Category: Concert Reviews

Their songs became anthems for a generation—capturing restless emotion, youthful defiance, and the evolving sound of post-hardcore. American rock band Saosin made a powerful return to the Philippine concert stage, headlining a monumental stop of their 20th anniversary tour on May 7, 2026, at the SM North EDSA Skydome for SAOSIN Asia Tour 2026 Live in Manila.

The Manila leg followed a high-energy kickoff in Cebu City, where the band first reconnected with Filipino fans—setting the tone for what would become a two-city celebration of their enduring legacy in the country. By the time they reached Manila, anticipation had reached a fever pitch, fueled by memories of their sold-out double-header in 2023 and a fanbase that had only grown more passionate over time.

This return carried a deeper meaning. More than just another tour stop, it marked two decades since the release of their self-titled 2006 album—a record widely credited for reshaping the post-hardcore and alternative rock landscape. In Manila, that legacy came alive in full force.

The night unfolded like a masterclass in precision and emotion. Staying true to the tour’s promise, Saosin performed their self-titled album in its entirety, delivering tracks like “Come Close,” “The Silver String,” “I Never Wanted To,” “Collapse,” and “Bury Your Head” with the same urgency that defined their early years. The band also treated Filipino fans to a special moment with the live debut of their new track, “Starting Over Again,” signaling that their story is far from over.

Inside the Skydome, the energy was relentless. “Voices” and “You’re Not Alone” transformed the venue into a massive sing-along, with the crowd nearly overpowering the sound system. But the emotional peak arrived with “Seven Years”—the song that launched Saosin into the global scene. As soaring vocals met a sea of voices screaming every lyric, it became clear why the band continues to stand as a pillar of the genre.

Presented by PULP Live World, the Manila show was more than just a performance—it was a reaffirmation of a long-standing bond between Saosin and their Filipino fans. From Cebu to Manila, the band’s return wasn’t just a celebration of the past two decades, but a powerful reminder that their music remains as urgent, visceral, and deeply felt as ever.

The SM North Skydome was already trembling before a single note was played. Hundreds of Filipino fans, many of them in band tees faded from years of love, armed with voices ready to break, had been waiting for this moment for what felt like a lifetime. When the lights finally dropped, and Hawthorne Heights took the stage, the room didn’t just erupt. It exhaled the way you do when something you’ve needed for a very long time finally arrives.

The Ohio post-hardcore pioneers wasted absolutely no time. Opening with “This Is Who We Are,” the band announced their presence with the kind of conviction that only a group two decades deep into their craft can carry. The Skydome screamed in recognition, every word already written on the lips of the crowd before JT Woodruff even leaned into the mic.

“We Are So Last Year” followed, and the energy in the room doubled, a wall of voices rising to meet the band’s signature interplay of jagged guitars and raw, aching melody. By the time “Language Lessons” rounded out the opening salvo, the tone for the evening had been set in stone: this was not going to be a passive concert experience. This was going to be a communion.

Between songs, Woodruff paused to properly introduce the band to the Manila crowd. Though judging by the reception, no introduction was necessary. But it was what he said next that sent the first real wave of chills through the room. Speaking with the kind of warmth that only comes from someone who genuinely means every word, he reminded everyone why they were all there together.

“We’re only here for one thing only, play non-stop emo throwback!”

The crowd lost it. Because that is, without question, exactly what they got.

If the opening trio was a declaration, the second act of the evening was a full emotional reckoning.

“Pens and Needles” cracked the room wide open, its familiar urgency hitting like muscle memory for a fanbase that grew up on this record. “Saying Sorry” came next, and somewhere in the crowd, someone was definitely crying, and not even trying to hide it. “Dead in the Water” kept the energy coiled tight, while “I Am on Your Side” offered a moment of something almost tender amid the controlled chaos.

The band moved through “Breathing Sequence,” “Light Sleeper,” “Cross Me Off Your List,” and the fan-beloved deep cut “Where Can I Stab Myself in the Ears” with the precision of a group that has never stopped caring about how these songs land, because they know exactly what they mean to the people in the room.

But the emotional crescendo of the set came before “Decembers.” Woodruff stepped back from the noise for a quiet moment and spoke about the song’s meaning, a piece written about his wife, Niki FM, someone who isn’t just a name on a track but the person he has chosen, every day, for over twenty years. With her half a world away while the band was on tour, the weight of that distance was palpable in his voice.

“You guys are the reason we smile,” he told the crowd.

The Skydome held that truth for a second, and then sang every single word of “Decembers” back to him. If there were any dry eyes left in the building before that song started, there certainly weren’t by the end of it.

If the crowd thought the night was winding down, Hawthorne Heights had other plans.

They came back swinging with “Spray Paint It Black,” which jolted the room back to life with gleeful aggression. “Bring You Back” and “Dandelions” followed in quick succession, each one landing like a gift to a crowd that had been waiting years for this very moment. And then came “Niki FM”, the song, the name, the everything, delivered with every ounce of sincerity the band possesses, while the Skydome sang along with the kind of unified voice that makes you genuinely believe in the power of a shared song.

In a moment that stopped the room, the band also unveiled “Like a Cardinal,” a brand new track making its Philippine debut that night. For a crowd steeped in nostalgia, hearing something fresh from Hawthorne Heights felt not like a disruption, but like a promise: that this band isn’t just living in the past. They’re still building something.

Before departing for the final time, Woodruff addressed the crowd one last time, not with fanfare, but with the kind of sincerity that makes you believe every syllable.

“Thank you so much for singing with us! We promise it won’t take us another 20 years to come back.”

And then, as if to make absolutely certain no one was going home without completely emptying their hearts, they closed with “Ohio Is for Lovers.” The band barely had to sing a word. The crowd, already hoarse, already overwhelmed, already exactly where they needed to be, carried it straight to the rafters of the Skydome.

PULP Live World delivered, once again, an event that transcended a simple concert. What happened at SM North Skydome on May 6, 2026, was a reminder, vivid, loud, and deeply felt, that emo was never just a genre. It was always a community. A place for people who feel too much, who need somewhere to put it all.

Hawthorne Heights showed up, played every song as it mattered, spoke to their audience like human beings, and left Manila with the very thing JT Woodruff said they came for: a room full of people who got exactly what they needed.

Twenty years in, and not a step slower. If anything, they’ve only gotten more important.

Phenomenal South Korean girl group IVE returned to the Philippine concert stage for their world tour, SHOW WHAT I AM, last April 25, 2026, at the SM Mall of Asia Arena.

Filipino DIVES, the group’s devoted fans, filled the arena with anticipation, as it had been two years since IVE’s last concert in the country. From showcasing what they had during their first tour, members An Yujin, Jang Wonyoung, Liz, Rei, Gaeul, and Leeseo have since developed a distinct flavor and identity with this current tour—showing who they truly are, both individually and as a group.

The stage, adorned with massive LED screens, bright lights, spark fountains, and laser beams, opened with IVE’s performance of “Gotcha,” instantly igniting the excitement of Filipino DIVES in the arena. The group also performed “XOXZ,” the title track of their fourth Korean EP IVE SECRET, for the first time for their Filipino fans. Captivating and enchanting, IVE sustained their unstoppable charisma through performances of “Baddie,” “Ice Queen,” “Blackhole,” “TKO,” “Holy Moly,” and “My Satisfaction.”

As IVE continued to explore their artistry and deliver their best to DIVES, this tour provided an opportunity to highlight their solo releases. Jang Wonyoung delivered a fiery performance of “Eight,” Rei charmed with the sweet, candy-like “In Your Heart,” Liz moved the audience with her heartfelt rendition of “Unreal,” Gaeul energized the stage with “Odd,” Leeseo impressed with the powerful “Super Icy,” and An Yujin showcased her unstoppable swag in “Force.”

IVE returned to the stage dressed in white fluffy coats with angel wings and pink glitter accents, revealing a softer and more playful side through performances of “Beats,” “WOW,” “Off the Record,” and “FLU.” Filo DIVES were completely smitten as the members moved closer to the crowd, interacting warmly with fans across the arena.

During their ment, the members introduced themselves in Tagalog one by one, further energizing the crowd as they showcased their charm in the local language. IVE expressed their joy at being back on the Philippine concert stage. “It’s been two years since we last visited Manila, and thanks to your warm cheers, we are back now with SHOW WHAT I AM,” shared An Yujin, clearly overwhelmed by the unwavering support of Filipino DIVES.

“If our previous tour was a moment to show what we had, this tour, SHOW WHAT I AM, is an opportunity to show you who we are,” Jang Wonyoung explained, emphasizing how the tour allowed them to reveal their evolving artistry. Rei added, “We really wanted to show you what IVE is as a team, so we prepared bold and slightly darker songs at the beginning—how was it?” prompting loud cheers from the audience.

“Two years have passed before we finally returned to the Philippines, but your cheers are still the loudest,” Gaeul said, thanking fans for their unwavering support. Leeseo noted that the tour challenged them to express each member’s unique charm, while Liz highlighted the effort put into preparing their solo stages.

As the show progressed, IVE unveiled gold-and-black outfits, signaling a bold and fiercer era. The group continued to captivate the audience with performances of “Attitude,” “Love Dive,” “Rebel Heart,” and “I AM.”

“Thanks to the passion of DIVES, we are having so much fun,” Leeseo shared, visibly delighted by the crowd’s energy. “The energy of DIVES is unbelievable!” added Gaeul and Liz. Meanwhile, An Yujin playfully asked, “Magaling ba kami?” prompting thunderous cheers and affirmation from the audience.

The show concluded with their latest release, “BANG BANG,” followed by encore performances of “Wild Bird,” “Supernova Love,” and “After Like.”

IVE has truly set the standard for brilliant performances and versatile talent that continue to captivate DIVES worldwide. Their electrifying energy, gripping performances, and magnificent stage production prove what makes them truly unique, authentic, and remarkable. IVE WORLD TOUR <SHOW WHAT I AM> IN MANILA was made possible by Live Nation Philippines.

Special thanks to Live Nation Philippines

Words by Vinny Real

SEVENTEEN triumphantly concluded the Asia leg of their “NEW_” world tour in Bulacan with a powerful, emotionally charged concert that celebrated their evolution, global dominance, and decade-long unbreakable bond with Filipino CARATs.

K-pop icon SEVENTEEN continues to ignite global stages with unmatched force, drawing approximately 840,000 spectators combined across in-person and online shows throughout their ongoing world tour, “SEVENTEEN WORLD TOUR [NEW_]”, an achievement that reaffirms their standing as one of the most formidable live acts in music today. With every city they conquer, the group not only performs but transforms arenas and stadiums into immersive experiences, where storytelling, music, and connection collide on a grand scale.

That energy reached a powerful peak on March 21, as SEVENTEEN successfully concluded the Asia leg of their “SEVENTEEN WORLD TOUR [NEW_]” at the Philippine Sports Stadium. Serving as the final stop of a sprawling tour that covered 29 performances across 14 cities since September 2025, the Bulacan show was a celebration of a journey defined by growth, reinvention, and unwavering connection with fans across continents. The Asia leg itself marked a triumphant return, capping off a historic touring year that placed SEVENTEEN among the world’s top three touring acts on Billboard’s 2025 midyear Boxscore and earned them the distinction of having the second-highest-grossing K-pop tour on the year-end chart.

“Just like the title of our world tour, it seems like we have opened a new world here tonight.”

SEUNGKWAN

From its earliest moments, “NEW_” made clear its intent to signal transformation. The tour’s title—anchored by the underscore (_)—represents an open space, a symbol of limitless potential and evolution beyond the group’s decade-long career. This philosophy was brought to life through a carefully curated setlist that blended fresh material from their 5th studio album Happy Burstday with reinvented versions of beloved hits, creating a show that felt both forward-looking and deeply rooted in their history.

The night in Bulacan opened with a visually striking VCR, drawing fans into a cinematic prelude before the members emerged, one after the other, to ignite the stage with “Bad Influence,” a sleek collaboration with Pharrell Williams. The track’s confident groove and understated swagger set the tone for what would become an evening of constant momentum. Without pause, the group launched into “HBD” and “THUNDER,” delivering back-to-back performances that married explosive choreography with larger-than-life production. “HBD” radiated celebratory energy, its vibrant soundscape capturing the spirit of rebirth and festivity, while “THUNDER” lived up to its name with booming instrumentals and electrifying formations that rippled through the stadium like a sonic storm.

As the show unfolded, SEVENTEEN showcased the full breadth of their artistry with the electrifying full-group performance of “Domino”, followed by a captivating unit stage and a series of dynamic solo stages. “Network Love,” performed by Joshua, Jun, The8, and Vernon, became a visual spectacle of precision and flow, each movement seamlessly triggering the next in perfect synchronization, echoing the track’s hypnotic rhythm. The solo stages, drawn from Happy Burstday, offered a more intimate look into each member’s individuality. Dino’s “Trigger” pulsed with intensity, driven by hard-hitting beats and razor-sharp choreography that highlighted his evolution into a commanding performer. Jun’s “Gemini” explored duality through shifting tones and emotive delivery, while Vernon’s “Shining Star” provided a laid-back yet introspective moment, its effortless cool underscored by thoughtful lyricism.

The emotional core of the concert emerged during “SOS,” a track whose urgent plea for change and resilience resonated deeply with the audience as its urgent message mirrors the complexities of the current global climate and the people’s ongoing drive for hope and progress. The crowd turned every lyric into a shared expression of solidarity, reflection, and the collective desire for a better future. The atmosphere grew even more poignant with “F*ck My Life,” a raw and cathartic expression of frustration and vulnerability that transformed the vast stadium into a shared emotional space. Closing this segment with “LOVE, MONEY, FAME,” SEVENTEEN reflected on ambition and identity, balancing polished production with introspective themes.

A shift in tone followed as the members returned with softer, more heartfelt solo performances. Joshua’s “Fortunate Change” enveloped the audience in warmth, while DK’s “Happy Virus” lived up to its name with bright, uplifting energy that had fans smiling throughout. Seungkwan’s “Raindrops” added emotional depth, his vocals carrying a lingering sense of longing. Yet the calm proved temporary, as the stage soon erupted into a fiercer atmosphere. The8’s “Skyfall” combined elegance with explosive movement, Mingyu’s “Shake It Off” exuded charisma and playful confidence, and S.Coups’ “Jungle” closed the solo segment with a dark, primal intensity that commanded attention from every corner of the venue.

The transition into the concert’s high-energy core came without warning. “HOT,” “HIGHLIGHT,” “ROCK,” and “HIT” arrived in rapid succession, each performance pushing the group’s stamina and stage presence to exhilarating heights. Flames, lights, and synchronized choreography converged in a relentless display of power, leaving the audience in awe. After delivering such electrifying stages, the members expressed their heartfelt gratitude to CARATs, whose boundless energy fueled them through even the most demanding performances, allowing them not only to complete the set with strength but to truly revel in every moment on stage. S.Coups shared, “I’m not lying. Today is the most enjoyable,” a sentiment that perfectly captured the synergy between SEVENTEEN and their Filipino fans.

That connection has been years in the making, and it shone brightly during the concert’s more playful segments. CARATs waved tiger paws in homage to Hoshi’s signature introduction, revisited earlier eras with a snippet of “MANSAE,” and erupted in excitement during “SNAPSHOOT,” a song that has grown into a beloved staple in the Philippines since their Be The Sun tour. The crowd’s enthusiastic response, particularly during our bunso, Dino’s iconic part, once again demonstrated the unique bond and history shared between SEVENTEEN and Filipino CARATs.

Further enriching the set were unit performances like the Hip-Hop Team’s “GAME BO1,” alongside special stages of CXM’s “For You” and DXS’s “Blue,” which also heightened anticipation for upcoming subunit activities of The8 and Vernon. DK added another memorable moment by opening “Rock With You” with a live drum performance, elevating the track into a full-scale rock spectacle that culminated in a breathtaking fireworks display lighting up the night sky.

As the concert moved into its final act, the atmosphere shifted into one of celebration and gratitude. During CARAT TIME, fans danced and sang along with Bongbongie, turning the stadium into a festival of shared joy. The encore began with “_WORLD,” “A-TEEN,” and “9TEEN,” as the members rode carts around the venue, closing the distance between themselves and the audience. This sense of closeness reached its peak with “To You,” a heartfelt serenade that served as a love letter to CARATs.

One by one, the members delivered their messages, expressing gratitude and promising to remain together through every chapter ahead. In response, fans raised banners declaring “SEVENTEEN FOREVER” and “SEVENTEEN, let’s be together for a long, long time,” messages that echoed throughout the stadium not just in words but in emotion. It was a moment of quiet understanding, a promise shared between SEVENTEEN and CARATs.

“I really received a lot of love and support from you guys today. I will not forget the gratitude in my heart, and will show you more beautiful things. I always say this, the reason I exist is because of CARATs. Because you listen to my music, the reason I get to dance and get to sing is because of CARATs. Thank you very much. Mahal kita.”

DINO

“Whether in solos, in units, and in different types of forms, we will make sure to reach you. Please continue to support us. I myself will do my best. Remember, the 13 members of SEVENTEEN will never separate. Mahal kita! I love you!”

S.COUPS

“I’m glad we get to spend the last stop with you guys… By the next time we come back to the Philippines, hopefully, it will all be the 13 of us. Like S.Coups said, we’ll never be apart. All 13 of us are gonna stay together forever…”

JOSHUA

“Thank you for filling up this stadium tonight. Thanks to you all, we had a lot of beautiful memories and really enjoyed today… We will make sure to do our best in our own position, in our own place. In the future, we will be complete once again.”

THE8

“This is the last stop for our Asia tour. Honestly, I’m just so happy that it was the Philippines… Hopefully, we can see each other again… You guys are so beautiful. Thank you so much…”

VERNON

“Philippine CARATs are the best! Thanks to you guys I can say we had the best day today… Through the tour we had together, we were so happy. I will never forget today. I hope you guys continue to cherish the memory we made tonight. Magkita tayo ulit. Mahal kita!”

DK

“I had so much fun today, everyone… I want to meet more CARATs from all over the world continuously. I hope you continue to love all SEVENTEEN members. Please be healthy and stay happy. Thank you so much. I love you so much. I’ll always miss you so much. Pilseung!”

MINGYU

“Honestly, when we started this tour with nine members, we were worried we wouldn’t be able to fill the void of the four members who were not with us. But we did our best to fill the gaps. Those worries disappeared because of you. Thank you to everyone for filling up such big stadium. Like what Kuya Coups said a while ago, it will take a while before you see us complete, but we will come back cooler than ever. So I hope our CARATs can stay healthy and happy. Please continue to love whatever our members will do… Thank you so much for today. Mahal kita! Salamat po!”

SEUNGKWAN

“Thank you very much to all the CARATs who came today. Salamat po… Once there was a fan who told me a line from a children’s book, ‘I love you to the moon and back.’ We started together, and in the future, we will once again meet each other under the moon. Please stay healthy.”

JUN

But SEVENTEEN ensured the night would end not in stillness, but in celebration. The encore transformed into a full-blown party with “EYES ON YOU” and the ever-iconic “AJU NICE,” extending into a 30-minute finale that included “LEFT & RIGHT,” “CLAP,” “MARCH,” “SUPER,” “DON QUIXOTE,” “TOGETHER,” “FIGHTING,” and “WATER.” It was a joyous explosion of sound and movement, a fitting conclusion to a night that had encompassed every facet of SEVENTEEN’s artistry.

For a decade, the Philippines has remained a constant presence in SEVENTEEN’s journey. From their Shining Diamond Asia tour in 2016, Diamond Edge in 2017, Ideal Cut in 2018, and Ode to You in 2020, each visit has deepened a connection that continues to grow stronger. Their reunion with Filipino CARATs during Be The Sun in 2022, their historic performances in Bulacan, and subsequent milestones with FOLLOW TO BULACAN and RIGHT HERE have all contributed to a shared legacy that is uniquely their own.

This year, SEVENTEEN added yet another milestone by becoming the first artist to stage three consecutive concert tours at the Philippine Sports Stadium, further solidifying the country’s place as a cornerstone of their global touring history. Every visit writes a new chapter, painted in rose quartz and serenity, the official colors that now symbolize a bond built on passion, joy, and unwavering support.

Globally, SEVENTEEN’s impact continues to expand. With millions of total attendees across their tours, historic performances at major international festivals, and consistent recognition on global charts, they stand firmly among the world’s elite musical acts. Yet beyond the accolades and records, it is their ability to connect genuinely and deeply with their fans that defines their legacy.

As the “NEW_” world tour approaches its final chapter with encore shows at Incheon Asiad Main Stadium, anticipation continues to build. Tickets for the encore sold out during the first day of fan club pre-sale, a testament to the enduring demand for SEVENTEEN’s live performances.

From past to present, and into whatever the future may hold, one truth remains unwavering—on every stage, in every city, and in every shared moment: It is always only SEVENTEEN.

On February 28, 2026, Chen returned to Manila for a night that felt less like a standard stop on a tour and more like a meeting point between artist and audience, memory and moment.

Presented by Three Angles Production at EVM Convention Center, the show gathered Filipino EXO-Ls and Soondingies for an evening that quickly proved why Kim Jongdae remains one of K-POP’s most respected vocalists. Here is a recap of what happened during one of the best fan concert experiences in recent memory.

Manila Goes to Arcadia with Chen

There are singers who perform because it’s their profession, and then there are singers who seem most alive the moment they begin. Chen has long belonged to the latter category. By now, it’s  almost redundant to say he is one of the best singers in K-POP, but evenings like this explain why that reputation has endured. He does not merely arrive onstage with technique. He arrives with joy. It’s visible in the way he inhabits every line, in the ease with which he carries a melody, and in the unmistakable sense that singing is not a task to him but a home.

That ease has been tested in venues far larger than this one. Chen is no stranger to arenas and stadiums, whether as a member of EXO or as a soloist in his own right. He knows how to send his voice to the back of a cavernous hall and make it land with force. What made this concert special was not scale but intimacy. In a smaller setting, the performance revealed something more personal. The distance between artist and fan narrowed, and what might have been merely impressive in a larger venue became immediate here. The result was a concert that felt warmer, closer, and somehow more revealing.

He performed songs from his latest album, Arcadia, with the kind of conviction that made any need for spectacle feel irrelevant. There are artists who require elaborate choreography to sustain a stage. Chen does not. His voice and presence are enough. That is not an abstract compliment but an observable fact. He held the room through singing alone, letting the material breathe and allowing the audience to focus on what has always been his greatest strength, which is not just power, but emotional command.

The concert also made space for a different kind of energy. During a lively rock segment, Chen performed “Broken Party” and “Arcadia,” shifting the atmosphere inside the venue almost instantly. Fans who had spent much of the night listening in quiet admiration found themselves on their feet, singing along and letting loose.

The moment revealed another dimension of Chen’s artistry. While his reputation has often been built on emotional ballads and soaring drama soundtracks, the rock driven section showed that his range as a performer stretches far beyond those expectations. It was a reminder that Chen is not simply a master of one style, but a versatile artist capable of turning an intimate concert hall into a space of exuberant celebration.

One of the most memorable moments of the evening came when he stepped down from the stage and moved among the audience, inviting lucky fans across sections to sing with him during “Beautiful Goodbye,” his first single from his first mini album and one of the most streamed ballads in MelOn history. It was the kind of scene that could have gone wrong in less generous hands or with a less trusting crowd. Instead, it became one of the night’s defining images. Filipino fans, who have long taken pride in being among the strongest concert audiences anywhere, rose to the moment and sang with confidence. More striking still was the trust that made it possible. Chen did not need a wall of bodyguards behind him as he moved through the theater. He trusted the fans, and they returned that trust in full, making the moment feel not reckless but deeply mutual. Many artists are not brave enough to do that. Chen did, and the audience met him with care.

Chen also delighted the crowd with small but memorable efforts to connect with the audience in Tagalog. Throughout the night, he sprinkled in Tagalog expressions, enthusiastically saying “SOLID!” and “Lupet!” while gesturing with his hands in playful emphasis. Each attempt was met with loud cheers. With a respectful “Salamat po,” he expressed his gratitude to the fans, a simple phrase that carried warmth and drew the audience even closer to him.

To Our Captain

If the concert showcased Chen’s artistry, it also revealed the unusually close relationship he has built with Filipino EXO-Ls and Soondingies. What has become evident every time he returns to the Philippines is that the atmosphere here is different. The dynamic is looser, warmer, more mischievous. He gets teased, and he teases the fans right back. What emerges is a playful banter that does not feel rehearsed or carefully manufactured for effect. It feels lived in. Comfortable. Familiar. As if performer and audience have, over time, agreed to meet each other not only through admiration but through affection.

That comfort matters because it shows a side of Chen that fans in many other places may not get to witness in quite the same way. The Manila crowd does not simply receive him as a star. They engage him with a kind of easy closeness that brings out something lighter and more casual in return. For fans, that is part of what makes these local shows memorable. They are not only hearing one of K-POP’s finest voices. They are seeing a version of Chen that feels especially open in front of them.

The crowd, for its part, gave back with imagination and devotion. One of the standout fan projects of the night was a banner designed to resemble a microphone when folded, then open into the message, “Right here, right now, it’s our Arcadia.” It was clever, visually effective, and deeply tuned to the spirit of the concert. Filipino fans have long had a reputation for creativity, and this was another example of that instinct at work, not just decorative but emotionally precise.

The tributes did not end there. Fans also sang “Best Luck,” one of Chen’s most beloved OST songs, a fitting choice for a singer who has earned his place as one of the true kings of the form. The audience’s participation turned the song into something larger than a performance. It became a collective acknowledgment of the many ways his voice has threaded itself through people’s lives, not just through albums but through dramas, memories, and everyday feeling. A fan video added another layer to the tribute, humorously imagining that life without Chen would simply be more boring. Beneath the wit was something sincere. It reflected a fandom that knows how to celebrate with heart, and an artist whose presence has become part of the emotional texture of that community.

A Promise

By the time the concert neared its close, the emotional architecture of the evening was already complete. Still, Chen found a way to lift it one step higher. He ended the show with an impressive high note while singing “Best Luck” alongside the fans, closing not with distance but with togetherness. It was the right ending for a night built on connection.

He also took time to reassure fans about one of the event’s most remarkable benefits, which was the 1:1 selfie opportunity made available regardless of ticket tier. In a K-POP industry that often keeps idols and audiences carefully managed, that level of fan service remains almost startling. Chen made it clear that he was comfortable with it, that he welcomed it, and that he saw it as one way of thanking the people who have continued to support him. It’s difficult to think of many precedents for that scale of personal interaction in K-POP, and that rarity only underscored how generous the gesture was.

Before the evening ended, Chen thanked everyone who came and promised that he would return to Manila, echoing the same promise he made during his first fancon, The Door, in 2023, which was also held in an intimate setting. For those who have watched him keep building this relationship with Filipino fans, it did not sound like a routine farewell. It sounded like a promise made with intention. Fans can only hope that next time, he returns with his brothers in CBX. But even on his own, this concert already offered something extraordinary.

For EXO-Ls and Soondingies, being this close to Chen, hearing that voice in such a personal setting, and witnessing the trust and warmth that shaped the entire night felt like the kind of experience that stays with you. He remains one of the finest singers in the industry, but what made this concert unforgettable was not excellence alone. It was intimacy, humor, gratitude, and the rare sense that for a few hours, artist and audience were meeting each other on equal emotional ground. And if Arcadia is meant to suggest an ideal place, then Manila, at least for one night, came very close.

2026 CHEN Concert Tour <ARCADIA> Setlist
Intro + No Gravity
Fall In Love Again
Don’t Even Mind
My Dear
Deja Vu
Remember
Photograph
Don’t Remember
Starlight
Shall We?
Brighter than
You Never Know
Hold You Tight
In My Life
Before the Petals Fall
Playlist
Make It Count
Broken Party
Help Me (Somebody 2 Love)
Arcadia
Encore
Traveler
Beautiful Goodbye
Best Luck

Words by Arielle Elep

For one night in Manila, thousands of voices moved as one.

When Japanese rock powerhouse ONE OK ROCK returned to the Philippines for their DETOX Asia Tour 2026, the anticipation inside SM Mall of Asia Arena was electric. By the time the lights dimmed on March 4, the sold-out venue had transformed into a sea of glowsticks and restless fans ready to scream every lyric back to the band that had long felt like a lifeline to many of them.

For Filipino OORers, this wasn’t just another concert stop—it was a reunion. From the moment the opening video rolled into the explosive “Puppets Can’t Control You,” the night quickly established itself as something bigger than a standard rock show. The band—frontman Taka, guitarist Toru, bassist Ryota, and drummer Tomoya Kanki—launched straight into the anthemic “The Beginning” and the relentless energy of “Save Yourself,” igniting a roar from the crowd that barely let up all night.

It was immediately clear: ONE OK ROCK had returned to Manila bigger, louder, and more powerful than ever. Despite feeling under the weather, Taka powered through the set with unwavering intensity. His vocals remained as commanding as ever, effortlessly shifting between raw grit and emotional vulnerability. If anything, the challenge seemed to make the performance feel even more personal, strengthening the bond between band and audience.

That connection has always been at the heart of a ONE OK ROCK show. Throughout the night, the band balanced fan-favorite anthems with newer tracks from their latest era. The arena pulsed with energy during “Renegades,” while songs like “Party’s Over,” “Delusional: All,” and the heavier “C.U.R.I.O.S.I.T.Y.” showcased the evolving sound of their DETOX material. Filipino fans, ever passionate, proved they were already well-versed in the newer songs, belting out lyrics with the same fervor as the classics.

But some of the night’s most powerful moments arrived during the quieter emotional peaks. When the opening chords of “Wherever You Are” rang out, the arena transformed into a massive choir. Thousands of voices sang in unison, turning the love ballad into a goosebump-inducing moment that blurred the line between performer and audience.

Later in the set, guitarist Toru delivered a beautifully melodic solo before Taka paused to speak to the crowd with heartfelt sincerity. “ONE OK ROCK saved my life,” he said. “If these songs saved your life, you being here and supporting us saved our lives too.” The statement landed heavily in a room full of fans who have long turned to the band’s music for strength.

One of the evening’s emotional highlights came with “Tropical Therapy,” a track that balances chaos and calm while reflecting on the pressures of modern life. Performed live, it felt deeply personal—almost like a shared moment of reflection between the band and their audience.

Meanwhile, “Stand Out Fit In” brought one of the night’s most unforgettable crowd interactions. As the song built toward its climax, fans across the arena spontaneously sat down before erupting together into a wave of jumping and headbanging, feeding off the band’s energy in perfect sync.

Taka also took a moment to speak about the divisions currently shaping the world, offering a simple reminder to the crowd: respect each other’s opinions. In a time where differences often feel louder than common ground, the message felt fitting—especially inside a room where thousands of strangers were united by the same songs.

The night ultimately surged toward its explosive finale with “We Are.” The song, a rallying cry for a generation navigating uncertainty, had the entire arena chanting its chorus at full volume. It was less a performance and more a collective release of emotion.

As the final notes echoed through the arena, the band expressed heartfelt gratitude and promised they would return to the Philippine stage again. The crowd’s reaction, which is equal parts cheers and hopeful anticipation, made it clear that Manila will always be ready.

More than just a concert, ONE OK ROCK’s Manila stop felt like exactly what the tour’s name suggests: a detox. For two hours, fans shed the weight of everyday worries and existed in the music, the noise, and the shared experience.

And if the night proved anything, it’s that ONE OK ROCK still stands among rock’s most compelling live acts for their sound and the connection they continue to build with every stage they step on. For one unforgettable evening in Manila, thousands of people sang together and meant every word.

Words from Joey Dizon of PULP and Josiphine Tagudin of Philippine Concerts

American alternative rock musician Nathalie Lu, famously known as Wisp, graced the Philippine concert stage on January 28, 2026, for her If Not Winter tour at the SM North EDSA Skydome. Fans flocked to the intimate, one-night-only show to experience the magic of her electrifying sound and “lighter-than-air” vocals.

Wisp began her musical journey with her TikTok-viral debut single, “Your Face,” released in 2023, which eventually made its way onto the Billboard charts. She followed this with her debut EP, Pandora (April 2024), and her first full-length studio album, If Not Winter (August 2025). With a growing fanbase among rock, indie, and nu-gaze enthusiasts, Wisp has become a rising icon in the music industry, amassing millions of streams on major music and video platforms and selling out shows worldwide.

The show opened with Baguio-based alternative rock band TILAPAYASO, who set the tone with an energetic performance of their hits. When Wisp finally took the stage with her band, she delivered a night to remember, opening with songs like “Pandora,” “Enough for You,” “Mesmerized,” “Mimi,” and “Save Me Now.” Her heavenly vocals paired with an intoxicating alternative rock ensemble captivated the audience, and she continued to thrill fans with “Breathe Onto Me,” “Guidelight,” “If Not Winter,” and “Sword.”

Wisp closed the show with the heartfelt performances of “Black Swan” and “Your Face,” showcasing her dedication and passion for music. Before leaving the stage, she expressed her deep gratitude to fans for their unwavering support and for making the Manila stop of her tour unforgettable.

If Not Winter Live in Manila was proudly presented by PULP Live World.

On the evening of January 17, 2026, the Music Museum in San Juan City became a space defined less by spectacle than by atmosphere. South Korean singer-songwriter COLDE, on the Manila stop of his Blueprint+ Tour, offered a performance that was meticulous in its pacing and intimate in its emotional resonance.

Colde’s music has always straddled genres, R&B, hip hop, and indie pop, without ever feeling derivative. In Manila, that sensibility translated effortlessly. His songs were not designed to dominate the room, but to invite the audience into the nuances of his sound, where quiet melodies and intricate beats carry as much weight as any chorus.

The night opened with DJ Skope, a South Korean producer whose electronic and techno set coaxed the audience from their seats. By the time the lights dimmed, Colde entered quietly, dressed in understated streetwear, opening with “Toxic Love” and “Heartbreak Club.” Early in the set, he performed “When Dawn Comes Again,” a collaboration with Baekhyun, marking the song’s first live presentation on the tour. The song’s intricate harmonies and understated production highlighted both artists’ voices while immediately signaling that this stop would offer exclusive moments for the Manila audience.

Colde addressed the crowd briefly, noting that he had tried to learn some Tagalog for the performance, but found it unnecessary, given his comfort with English. The remark, modest and self-aware, reflected the kind of intimate connection he sought throughout the evening.

Midway through the set, Khakii joined him on stage. Known for his performances on Show Me The Money, Khakii delivered a series of rap sequences, including collaborative tracks “BASS” and “Juicy,” which contrasted sharply with Colde’s measured melodies. The interplay between the two artists underscored the careful pacing of the concert, balancing intensity and reflection.

Colde returned to the stage later in the set, introducing unreleased material and performing “Sunflower,” during which he handed crochet flowers to fans in the front rows. The gesture, small but deliberate, mirrored the intimacy of his compositions and highlighted the concert’s rhythm: emotional investment over spectacle.

The emotional apex came with “Star,” Colde’s contribution to the See You in My 19th Life soundtrack. As the house lights dimmed and phone flashlights dotted the room, the audience entered a shared, almost meditative space. Familiarity and immediacy combined, creating a moment that felt like both memory and presence.

The encore returned the energy to a kinetic high. DJ Skope resumed his set, Khakii rejoined Colde, and the trio closed with “All in Motion,” blending hip hop and electronic textures. The room responded physically as well as emotionally, moving with the music until the lights rose and the night concluded.

Across the evening, the Blueprint+ Tour in Manila demonstrated that intimacy and precision need not compromise impact. Colde’s ability to control pacing, navigate collaborations, and engage the audience created a performance that was both restrained and resonant.

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Photos and Words by Arielle Elep

It took a year and a half, but RIIZE finally made their long-awaited return to the Philippines for RIIZING LOUD in Manila last January 17 (SUN) at the Mall of Asia Arena, and the moment they stepped onstage, it felt like coming home.

Seeing Shotaro, Eunseok, Sungchan, Wonbin, Sohee, and Anton again was emotional in the best way. Since their RIIZING DAY fancon on July 14, 2024, PH BRIIZE had been counting down nonstop, and judging by the screams inside the arena, the wait only made everything hit harder.

The excitement didn’t even start with the main show. During soundcheck, the members surprised everyone by doing the “Wag Ipagsabi” TikTok challenge, taking turns and clearly having fun with it. Watching them naturally adopt a local trend, and then seeing them upload the video the next day, made us miss them almost immediately.

RIIZING to the Occasion

When the show finally began, the arena exploded. RIIZE kicked things off with “Ember to Solar,” then went straight into “Siren,” “Odyssey,” and “Combo.” It was loud, intense, and impossible to look away, an opening that made it clear they were back and better than ever.

Once they paused to talk, the energy shifted into something warmer. Sungchan shared how the crowd’s reaction made it feel real that they were back in Manila, and when RIIZE told BRIIZE how much they missed us, the response was immediate: a full-arena shout of “We love you, RIIZE!”

A Trip Down Memory Lane

Things softened with “Memories,” as the entire arena sang along like one big choir. It was one of those moments where you could really feel the connection between RIIZE and BRIIZE.

They kept the mood light with their Japanese tracks “Be My Next” and “Lucky,” then leaned into their sweeter side with “Midnight Mirage” and “Hug.” By the time “Love 119” played, hearts were definitely gone.

That “Pinoy-Coded” Rizz

Of course, it wouldn’t be a Manila show without some extra fan service. RIIZE is fully committed to the bit, delivering Tagalog pick-up lines that sent the crowd into full kilig mode:

• Sungchan: “Keyboard ka ba? Kasi type kita.”
• Shotaro: “Alarm clock ka ba? Kasi ginising mo ang natutulog kong puso.”
• Eunseok: “Siomai ka ba? Kasi I’mma siomai love for you.”
• Wonbin: “Ube ka ba? Kasi I only want U be.”
• Sohee: “Math ka ba? Kasi sa’yo ang bagsak ko.”
• Anton: “Water ka ba? Kasi my love for you is tubig (too big).”

Every line was met with screams, laughter, and the kind of joy that only happens at concerts like this.

From Soft to Wild

Riding that happy high, RIIZE moved into “9 Days” and “Show Me Love.” They slowed things down with “Honestly,” giving everyone a quiet moment to breathe before launching right back into the fun.

The energy shot up again with “Talk Saxy” and “Impossible,” turning the arena into one big dance floor. Then came the switch. “Fame” hit with all its emo, rage-filled intensity, and suddenly everyone was screaming their feelings out.

Just when we thought they were done surprising us, RIIZE pulled out a confident, charismatic cover of EXO’s “Monster.” The crowd lost it. From there, it was nonstop with “Bad Luck,” “Get a Guitar,” and “Boom Boom Bass,” before soaring into “Fly Up.”

A Promise We’ll Wait For

Before the encore, it was BRIIZE’s turn to give back. As the lyrics to “Inside My Love” filled the screens, the arena showed off the famous Filipino Throat Chakra, singing at full volume from start to finish.

As always, the end came too fast. RIIZE closed the night with “The End of the Day” and “One Kiss,” waving goodbye with the softest smiles and countless “Salamat po.”

It felt less like a goodbye and more like a promise, one that we’ll be waiting for, hopefully at an even bigger venue next time.

South Korean artist and member of renowned K-pop girl group Red Velvet, WENDY, returned to the Philippines for her first solo tour <W:EALIVE> last January 17, 2026, at the New Frontier Theater, officially concluding her tour with Manila as her last stop.

Blue lights representing her color, and pastel coral from the mandubongs of fans in the crowd, perfectly illuminated the theater with a sea of dreamy lights, looking like little fireflies among the audience. As soon as Wendy went centerstage, fans went wild and got excited to see Wendy again performing for her fans in Manila.

The opening stage was prepared with nothing but a sincere heart as Wendy sang her songs “Fireproof,” “Hate²,” and “Queen of the Party.” Wendy felt the surge of energy from her fans, saying that with their loudest cheers, she couldn’t even hear herself with her in-ear. Wendy continued to show her greatness through her music as she performed more of our favorite songs, such as “Why Can’t You Love Me,” “Best Ever,” “Chapter You,” “His Car Isn’t Yours,” “Better Judgment,” and “Vermillion.”

Wendy couldn’t seem to get enough of Manila as she shared a few memories from her arrival, her favorite Filipino dishes, and her plans for vacation in the country. Among her stories, she recounted her arrival in Manila the night before her concert and how her fans prepared food for her, which she shared with her staff, saying that she had tried Jollibee’s menu and enjoyed it a lot. Apart from that, Wendy mentioned ordering Filipino cuisine adobo from her hotel’s room service as she always made sure to eat it when she visited Manila. A true foodie herself, Wendy said she will try halo-halo and Llaollao the next time she visits for a vacation in the country.

The concert tour VCR highlighted some behind-the-scenes footage of her tour preparations, and also showed how grateful she is to her fans. Wendy mentioned writing her memories in a diary and keeping them vividly remembered through photos, as the feelings from those moments come alive again. “Thank you for always being by my side,” Wendy gave a sincere and utmost gratitude to her fans who have always expressed their support and love for her.

As the show reached its peak, performing with a 4-man band composed of amazing musicians Lee Byeongdo (keyboards), Youn Gapyol (guitar), Jung Boik (bass), and Song Jaeyoung (drums), W:EALIVE truly kept the crowd alive and at the edge of their seats as Wendy continued to show an outstanding stage with “Like Water,” which was the title song of her very first solo album, “When This Rain Stops,” “Believe,” and her OSTs “Goodbye” from KDrama <The Beauty Inside,> “Because I Love You,” which she sang during her time during her SM Rookies days. “I sang it very well back then, but I wanted to show myself and the fans that I’ve grown so much as a singer skillfully and emotionally.”

Moreover, Wendy showed us an unforgettable OST medley still, continuing with “If I Could Read Your Mind” from KDrama <Yumi’s Cells,> saying that this song is quite different from her emotional ballads as this song is an upbeat one with cute and lovely tones to it, “Two Words,” fromK-drama <Start Up,> and “Airport Goodbyes,” which was produced by The Black Skirts.

ReVeluvs were certainly feeling the nostalgia as Wendy sang “Light Me Up,” reeling the fans in as Wendy playfully changed the lyrics for the second chorus from “Oh, boy” to “Oh, girl.” “For my ReVeluvs out there, Light Me Up is a must song.” Wendy definitely lit up the theater as she also promised to return and perform more Red Velvet songs with her members in the future. Wendy finally reached her concert’s end as she performed “Wish You Hell,” “Sunkiss,” “Best Friend,” “The Road,” and “Existential Crisis.”

“Thank you, Manila [fans] for coming to my concerts… because of you, I can do all these things as a singer,” Wendy expressed her heartfelt gratitude to her fans who were all eagerly cheering and supporting Wendy since day 1.

Wendy’s fans prepared fanprojects for her return to Manila, which seemed like a homecoming for the queen that they have all been waiting for. From light wristbands, banners, and a surprise video compilation of messages for their beloved Wendy, they surely prepared so much, with these gestures making her Manila stop the best. With the warm hearts of the fans, Wendy returned for an encore, singing her songs “Vermillion,” “Hate²,” and “Wish You Hell.” When fans thought the night was over, Wendy went down the stage and personally met her fans who were seated in the crowd, making sure she sent them off well and thanked them with a heart full of love.

As Wendy’s world tour ended, she prepared a letter saying that “the most beautiful ending here in Manila” made her discover what happiness truly feels like and realize her dream, marking this tour as “the most luminous chapter” of her life as an artist, carrying her fans’ love like a torch that will illuminate her path moving forward.

<W:EALIVE> 2025 Wendy 1st Solo Tour in Manila was made possible by L-SQUARED PRODUCTIONS.

Former Super Junior member Kangin returned to Manila to kick off his fan meeting tour, ‘Stunning Together,’ on January 11 at the SM North EDSA Skydome.

Officially returning after 13 years, with his last visit being in October 2013 for Super Junior’s ‘Super Show 5’ concert, Kangin was naturally shy at first. As the show progressed, however, he shared, “I was very excited, but nervous as well. Thanks to your passionate welcome, I think my anxiety levels are going down. I’ll make sure to create the best memories for you guys.”

The singer delivered on his promise as the segments went on. His excitement was palpable as he shared the Filipino food he tried and loved, including Jollibee, halo-halo, and crispy pata. After hearing the crowd’s reactions, Kangin even joked, “By any chance, do you have crispy pata in your bags?” earning laughter from the audience.

The show became even more intimate yet playful as Kangin entertained fans with dance challenges flashed on screen. He drew louder screams when he attempted ‘Budots,’ a Filipino dance trend, and happily obliged when fans asked him to do it again.

He also played a game of charades with lucky audience members. When asked what he wanted to say to his fans, Kangin shared, “One of the biggest goals for my fanmeet was to make you guys smile or laugh. The biggest desire I have through this fanmeet is to create memories with you. So take pictures of me now.” He added humorously as he walked around the stage, striking different poses.

Although shy at first, the energy of his fans fueled him to show his fun and playful side. Throughout the show, Kangin repeatedly mentioned how nervous he had been at the start, but relaxed as he felt the warmth of his audience.

He went on to perform “Mientes” and “Love Is Pain,” before coming down from the stage to greet fans with flowers while performing Super Junior’s “Pajama Party” for his encore.

Fans prepared a surprise video expressing how much he is appreciated, leaving Kangin visibly thankful for their continued support through the years. In one of his closing messages, he said, “It is really meaningful for me that my first stop is the Philippines. It’s been so long since we’ve been able to meet again. I missed you as much as the time that has passed. I really wanted to meet you guys so much.”

Instead of saying goodbye, Kangin left his fans with a heartfelt promise: “Just like how we’re stunning together, I’ll do my best to grow even more.”

KANGIN’s ‘STUNNING TOGETHER’ fan meeting in Manila was brought to fans by CDM Entertainment.

K-pop hitmaker Jang Yi-jeong, more popularly known for his pseudonym EL CAPITXN, finally took the Manila stage last December 12 at the SM North EDSA Skydome and transformed it into a space where artistry, vulnerability, and raw sound collided. Primarily known as one of K-pop’s most respected producers of this age, EL CAPITXN‘s concert was not a typical idol showcase and more of an invitation into the mind of a creator who has spent years shaping other artists’ voices, and is now more ready to show another side of himself to the world.

Best known as one of K-pop’s most influential producers, EL CAPITXN has shaped the sound of some of the industry’s most iconic tracks. Debuting as a member of the boy group HISTORY in 2013 before transitioning fully as a producer after the group disbanded, he built a reputation as a hitmaker with a distinct emotional and sonic identity. As a producer and songwriter, he has been instrumental in shaping the sound of worldwide artists, most notably through his long-running collaboration with SUGA of BTS. His production credits include globally recognized songs such as “Eight” by IU, “Telepathy” and “Take Two” by BTS, “Daechwita” and “AMYGDALA “by Agust D, all known for their emotional depth and layered storytelling. He also contributed to music for artists like PSY, Heize, TOMORROW x TOGETHER, PLAVE, ZEROBASEONE, and AHOF, establishing himself as a producer who balances mainstream appeal with introspective artistry. 

The Manila concert marked a significant moment in his evolution as a solo performer, bringing the music he once crafted behind the scenes directly to the stage. Opening with a gothic-themed VCR drenched in shadows and crimson hues, EL CAPITXN set the tone for a night that was equal parts intensity and intimacy. The visual set the tone most especially for the first part of his set list, with tracks such as “The Vampires”, “THEY”, “WHO KILLED EL?” and “Bite Down!”.

Clad in black, tattoos on full display, and commanding the stage with understated confidence and effortless charisma, he stepped fully into the spotlight as a compelling artist in his own right. Rather than relying on elaborate choreography, the performance focused on atmosphere and sound, allowing the music’s intensity to take centerstage.

The concert unfolded as a carefully curated narrative, balancing high-energy electronic tracks with darker, introspective moments. Heavy basslines and cinematic synths filled the venue, while quieter segments revealed EL CAPITXN‘s more vulnerable side.

“Boys Gang!” took a turn towards the end the moment sounds of a gong in exact intervals were mixed in the song. As if bringing us to a new side of EL CAPITXN‘s world in the second part of his setlist, he took off his jacket and wore a long black robe with thick golden cuffs and waistband, alluding to hanbok worn by kings in Korea in the olden days as he introduced the next song. 

“Daechwita” signaled the start of the second half of the setlist, and the crowd erupted the instant the familiar clash of kkwaenggwari, a flat gong of Korean traditional music, rang through the Skydome. EL CAPITXN led the chant, shouting “Daechwita! Daechwita!” in unison with the audience, even rapping along to sections of the song, and played the “shibal” remix made famous during Agust D’s world tour, where he also played a key role. He followed with other collaborations with Agust D, including “Haegeum”, before pushing the energy even higher with BTS staples like “Fake Love”, “MIC Drop (feat. Desiigner)”, “Ddaeng”, “UGH!”, and “IDOL”. PSY’s “That That” proved to be a crowd-pleaser, sending the entire arena into motion as the audience danced along.

He also mixed in tracks by other artists, including CORTIS’s “FaSHioN” and “Go!”, before surprising the audience with selections from BIGBANG. During “Bad Boy” and “We Like 2 Party”, he stepped down into the crowd to interact with fans, followed by G-DRAGON’s “Crooked” which pushed the energy higher as the audience chanted along. As a change of mood, EL CAPITXN performed AHOF’s “Rendezvous”, playing both keyboard and bass guitar and extending the track with a prolonged coda. Earlier, he played AHOF’s “Pinocchio” while forming the group’s signature hand sign as he looked out at the crowd. As AHOF’s producer and a major contributor to their sound, his onstage involvement offered a rare look at his work beyond production, emphasizing his direct musical connection to the group’s catalog.

As the set drew to a close, EL CAPITXN shifted the mood with Radiohead’s “No Surprises“, standing under pinspot lights as he watched the audience wave their phone flashlights. The energy briefly lifted with Earth, Wind and Fire’s “September”, a cross-generational favorite that had him grooving with his tour band onstage. He then moved to the keyboard and announced the final song, dedicating it to “the friend I love the most in the world,” before playing the opening chords of “Dear My Friend“ which he co-wrote with Agust D. Performed on piano and extended with a lingering coda played on the bass guitar gifted to him by Agust D, the closing moment conveyed vulnerability and gratitude, leaving the audience visibly moved.

EL CAPITXN paused to address the audience, thanking them for attending the first show of his tour and encouraging continued support for the artists he collaborates with most, notably AHOF and “his most precious friend, Min Yoongi (Agust D/SUGA from BTS).” He also took a moment to offer a heartfelt message of gratitude to Yoongi, expressing that their friendship was one he intended to carry for life.

For fans, the night carried added significance. Hearing and singing along songs they have cherished, now performed by the creator himself, offered a rare and affirming connection between artist and audience. As the concert came to a close, the emotion in the room suggested not an ending, but a release, leaving both EL CAPITXN and the crowd visibly moved.

EL CAPITXN’s Manila concert served as a statement, affirming his identity, not only as a celebrated producer, but as an artist worthy of paying attention to in his own right. For those in attendance, December 12 was a reminder that some of the most memorable voices belong to those who first shaped music from behind the scenes before stepping once again into the spotlight.

EL CAPITXN continued his Philippine leg to Bacolod on December 14, and is set to continue his first world tour in early 2026, including cities in Mexico, Los Angeles, New York, and Canada.

Special thanks to CDM Entertainment!

by Mariel Blanco

It was CENTIMILLIMENTAL’s first time in Manila, and judging by the warm reception he received from his fans, it wouldn’t be his last. Also known as Atsushi, the 32-year-old singer-songwriter from Japan has become a very familiar name among anime fans and J-pop enthusiasts. Widely known for his enormous contributions to the popular anime series GIVEN, which premiered in 2019 and continued until the sequel movies released up to 2024, he has carved out his career with emotionally resonant and straightforwardly sentimental pop-rock tracks.

This year, he released his new studio album, Cafuné, which shares the title of his first-ever world tour. By nature, the Brazilian Portuguese word “cafuné” is a wondrous concept: it denotes the act of touching the strands of a loved one’s hair – the kind that lovers extend to express their affection, the kind that mothers give to soothe their child, the kind of touch that longs to heal someone. It is such a small yet meaningful gesture, filled with warmth and tenderness, and precisely enough, it was exactly what Centimillimental’s concert was all about. 

Despite being an unusual venue for concerts and fanmeets, the area around Paco Arena was filled with people, who in their eagerness, queued as early as 1 PM. Presented by Wish Us Luck Entertainment, the concert turned out to be a wonderful success. Upon the show’s announcement, fans were quick to purchase tickets, reaching a sold-out capacity for general admission early. Centimillimental’s first visit to the Philippines was also packed with special activities, which included autograph signing, photo-ops, and a high-touch session for selected tiers. 

Making his entrance, Centimillemental performed the yearning “Kimi Omou Yoru” (The Night I Think of You) followed by “Tsukiakari” (Moonlight) while playing the keyboard. He was supported by a live band – 2 guitarists and 1 drummer. When he took the stage, he focused on his craft – he let his music run through him, singing and playing with unparalleled intensity. The crowd’s appreciation was the same as they cheered and sang along to each song. They vibed with the unabashedly upbeat “Super Ultra I LOVE YOU” and “Hitorigoto” (Talking to Myself). When he played tracks from GIVEN – songs like “Fuyu no Hanashi” (A Winter Story), “Umi e” (To the Sea), and “Kizuato” (Scar) – fans sang along like they were anthems.

Centimillimental was not a man of many words. In fact, he was rather timid on stage. Before playing certain songs, he would sometimes mention the title. When he addressed the crowd, he said in an apologetic tone while reading from his phone, “I can’t speak English very well.” Fans then gave reassuring cheers. He mumbled “salamat” while slightly raising his arm.

Despite this, he is a seasoned performer, both as a vocalist and a multi-instrumentalist. He switched from playing the keyboards to rocking out with a guitar flawlessly. His vocals in his recorded songs are already very emotionally-driven, but still, his live performance was even better. One prime example of this was when he played “Marutsuke”. While the spotlight was solely on him and his keyboards, he sang in such an impassioned tone that it was easy to feel the lonesome existentialism that lingered in the song. His passion for singing and playing music was palpable. It’s exactly what made his concert worthwhile. 

Toward the end of the concert, he took a photo with the crowd while holding a banner filled with their handwritten messages. For the encore, Centimillimental bid goodbye with “Hoshi Ga Furu” (Stars Are Falling) and “Yuigon”.

Special thanks to Wish Us Luck Entertainment!

by Sandra Mae Laureano

Last Saturday night, November 22, 2025, the Mall of Asia Arena was officially converted into the biggest, most electric dance floor in the Philippines. Global pop and R&B powerhouse Jason Derulo didn’t just perform; he unleashed a torrent of infectious energy, spectacular choreography, and pure charisma that defined the “Nu King World Tour” stop in Manila.

This highly anticipated comeback was made possible by L-Squared Productions Inc., a company that consistently proves its commitment to giving Filipino audiences something truly fresh and unforgettable. L-Squared didn’t just stage a concert; they created an experience, complete with an innovative SVIP Bar setup that would later become a pivotal part of the show itself.

The Concert: A Nonstop Hit Parade

From the instant the spotlights hit the stage, Jason Derulo, backed by a world-class live band and an impeccable dance crew, commanded every moment. It was a masterclass in pop performance, a relentless, high-octane celebration of his career that spanned over a decade.

For the Millennials in the crowd, the night was a powerful trip down memory lane. The arena erupted into a massive chorus frenzy as he powered through his biggest hits: “Swalla,” “Wiggle,” “Take You Dancing,” “Whatcha Say,” “Ridin’ Solo,” “In My Head,” and the show-stopping “Talk Dirty.”

But it was the performance of “Savage Love” that truly resonated. This pandemic-era smash hit, which became an unexpected anthem of hope and escape during the darkest days, took on new meaning. Derulo slowed the track down, delivering a moving, partially a cappella version that shifted the mood from party to powerful survival, reminding everyone what they had overcome.

In a move that highlighted the dynamic production standards L-Squared Productions is known for, Derulo broke the mold. When it was time for the hit “Trumpets,” he literally stepped off the main stage and commandeered the exclusive MOA Arena SVIP Bar set-up as his mobile stage. No barrier—big or small—could contain his energy as he used the custom space to get up close, driving the crowd into an absolute sing-along frenzy.

He also gave the eager Manila crowd the exclusive live debut of his latest release, “Who Hurt You,” which was met with deafening cheers, proving that while his classics are beloved, his new era is just as exciting.

The Celebration Continues: An L-Squared Signature

True to their promise of delivering unforgettable experiences that extend beyond the final curtain call, L-Squared Productions ensured the celebration didn’t stop at the arena. Following the epic concert, the action shifted to the official after-party at the luxurious Okada Manila. Surrounded by VIP guests, industry partners, and notable personalities, Derulo kept the energy flowing in an intimate setting.

Taking a moment to pause the celebration, the “Hollywood Nu King” raised his champagne glass and offered a sincere, heartfelt toast to everyone who made the night a success:

“I’m just so thankful, thank you to everybody who came out tonight. It was a humbling, full experience. You never know when you come somewhere else so far away from home, not knowing what the reception will gonna be. But I honestly felt like I’ve been right at home ever since I landed here in Manila. So, great job—from the bottom of my heart! And let’s keep the party going. Cheers!”

That genuine moment of gratitude perfectly capped off a night that was all about connection, energy, and shared celebration—a hallmark of the world-class experiences L-Squared Productions continues to bring to the Philippines.

BLACKPINK made a triumphant return to the Philippines, delivering a five-act spectacle of high-energy group hits, captivating solo performances, and fan-fueled moments and reaffirming their status as global icons.

BLACKPINK delivered an explosive return to the Philippine concert scene as they brought their highly anticipated BLACKPINK DEADLINE WORLD TOUR concerts to the Philippine Arena last November 22 and 23, with the first night setting the tone for a weekend that reaffirmed their status as one of the most powerful and influential pop acts in the world, and solidifying the bond between BLACKPINK and the Filipino BLINK community—one that has consistently proven to be among the loudest and most passionate in the globe.

The concert opened with an explosive run of hits, starting with “Kill This Love,” followed by “Pink Venom” and “How You Like That.” The arena lit up in pink as tens of thousands of fans sang along, creating an electric atmosphere that carried through the night. BLACKPINK’s precise choreography, confident vocals, and high-energy staging reaffirmed their status as one of the most influential pop acts today. Performances of “Playing With Fire” and “Shut Down” further showcased the group’s evolution from their early era to their global superstardom.

The show’s second act featured solo stages. Jisoo performed “Hugs and Kisses” and “Earthquake,” showing her steady growth as a vocalist. Lisa followed with a standout set of “Thunder,” “When I’m With You,” and “Rockstar,” earning some of the night’s loudest cheers.

Reuniting in the third act, the group delivered fan favorites like “Pretty Savage,” “Don’t Know What to Do,” “Whistle,” “Stay,” and “Lovesick Girls,” turning the arena into a massive singalong and reminding fans of BLACKPINK’s signature sound through the years.

The fourth act centered on Jennie and Rosé. Jennie performed “Like Jennie,” “ExtraL,” and “Starlight,” displaying her signature confidence and refined solo style. Rosé followed with “Number One Girl,” “Toxic Till the End,” and “APT,” delivering emotional performances despite battling a cold, supported fully by fans.

The final act brought the energy to its peak with “Jump,” followed by the iconic hits “Boombayah,” “Ddu-Du Ddu-Du,” “As If It’s Your Last,” and “Forever Young.” The crowd matched their intensity from start to finish, proving once again why Filipino BLINKs are known for their unmatched enthusiasm.

The encore—featuring “Jump,” “Really,” and “See U Later”—served as a warm exchange of gratitude between BLACKPINK and their fans. The group spent time interacting with the audience, visibly touched by the overwhelming support.

BLACKPINK’s Deadline concert in the Philippines was a resounding success, showcasing top-tier production, dynamic performances, and a fanbase whose passion continues to make the country one of the group’s most memorable stops.