Category: Reviews

  • Love, Remembered, The Notebook the Musical!

    Love, Remembered, The Notebook the Musical!

    The Notebook is, at its core, the story of two people who keep finding their way back to each other across every kind of distance time, class, silence, and finally the cruel fog of memory itself. It is a meditation on what it means to choose someone again and again, through youth, through distance, through the slow erasure of memory itself.

    The Pages | The Young
    The novel follows Noah Calhoun and Allie Nelson across decades, beginning with a luminous summer of first love in 1940s coastal North Carolina. He is the working-class boy who reads poetry and dreams of restoring an old house; she is the refined daughter of wealthy people who has never been allowed to want something so freely. Benedix Ramos as Younger Noah and Sheena Belarmino as Younger Allie portrayed their love story during a summer in New Bern. The stage was set giving the essence of Young Noah and Allie who represent two people who find in each other the version of themselves they most want to be.

    Theatre Group Asia’s The Notebook The Musical – Sheena Belarmino as Younger Allie, Benedix Ramos as Younger Noah

    Sheena’s performance was bright, and full of natural sparkles. She captured the headstrong, artistic, upper-class teenage Allie with a sense of playful energy and emotional openness. She brought a warm and engaging presence that made us root for her and Benedix.

    Benedix is a perfect fit for playing Noah. His intense charisma and a mix of toughness and vulnerability mixed with strong stage presence matched the energy of young Noah. Benedix’s voice settled into the room like it had finally found the place it belonged, warm, steady, carrying every note as if it had been waiting years for this exact moment.

    Their scenes together were one of the production’s strongest elements! bubbly, flirtatious, and full of the dizzying highs of summer romance. It’s an “immediate and feral attraction” and a “playfully innocent and emotional energy” that felt true to first love.

    Ever After | The Middle
    What begins as the kind of passion that feels inevitable comes the heartbreak that feels almost too real to bear. When Allie’s parents separate them with the cold efficiency of class and expectation. What follows is not a simple separation, but years of aching absence. Noah goes to war and returns changed. Allie builds a life that looks perfect on the surface, even engaged to a good man who loves her yet something essential remains unfinished. This is where the story finds its quiet power. Noah restores the old house not as a grand romantic gesture, but as an act of stubborn faith that the girl who once stood beside him might one day return. Their promises were spoken under starlight.

    Theatre Group Asia’s The Notebook The Musical – Morissette as Middle Allie, Laurence Mossman as Middle Noah

    Morissette as Middle Allie
    Morisette return to musical theater was widely regarded as one of the strongest performers in the production. She brought a big-hearted quality to Allie at this pivotal stage of life, capturing the wistfulness, internal conflict, and quiet desperation of a woman who has tried to move on but still feels the pull of her first love. Her solo “My Days” was a total showstopper. Known for her powerful belt and wide vocal range Morisette, delivered with control and precision. She breathed real personality and emotional complexity into the role. She took the songs in her hands and gave them a new home, reshaping them until they felt both familiar and felt like her own.

    Theatre Group Asia’s The Notebook The Musical – Morissette as Middle Allie

    Laurence Mossman as Middle Noah
    Laurence, known for his notable theater performances, delivered strong, heartfelt vocals and the way he balanced outward strength with an underlying ache. His Noah has the air of a survivor, someone who has kept building and waiting. With his vocal power, emotional depth, and ability to connect with audiences through his musicality. His vocal showmanship, rich tenor voice and excellent stage presence delivered emotional sincerity expected for the show.

    Theatre Group Asia’s The Notebook The Musical – Laurence Mossman as Middle Noah, Morissette as Middle Allie

    Morissette and Laurence were tasked with showing what happens when that love is tested by time, class pressure, and other relationships. Their performance carried the story’s emotional turning point, the moment when youthful romance becomes a deliberate, adult choice.

    All Our Days | Memory Keepers
    Then the world intervenes and they finally meet again, the love that reappears is no longer the pure fire of youth. It is older, more complicated, and somehow deeper. Their love, by this point, has survived silence, war, and the slow erosion of time. With Allie suffering from advanced dementia/Alzheimer’s and Noah patiently reading their life story to her in hopes of sparking her memories. Their relationship in old age is defined by enduring selfless love that persists despite the disease. Their stage frames the story of love that “awakens the soul.”

    Theatre Group Asia’s The Notebook The Musical – Celeste Legaspi as Older Allie, Rody Vera as Older Noah

    Seasoned actors Celeste Legaspi and Rody Vera portrayed the strengths of musical performance of theatrical storytelling, and timeless artistry, they both served the emotional core of the story.

    The fleeting moments of lucidity and recognition that are deeply moving before the fog returns. Celeste and Rody’s performances captured dignity, vulnerability, and the emotional reality of memory loss without excessive sentimentality. Numbers like “I Wanna Go Back” underscore her lost sense of self and home.

    The Story of Us | The Stage
    The Notebook musical offers a visually poetic, emotionally intimate stage experience that expands the novel and film while preserving their core of enduring love.

    The stage and sound design lights came up soft, the kind that make everything feel a little more sacred than ordinary. It is not a note-for-note recreation of the movie’s swoony 1940s aesthetic or the novel’s exact structure, but it honours the heart of both while using the stage’s unique ability to hold past and present at once. A sophisticated rain system delivers real water for the iconic reconnection scene. The floor is engineered to look like wooden dock boards while remaining non-slip and draining properly.

    The team created a layered, time-lapse quality where past and present coexist, emphasizing that the love story is continuous rather than sequential. The tone is sincere, intimate, and heartfelt, with strong vocal performances and emotional honesty, particularly in the older couple’s scenes.

    Theatre Group Asia’s The Notebook The Musical – Morissette as Middle Allie, Sheena Belarmino as Younger Allie, Celeste Legaspi as Older Allie

    Lighting contrasts the cold, nostalgic, emotionally charged colors for the memory scenes, helping shift seamlessly between present and past. The overall effect is cinematic yet theatrical: fluid movements and character-driven rather than big production-number dancing, and the natural comedy that the audience picked up.

    Somewhere in the quiet corners of the performance, Smoked moved through the scenes like an unpaid actor, pouring presence into every frame and making the story breathe. They spoke of someone simply being with you and of the rollercoaster of emotions that comes with loving people who won’t stay forever in the same way.

    Theatre Group Asia’s The Notebook The Musical – Benedix Ramos as Younger Noah, Sheena Belarmino as Younger Allie, Jiallian Ita-as as Georgie, Shaun Ocrisma as Fin, Felicity Kyle Napuli as Sarah

    The songs give characters richer inner lives through song, and there is more natural humor alongside the tears. The ending retains the emotional payoff of connection and love transcending illness, though details differ slightly from both book and film.

    Expect a more theatrical, layered, and contemporary take that prioritizes memory, ageing, and quiet devotion. This whole piece does something quiet and powerful: it makes you hold your loved ones a little tighter, especially in those moments when memory starts racing against time, trying to keep what the years slowly take away. Bring tissues, as the combination of design, performances, and music is designed to move you.

    The Notebook The Musical runs for approximately 2 hours and 30 minutes from Sep 3-20, 2026, at Samsung Performing Arts Theater.

  • Biyaheng Bente with Yeng: Twenty Years of Holding Hands, Strong Vocals, and a Journey That Still Feels Like Home

    Biyaheng Bente with Yeng: Twenty Years of Holding Hands, Strong Vocals, and a Journey That Still Feels Like Home

    There are nights when time folds in on itself. When the lights hit the stage at the Smart Araneta Coliseum and a familiar voice cuts through the rain-soaked air outside, you don’t just hear songs, you remember who you were when you first sang them in your room, on the jeepney, or through heartbreak.

    I still remember the day I lined up in front of the PBB House just to get tickets for the grand finale of Pinoy Dream Academy. I was rooting hard for her even then. Standing in that long line felt worth every minute because I knew I had to be there. I made it inside the Smart Araneta Coliseum and watched it all unfold live. When they crowned her Grand Star Dreamer and the stage lifted her as she sang “Salamat,” something shifted. That moment felt bigger than a reality show win. It felt like the start of something lasting.

    Twenty years later, in the exact same venue, she ended Biyaheng Bente with that same song. Full circle. The girl who once stood elevated under those lights as a new champion closed her historic two-night anniversary run the same way, grateful, emotional, and still singing from the heart. Glad I stood in that line all those years ago. Glad I got to witness both beginnings and this beautiful continuation.

    On Day 2 of Biyaheng Bente, Yeng Constantino didn’t just celebrate twenty years. She invited everyone to ride with her through every era, every scar, every quiet victory.

    From the wide-eyed Grand Star Dreamer of Pinoy Dream Academy in 2006 to the Pop Rock Royalty who sold out two nights at the Big Dome, the journey has never felt manufactured. It always felt like hers, honest, a little rough around the edges, and full of heart.

    She wrote “Hawak Kamay” at fourteen, in their house, when the world still felt small and the ache of a cousin leaving felt enormous. It wasn’t crafted for radio. It was a letter: Hawak-kamay, ‘di kita iiwan sa paglakbay. Dito sa mundong walang katiyakan. That same song later carried her through the Academy and into the hearts of a generation. On stage two decades later, it still lands with the same quiet power.

    Before any of the fame, there was a father who believed hard enough to borrow money so his daughter could have her first guitar. That instrument wasn’t just wood and strings. It was permission. It was the first real step from dreaming about making music to actually doing it, turning the dream into something she could hold, play, and eventually share with the world. You could feel that origin story in every note she sang that night. The girl who once practiced in a house without all the advantages is the same woman still commanding the Big Dome with a voice that refuses to soften or fade.

    And what a voice. After twenty years of live shows, studio sessions, and life itself, Yeng’s vocals remain startlingly strong, rich, controlled, and full of the same emotional honesty that made people fall in love with her in the first place. She moved through her entire catalogue with ease: the early hits that defined an era, the deeper cuts, the songs that soundtracked first loves and long nights.

    The setlist felt less like a greatest-hits medley and more like opening a well-worn photo album. Nostalgic without being stuck in the past. Wide enough to hold every version of the people who showed up.

    The surprises made the night even more special. Empoy turned “Chinito” into pure laughter and chaos in the best way. mrld, Angela Ken, Kyla, Sam Milby, the legend Ogie Alcasid, and JR Jimenez each stepped into the light and reminded everyone how far the ride has stretched. When Janine Bernine joined her, the two powerhouses traded lines and pushed each other, their voices locking and lifting in a friendly vocal fight that left the arena roaring. These weren’t just guest spots. They felt like friends who had been on the same long road, stopping by to say the journey was worth it.

    Outside, the weather was unkind. Two sold-out shows, people still came, Yengsters who grew up with her music, newer fans discovering the catalogue for the first time, families who had passed the songs down. The Big Dome felt full in the way that matters most: not just bodies, but shared history.

    At the end, the emotion finally broke through. Yeng stood there, flowers in hand from her husband, Yan, and the weight of twenty years landed all at once. She cried. She kissed him on stage. The arena watched a private moment made public, the quiet gratitude of a woman who never forgot how hard the early years were, how much her father sacrificed, how many hands had held hers along the way. She closed the historic two nights the only way that felt right: with “Salamat.”

    Salamat for the songs written in small rooms.

    Salamat for the borrowed money that bought a first guitar.

    Salamat for the fans who showed up in the rain.

    Salamat for a voice that still carries after two decades.

    Salamat for the long biyahe that somehow still feels like it’s only just beginning.

    On Day 2 of Biyaheng Bente, Yeng Constantino didn’t just look back. She held the hands of everyone who had ridden with her, and kept driving forward. Twenty years in, the music still feels like home.

    Don’t miss Biyaheng Bente on September 20 at the SM Seaside Cebu Arena. Tickets are available at https://smtickets.com/events/view/18067

    Presented by Cornerstone Entertainment

  • Stell’s Crazy Live Showcase: Still the Vocal King

    Stell’s Crazy Live Showcase: Still the Vocal King

    On August 28, 2026, the Crazy Live Showcase went live on YouTube, and for a couple of hours, the timeline, the chats, and countless living rooms belonged to one voice. Not the polished studio version. Not the layered track. Just Stell — raw, present, and completely in control of a gift he’s spent years refining in front of us.

    It felt like a quiet, heartfelt checkpoint in a journey that started long before the solo releases. From the early days of SB19, when Stell’s high notes and effortless runs already made people sit up straighter, through the group’s hard-fought rise, to the moment he stepped into his own room with songs like “Room,” “Anino,” and “’Di Ko Masabi.” Every time he chose to push a little further instead of playing it safe, it all led here.

    Last night, that journey showed. You could hear the growth in the way he approached the softer moments, the emotional weight in the bridges, and then the sudden, breathtaking power when he opened up. Those signature vocal runs still hit like a surprise every single time , clean, agile, and somehow still full of feeling. He doesn’t just hit the notes; he rides them, bends them, and makes them sound inevitable.

    When he moved from low, controlled tones into soaring highs with those runs layered on top, it was the kind of moment that makes you freeze mid-scroll and just listen.

    Then came the moment many are still talking about: his English-Spanish version of Bruno Mars’ “Risk It All” (also known as “Lo Arriesgo Todo”). Stell moved between the two languages with such natural ease it felt like the song had always belonged to him. The romantic, almost bolero-like delivery demanded both control and vulnerability, and he delivered both.

    When Stell took his new single “Crazy”, it made feel like a private conversation that somehow thousands of people were lucky enough to overhear. From the very first phrase, you could hear the care. The restraint. The quiet decision to let the emotion lead before the power showed up.

    And then the runs came. God, those runs. 😱

    Those high notes didn’t just reach the sky, they lived there. Bright, open, completely unforced. He didn’t push. He didn’t strain. He simply arrived at the top of his range like it was the most natural place in the world for his voice to be, held the notes with quiet confidence, and still had enough left to shape them or slip another clean little run on the way down.

    This is why people keep calling him the Vocal King. Not just because he can do things most people can’t, but because he does them with so much honesty. There’s no showing off. Just a man who knows his voice inside out and still treats every song like it matters.

    “Crazy” itself took on a different life live. The vulnerability in the lyrics met the strength of that voice, and the combination felt intimate.

    “Crazy” already sounded special on the record. Last night, with those wild-but-precise runs and those sky-high notes ringing so clean and true, it became something that stays with you long after the stream ends.

    As always, you could sense his gratitude , the same Stell who has always seemed a little shy about the spotlight still showing up fully for the people who’ve walked with him. The same artist who once wondered if his voice was enough, now standing in a space he carved out for himself, singing like he belongs there because he does.

    Berries and A’TIN have watched him grow in real time: the boy who danced and sang his heart out in the group, the one who stepped solo with “Room,” the one who keeps choosing honesty over safety in his music. Last night felt like a thank-you and a promise at the same time. The voice is still powerful. The runs still take your breath away. The king still wears the crown lightly, with that familiar mix of humility and quiet fire.

    If you missed it, the stream is still up. Go back. Watch the way he leans into the emotion. Listen to those runs again. And remember that this is what years of showing up look like, not just talent, but heart, discipline, and a voice that keeps finding new ways to say something true.

    Thank you, Stell. For the voice. For the journey. For still making us go a little crazy in the best way possible.

    Setlist:
    Classic
    Room
    Risk It All (Bruno Mars)
    Lay Me Down (Sam Smith)
    Di Ko Masabi
    Anino
    Tattooed Heart (Ariana Grande)
    Die On This Hill (Sienna Spiro)
    Crazy

    Special thanks to 1Z Entertainment

  • The Music of Pelican Town Comes Alive in Stardew Valley: Festival of Seasons in Manila

    The Music of Pelican Town Comes Alive in Stardew Valley: Festival of Seasons in Manila

    On April 25, the lobby of the Theater at Solaire was bustling with a diverse array of people in cottagecore fashion – classic overalls, plaid shirts and floral prairie-style dresses, mostly in earthy colors – much like the staple outfits seen in Pelican Town, the central hub in the game Stardew Valley. Known as one of the most popular cozy games in recent history, it has sold 50 million copies worldwide.

    Presented by Film Concerts PH, the back-to-back sold-out shows for Stardew Valley: Festival of Seasons highlighted the best of the cozy, lighthearted soundtrack composed by the game’s developer Eric Barone a.k.a. ConcernedApe. The pieces were rearranged by Maestro Thanapol Setabrahmana into orchestral suites and medleys, and with the help of the Filharmonika Orchestra, they gave the audience an enthralling concert that you would could actually feel the comfort and tranquility of wandering around Pelican Town.

    Since the beginning of the world tour in 2024, the show has been a huge success, with sold-out shows across different borders. When the Philippine shows were finally announced last year, Filipino fans were quick to sell out all tickets almost immediately. This enthusiasm was also palpable during the event as fans were there to celebrate it as a community. They made great effort to dress up and prepare freebies which are lore-accurate to the game. From the lobby, you could spot a lot of Easter eggs like familiar pixel art and character cosplays including Sebastian, Abigail, Mayor Lewis and JojaMart employees. 

    At its core, Stardew Valley is an open-ended farm life simulation video game that centers on the labor of harvesting, raising animals, fishing and mining, all of which sounds tedious at first. However, the gameplay gives this lifestyle a certain lulling calmness by allowing players to freely customize the design of their characters, the layout of their farms, their activities and their relationships with the ever-interesting NPCs (non-playable characters) – no time limits and no harsh repercussions. All they have to worry about is enjoying the farm life and making the most of their harvests as the seasons pass. 

    Since its release in 2016, the game has become a sanctuary for people when reality gets overwhelming. It was as if the alternative 16-bit country life made them feel in control, and kept them entertained at the same time. It was a no-brainer then that it further blew up during the outbreak of the COVID-19 pandemic, making it one of the most played video games during that era. They poured long hours into the game which became their outlet, an alternate reality that kept them grounded. 

    Watching Stardew Valley: Festival of Seasons live was a riveting way to experience the game through its charmingly calming soundtrack, and in a format that only the live audience could get to hear. As confirmed by the Thanapol Setabrahmana who is also the chief arranger for Symphony of Seasons, the versions they played in the concerts in the Philippines were slightly different from the recorded versions online. The arrangements gave a more polished touch to the original compositions. The instruments were more pronounced and the harmony was more layered, making the music more tangible, so to speak. 

    While there were no video snippets flashing on the screen, the ambient lighting and occasional stage effects helped in emulating the game’s serene atmosphere. It felt natural to get into the flow of the music, and to just immerse yourself completely into the wonders of Stardew Valley. The crowd was captivated by the live orchestral music, as proven by the collective gasps, sniffles and giggles heard from them. 

    The concert began with “Grandpa’s Theme”, faithful to the game’s opening cutscene wherein the player, who is living a mundane corporate life, opened their grandfather’s old letter that contained a deed that bequeaths them with a farmhouse.  Conductor Thanapol Setabrahmana provided short, insightful narrations in between each piece, guiding the audience about the progression of the story through the four seasons: spring, summer, fall and winter.  As the 11-piece chamber of the Filharmonika Orchestra played the orchestral suites for each season, it was easy to imagine the blooming flowers of spring, the bright grooviness of summer, the muted coolness of fall and the icy somberness of winter. 

    We also heard the ever familiar tunes during the “Town Medley”, “Mines Medley”, “Saloon Medley” and “Villagers Medley” (particularly themes for Haley, Abigail and Penny). They also fan favorites like “Dance of the Moonlight Jellies” and “A Golden Star Is Born”.

    Seeing Stardew Valley: Festival of Seasons was a complete delight for fans who have poured in lots of time and effort in building their 16-bit community in the game. Hearing the game’s soundtrack played by a live orchestra is an experience that cannot be replicated easily, and the Filharmonika Orchestra handled it splendidly. 

    Near the end of the concert, Maestro Thanapol Setabrahmana hinted on a bigger show soon. Are we (hopefully) seeing Symphony of Seasons soon? Stay tuned for updates!

    Want to know more about Conductor Thanapol Setabrahmana? See our exclusive interview with him here: Translating Game and Anime Music into Grand Orchestral Concerts: Interview with Maestro Thanapol Setabrahmana

    Special thanks to Film Concerts PH

    By Sandra Laureano

  • Zootopia 2 Is the Rare Sequel That Actually Outruns the Original

    Zootopia 2 Is the Rare Sequel That Actually Outruns the Original

    The Zootopia 2 advance screening at the Trinoma Mall was a full-on immersive experience that delighted kids and their inner-child-accompanying adults alike. Interactive installations, hands-on activities, and the screening itself left everyone buzzing with excitement.

    Nine years later, Judy Hopps and Nick Wilde are back as rookie ZPD partners. A deadly snake in the mammal-only city triggers a new conspiracy, forcing them into mandatory counseling while they hunt the culprit.

    The sequel sharpens everything that worked before: tighter mystery, bolder satire on inclusion and fear of the “other,” and non-stop animal puns that somehow keep landing. Animation is stunning especially the new reptile districts and the action set pieces pop. Jason Bateman and Ginnifer Goodwin remain perfect; new additions like Ke Huy Quan’s chameleon fit seamlessly.

    It’s one of the funniest animated films in years, smart enough for adults, kinetic enough for kids. Minor drags in the therapy scenes and a slightly less shocking villain keep it from topping the original, but it comes close.

    4/5 stars – Faster, funnier, and more confident. A worthy follow-up that proves the first wasn’t a fluke. Now showing only in cinemas.

  • Shrek The Musical: A Big, Bright, Beautiful, Ogre-riffic Show

    Shrek The Musical: A Big, Bright, Beautiful, Ogre-riffic Show

    Shrek The Musical has it all: the whimsically elaborate production, the solid cast, the mesmerizing stage design, and the harmonious live orchestra — all befitting the original story’s radiant humor and grandeur. The two-hour show will leave you enthralled and filled with the right does of wonder and laughter. Running from October 31 to December 2025 at the Newport Performing Arts Theater, this is one spectacle you should not dare miss. 

    The musical explores the story of Shrek, a reclusive ogre who reluctantly agrees to rescue Princess Fiona in order to reclaim his swamp from the tyrannical Lord Farquaad. With the aid of his newly found friend, Donkey, he goes on a wacky adventure to discover the meaning of friendship and true love. Much like the beloved Dreamworks animated film of the same title, the musical has the heart and the wonder, only this time, it’s greatly heightened by the music and the powerful live performance of Filipino theater actors.

    Produced by the Full House Theater Company (FHTC), the Philippine rendition of the Broadway musical is given the royal fairy tale treatment it requires. The characters’ costumes were elegantly designed. The stage production was a mesmerizing spectacle all throughout, with effects that you wouldn’t quite expect. (We won’t spoil the fine details, but we can assure you that the stage was a grand feast for the eyes.) The addition of the Manila Philharmonic Orchestra playing live in the background gave the musical that additional majestic gloss. 

    Still, the main highlight of the show remains to be the stellar cast of Filipino theater talents. Jamie Wilson who took centerstage captured Shrek’s accent and tone of voice amazingly well. His renditions of “When Words Fail”, “Who I’d Be” and “Big Bright Beautiful World” were particularly moving.  Krystal Kane regaled the show as the elegant yet fiery Princess Fiona, impeccably capturing the high notes and emotions for “I Know It’s Today” and “Morning Person”. Topper Fabregas exuded Donkey’s innate charming sassiness so well, it was amusing to watch his lively banters with Shrek, especially in “Don’t Let Me Go”. Julia Serad’s jaw-dropping performance of “Forever” definitely thrilled the entire theater. Alfredo Reyes, who played the role of the tyrannical and egotistical Lord Farquaad, was a crowd favorite – all his lines and movements had the audience roaring with laughter. 

    Shrek The Musical is a must-see for theater enthusiasts and for curious spectators as well. People of all ages would surely enjoy the show from start to finish. Kids would love the vibrance of the music and the stage. Adults who grew up with the classic animated film would definitely appreciate the throwback and the in-the-swamp humor that Shrek holds. Take your friends, your family, your date and see the musical while it’s still running. Who knows? It might just turn you into a believer. 

    By Sandra Mae Laureano

    Photos courtesy of Full House Theater Company (FHTC) and Newport World Resorts

    Special thanks to Newport World Resorts.and Full House Theater

    Witness the ogre-sized production of Shrek The Musical until December 2025 at the Newport Performing Arts Theater. Tickets are available at Ticketworld and Newport World Resorts Box Office: PHP 4,500 (SVIP), PHP 4,000 (VIP), PHP 3,000 (GOLD), PHP 2,000 (SILVER), and PHP 1,500 (BRONZE). For inquiries, contact Customer Care at 7908-8888 or info@fhtcentertainment.com

    For more information on Shrek The Musical, visit www.newportworldresorts.com/shrekthemusicalph  and follow @newportworldresorts and @nwr.musicals on Facebook, Instagram, and TikTok. Join Newport World Resorts Viber Community at https://newportwr.com/nwrvibercommunity for exclusive updates. Every visit is made more rewarding with an Epic Rewards membership, download the Epic Rewards Mobile App for free at the Apple App Store and Google Play Store.