songwriter behind several K-POP hit songs including “Daechwita” by SUGA, “eight” by IU, and “Rendezvous” by AHOF. This December 12 and 14, the renowned hitmaker is staging his first-ever concerts in Manila and Bacolod.
“WHO KILLED EL? EL CAPITXN IN MANILA AND BACOLOD” is presented by CDM Entertainment.
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