Going to Lee Dong Wook’s “My Sweet Home” fan meeting on December 20, 2025, at The Theatre at Solaire was like magic. It was an early Christmas present that lived up to all the hype!
From the moment the lights dimmed, Lee Dong Wook’s charismatic presence filled the venue with warmth and joy. Known for his iconic roles as the stoic Grim Reaper in Goblin and the fierce gumiho in Tale of the Nine Tailed, Wookie did not shy away and showed his playful, affectionate side and was genuinely touched by the love from Filipino fans.
The event was perfectly themed around “home,” which made it feel like a warm family gathering. The visuals were stunning, the sound was great, and there were festive holiday touches that made it feel like a family gathering.
WookDong talked about his career and shared personal stories from his series and behind-the-scenes of his work. He also talked about how he got from his early dramas to his most recent projects. He joked, “What, Pogi?” when he heard his new nicknames, “POGI” and “Mahal.” He said, “Hindi niyo lang naman sinasabi sakin yan; pati sa ibang artista sinasabi niyo yan,” which drew a loud scream from the crowd.
The games’ part was so funny. He was cool and competitive, but he failed every mission, which made it even funnier. He was charming, his quick wit was spot-on, and everything about him was lovable. Seeing him talk to fans during the Q&A, answer questions, and take requests made him seem more like an old friend than a distant star.
This queen showed up in a full-on Lee Dong Wook character photo dress and got a hug from Oppa himself! Core memory unlocked!
Lee Dong Wook kept saying that Manila feels like a second home to him, and Filipino Noehee’s energy was electric. He was truly humble when he thanked his Filipino fans. “Since My Girl 20 years ago, the love you gave me has left a big space in my heart, and whenever I hear the Philippines, you’re what I remember most.”
Whether you’re a Wookie fan or not, this fan meeting was an unforgettable night of laughter, “Sana ol Moments,” screams, and pure bliss. The sweetest gift of all this Christmas! It is intimate, heartfelt, and worth every peso—we can’t wait for him to come back! All thanks to Solaire for making this happen!
Concert Features One Piece Composer Kohei Tanaka’s Score Performed Live by the Filharmonika Orchestra Led by a Guest Conductor January 11, 2026, at The Theatre at Solaire
Manila, Philippines – December 2025 – This Christmas season, spread the Grand Line holiday cheer and gather with your crew for an unforgettable experience. Film Concerts PH invites fans to the return of ONE PIECE Music Symphony on January 11, 2026 (Sunday) at 5:00 PM at The Theatre at Solaire.
To celebrate the season of giving and the spirit of Nakama, Film Concerts PH has launched a special holiday bundle, Crew Up & SAVE—buy two CAT B tickets and enjoy 45% off the third ticket. Limited quantities available.
The ONE PIECE Music Symphony brings over 25 years of the Straw Hat Crew’s legendary journey to life. Featuring the legendary scores of composer Kohei Tanaka, performed live by more than 70 musicians from the Filharmonika Orchestra, led by another guest conductor. Specially prepared arrangements for this world tour include the latest opening “UUUUUS!”, alongside beloved favorites such as “Haha naru Umi” (Mother Sea), “Sekai no ichiban oden da!!”, and “Ore no saikouchiten” (Luffy’s Gear 5 Theme).
This Christmas, share an experience that celebrates adventure and friendship. Whether experienced with family or friends, fans are encouraged to come in cosplay and bring the spirit of the Grand Line with them.
Gather your crew. Share the adventure. Make this holiday season one to remember. Tickets are available at TicketWorld.com.ph and all authorized TicketWorld outlets.
ABOUT FILM CONCERTS PH – Facebook | Instagram | TikTok | Website Film Concerts PH is reimagining live entertainment in the Philippines by presenting cinema, video games, anime, and television series through the power of live music. Founded in 2024, the company stages immersive productions featuring orchestras, ranging from full symphony to chamber ensembles, performing scores that elevate each story. Whether performed in sync with on-screen visuals or as standalone symphonic experiences, every concert offers audiences a powerful new way to connect with the content they love.
ABOUT THE FILHARMONIKA ORCHESTRA The Filharmonika Orchestra, affiliated with Film Concerts PH, is a Manila-based ensemble founded in 2005 by conductor Gerard Salonga and revived in 2024 after a decade-long hiatus. Many of its musicians hail from the former ABS-CBN Philharmonic Orchestra, which Salonga led until 2020.
ABOUT ONE PIECE MUSIC SYMPHONY Premiered on July 30, 2013, ONE PIECE Music Symphony is the only official One Piece concert, arranged and curated in collaboration with original composer Kohei Tanaka and licensed by TOEI ANIMATION.
In 2026, ONE PIECE Music Symphony celebrates its 13th year in Asia, 12th year in Europe, and 4th year in America. The world’s most renowned concert venues, including the Dolby Theatre in Los Angeles, the Philharmonie in Paris, and the Beijing Workers’ Stadium, have all sold out for the performance. It has also been performed by national orchestras, such as the Royal Philharmonic Concert Orchestra, the Aarhus Symfoniorkester, and the national orchestras of Strasbourg, Marseille, and Mulhouse in France.
With videos perfectly synchronized with the anthology soundtrack and projected in HD onto a giant screen, action, adventure, and emotions are guaranteed. Enhanced by a symphony orchestra of more than 60 musicians, each show is a chance to experience the most famous music from the TV series live.
ABOUT ONE PIECE Holding the Guinness World Record as the top-selling manga title of all time, One Piece has more than 500 million copies printed and over 108 volumes. Created by Eiichiro Oda and produced by Toei Animation, this anime TV series debuted in Japan in October 1999 and continues to captivate audiences worldwide. The story follows pirate Monkey D. Luffy and his Straw Hat crew on their epic quest to find “The One Piece,” the legendary treasure of the former King of the Pirates, Gol D. Roger.
Over 25 years later, the One Piece franchise encompasses 15 feature films (including the recent movie “One Piece Film Red”), video games, home videos, and a vast catalog of licensed merchandise, such as accessories, toys, games, furniture, housewares, apparel, and novelties. In addition to being available on Hulu, Netflix, and Tubi, One Piece is simulcast on Crunchyroll in the United States.
ABOUT KOHEI TANAKA (COMPOSER) Japanese composer, arranger, and singer Kohei Tanaka has written musical scores for numerous famous anime TV series, OVAs, movies, computer games, and tokusatsu series—among them One Piece, Sakura Taisen, Jojo’s Bizarre Adventure, and Gunbuster.
Tanaka began playing the piano at an early age. After graduating from Osaka Seiko Gakuin High School, Tanaka studied music composition under Tomojirō Ikenouchi at Tokyo National University of Fine Arts and Music. Once he graduated, Tanaka worked for three years in the advertising department of Victor Music Industries before spending two years at the Berkley College of Music in Boston, Massachusetts. He then returned to Japan to pursue a career as a pianist and a composer.
ABOUT SOUND OF FAERIES (PRODUCER) The Wild Faery Group’s Hong Kong division, Sound of Faeries, specializes in producing film concerts and presenting video games, anime, and movies worldwide. It is a leading concert production company in Hong Kong.
Last December 3, 2025, Billboard Philippines hosted their Off The Charts: The Top Artists of 2025 party, honoring the year’s chart-topping OPM artists and bands who have profoundly shaped the Filipino music landscape this 2025. The event celebrated their groundbreaking contributions, and among the highlights was Shanti Dope’s recognition as the Billboard’s No. 4 artist of 2025, underscoring his pivotal role in elevating the scene.
As a cornerstone of the Filipino hip-hop and rap scene, Shanti Dope continues to inspire local talent with his relentless output. This year alone, he delivered monthly releases: “YG Gang,” “No Snitches,” “No Sleep,” “Tunay,” “Kukuhanin Ko,” “Pusher,” “Rehab,” “Industriya,” “8000,” and “Kwintas.”
2025 has been a year full of milestones and awards with Shanti’s back-to-back Spotify accolades. He got the number 7 spot on Spotify’s Most Streamed Filipino Artists of 2025, number 17 on the Spotify Top Artists of 2025 Philippines list, and his song “City Girl” took the number 27 spot on Spotify Top Tracks of 2025 Philippines.
Let’s continue to support our rap phenom! Don’t forget to catch Shanti Dope’s newest releases out now on all major music streaming platforms!
As the world continues to redefine femininity, women who have paved the way and inspired a new generation of women—Tyla and Doja Cat—took over the SM Mall of Asia (MOA) Arena with unforgettable performances, proving once again that girls truly run the world.
SM Mall of Asia Arena hosts the greatest pop stars of the generation.
Queen of Popiano Tyla debuts at MOA Arena
Thriving in her early 20s, South African singer-songwriter Tyla made the SM Mall of Asia (MOA) Arena shake last December 3, inspiring a renewed sense of confidence among the audience. Many concertgoers embraced a deeper appreciation for body positivity and the freedom to dress in ways that reflect their own energy and self-assurance, drawing inspiration from Tyla herself.
Tyla serves top-tier vocals and unapologetic body confidence at the SM MOA Arena.
From “Water” and “Chanel” to “Art” and “Truth or Dare,” the young diva made her Philippine debut with a performance like no other, showcasing dance culture not just as an art form, but as a powerful means of expression and self-confidence.
Amala Ratna Zandile Dlamini, known professionally as Doja Cat, championed female rappers worldwide, delivering bars from iconic, trending songs that celebrate femininity on December 9.
Exceeding confidence in every performance, Doja Cat brought a round of unending applause to the SM Mall of Asia Arena. Photo Source / Doja Cat on Instagram.
Following her fiery performances of “Kiss Me More,” “Paint the Town Red,” “Agora Hills,” and “Woman,” the Queen of Pop-Rap solidified her throne as one of the generation’s brightest rappers. The SM MOA Arena buzzed with energy, fans roaring in unison as the stage came alive in a dazzling spectacle of lights and sound.
The Tourism Promotions Board (TPB) Philippines has just appointed two major Korean stars—Kim Myung Soo and Choi Bo Min—as their newest Tourism Ambassadors for Korea. It’s a bold step to strengthen the bond between the Philippines and South Korea, especially in the realm of travel.
The official announcement took place on December 14, 2025, at Consuelo by Chef Vince Garcia, where the two artists appeared in custom creations by Filipino designer Avel Bacudio. Their outfits featured intricate embroidery inspired by iconic Filipino elements such as jeepneys, the bahay kubo, and street vendors, and were crafted from handwoven abaca, piña, silk cocoon, and inabel. More than just celebrated personalities, Kim Myung Soo and Choi Bo Min are now officially partners of TPBPHL, with a shared mission to inspire more Korean travelers to visit and explore the Philippines.
They wasted no time getting started. The two stars arrived in the Philippines from December 13 to 14 for a fast-paced trip full of specially curated experiences. They began their visit with a round of golf at Beverly Place Golf Club in Clark, Pampanga—known for its beautiful scenery, excellent facilities, and a premium leisure atmosphere. It’s exactly the kind of destination that highlights the country’s wellness and luxury appeal.
The following day brought even more excitement. Both stars took part in the PUMA Clark Half Marathon. Choi Bo Min joined the 5K run alongside local fans, while Kim Myung Soo took the stage with TPB’s Chief Operating Officer, Marga Nograles. He mentioned his desire to visit Siargao soon and even hinted at inviting his fellow INFINITE members for the next trip.
So, why were these two chosen? The answer is simple. Both Kim Myung Soo and Choi Bo Min have genuine connections to the Philippines and a significant influence across Asia. Kim Myung Soo—actor and member of K-Pop group INFINITE—has visited the Philippines multiple times for concerts and fan meetings. Over the years, he has formed a meaningful bond with the Philippines, rooted in his continued presence and strong relationship with Filipino fans. He’s also preparing for new projects, which will only expand his global reach.
Choi Bo Min’s journey is equally noteworthy. He has been steadily building a loyal Filipino fanbase since joining the local TV series Beauty Empire, spending a total of four months traveling back and forth to the Philippines. This extended time allowed him to immerse himself in the culture, explore different locations, and experience local cuisine, further strengthening his familiarity with the country. With a new drama set to premiere next year, his profile is on the rise, helping to bridge even more Korean fans to the Philippines.
The two artists are supported in the Philippines through local management and agent services provided by GLXY Talent Management, a subsidiary of Universal Records Inc.
Now, as official TPBPHL Tourism Ambassadors, we’ll be seeing more of Kim Myung Soo and Choi Bo Min soon—from destination tours and digital campaigns to a variety of promotional events. Whether it’s beaches, city attractions, wellness getaways, or cultural landmarks, they’ll be showcasing it all. The goal is to leverage their star power and authentic love for the Philippines to inspire more Koreans to discover the country for themselves.
With these two leading the way, the partnership marks a new chapter in promoting Philippine tourism. It’s not just about beautiful destinations—it’s about encouraging people to create lasting, meaningful memories in the Philippines.
Much like their music, The Fray played through their each song in their debut album How to Save a Life, plus some of their newer material, with unobstructed grace and warmth, which the Filipino crowd welcomed with open arms.
On December 12, The Fray returned to the Philippine concert stage after 13 long years. Their How to Save a Life 20th Anniversary World Tour at the Araneta Coliseum marked our country as the only stop in Asia as well the venue for their grand finale – two factors that made the evening extra special for longtime fans of the band. Presented by Midas Promotions, the show was one to be remembered.
In the mid-2000s, The Fray’s debut album became a spectacular hit, receiving two Grammy nominations and receiving multiple Billboard Awards which included Digital Album of the Year. The band is known for their heart-tugging, piano-driven pop-rock songs – the kind that you want to listen to when you need a warm hug. Their lyrics, filled with dramatic push and pull of life and human relationships, were uplifting and reassuring.
In pop culture, their influence was also greatly felt as their songs became soundtracks to a lot of popular TV shows back then such as Grey’s Anatomy, One Tree Hill and The Vampire Diaries. When you play “Over My Head (Cable Car)” or “How to Save a Life”, you could be almost sure that any millennial will recognize the song in an instant; and just like any millennial would tell you: it would be quite difficult to say that it has been 20 years since then.
Still, 20 years did take its toll for the band. Since then, the band had released 4 studio albums, with their latest Helios released in 2014. The Fray is currently composed of Joe King, Dave Welsh, Ben Wysocki and touring members Dane Poppin and Kai Welch. In 2022, after a long hiatus, their previous lead singer, Isaac Slade, left the band due to personal reasons. It wasn’t until 2024 when they started releasing new music with their EP The Fray Is Back. Shortly after, they announced a world tour for their iconic debut album to celebrate the 20th anniversary of How to Save a Life, selling out majority of the dates worldwide.
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Filipino rock band December Avenue opened the show with their hits “Huling Sandali” and “Sa Ngalan Ng Pag-Ibig”. Frontman Zel Bautista thanked the crowd for their support this year, and hinted at a possible Valentine’s concert next year.
When it was time for The Fray to take the stage, they made their entrance with “She Is”, “All At Once” and “Look After You”. Their connection with the crowd ignited an immediate spark. One second, it was silent; the next, people were sweetly singing ‘be my baby; in unison.
The stage set-up was simple. There were 2 elevated platforms for the drummer and the guitarist. Flower patches adorned the floor while a flowing curtain which reflected gradients of light served as the backdrop. There were no LED screens at the back and the sides. No flashy visualization and no loud decorations; it seemed the band wanted to focus on the music and rightfully so. Following a theater set-up, each person in the crowd was assigned a specific seat.
As the concert was primarily a celebration of the 20th anniversary of their debut album, The Fray made sure to play the entire tracklist, arranged as if to tell a story. Hearing “Fall Away” felt like being drawn back to a time warp, followed by the somberly foreboding tones of “Little House” and “Dead Wrong”, only to be washed away to the gently comforting tides of “Trust Me” and “Heaven Forbid”. An extended piano intro was played for the haunting melodies of “Hundred” and “Vienna”, making the songs more impactful.
While the crawling tick-tock sound of “Over My Head (Cable Car)” was playing, Joe King took the time to address a specific person in the crowd. “I’d like to dedicate this song to this incredible human being, back there vibing, dancing to our music”, he said. During the early part of the concert, there was a guy at the patron area who stood up by himself, singing and dancing all alone as the audience remained seated. A security personnel later approached him to tell him to sit down which Joe also apologized for.
Encouraging the rest of the crowd, Joe shouted, “If you want, you can stand up, and you can feel however you wanna feel, and you can sing it however you want to sing it, because that is what music does, it’s free!” The whole arena then got on their feet and did exactly like the guy did: immerse themselves in the music. This tremendous energy was sustained until the end of the show.
By the time The Fray played “How to Save a Life”, the entirety of the Big Dome was like a huge karaoke choir, singing each word in unison. This was made even more special when people started raising their flash lights in the dark. What started as a few lights in the upper part of crowd spread all over the arena gradually, until it filled the entire venue.
Beyond their debut album, The Fray also performed a few of their newer tracks including the flaring “My Heart’s a Crowded Room” and the EDM-tinged “Hurricane”, during which Joe King personally went down the stage to meet the crowd.
“Thank you for sharing this evening with us. We’ll never forget it. This tour is the last night of the tour for us, we’ve had an absolute dream,” Joe said toward the end of the show. He shared the tour lasted 5 months, they had played in 16 countries and around 85 shows, more that they had ever played in 15 years.
Reminiscing about what the tour meant to them, he said, “Music is healing, and it can save you, and it saves us. Music is connecting, it brings you to who you are, brings you to where you were… reminds you that we’re not alone, that we’re all connected, we’re all in this together.” He reiterated that it has both been an honor and a dream to play these songs after 20 years, expressing his gratitude for allowing them to be part of their story.
For the encore, The Fray performed “Love Don’t Die” followed their latest single “Songs I’d Rather Not Sing”. For the grand finale, they played “Never Say Never”, a song that took a life of its own when the audience repeatedly sang the line ‘don’t let me go’ as the band took their bow on stage.
The song and the album How to Save a Life really did save lives, and it continues to do so until today, 20 years after it was released. Since then, a lot of things had changed both in the band’s landscape and their fans’ lives as well. It had been well over 13 years since The Fray’s last concert in Manila yet the intense energy the crowd had when singing along to their old songs felt exactly the same. As Joe said, music has the power to heal, and that is precisely what the fans could come back to time and time again. Beyond the nostalgia for old times, The Fray’s music has now found a home in people’s lives.
Special thanks to Midas Promotions! Words by Sandra Mae Laureano
After revealing two different sides of themselves with “Hijacker” and “Nakaraan,” Metro Manila-based band semiclone pushes into their most intense territory yet with “TTG.” The single confronts the moment when emotional exhaustion reaches its limit and leaving becomes the only way forward. It is a song built on clarity earned through hurt, and the release that follows once the truth is finally accepted.
“TTG” tells the story of holding on despite all the warning signs. The lyrics move between Tagalog and English, reflecting confusion, resentment, and the quiet resignation that grows with every unanswered question. The hook captures the breaking point with stark honesty, repeating the final decision without hesitation. It is time to go, and this time there is no turning back.
The band delivers its heaviest sound yet. Guitars fly with sharp, restless energy. Vocals hit with full emotion, raw and unfiltered. The drums keep a steady pulse that carries the weight of the moment while the bass drives underneath, anchoring the track with force. The performance builds a sense of inevitability, mirroring the emotional release woven into the song.
“TTG” marks a powerful evolution in semiclone’s catalogue, proving they can shift from playful, to vulnerable, to explosive without losing their identity.
Listen to “TTG” on Spotify and all major platforms:
Santa Claus is making a special stop at Brickman® Wonders of the World! Families can enjoy the exhibit at The Space at Solaire all the way through February 8, with Santa spreading holiday cheer for a limited time, from December 15 to January 4, 1:00 to 6:00 PM daily. Celebrate an unforgettable Christmas with Santa and a walk through remarkable LEGO® brick creations that turn the world’s most iconic landmarks into a playground of imagination, creativity, and play.
Visitors can journey through the world-famous Brickman® Wonders of the World, discovering jaw-dropping LEGO® recreations of iconic landmarks from across the globe. With over 45 breathtaking builds, like the Taj Mahal and the Arc de Triomphe, each piece was crafted by Ryan “The Brickman” McNaught, the only LEGO® Certified Professional in the Southern Hemisphere, together with his team of expert LEGO model builders.
Kids can also unleash their creativity at the exhibit’s interactive LEGO build areas where they can design their own mini-masterpieces inspired by the landmarks they’ve just seen. It’s a hands-on experience that sparks curiosity, imagination, and hours of fun, perfect for busy parents looking to treat their kids to something meaningful and engaging during the holidays.
With Santa making special appearances throughout the season, families can capture magical Christmas moments and enjoy a thoughtful, exciting experience that brings together holiday magic, creativity, connection, and memories that last long after the holidays. “Christmas at Wonders of the World is all about creativity, imagination, and togetherness,” said Carlos Candal, CEO of GMG Productions. “Santa’s visit brings the festive spirit to life, giving families the chance to celebrate the season in a setting that inspires creativity and curiosity.”
Brickman® Wonders of the World runs from December 13, 2025, to February 8, 2026, at The Space at Solaire. Tickets are officially on sale exclusively via TicketWorld. Stay updated on upcoming productions by visiting www.gmg-productions.com or following @gmg.productions on Facebook and @gmgp.exhibits on Instagram.
Concert Features One Piece Composer Kohei Tanaka’s Score Performed Live by the Filharmonika Orchestra Led by a Guest Conductor
Manila, Philippines – The wait is almost over. In less than a month, ONE PIECE Music Symphony returns to Manila for a one-night-only performance on January 11, 2026 (Sunday) at 5:00 PM at The Theatre at Solaire.
Presented by Film Concerts PH, this show brings the full, official One Piece Music Symphony experience to life. Fans will enjoy the renowned music of Kohei Tanaka performed live by 71 musicians from the Filharmonika Orchestra led by another guest conductor.
Step aboard for a journey through 25 years of the Straw Hat Crew’s greatest adventures. The international concert features breathtaking HD scenes from the anime perfectly synchronized with Tanaka’s powerful score. Newly arranged pieces for this world tour include the energetic new TV opening “UUUUUS!”, alongside beloved tracks such as “Haha naru Umi” (Mother Sea), “Sekai no ichiban oden da!!”, and “Ore no saikouchiten” (Luffy’s Gear 5 Theme).
The show has already won the hearts of fans who experienced the previous run. Content creator Kuya Bols (HyperGeek) described it as “the best One Piece event of the year,” sharing how the concert made him relive the Straw Hats’ journey. “It reminded me of everything they’ve conquered, right from the very start until the latest episode.”
Cosplayer and streamer Jane Yuexpressed how the event reignited her passion for the franchise. “I had the best time! I went as Nami and even met fellow Nakamas,” she said. “The orchestra’s performance was an emotional roller coaster, and singing along with the crowd made me fall in love with One Piece all over again.”
Meanwhile, gaming creator Dimpsss highlighted the concert’s immersiveness, calling the performance “absolutely incredible.” “The live orchestra brought the world of One Piece to life. It was so nostalgic and immersive. I genuinely enjoyed the entire experience, from start to finish, and I’m excited to attend more concerts like this in the future!”
With January 11 fast approaching, fans are invited to join the adventure. Come in cosplay, wave their Jolly Rogers high, and let their emotions run free. Your energy is part of the journey—so bring the spirit of the Grand Line with you.
Whether you’ve been following Luffy since the East Blue or are just starting your voyage across the Grand Line, this performance is expected to deliver all the heart, humor, and excitement that make One Piece a global phenomenon.
Set sail with us. Tickets are available now at TicketWorld.com.ph and all authorized TicketWorld outlets.
ABOUT FILM CONCERTS PH – Facebook | Instagram | TikTok | Website Film Concerts PH is reimagining live entertainment in the Philippines by presenting cinema, video games, anime, and television series through the power of live music. Founded in 2024, the company stages immersive productions featuring orchestras, ranging from full symphony to chamber ensembles, performing scores that elevate each story. Whether performed in sync with on-screen visuals or as standalone symphonic experiences, every concert offers audiences a powerful new way to connect with the content they love.
ABOUT THE FILHARMONIKA ORCHESTRA The Filharmonika Orchestra, affiliated with Film Concerts PH, is a Manila-based ensemble founded in 2005 by conductor Gerard Salonga and revived in 2024 after a decade-long hiatus. Many of its musicians hail from the former ABS-CBN Philharmonic Orchestra, which Salonga led until 2020.
ABOUT ONE PIECE MUSIC SYMPHONY
Premiered on July 30, 2013, ONE PIECE Music Symphony is the only official One Piece concert, arranged and curated in collaboration with original composer Kohei Tanaka and licensed by TOEI ANIMATION.
In 2026, ONE PIECE Music Symphony celebrates its 13th year in Asia, 12th year in Europe, and 4th year in America. The world’s most renowned concert venues, including the Dolby Theatre in Los Angeles, the Philharmonie in Paris, and the Beijing Workers’ Stadium, have all sold out for the performance. It has also been performed by national orchestras, such as the Royal Philharmonic Concert Orchestra, the Aarhus Symfoniorkester, and the national orchestras of Strasbourg, Marseille, and Mulhouse in France.
With videos perfectly synchronized with the anthology soundtrack and projected in HD onto a giant screen, action, adventure, and emotions are guaranteed. Enhanced by a symphony orchestra of more than 60 musicians, each show is a chance to experience the most famous music from the TV series live.
ABOUT ONE PIECE
Holding the Guinness World Record as the top-selling manga title of all time, One Piece has more than 500 million copies printed and over 108 volumes. Created by Eiichiro Oda and produced by Toei Animation, this anime TV series debuted in Japan in October 1999 and continues to captivate audiences worldwide. The story follows pirate Monkey D. Luffy and his Straw Hat crew on their epic quest to find “The One Piece,” the legendary treasure of the former King of the Pirates, Gol D. Roger.
Over 25 years later, the One Piece franchise encompasses 15 feature films (including the recent movie “One Piece Film Red”), video games, home videos, and a vast catalog of licensed merchandise, such as accessories, toys, games, furniture, housewares, apparel, and novelties. In addition to being available on Hulu, Netflix, and Tubi, One Piece is simulcast on Crunchyroll in the United States.
Japanese composer, arranger, and singer Kohei Tanaka has written musical scores for numerous famous anime TV series, OVAs, movies, computer games, and tokusatsu series—among them One Piece, Sakura Taisen, Jojo’s Bizarre Adventure, and Gunbuster.
Tanaka began playing the piano at an early age. After graduating from Osaka Seiko Gakuin High School, Tanaka studied music composition under Tomojirō Ikenouchi at Tokyo National University of Fine Arts and Music. Once he graduated, Tanaka worked for three years in the advertising department of Victor Music Industries before spending two years at the Berkley College of Music in Boston, Massachusetts. He then returned to Japan to pursue a career as a pianist and a composer.
ABOUT SOUND OF FAERIES (PRODUCER)
The Wild Faery Group’s Hong Kong division, Sound of Faeries, specializes in producing film concerts and presenting video games, anime, and movies worldwide. It is a leading concert production company in Hong Kong.
Support for Sen. Bam Aquino’s call for vigilance during the bicameral conference committee deliberations on the P1.38-trillion education fund in the 2026 national budget has snowballed, drawing backing from various musicians, comedians, and artists.
Among them were actor Edu Manzano, stand-up comedian Alex Calleja, rapper Pio Balbuena, hip-hop band Morobeats, , artist Andrea Guevarra, and Drag Race Philippines winner Brigiding.
In a statement on his Facebook page, Edu said heightened vigilance is necessary to protect the budget from corruption and questionable projects.
“LIVESTREAM ANG BICAM. Ilang tulog na lang bago Pasko, ang Christmas wish ko: huwag bawasan yung education budget ni Senator Bam! #EdukasyonHindiKorapsyon,” he posted.
“Monitor natin ‘to. Kung may dapat tutukan sa pondo ng bayan, bantayan ang budget para sa edukasyon ni Senator Bam! Huwag hayaan mabawasan sa darating na bicam,” Alex commented, sharing a post from Senator Bam’s Facebook page highlighting his call for vigilance.
“Tinupad ni Sen. Bam yung Diskarte at diploma! 1.3 TRILLION BUDGET SA EDUKASYON, 65 BILLION PARA SA MGA CLASSROOM. babantayan na lang natin yan para di magka istapahan, pampaaral ng tambay,” Pio said on Facebook.
Andrea called on her family, friends, and followers to monitor the bicam’s livestream, saying it is an opportunity for them to ensure the education budget remains intact.
“Ngayong December 11, papasok na sa final stage ang budget for education sa BICAM at first time itong ililivestream in our history. Sa public schools, kulang ang classrooms, kulang ang kagamitan, kulang ang suporta. Kasama rin dito ang budget para sa Libreng Kolehiyo.. Libreng tuition at miscellaneous fees ng 5.7M students, at dagdag allowance para sa 1.5M students,” she said.
“Para sa millions of students who rely on the public education system, every peso truly matters. At ang BICAM ang last window para makita kung mababawasan o hindi ang budget na para sa kanila. Let’s show up. Watch. Bantayan natin ang budget sa edukasyon. Para sa kabataan. Para sa kinabukasan. Edukasyon, hindi korapsyon,” she added.
Morobeats, for its part, underscored the need to protect the education budget to maintain the P65 billion fund for classroom construction.
“May mahigit na 65 billion na budget para sa edukasyon! Huwag hayaan na mabawasan at bantayan natin yung para sa mga anak natin!” it said.
“Malapit na mag 2026. National Budget!!! Please wag magic-in ang pondo ng bayan, protektahan ang budget para sa edukasyon, bantayan natin kasama ni @bamaquino,” Bridiging posted on her X account.
The bicameral conference committee, or simply bicam, is a small group of senators and representatives tasked with reconciling differences between the Senate and House versions of a bill.
While its intention is noble, the word bicam has become synonymous with hidden agendas and illegal or questionable insertions, especially when the anomalous flood control projects were exposed.
The Senate will livestream the bicam for the proposed 2026 national budget, giving citizens, media, and civil society organizations a unique opportunity to monitor the proceedings and see firsthand how their hard-earned money is allocated and utilized.
Global free-roam VR leader partners with Third Culture Entertainment to bring immersive adventures to Filipino audiences.
Zero Latency VR, the undisputed leader in immersive entertainment and the mastermind behind the world’s largest true location-based VR network, today announced it will enter the Philippines for the first time through a new partnership with Third Culture Entertainment, a Manila–based entertainment group focused on premium immersive experiences across the country and South East Asia. Most notably, they are behind the Film Concerts PH brand in the Philippines. The new venue is planned to open in Metro Manila, with further details to be announced soon.
Zero Latency VR offers large-scale, warehouse-sized VR adventures where players move freely through virtual worlds with friends, without wires or backpacks. With more than 150 venues globally, Zero Latency continues to expand across high-growth markets where immersive entertainment is thriving.Mikhail Schemm, Founder & Managing Director for Third Culture Entertainment, said that immersive VR was a natural next step for expansion in the Philippine market.
“We’ve been getting more and more excited about what’s possible with immersive entertainment here, in the Philippines. There’s such a strong connection to entertainment, gaming and big, beloved IP, and that enthusiasm is something we really want to build on. We’re genuinely pumped to bring Zero Latency to Filipino players; immersive VR is going to feel right at home here.”
The upcoming Philippine venue will feature Zero Latency’s latest wireless free-roam platform and a curated lineup of multiplayer adventures spanning action, teamwork, and family-friendly thrills.
More information, including location and opening times, will be shared in the coming months.
Pasko’y Muling Darating: The OPM Christmas Anthem for Everyone Who’s Struggling This Season
As the streets are lit up with twinkling lights and the smell of puto bumbong fills the air, the pop rock band InnerVoices reminds fans that Christmas is not only a time of joy, but also a time of healing. On December 5, 2025, UMG Philippines released their latest holiday single, “Pasko’y Muling Darating.” It perfectly captures the bittersweet spirit of the season in a way that only these Manila mainstays can.
InnerVoices started out in 1991 as a group of four college friends from Letran College. Since then, they have changed members, taken breaks, and come back stronger after the pandemic. They are now a six-piece powerhouse known for mixing heartfelt OPM stories with the punchy energy of ’80s and ’90s pop-rock. Atty. Rey Bergado, the band’s founding keyboardist and songwriter, is still the band’s rock. He is joined by vocalist Patrick Marcelino, guitarist Rene Tecson, bassist Alvin Herbon, drummer Jojo Esparrago, and keyboardist Joseph Cruz. For more than 30 years, they’ve been a part of the live music scene in Metro Manila, filling places like Hard Rock Café Makati, Bar IX in Alabang, and Aromata in Quezon City with sets that mix their own songs with covers of old favorites.
Rey Bergado wrote and composed “Pasko’y Muling Darating,” it’s a thoughtful ballad that paints pictures of cold, lonely nights and the weight of unspoken grief—those times when holiday cheer seems far away because of personal problems. But, true to InnerVoices’ style of being positive, the song builds to a bright chorus: Pasko’y muling darating, may pag-asang dala sa atin, sa bawat puso’y may ningning, pag-ibig ang hihilom sa dilim. “Christmas is a time of healing for many of us,” Bergado said at a recent press conference.
“Pasko’y Muling Darating,” napansin naming mejo kakaiba ang Christmas spirit, parang the focus of the people ay yung mga problema ng bayan, politika, galit, pangamba, so parang natatabunan yung Christmas spirit, we made this song “Paskoy Muling Darating” to say na there’s hope amidst these chaos and difficulties and confusion.
‘Pasko’y Muling Darating’ is a reminder that hope always comes back, even on the darkest nights.” We all go through sad times, but we should still celebrate Christmas.
For InnerVoices, music has always been more than just notes; it’s a way to stay alive. Bergado, who writes songs on the side of his legal career, says that the band’s brotherhood has helped them get through tough times in life. He once said, “We’re not just a band anymore.” “We’re friends.” We are the godparents of each other’s kids. Even if we don’t play, we still see each other. That family connection is in every chord, which makes songs like “Pasko’y Muling Darating” feel like a hug from an old friend.
Stream “Pasko’y Muling Darating” now on Spotify, Apple Music, and all major platforms. Catch InnerVoices live this holiday season at their regular haunts—Hard Rock Café spots, Bar IX, or upcoming gigs announced on their socials. In a world that often feels heavy, their music whispers: The season of light is here, and it’s for everyone. InnerVoices on social media: @TheInnerVoices on Facebook and InnerVoices.Offstage on Instagram.
The Smart Araneta Coliseum lights up for Watsons Playlist 2025, welcoming thousands of Watsons Club members to a night filled with music, community, and all the feels.
The Smart Araneta Coliseum came alive last November 29, 2025, as Watsons Playlist 2025 turned “All The Feels” into one unforgettable night of music, community, and self-care. Thousands of Watsons Club members filled the Big Dome for a concert packed with sing-alongs, one-of-a-kind collaborations, and exclusive experiences made just for them.
A Concert Experience Only Watsons Club Members Could Enjoy This year’s lineup highlighted creativity and community through never-before-seen collaborations that many fans were excited to witness. One of the most awaited parts of the night was the mashup of Atin ang Mundo x Aya x How Deep Is Your Love by The Juans, Earl Agustin, and Hey June!—a performance that instantly hyped up the crowd, making the night a celebration of Filipino music across generations.
Earl Agustin, The Juans, and Hey June! share the stage in a special collab set, showcasing Filipino talent and celebrating the community spirit that Watsons champions
The energy soared even higher with the first live performance of Zack Tabudlo’s new single, “For You,” creating another highlight of the night. Everything then culminated with the emotional and long-awaited closing performance of “Your Universe” by Rico Blanco x Ben&Ben, a collaboration brought together just for Watsons Playlist.
Zack Tabudlo debuting “For You” live on the Watsons Playlist stage, made even more special with a surprise envelope from him for Watsons Club Members, with the lyrics to his newest single.Rico Blanco and Ben&Ben deliver a historic first-time collaboration, bringing the crowd to their feet with an emotional, all-the-feels performance.
Watsons Club members who claimed their free concert tickets with qualifying purchases enjoyed the full “All The Feels” experience, a 5-hour concert that fans said was truly worth it, offering fun and enjoyment from start to finish with their loved ones and newfound friends. The Big Dome was alive all night, with the crowd singing, dancing, cheering, and moving along to every performance. From nostalgic songs and kilig moments to emotional ballads and upbeat hits, the energy stayed high, making it a night many said they’ll never forget.
Exclusive Perks and Freebies That Made the Night Even More Special More Watsons-only exclusives made the event worth sharing on social media:
Lucky Watsons Club members who redeemed tickets enjoyed exclusive Meet & Greet sessions with their favorite artists, plus special Watsons goodies for them to enjoy.
VIPs and SVIPs got early access through sound check sessions for Hey June!, Earl Agustin, and Ben&Ben.
Selected winners who redeemed tickets enjoyed meet and greets and received signed posters from their favorite artists.
All attendees got to visit and enjoy brand booths from Stresstabs, BYS, Pretty Secret, Luxe Organix, Fresh, and Vybe by BPI, plus free sample products from Enervon Z, Sofy, Garnier, Strepsils, Gaviscon, Nivea, and Wellspring.
Attendees also received a special Watsons Playlist photocard, a keepsake to remember the night’s best moments.
These perks turned the concert into a true Watsons Club celebration—one that rewarded loyalty with memorable, feel-good experiences.
Watsons: A Community Built on Self-Care and Shared Moments Watsons Playlist has become an annual tradition for the country’s most loved in health, beauty, personal care, and wellness. Beyond music, the event reflects Watsons’ advocacy of nurturing a community that values self-care, wellness, and feel-good moments shared with people who matter.
“Watsons Playlist is o“Watsons Playlist is our way of giving back to our loyal customers,” shared Sharon Decapia, Watsons Philippines SAVP for Marketing, PR & Sustainability. “We want our Watsons Club members to experience moments that uplift them, whether through music, wellness, or everyday self-care. Tonight is a celebration of their loyalty and the community we’ve built together.”
More Than a Concert: Membership Perks That Last Beyond One Night Watsons Playlist 2025 is just one of the many exclusive perks of being a Watsons Club member. Membership is free, lifelong, and packed with rewards:
No expiration, your membership lasts for life.
Earn 1 point for every ₱200 spent at Watsons stores or online.
Redeem points anytime — 1 point = ₱1.
15% birthday-month discount.
Exclusive offers from Watsons brands and merchant partners.
Elite tier (for members with ₱35,000+ annual spend) with upgraded rewards and benefits.
Access to money-can’t-buy experiences like Watsons Playlist.
Watsons Club members fill the Big Dome, enjoying one of the many exclusive perks that come with being part of the Watsons community.
Don’t Miss Out Next Time
If you missed this year’s festivities, you can still join the Watsons Club community today for free and enjoy year-round deals, discounts, bundles, and access to upcoming exclusive events.
Log on to watsons.com.ph or download the Watsons Club app on the Play Store or iOS.
For updates, follow Watsons Philippines on Facebook, Instagram, and TikTok!
A New Chapter of the “IVE Syndrome” Begins with ‘SHOW WHAT I AM’
‘SHOW WHAT I AM’ Marks a Defining Moment—IVE Reaches New Artistic Heights and Redefines “IVE-ness” on Stage
The “ultimate icons of MZ Wannabe Icons,” IVE (ANYUJIN, GAEUL, REI, JANGWONYOUNG, LIZ, and LEESEO), have officially launched their highly anticipated second world tour, “SHOW WHAT I AM.”
The tour kicked off with a spectacular three-day opening at Seoul’s KSPO DOME (formerly the Olympic Gymnastics Arena) from October 31 to November 2, serving as a defining prologue to the next phase of the “IVE Syndrome.” Capturing the group’s essence in its purest form, the shows marked a powerful return following the massive success of their first world tour, “SHOW WHAT I HAVE,” which connected them with over 420,000 fans across 19 countries. This time, IVE showcased remarkable artistic growth, refined teamwork, and an expanded musical spectrum.
As the lights dimmed and the cheers of DIVE (IVE’s official fan club) filled the packed venue, a cinematic VCR introduced each member’s unique charm, accompanied by a dreamy soundtrack that built anticipation throughout the dome. When the video concluded, beams of light illuminated the stage, revealing six striking silhouettes to explosive applause—signaling the start of an unforgettable night.
Backed by a live band, IVE opened the show with “GOTCHA (Baddest Eros),” instantly setting the tone with driving drum beats, electric guitar riffs, and commanding choreography. From the very first note, their flawless live vocals and fierce stage presence embodied the concert’s title—SHOW WHAT I AM.
Without pause, they powered through “XOXZ,” “Baddie,” “Ice Queen,” and “Accendio,” elevating the energy with each performance. Dynamic beats, mesmerizing visuals, and the members’ synchronized charisma fused together, creating a concert experience brimming with intensity and immersion.
After the high-octane opening, the members paused to greet DIVE, sharing heartfelt messages of gratitude before transitioning seamlessly into “TKO,” “Holy Moly,” and “My Satisfaction.” With powerful vocals and impeccable synchronization, IVE will turn th every venue into a stage alive with both emotion and precision.
A major highlight of the night was the solo stage segment, where each member unveiled an unreleased solo track for the first time. These performances reflected their distinct artistry and personalities, highlighting the depth and diversity of IVE’s musical spectrum.
JANGWONYOUNG opened with “8,” exuding confidence and elegance through a sleek, modern sound. REI followed with “In Your Heart,” a bright, effervescent performance radiating pure joy. LIZ then showcased her powerhouse vocals in “Unreal,” a refreshing band-style track that emphasized her expressive tone.
GAEUL shifted the mood with “Odd,” a dreamy, introspective number filled with emotional warmth. LEESEO impressed with “Super Icy,” blending vocals and rap to highlight her versatility, while ANYUJIN brought the solo stages to a powerful close with “Force,” a high-energy pop performance overflowing with charisma and commanding stage presence.
Each solo stage revealed the members’ individual growth while reinforcing IVE’s collective identity as a group defined by self-expression and creative confidence.
Reuniting on stage, IVE transitioned into a more emotional mid-set featuring “♥beats,” “WOW,” “Off The Record,” and “FLU.” Their rich harmonies and warm vocals filled the dome with an intimate yet expansive atmosphere, enveloping the audience in a wave of serenity and connection.
As the concert neared its climax, the group reignited the arena with a powerful sequence of hits—“ATTITUDE”, “REBEL HEART” “I AM,” “LOVE DIVE,” and “After LIKE.” The synergy between the stage and the audience reached its peak, culminating in an explosive finale that celebrated IVE’s evolution and the unbreakable bond with their fans.
Meticulously curated in setlist, staging, and storytelling, “SHOW WHAT I AM” represented a fully realized version of IVE’s artistry—complete with confident live vocals, seamless choreography, and authentic emotional expression. Through this performance, IVE showcased the “IVE-style concert formula” at its most refined—one that seamlessly fuses power, artistry, and narrative into a singular immersive experience.
Starting with the Seoul concerts, IVE’s second world tour will soon connect them with fans worldwide, opening a new chapter in their artistic journey. Moving beyond the first three years of the “IVE Syndrome,” the MZ Icon now enters an era defined by maturity, individuality, and vision. With “SHOW WHAT I AM,” IVE once again prove that they are more than global icons of their generation—they are evolving artists shaping the future of K-pop with every performance.
Catch IVE as they perform LIVE at the SM Mall of Asia Arena on April 25, 2026 (Saturday).
Live Nation PH members can secure tickets during the Live Nation presale starting on January 7, Thursday, from 10am until 11:59pm. Visit livenation.ph for free membership sign up and pre-sale access. General onsale will begin on Friday, January 8, from 10am via SM Tickets and its outlets.
About IVE:
Hailing from Starship Entertainment, IVE is a 6-member K-POP group, comprised of members ANYUJIN, GAEUL, REI, JANGWONYOUNG, LIZ, and LEESEO. In 2021, IVE entered onto the global scene with their debut single “ELEVEN,” which reached #1 on Billboard’s Hot Trending Songs chart and claimed a spot on the Global 200 chart for 14 straight weeks.
The group’s following releases in 2022, “LOVE DIVE” and “AFTER LIKE,” earned the group multiple Song of the Year and Rookie of the Year awards at major Korean award ceremonies in their first year after debut. IVE released their first full-length album, I’ve IVE, in 2023, led by singles “Kitsch” and “I AM,” and followed up with I’ve MINE later that year.
With their album, IVE SWITCH, their first all-English single “All Night (feat. Saweetie),” and “Supernova Love” in collaboration with David Guetta, IVE continued their global reach in 2024. IVE successfully finished their first world tour spanning 28 cities in 19 countries and has quickly cemented their place as the artist to watch in the K-pop world. Forbes named IVE as one of Forbes 2024 30 Under 30 in Asia and hailed the group as “not only one of the hottest new acts in their home country, but as one of the most successful all-female vocal troupes in the world.” Billboard also described the group as an “undeniable force in K-pop’s next generation”—and this is only the beginning. IVE has continued their record-breaking trajectory, achieving their seventh consecutive million-seller. Both “IVE EMPATHY,” released in February 2025, and “IVE SECRET,” released in August, surpassed one million copies in sales. The group is set to launch another world tour in 2026, with plans to continue releasing new music and performing at global festivals through 2027.
About Live Nation Entertainment: Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit www.livenationentertainment.com
● Cup of Joe leads Wrapped 2025, sweeping Top Local Song, Top Local Artist, and Top Local Group in the Philippines.
● More local acts shaped this year’s listening, with tracks by homegrown artists including Earl Agustin’s “Tibok” and Dionela’s “Marilag” landing among the Wrapped Top Songs list.
MANILA, 4 December 2025. Spotify has officially launched its highly anticipated 2025 Wrapped campaign — delivering a bigger and bolder experience that is more captivating, more layered, and more revealing than ever before. Beginning today, eligible users in the Philippines can access their personalized Wrapped experience in the Spotify app.
2025 Wrapped reveals how Filipinos gravitated toward music that is honest, emotional, and grounded in everyday experiences.
Baguio-hailed band Cup of Joe‘s “Multo“ claimed the Top Local Song in the Philippines, and the group earned the titles of Top Local Artist and Top Local Group. Their blend of melodic arrangements, relatable lyricism, and heartfelt delivery made their music a familiar presence across many listening moments this year.
Reflecting on the milestone, Cup of Joe shared: “It’s incredibly overwhelming to see our songs become part of people’s playlists and their big moments this year — it reminds us that we’ve somehow become part of their story. Knowing that someone found comfort or connection in our music is one of the best feelings. We’re excited to grow, experiment, and share more pieces of ourselves with our listeners.”
They share the spotlight with fellow Filipino acts whose diverse sounds defined this year’s Top Local Songs. Earl Agustin’s “Tibok“ landed at #2 with its melodic groove, followed by Dionela’s “Marilag“ (#3), a soulful standout. Amiel Sol’s “Sa Bawat Sandali“ took #4 spot with its reflective tone, while HELLMERRY’s “My Day“ completed the list at #5 with its hip-hop edge.
Podcasts also remained a strong part of Filipinos’ listening this year, with many seeking out stories that feel relatable and familiar. Filipinos turned to intimate storytelling, laugh-out-loud conversations, and even spine-tingling narratives.
Barangay Love Stories (#1) once again landed as the Top Podcast in the Philippines. It was followed by Papa Dudut Stories (#2) and Will Talks(#3), both known for their conversation-led, advice-driven formats. Sitio Bangungot (#5) took the final spot, bringing their narrative-driven horror to this year’s list.
Reflecting on this milestone, Barangay Love Stories shared, “Having such a strong community behind Barangay Love Stories means everything to us. Our listeners aren’t just tuning in — they’re part of every story we tell. This milestone inspires us to continue sharing heartfelt tales that reflect the love, life, and experiences of Filipinos.”
Following the strong performance of long-time favorites, this year also saw notable new shows. Chicks 2 Go was the Top New Podcast (Group), reflecting the growing presence of dynamic, personality-driven formats that blend humor, personality, and everyday storytelling. Meanwhile, DAGOK TIME!, part of Spotify’s inaugural RADAR creator program, made its Wrapped debut as the Top New Podcast (Solo), marking a milestone year for emerging voices within the creator space.
Sophie Prime of DAGOK TIME! shared, “Being part of Spotify’s first RADAR Creators already meant a lot to me, so seeing my show now make it to the Wrapped charts is incredibly humbling. It’s a reminder that passion and authenticity can take you far, and it motivates me to keep showing up for the people who choose to listen.”
2025 Wrapped brings new ways to experience your year in listening, together.
This year’s experience brings together the classics fans know and love, plus new ways to connect and dig deeper into the stories and moments that made the year uniquely theirs. Users can also experience Wrapped at their own pace — with controls that let them adjust the speed, revisit moments, and navigate their highlights more freely.
Wrapped refreshes fan favorites such as Top Genres, which highlights the genres that shaped your year, while Top Song Quiz lets you guess which track truly defined your 2025. Top Artist Sprint visualizes how your top five artists shifted in your personal rankings month by month.
Debuting this year are new features such as Listening Age, which compares your musical taste to others in your age group; Top Albums, spotlighting the bodies of work you returned to the most; and Wrapped Clubs, which sorts listeners into one of six listening identities and reveals the role they play within each community. Another exciting addition is Wrapped Party – a new interactive feature that turns your listening data into a live competition you can play with friends. It’s the latest way to level up Wrapped, making it more exciting and fun than ever.
Spotify is also bringing the celebration directly to fans with unique pop-up destinations dedicated to the artists who defined 2025. In the Philippines, an installation inspired by Cup of Joe’s “Multo” takes over NEO Park at Seven/NEO in Bonifacio Global City from December 4 to 7 — an immersive interpretation of the track’s haunting ‘what ifs.’ The space is open to all Spotify users.
A breakdown of the Wrapped 2025 Top Philippines results can be found below. For more updates and global highlights, visit For the Record.
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