Tag: Theatre Group Asia

  • Love, Remembered, The Notebook the Musical!

    Love, Remembered, The Notebook the Musical!

    The Notebook is, at its core, the story of two people who keep finding their way back to each other across every kind of distance time, class, silence, and finally the cruel fog of memory itself. It is a meditation on what it means to choose someone again and again, through youth, through distance, through the slow erasure of memory itself.

    The Pages | The Young
    The novel follows Noah Calhoun and Allie Nelson across decades, beginning with a luminous summer of first love in 1940s coastal North Carolina. He is the working-class boy who reads poetry and dreams of restoring an old house; she is the refined daughter of wealthy people who has never been allowed to want something so freely. Benedix Ramos as Younger Noah and Sheena Belarmino as Younger Allie portrayed their love story during a summer in New Bern. The stage was set giving the essence of Young Noah and Allie who represent two people who find in each other the version of themselves they most want to be.

    Theatre Group Asia’s The Notebook The Musical – Sheena Belarmino as Younger Allie, Benedix Ramos as Younger Noah

    Sheena’s performance was bright, and full of natural sparkles. She captured the headstrong, artistic, upper-class teenage Allie with a sense of playful energy and emotional openness. She brought a warm and engaging presence that made us root for her and Benedix.

    Benedix is a perfect fit for playing Noah. His intense charisma and a mix of toughness and vulnerability mixed with strong stage presence matched the energy of young Noah. Benedix’s voice settled into the room like it had finally found the place it belonged, warm, steady, carrying every note as if it had been waiting years for this exact moment.

    Their scenes together were one of the production’s strongest elements! bubbly, flirtatious, and full of the dizzying highs of summer romance. It’s an “immediate and feral attraction” and a “playfully innocent and emotional energy” that felt true to first love.

    Ever After | The Middle
    What begins as the kind of passion that feels inevitable comes the heartbreak that feels almost too real to bear. When Allie’s parents separate them with the cold efficiency of class and expectation. What follows is not a simple separation, but years of aching absence. Noah goes to war and returns changed. Allie builds a life that looks perfect on the surface, even engaged to a good man who loves her yet something essential remains unfinished. This is where the story finds its quiet power. Noah restores the old house not as a grand romantic gesture, but as an act of stubborn faith that the girl who once stood beside him might one day return. Their promises were spoken under starlight.

    Theatre Group Asia’s The Notebook The Musical – Morissette as Middle Allie, Laurence Mossman as Middle Noah

    Morissette as Middle Allie
    Morisette return to musical theater was widely regarded as one of the strongest performers in the production. She brought a big-hearted quality to Allie at this pivotal stage of life, capturing the wistfulness, internal conflict, and quiet desperation of a woman who has tried to move on but still feels the pull of her first love. Her solo “My Days” was a total showstopper. Known for her powerful belt and wide vocal range Morisette, delivered with control and precision. She breathed real personality and emotional complexity into the role. She took the songs in her hands and gave them a new home, reshaping them until they felt both familiar and felt like her own.

    Theatre Group Asia’s The Notebook The Musical – Morissette as Middle Allie

    Laurence Mossman as Middle Noah
    Laurence, known for his notable theater performances, delivered strong, heartfelt vocals and the way he balanced outward strength with an underlying ache. His Noah has the air of a survivor, someone who has kept building and waiting. With his vocal power, emotional depth, and ability to connect with audiences through his musicality. His vocal showmanship, rich tenor voice and excellent stage presence delivered emotional sincerity expected for the show.

    Theatre Group Asia’s The Notebook The Musical – Laurence Mossman as Middle Noah, Morissette as Middle Allie

    Morissette and Laurence were tasked with showing what happens when that love is tested by time, class pressure, and other relationships. Their performance carried the story’s emotional turning point, the moment when youthful romance becomes a deliberate, adult choice.

    All Our Days | Memory Keepers
    Then the world intervenes and they finally meet again, the love that reappears is no longer the pure fire of youth. It is older, more complicated, and somehow deeper. Their love, by this point, has survived silence, war, and the slow erosion of time. With Allie suffering from advanced dementia/Alzheimer’s and Noah patiently reading their life story to her in hopes of sparking her memories. Their relationship in old age is defined by enduring selfless love that persists despite the disease. Their stage frames the story of love that “awakens the soul.”

    Theatre Group Asia’s The Notebook The Musical – Celeste Legaspi as Older Allie, Rody Vera as Older Noah

    Seasoned actors Celeste Legaspi and Rody Vera portrayed the strengths of musical performance of theatrical storytelling, and timeless artistry, they both served the emotional core of the story.

    The fleeting moments of lucidity and recognition that are deeply moving before the fog returns. Celeste and Rody’s performances captured dignity, vulnerability, and the emotional reality of memory loss without excessive sentimentality. Numbers like “I Wanna Go Back” underscore her lost sense of self and home.

    The Story of Us | The Stage
    The Notebook musical offers a visually poetic, emotionally intimate stage experience that expands the novel and film while preserving their core of enduring love.

    The stage and sound design lights came up soft, the kind that make everything feel a little more sacred than ordinary. It is not a note-for-note recreation of the movie’s swoony 1940s aesthetic or the novel’s exact structure, but it honours the heart of both while using the stage’s unique ability to hold past and present at once. A sophisticated rain system delivers real water for the iconic reconnection scene. The floor is engineered to look like wooden dock boards while remaining non-slip and draining properly.

    The team created a layered, time-lapse quality where past and present coexist, emphasizing that the love story is continuous rather than sequential. The tone is sincere, intimate, and heartfelt, with strong vocal performances and emotional honesty, particularly in the older couple’s scenes.

    Theatre Group Asia’s The Notebook The Musical – Morissette as Middle Allie, Sheena Belarmino as Younger Allie, Celeste Legaspi as Older Allie

    Lighting contrasts the cold, nostalgic, emotionally charged colors for the memory scenes, helping shift seamlessly between present and past. The overall effect is cinematic yet theatrical: fluid movements and character-driven rather than big production-number dancing, and the natural comedy that the audience picked up.

    Somewhere in the quiet corners of the performance, Smoked moved through the scenes like an unpaid actor, pouring presence into every frame and making the story breathe. They spoke of someone simply being with you and of the rollercoaster of emotions that comes with loving people who won’t stay forever in the same way.

    Theatre Group Asia’s The Notebook The Musical – Benedix Ramos as Younger Noah, Sheena Belarmino as Younger Allie, Jiallian Ita-as as Georgie, Shaun Ocrisma as Fin, Felicity Kyle Napuli as Sarah

    The songs give characters richer inner lives through song, and there is more natural humor alongside the tears. The ending retains the emotional payoff of connection and love transcending illness, though details differ slightly from both book and film.

    Expect a more theatrical, layered, and contemporary take that prioritizes memory, ageing, and quiet devotion. This whole piece does something quiet and powerful: it makes you hold your loved ones a little tighter, especially in those moments when memory starts racing against time, trying to keep what the years slowly take away. Bring tissues, as the combination of design, performances, and music is designed to move you.

    The Notebook The Musical runs for approximately 2 hours and 30 minutes from Sep 3-20, 2026, at Samsung Performing Arts Theater.

  • Theatre Group Asia Announces Philippine music icon Celeste Legaspi as Older Allie in The Notebook, The Musical

    Theatre Group Asia Announces Philippine music icon Celeste Legaspi as Older Allie in The Notebook, The Musical

    Theatre Group Asia proudly announces acclaimed iconic Filipino performer Celeste Legaspi will take on the role of Older Allie in its highly anticipated production of The Notebook, The Musical. A defining figure in Philippine performing arts, Legaspi brings with her not only a storied career, but a lifetime of shaping the very landscape of Filipino music, theater, and cultural advocacy.
    Born into a family of artists as the daughter of National Artist for Visual Arts Cesar Legaspi, Legaspi’s creative foundation was established early. She began singing in kindergarten and rose to prominence in 1969 as part of The Ambivalent Crowd before transitioning into a solo career that would redefine the possibilities of Original Pilipino Music.

    Her splendid recording career boasts legendary successful albums such as Ako si Celeste and Bagong Plaka, Lumang Kanta that achieved gold and double platinum status, while songs like “Saranggola ni Pepe,” “Tuliro,” “Mamang Sorbetero,” and “Gaano Ko Ikaw Kamahal?” became enduring Filipino classics. These works not only solidified her place in OPM history but helped popularize Filipino songwriting on an international scale.

    Parallel to her music career, Legaspi cultivated an extraordinary presence in theater. She appeared in early productions such as Showboat and Oliver! before gaining widespread acclaim through performances at the Cultural Center of the Philippines, where she collaborated with literary giant Rolando Tinio. Her repertoire would come to include seminal works like Manila, Manila, Doon Po Sa Amin, Jesus Christ Superstar, Katy!, Paglipas ng Dilim, North Diversion Road, and Ang Larawan, each contributing to the development of a distinctly Filipino theatrical tradition.

    In 1988, alongside longtime collaborator Girlie Rodis, Legaspi co-founded Musical Theater Philippines, a company that became instrumental in producing original Filipino musicals. Through this platform, she helped bring to life works such as KenKoy Loves Rosing, Alikabok, Sino Ka Ba Jose Rizal, Fire Water Woman, and Saranggola ni Pepe, championing narratives rooted in Filipino identity and history.

    Her contributions extended into film and television, where she worked with acclaimed directors including Lino Brocka and Ishmael Bernal, and appeared in projects ranging from Santiago and Mamang Sorbetero to contemporary series such as Can’t Buy Me Love. In recent years, she has taken on roles that explore aging and memory, including a critically recognized performance as an elderly woman living with dementia, earning a Best Actress nomination and further demonstrating her range and relevance.

    Offstage, Legaspi’s impact is equally profound. She served as founding president of the Organisasyon ng Pilipinong Mang-aawit (OPM), advocating for the rights and recognition of Filipino musicians, and helped establish PHILSTAGE, the country’s alliance of professional performing arts companies. She continues to serve the industry as Vice President of the Performers’ Rights Society of the Philippines, reinforcing her commitment to protecting and uplifting artists.

    Her lifetime of achievement has been recognized through numerous accolades: Aliw Awards for Entertainer of the Year and Best Actress, multiple Tinig Awards, the TOWNS Award, the Natatanging Gawad Buhay Lifetime Achievement Award, and the Ryan Cayabyab Award.


    TGA Creative and Overall Artistic Director Clint Ramos remarks, “It is our honor to have a Philippine icon play the role of Older Allie. This is a dream casting for us. Ms. Celeste Legaspi is a titan in the musical theater industry and Philippine music in general. She brings gravitas and wisdom to the role; and we can’t wait for the Philippine audience to see another side of this legendary artist. We are so excited to see the evolution of Allie’s character from her younger version with the vulnerable innocence of Sheena Belarmino, her blossoming through the strength and prowess of Morissette, and onto her full unravelling into the masterful insight of Ms. Celeste Legaspi.

    In stepping into The Notebook, The Musical, Legaspi embraces both the artistic challenge and emotional depth of the role. She reflects: “The characters in Notebook are interesting. How it shows their growth and learnings. To be able to portray that is a challenge. And as I study the music of older Allie I learn that the music is modern and exacting; at the same time I will need to get to the heart of her. A great challenge. And I love challenges. Accepting challenges has been my motivation through all my years.”

    Her portrayal of Older Allie is shaped by personal experience as well. “My family suffered when my mother got sick with Alzheimer’s for 10 years. It was one of the most difficult times in our lives. Although remembering that is painful, it will be my responsibility to honor my mother by bringing understanding and compassion to my role.”

    As a pioneer who has witnessed the evolution of Philippine theater firsthand, she reflects on its journey, “I still remember the times when we were more numerous on stage than the audience. A painful but learning time. We, the thespians, would always be even more driven to deliver our best. I have watched many young actors these recent past years and the talent is amazing! It just emphasizes that the Filipino has no equal in creativity and talent in many fields.”

    Her advice remains grounded in excellence and responsibility, “My advice would be to always seek for excellence. In whatever role, big or small. The unique feature of theater is that it’s live… every minute is exciting and unpredictable. Thus it is all our responsibility to deliver only our very best, keeping audiences interested and mesmerized. That we can control and realize!”
    And at the heart of the story she now helps tell through The Notebook, The Musical, she describes, “What I see is the family. How its strength helps us all; how love as it goes through the ages can remain even stronger and more textured. When we say ‘love story’ it does not remain the same. It transforms and changes. That is the strength of true love.”

    With Celeste Legaspi bringing her unparalleled legacy, emotional insight, and lifelong dedication to the craft, TGA’s production promises to be a landmark theatrical event, one that honors both a beloved story and the enduring brilliance of Filipino artistry.

    Together with Morissette as Middle Allie and Sheena Belarmino, the casting reflects TGA’s commitment to assembling a multi-generational ensemble capable of capturing the sweeping emotional scope of The Notebook: The Musical. Featuring music and lyrics by Ingrid Michaelson and a Tony Award-nominated book by Bekah Brunstetter, the musical is celebrated for its intimate storytelling and its portrayal of love as it evolves through youth, adulthood, and old age.

    Watch Celeste Legaspi’s performance of “I Know” from The Notebook: The Musical.


    For more information, visit TGA’s website www.theatregroupasia.com, Instagram @theatregroupasia, or Facebook page https://www.facebook.com/theatregroupasia.

  • Theatre Group Asia Unveils Star-Studded Ensemble for A Chorus Line

    Theatre Group Asia Unveils Star-Studded Ensemble for A Chorus Line

    Manila, Philippines – December 1, 2025
    Theatre Group Asia (TGA) has officially revealed the complete cast for its groundbreaking 2026 staging of the iconic musical A Chorus Line, directed and choreographed by Emmy Award-winning Broadway sensation Karla Puno Garcia.

    In a casting journey that spanned six intense months across New York, Manila, Cebu, Bacolod, and Davao, hundreds of triple-threat performers poured their hearts into auditions that felt uncannily like the show itself complete with the nerve-wracking plea of “I Hope I Get It.” The result? An electrifying, predominantly Filipino ensemble that promises to make this production one of the most culturally significant in Philippine theatre history.

    Leading the company are the previously announced Conrad Ricamora (Tony & two-time Grammy nominee, The King and I, Here Lies Love) as the exacting director Zach, and Lissa de Guzman (Broadway’s Wicked National Tour Elphaba) as the resilient Cassie.

    They will be joined by an extraordinary lineup of Filipino and Fil-Am talents:

    Renee Albulario as Diana Morales. A Fil-Am New York–based artist whose Broadway credits include assistant director for Just in Time, assistant choreographer for Here Lies Love, and performer in David Byrne’s American Utopia.

    Angelo Soriano as Mike Costa. A Manila-born performer who has shared the stage with Lea Salonga, Vina Morales, Justin Bieber, Zendaya, and Macy Gray. Broadway credits: Aladdin: The Musical and Here Lies Love.

    Michaela Marfori as Bebe Benzenheimer. The Orlando native has appeared in the Broadway National Tour of West Side Story, MJ the Musical, and Frozen. TV appearances include the 78th Tony Awards, Saturday Night Live, Disney’s Magical Christmas Day Parade, and Eurydice.

    Jordan Andrews as Al DeLuca. The Pinoy Big Brother S10 “Musical Dream Chaser” made his West End debut as Tam in Miss Saigon, followed by The King and I. Local credits: Joseph the Dreamer, Ang Huling El Bimbo, Spelling Bee, Rent, Once on This Island, Tabing Ilog: The Musical, and Shrek the Musical.

    Rapah Manalo as Richie Walters. Seen in Shrek the Musical, Ang Huling El Bimbo, Delia D., Buruguduystunstugudunstuy, Snow White and the Prince, Mula Sa Buwan, Bar Boys: A New Musical, and Coriolano.

    Ken San Jose as Mark Anthony. A Fil-Am dancer, singer, and choreographer who rose to prominence on World of Dance Philippines. He has worked with Matt Steffanina and WilldaBeast Adams, is a member of Supahdance, and has performed in Joseph the Dreamer and Mark Tuan’s tour in LA, Korea, and China.

    Stephen Viñas as Bobby Mills. A Gawad Buhay Award winner with credits including Shrek the Musical, Delia D., Ang Huling El Bimbo, Carousel, Alice in Wonderland, I Love You, You’re Perfect, Now Change, Next to Normal, Little Shop of Horrors, Dani Girl, Mula Sa Buwan, Lapu-Lapu, Newsies, Sandosenang Sapatos, and Tabing Ilog: The Musical.

    Mikaela Regis as Sheila Bryant. Credits include Shrek the Musical, Delia D., Buruguduystunstugudunstuy, Quomodo Desolata Es?, Bar Boys: A New Musical, Mula Sa Buwan, and Dekada ’70. As a playwright, she has earned a Gawad Buhay nomination for Best Original Script.

    Iya Villanueva as Maggie Winslow. Trained in ballet and jazz from age five under the Bacolod Dance Academy and Garcia-Sanchez School of Dance. Credits: Ang Huling El Bimbo, Buruguduystunstugudunstuy, Mula Sa Buwan, The Bodyguard the Musical, Liwanag Sa Dilim, Joseph the Dreamer, and Si Faust.

    Universe Ramos as Paul San Marco. A former dance captain of Glendale High’s award-winning team and EDGE Performing Arts Center scholar. Recently made his Manila debut as Oberon/Theseus in A Midsummer Night’s Dream.

    Richardson Yadao as Larry. Two-time Gawad Buhay awardee, dancer, educator and choreographer. He has dance for the Alice Reyes Dance Philippines, Royal Caribbean Productions, Ballet Philippines, Romançon Dance Company, Filipinescas Dance Company, Vela Damian School of Ballet, Maquiling Ballet and Manila Dance Center. Theater performances include Rama Hari, Mabining Mandirigma, Manhid, The BodyGuard the Musical and A Christmas Carol.

    Julio Laforteza as Don Kerr. Began training at age 7 under Sofia Zobel Elizalde, James and Liesl Laforteza, and PJ Rebullida. A NYU Tisch scholar, he is Associate Director of Galaw Co Dance Theater and faculty at Studio Dance by Lina.

    Brie Chappell as Val Clark. Trained at Tring Park School for the Performing Arts and The Urdang Academy. Credits include Made in Dagenham, Jane Eyre, and The Album: Skool Edition.

    Sam Libao as Kristine Urich. Trained with Steps Dance Studio, La Salle Dance Company, and G-Force. Theater credits include Joseph the Dreamer and Once on This Island.

    Alyanna Wijangco as Judy Turner. Seen in Shrek the Musical and Delia D., and Jepoy and the Magic Circle.

    Jessica Carmona as Connie Wong. A New York-based Fil-Am performer and NAAP member who has trained at Juilliard, Carnegie Mellon, and the Point Park Conservatory.

    Luca Olbes as Gregory Gardner. A high-school senior who has appeared in Footloose, The Addams Family, High School Musical, and Ballet Philippines’ The Nutcracker.

    Jim Ferrer as Butch Barton. UK credits include Here Lies Love and Matilda. Philippine credits: Saturday Night Fever, Tarzan, Legally Blonde, Newsies, Oz, Alice in Wonderland, The Quest for the Adarna, Camp Rock. Former dance captain for Joseph the Dreamer and choreographer for Legally Blonde and Si Faust.

    Winchester Lopez as Tom Tucker. Part of Miss Saigon’s UK International Tour, Danish production, and Austrian run (as dance captain). Recently Dance Supervisor for Miss Saigon Australia and Asia, and appeared in The Bodyguard The Musical.


    Rofe Villarino as Victor Vickers. Trained in dance and voice at Mandaue City School for the Arts, performing with the MCSFA Dance Company and Children’s Choir. Credits: Shrek the Musical, Delia D., Ang Huling El Bimbo, Mula Sa Buwan, and the international tour of Siddhartha the Musical.

    Lord Kristofer Logmao as Frank. A multidisciplinary performer and former UPeepz world champion, with credits in Shrek the Musical, Delia D., and major theme-park productions. Associate Choreographer for select Full House Theater Company shows.

    Paulina Luzuriaga as Tricia. Trained at Steps Dance Studio and CityDance Conservatory (Washington, D.C.). Debuted in Peter Pan the Musical and recently appeared in Ang Parokya ni Edgar: Buruguduystunstugudunstuy.

    Anna del Prado as Lois Dillettente. Performed for five years at Hong Kong Disneyland’s Mickey and the Wondrous Book. Recently starred as Kasing in Pulang Langob and has sung and danced in concerts for Gary Valenciano and SB19.

    Vince Denzel Sarra as Roy. Also known as “Bomba Ding,” he is a dancer and drag performer from the House of Ding. Theater credits include Delia D., and Walang Aray.

    Franco Ramos (Swing). A De La Salle–CSB Technical Theater scholar with over a decade of experience. Known for Gaya Sa Pelikula, he recently appeared in Shrek the Musical, Delia D., and Jepoy and the Magic Circle.

    Anyah de Guzman (Swing). A Fil-Am performer trained at Osceola County School for the Arts, earning acting nominations for Guys & Dolls and West Side Story. Philippine credits include Snow White and The Prince and Zsazsa Zaturnnah.

    A landmark of American musical theatre, A Chorus Line celebrates its 50th Anniversary by continuing to shine a spotlight on the ensemble—the unsung heroes of every show. Following 17 hopefuls vying for eight roles, it remains a timeless ode to ambition, sacrifice, and individuality.

    Tickets are available via TicketWorld, priced from ₱900 to ₱5,500. The show runs March 12–29, 2026, with performances on Thursdays and Fridays at 7:30 p.m., and on Saturdays and Sundays at 2:00 p.m. and 7:30 p.m.


    A Chorus Line is presented by Ayala Land, BPI and Philippine Airlines, the official carrier with additional support from Make it Makati, Circuit Makati and Ayala Malls.

    For more information, visit theatregroupasia.com, follow @theatregroupasia on Instagram, or like the official Theatre Group Asia Facebook page.

    • A Chorus Line is presented in arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com
  • Theatre Group Asia (TGA) Announces Ticket Sales Schedule for A Chorus Line

    Theatre Group Asia (TGA) Announces Ticket Sales Schedule for A Chorus Line

    September 15, 2025 – Fresh from the success of Into the Woods, Theatre Group Asia (TGA) brings another Broadway landmark to local audiences with A Chorus Line*, celebrating its 50th anniversary this year. Tickets sales roll out starting September 15-17 for BPI card holders, TGA early sign-ups on September 18, and to the general public September 19 via Ticket World.

    A landmark in American musical theatre and celebrating its 50th Anniversary this year, A Chorus Line revolutionized Broadway by spotlighting the lives of ensemble dancers—the unsung heroes of every musical. As it follows 17 hopefuls vying for eight spots, it becomes an ode to ambition, sacrifice, and individuality. TGA is bringing this story to life with an all-Filipino cast, celebrating the global talent and cultural depth of the Philippines.

    TGA’s Overall Artistic and Creative Director, Tony Award-winner Clint Ramos, shares, “This local production of A Chorus Line will honor the iconic legacy of its original 1975 premiere while breathing new life into its message for a new generation.” The musical is notable for its stripped-down set, iconic choreography, and intensely personal monologues that explore identity, perseverance, and the often invisible cost of chasing a dream. It remains one of the few musicals to ever win the 1976 Pulitzer Prize for Drama aside from winning the Tony Awards for Best Musical, Best Book of A Musical (James Kirkwood), Best Original Score (Marvin Hamlisch and Edward Kleban), Best Director (Michael Bennett), and Best Choreography (Michael Bennett and Bob Avian) that same year.

    As it celebrates its golden year, this enduring production continues to inspire anyone who’s ever dared to chase a dream. Beloved songs include “One [Singular Sensation],” “What I Did For Love,” “I Can Do That,” “I Hope I Get It,” and “The Music and the Mirror.” A film adaptation was released in 1985, directed by Richard Attenborough and starring Michael Douglas.

    New York-based Emmy Award-winning Karla Puno Garcia who is set to direct and choreograph the musical shares, “This production is as much about discovering raw, beautiful talent as it is about telling a story.” The celebrated respected Fil-Am artist and dance educator expounds, “I’ve lived this story. I’ve been the dancer hoping to be seen, fighting to be chosen, giving everything to the moment. Now, I get to turn that experience into an opportunity for others.”

    Puno Garcia promises a production that remains faithful to the original material while making it resonate with a younger set of Filipino theatergoers, “I’ve been in conversation with Baayork Lee, who embodies the spirit of the original production. Once we complete the casting, we’ll breathe new life into the material while staying true to the original show’s hallmarks. I’m especially excited to explore the characters with the all-Filipino cast we’re forming. I want to hear their stories and how they connect with the roles they’re portraying. I can’t wait to be inspired by their perspectives and find a way to use our combined experiences to organically create something that translates into today.”

    Puno Garcia collaborates with TGA Executive Director and former internationally acclaimed danseur Christopher Mohnani, Associate Choreographer JM Cabling, and a host of Filipino talents driven to make this staging in the words of the musical, “One singular sensation!”

    Tickets are available through Ticket World premiere.ticketworld.com.ph. Ticket prices start from PHP900 to PHP5,500. A Chorus Line will run from March 12-29, 2026. Thursday and Friday shows are at 7:30 p.m. Two shows are staged on Saturdays and Sundays at 2 p.m. and 7:30 p.m.

    For more information, visit TGA’s website www.theatregroupasia.com, Instagram @theatregroupasia, or Facebook page https://www.facebook.com/theatregroupasia.