Ovation Productions proudly brings South Korean superstar Kim Seonho back to Manila for his 2026 Asia Tour on May 31, 2026 (Sunday) at the Smart Araneta Coliseum. Lovingly called “Good Boy” by Filipino fans following his breakout role in Start-Up, Kim Seonho continues to win hearts worldwide with his sincerity and undeniable charm.
In 2025’s Netflix drama When Life Gives You Tangerines, his “smile and wink” wedding scene went viral globally, launching a TikTok “Smile Challenge” aegyo challenge that generated millions of views and massive engagement — even drawing international attention. He later shared that he was both surprised and grateful for the overwhelming response.
In Netflix’s Can This Love Be Translated?, his multilingual role earned him the affectionate nickname “Papago,” highlighting his ability to transcend language barriers and connect with audiences across cultures.
Filipino fans also remember his standout performance in the action-thriller The Childe, where he played the enigmatic “The Childe”. Though portraying a Korean character, he surprised local audiences by delivering a memorable Tagalog line: “Ngumiti ka naman d’yan, ako’ng bahala sa’yo.” The moment became a fan favorite and strengthened his special bond with the Philippines.
The Asia Tour, which will begin in Seoul, celebrates Kim Seonho’s heartfelt connection with fans throughout the region. Manila promises an unforgettable evening of laughter, warmth, and the signature charm that defines the beloved “Good Boy.”
The official media partner of the upcoming Kim Seonho’s “Love Factory” Asia Tour 2026 in the Philippines is Blast TV, the total entertainment streaming app that provides top-rated blockbuster movies, TV series, live TV, Anime, K-Dramas, live sports, and more.
Ticketing details will be announced soon. For more updates about the tour visit Ovation Productions’ social media accounts and website at ovation.ph.
Far Eastern University through the FEU Center for the Arts presents the Pundaquit Virtuosi from Zambales in Haydn’s 7 Last Words of Jesus Christ with reflections in between in the FEU Chapel surrounded by The Stations of the Cross, a National Cultural Treasure by National Artist Carlos “Botong” Francisco
The FEU Center for the Arts (FCA) continues its Tutti Concert Series with Tutti Strings, featuring the Pundaquit Virtuosi from Zambales in a special Lenten performance of The Seven Last Words of Jesus Christ by Joseph Haydn. Presented in partnership with the FEU Campus Ministry, this free concert will take place on March 31 at 5 PM at the FEU Chapel, offering the Tamaraw community a moving musical reflection in preparation for Holy Week.
Adding a unique dimension to the performance, each of the Seven Last Words will be accompanied by a short reflection delivered by representatives from the FEU Community.
Founded in the quiet coastal village of Pundaquit, San Antonio, Zambales, the Pundaquit Virtuosi is led by internationally renowned Filipino violinist Coke Bolipata. Through his vision, music education has become accessible to children in the community, transforming lives and nurturing young talents through classical training and performance opportunities. What began as a grassroots initiative has grown into a respected ensemble known for its heartfelt performances and advocacy for arts education.
Reflecting on the significance of the featured piece, Bolipata shares, “Haydn’s Seven Last Words is a rare piece of music: one that invites stillness. It does not dramatize Christ’s suffering so much as meditates on it.”
Composed in 1786, Joseph Haydn’s The Seven Last Words of Christ is a deeply contemplative masterpiece originally written for Good Friday services in Cádiz, Spain. The work consists of seven sonatas, each reflecting one of Christ’s final utterances on the Cross, framed by a solemn introduction and a powerful concluding movement. Revered for its emotional depth and spiritual intensity, the piece invites listeners into quiet meditation through expressive melodies and profound musical storytelling.
Stations of the Cross – Botong FEUFEU ChapelCoke BolipataPundaquit Virtuosi
The concert is open to all but with limited seats available through pre-registration via the QR code on the poster or the registration link below.
Interested attendees may also contact the FEU Center for the Arts through its official platforms for further inquiries.
Watch the music video of “Emoji,” featuring Queen of C-Pop, JOLIN.
P-Pop trailblazers SB19 has officially dropped Wakas at Simula—a 24-track release that serves as a closure of their formative era in music and the beginning of a new imperial phase. Their second full-length album chronicles their path to self-discovery, identity building, and the cultivation of public trust, all fortified through years of experience and learning.
“At the same time, this marks a new beginning,” SB19 adds. “We hope to express ourselves more openly, explore deeper and more relatable themes, and move forward with clarity, care, and creative freedom, ready to face new challenges together.”
Wakas at Simula stands as a cohesive anthology, weaving together key selections from the group’s trilogy of acclaimed EPs (Pagsibol, Pagtatag, and Simula at Wakas), alongside six new tracks that showcase a reinvigorated approach in production and songwriting. The result is a future-forward pop record that embraces genre fluidity and maximalism, made more compelling by SB19’s unmistakable energy and charisma.
Pablo, SB19’s leader and chief producer, emphasizes the intention behind the album’s sonic direction, putting into consideration the history behind these songs. “We did not want to simply remake them; we aimed to reintroduce them with greater depth. We explored more mature arrangements, stronger dynamics, and a careful balance of raw emotion and refinement. Sonically, I focused on warmth, atmosphere, and storytelling, ensuring that every choice reflected who we are today. This approach allowed the music to honor its origins while also showcasing our growth as artists.”
SB19’s sophomore album also features international collaborations with some of the pop greats this side of the hemisphere. Queen of C-Pop JOLIN is prominently featured in “Emoji,” a euphoric club anthem with a little bit of Brazilian funk thrown in the mix.
SB19’s Ken, who co-produced the track with PLAYERTWO’s Luke April, offered an insight into its creation. “I thought this was a fresh and exciting sound for us, so I created a Brazilian phonk inspired track with the help of my friend Luke. Pablo, JOLIN, and I wrote the lyrics together. The song explores social media and how people often mask their true emotions behind emojis. It reflects on the contrast between online personas and genuine feelings, highlighting the subtle ways technology shapes human expression.”
The release of “Emoji’ will be accompanied by a music video set in what looks like two versions of an underground dungeon. SB19’s Justin explains, “The direction for the music video was to keep it simple and accessible while maintaining high quality and showcasing an impressive performance. Our creative director carefully ensured that the set designs and overall concept subtly reinforced the song’s message. The video features two distinct layouts: one glamorous and polished, the other messy and chaotic, representing the contrast between the idealized image people present online and the reality they often hide behind emojis.”
Another highlight of the album is a collaboration with Japanese pop group BE:FIRST, who joined SB19 on the floor-thumping jam “Toyfriend.” Other new songs in the album include the catchy R&B tune “Memories,” the sonically daring but refreshing “Everblack,” and the emotional ballad “Wakas,” which showcases SB19’s extraordinary vocal abilities and heartfelt delivery.
The award-winning P-Pop boyband also reworked the songs from their 2021 EP, Pagsibol, incorporating new arrangements with layers of nuance and artistic growth. With more experience and perspective, SB19 admits that the new versions offer a more refined direction, with emotions naturally running deeper and the lyrics carrying greater meaning.
“For us, it was about respect and progression,” Pablo explains. “We wanted the songs people already love to retain their emotional core, while the newer tracks pushed the album forward. Nostalgia gave the project its roots, and the new songs gave it momentum. The goal was to make the album feel familiar while still showing growth and evolution.”
Ahead of the release, SB19 revealed the official track list for Wakas at Simula during a press conference on March 23, 2026, which was simultaneously streamed live on Weverse. The video has amassed more than 300,000 views and 30 million likes within 24 hours, cementing their popularity on the global fandom platform.
The P-Pop powerhouse is also scheduled to perform in two of most prominent music festivals in the world: Lollapalooza in Grant Park, Chicago, Illinois, which will run from July 30 to August 2, 2026, and the recently announced Summer Sonic in Tokyo, Japan, happening on Saturday, August 15, 2026.
SB19’s “Wakas at Simula” is out now on all digital music platforms worldwide via Sony Music Entertainment. Watch out for the music video release of “Emoji” (Feat. JOLIN) today at 7:00 PM via SB19’s official YouTube page.
Manila, Philippines – The acclaimed immersive event series Medium Rare returns on May 9 with a new edition titled Kaleidoscope, transforming Salon de Ning at The Peninsula Manila into a multi-sensory night where music, gastronomy and art converge.
Running from 7:00 PM until 4:00 AM, the one-night event will bring together international and local artists in an elegant cross-cultural experience designed to expand Manila’s cultural nightlife. With limited tickets available, the event promises an intimate yet vibrant atmosphere for music lovers, creatives and tastemakers seeking something beyond the ordinary.
The Kaleidoscope Concept
This edition is titled Kaleidoscope to reflect the philosophy behind the event. Just as fragments inside a kaleidoscope rotate to create new patterns, different artistic elements come together to form a unified and unexpected picture.
At first glance, neoclassical piano and hypnotic electronic music may seem worlds apart, yet when placed side by side they reveal a compelling harmony. Combined with gastronomy and visual art, these elements create a living cultural composition where contrasts transform into beauty.
International Artists
This special edition will feature Spanish electronic music producer Pablo Bolívar, internationally recognized for his deep and atmospheric blend of techno and ambient music. With more than two decades in the underground electronic scene, Bolívar has developed a distinctive sound balancing hypnotic rhythms with emotional melodic structures. He is also the founder of influential labels Seven Villas Music and Avantroots Records, which have played a role in shaping the deeper side of contemporary electronic music.
His participation in Medium Rare is supported by the Embassy of Spain in the Philippines, highlighting Spain’s commitment to cultural exchange and presenting contemporary Spanish artistic voices to Filipino audiences.
Joining the lineup are Italian composers and pianists Lorenzo Travaglini and Davide Semmarchi, representing Bosco Studio, an Italian creative collective exploring the intersection of neoclassical composition and cinematic sound.
Travaglini, founder of Bosco Studio, focuses on emotionally driven piano works that blend classical tradition with modern sonic landscapes. Semmarchi complements this approach through atmospheric textures and expressive minimalist structures. Together their performances create immersive musical narratives that move between classical sensitivity and contemporary sound design.
Bosco Studio’s visit to the Philippines is supported by the Philippine–Italian Association, which helps foster cultural dialogue and artistic exchange between Italian and Filipino creative communities.
Their appearance at Medium Rare marks their first performance in Asia, introducing Manila audiences to a distinctive voice within today’s evolving neoclassical movement.
A Curated Cultural Experience
“Medium Rare is a curated sensory experience that unites three worlds: music, gastronomy and art. This unique event brings together Manila’s food lovers and music community into one sophisticated, flavorful and unforgettable experience.”
The concept behind Medium Rare is to blur the boundaries between cultural disciplines, creating an immersive environment where audiences experience live music, culinary creativity and artistic expression simultaneously.
Medium Rare was created by Chele Gonzalez, whose passion for gastronomy and music inspired the project.
“Medium Rare began as a personal idea to merge two art forms I deeply care about: gastronomy and music,” Gonzalez explains. “The word ‘Medium’ represents the space between disciplines where they meet, while ‘Rare’ reflects our desire to present something unique beyond the mainstream.”
The project is developed together with Samantha Nicole, a prominent figure in Manila’s underground music community who has been actively shaping the city’s alternative cultural scene through music-driven events and collaborations.
Together they bring international artists and Manila’s creative community into one carefully curated environment.
Event Details Event: Medium Rare – Kaleidoscope Edition Date: May 9 Time: 7:00 PM – 4:00 AM Venue: Salon de Ning, The Peninsula Manila City: Manila, Philippines Tickets are limited.
Manila’s Largest EDM Festival Is Back This Summer With An All-Star Lineup
MANILA, PHILIPPINES — &FRIENDS Festival, the premier electronic dance music festival in Manila, returns on June 19 and 20 with its most expansive edition to date, transforming Okada Manila into a global gathering point for dance music culture. Leading this year’s lineup are four of electronic music’s most commanding forces.
Galantis is the Swedish dance powerhouse of Christian “Bloodshy” Karlsson — Grammy-winning co-writer of Britney Spears’ “Toxic” and a figure behind hits for Madonna, Katy Perry, and Kylie Minogue. As Galantis, Karlsson has crafted a body of work that has accumulated over 7.3 billion cumulative worldwide streams, powered by platinum-certified anthems like “Runaway (U & I)” — which earned a Grammy nomination for Best Dance Recording — and “No Money,” which saw a top-10 debut in 23 countries. Their most recent album Rx continued that momentum, featuring “Lighter” with David Guetta and 5 Seconds of Summer, which landed at number one on the US Dance Radio chart. Onstage, Galantis is a force unto itself — a euphoric, laser-and-fire spectacle that transforms any room into a singalong.
Porter Robinson is an American DJ, singer, songwriter, and record producer who began producing electronic music during his adolescence, signed to Skrillex’s OWSLA at 18, and has since made DJ Mag’s Top 100 DJs list for seven consecutive years. His 2014 debut album Worlds — which peaked at number one on Billboard’s Top Dance/Electronic Albums and is considered a major influence on the broader sound of EDM — was followed by the Grammy-nominated Virtual Self project and the critically acclaimed Nurture in 2021, whose North American tour sold over 150,000 tickets and became the highest-grossing electronic tour of that year. His third album SMILE! :D, released in 2024, was supported by his biggest-ever world tour spanning five continents and over 70 dates, cementing Robinson as one of the most beloved and artistically ambitious artists in electronic music. His SMILE! 😀 tour included a stop in Manila — making his return to the Philippines at &FRIENDS Festival all the more meaningful for Southeast Asian fans.
Subtronics — born Jesse Kardon in Philadelphia — has headlined major festival stages across the globe, launched his own annual festivals, and built his own independent home through his label Cyclops Recordings. In 2023 he became the highest-selling North American electronic touring act in the Pollstar mid-year reports and earned DJ Mag North America’s DJ of the Year, while his curated events — including a three-day Cyclops Dome takeover at the Tacoma Dome featuring a fully immersive ceiling of motorized LED panels — have redefined what a live bass music experience can be. His most recent studio album FIBONACCI, announced live from the Ultra Music Festival mainstage and released via Cyclops Recordings in December 2025, arrived alongside a record-setting six consecutive sold-out nights at the Shrine Auditorium in Los Angeles and a Coachella debut in April 2026 — proof that the Philadelphia producer is operating at the absolute peak of his powers.
Yellow Claw is a Dutch DJ and production duo from Amsterdam — Jim Taihuttu and Nils Rondhuis — whose music blends trap, hip-hop, dubstep, hardstyle, and moombahton into a relentlessly high-energy sound all their own. Over a career spanning more than a decade, they have accumulated over a billion plays and collaborated with DJ Snake, Steve Aoki, Gucci Mane, and Tinashe, while their own label, Barong Family, founded in 2014, has become one of electronic music’s most respected independent platforms with hundreds of releases to its name.
They arrive at &FRIENDS Festival fresh off their fifth studio album, Jesus Loves Trap Music — a 20-track statement built for blown-out speakers and mainstage mayhem, released on Barong Family in February 2026. Few acts on the planet bring the same raw, crowd-igniting energy to a festival stage, and Manila is in for one of the most explosive sets of the summer.
Rounding out an unmissable weekend, Monstercat — one of electronic music’s most influential independent labels — stages a full label takeover, bringing two of its most exciting acts to the &FRIENDS Festival stage. ARMNHMR, the Los Angeles-based duo who made history as the first Asian American EDM duo to hold a residency on the Las Vegas strip, deliver the kind of euphoric, melody-driven bass music that has earned them a devoted global following. Joining them is Arcando, the Dutch drum & bass producer whose crossover sound caught fire when Martin Garrix debuted his viral remix of “Jungle” at the Ultra Miami mainstage — and who hasn’t slowed down since.
WUKONG and KIARA also join the bill, both signed to Liquid State — the electronic music label founded by Sony Music and Tencent Music Entertainment, home to over 20 billion streams and artist releases from Alan Walker, Dimitri Vegas and Like Mike and R3HAB, among many more. WUKONG has built a global following fusing Chinese mythology and traditional Asian instrumentation, pioneering the genre Oriental Rave that has taken Asia by storm, while KIARA brings her own distinct sound to what promises to be an unmissable weekend.
Joining them are standout subheadliners CHYL, Ian Asher, Level Up and Siangyoo, with additional artists to be announced in the coming months.
Regional support comes from Amanda Sze, DJ Cupcakes, Orange Juice Asia, and Smooth Brain Girly — four acts representing the next wave of Southeast Asian dance music talent.
The carefully curated lineup reflects &FRIENDS Festival’s continued commitment to delivering world-class talent while spotlighting the best of the global and regional electronic scene.
Designed as a fully immersive festival experience, &FRIENDS Festival will feature large-scale stage production, state-of-the-art visuals, and meticulously crafted show environments. Across two electrifying nights, fans can expect a seamless blend of music, energy, and spectacle — hallmarks that have defined the festival’s rapid rise.
Tickets start at PHP 8,250 and will be available via Ticketmelon, with Early Bird Tickets going live on March 25. With anticipation building across the region, attendees are encouraged to secure their passes early.
Since its debut, &FRIENDS Festival has established itself as a defining force in Asia’s electronic music landscape, hosting headline performances from Zedd, Illenium, Seven Lions, and Knock2. By pairing global icons with a new generation of fans, the festival continues to elevate Manila as a key destination on the international touring circuit.
More lineup announcements, ticketing information, and festival updates will be revealed soon.
Nurse or not, Filipinos will laugh more than ever with their favorite comedian, Nurse John’s debut arena comedy show in Manila 2026!
BESTIES! Filipino comedian John Dela Cruz, better known as Nurse John, is flying back to where it all started for his The Short-Staffed Tour: Around The World tour on May 29, 2026, at the SM Mall of Asia Arena. This show is extra special, as this is the first time Nurse John will perform his debut stand-up comedy set in the Philippines!
Hailing from Bulacan, Nurse John has become a superstar known for his skits and experiences in the wild world of nursing, garnering 17+ million followers across all platforms in the process. He is also the host of “Kitchen Gossip,” which is set to launch on his YouTube channel in the coming months. Filipino fans will be treated to his signature style of relatable comedy and get to see his iconic characters in the flesh!
Bring out your best scrubs, and get ready to laugh the whole night, featuring a hilarious set and fan-favorite characters (rise, Tita Marites lovers!). With the growing popularity of stand-up comedy in the Philippines, Insignia Presents & Bohm Presents are looking forward to entertaining Filipino fans with a night of comedy and role play.
For tickets and show information about Nurse John: The Short-Staffed Tour: Around the World, please visit www.InsigniaPresents.com.
Opening Gala, April 22, Wednesday. Featuring the American Ballet Theatre Studio Company, joined by special guest principal dancers Thomas Forster and Christine Shevchenko presented in partnership with Ayala Foundation and Steps Dance Foundation.
Folk and Traditional Dance Gala, April 23, Thursday. 1. Bayanihan, The National Folk Dance Company 2. PNU Kislap Sining Dance Troupe 3. UST Salinggawi Dance Troupe 4. Sindaw Philippines Performing Arts Guild 5. UP Filipiniana 6. Kaloob Philippine Music and Dance Ministry 7. ALUN ALUN DANCE CIRCLE with Marikina Dance Guild 8. Likhang Sining Dance Company (Batangas) 9. Perpetual Sanlahi Pangkat Mananayaw 10. Sining Tanglawan ng San Jose Del Monte Performing Group
Street Dance Gala, April 24, Friday. 1. Unrlvd 2. W3 3. Mixed nuts 4. Eleven 11
Ballet Gala, April 25, Saturday. 1. Ballet Manila Inc. 2. Philippine Ballet Theater 3. Ballet Philippines 4. Alice Reyes Dance Philippines 5. Steps Dance Studio 6. Association of Ballet Academies in the Philippines
Contemporary Gala, April 26, Sunday. 1. Hiraya 2. UP Dance Company 3. Galaw.Co Dance Theater 4. Benilde Experimental Dance 5. Airdance 6. Daloy Dance Company 7. The Project DP 8. Rhosam Prudenciado 9. FEU Dance Company 10. Dance Forum
International Dance Day Fest 2026 is brought to you by Ayala Land, Make it Makati, Circuit Makati, the Samsung Performing Arts Theater, with additional partnership support from Ayala Corporation, and Steps Dance Foundation.
American Ballet Theatre Studio CompanyAirdanceBayanihan The National Dance Company of the PhilippinesChristine Shevchenko action shotChristine Shevchenko, American Ballet Theatre principal dancerThomas Forster and Christine Shevchenko Romeo and JulietThomas Forster Action Shot 2Sindaw Philippines Performing Arts GuildHiraya Contemporary Dance CompanyGalaw.Co Dance TheaterThomas Forster, American Ballet Theatre principal dancerUST SALINGGAWI DANCE TROUPE University of Santos TomasChristiner Shevchenko and Thomas Forster in The Nutcracker. Photo: Doug Gifford. ABT “The Nutcracker” was performed at the Segerstrom Center for the Arts in Costa Mesa, California on December 20, 2018,
A Celebration of Movement, Culture, and Global Talent at the Samsung Performing Arts Theater!
Makati continues to strengthen its position as a vibrant cultural destination as the International Dance Day Fest returns this April 2026, bringing together artists, communities, and audiences in a celebration of dance as a universal language.
Spearheaded by Ayala Land, the event reflects a continued commitment to nurturing the arts and creating meaningful cultural experiences in the city. Circuit Makati has grown into more than an urban development. It is now a thriving cultural hub where creativity, collaboration, and community come together. From large-scale productions to intimate artistic showcases, it stands as a cornerstone of the city’s evolving arts and culture landscape.
At the center of this celebration is the Samsung Performing Arts Theater, a world class venue known for hosting acclaimed productions while championing Filipino talent. As it opens its doors once again to a diverse lineup of performers, it reinforces its role as a platform for artistic expression that bridges local and international stages.
American Ballet Theatre Studio CompanyAirdanceBayanihan The National Dance Company of the PhilippinesChristine Shevchenko action shotChristine Shevchenko, American Ballet Theatre principal dancer
Honoring the Power of Dance
In line with the global celebration of International Dance Day, the festival highlights the transformative power of movement. Established in 1982 by the International Theatre Institute, International Dance Day is celebrated every April 29 in honor of Jean Georges Noverre, widely regarded as the father of modern ballet. The occasion serves as a reminder that dance transcends borders, cultures, and language—connecting people through shared expression.
This year’s celebration brings together a wide spectrum of dance forms and talents from across the Philippines and beyond. From classical ballet and contemporary works to street dance and cultural performances, the program reflects the richness and diversity of the global dance community.
Galaw.Co Dance TheaterHiraya Contemporary Dance CompanySindaw Philippines Performing Arts GuildThomas Forster Action Shot 2Thomas Forster and Christine Shevchenko Romeo and Juliet
A Week of Movement and Meaning
Throughout its run, the festival offers a dynamic lineup of performances that highlight different styles and traditions of dance, giving audiences a chance to experience its many forms across several days.
This will open on April 22 with a highly anticipated Opening Gala featuring the American Ballet Theatre Studio Company, joined by special guest principal dancers Thomas Forster and Christine Shevchenko. The performance of the American Ballet Theatre Studio Company is made possible through additional support from Ayala Foundation and Steps Dance Foundation. This opening night sets the tone for the week with a powerful showcase of classical excellence on an international stage.
On April 23, the spotlight turns to heritage with the Folk Dance Gala, celebrating the richness of Filipino culture through traditional movement and storytelling.
Energy takes center stage on April 24 with the Street Dance Gala, bringing together some of the most dynamic crews and performers in the local scene.
On April 25, the Ballet Gala highlights the precision and grace of classical dance, featuring some of the country’s leading ballet talents.
The festival concludes on April 26 with the Contemporary Gala, presenting innovative and expressive works that reflect the evolving language of modern dance.
Beyond the performances, audiences can look forward to educational and interactive experiences that bring them closer to the world of dance. On April 21, ABT Studio Company Artistic Director Sascha Radetsky will lead a special lecture-demonstration for public school students, offering a behind-the-scenes look at how a performance comes to life. This free school presentation will be held at 2:00 PM at the Samsung Performing Arts Theater.
Thomas Forster, American Ballet Theatre principal dancerUST SALINGGAWI DANCE TROUPE University of Santos TomasChristiner Shevchenko and Thomas Forster in The Nutcracker. Photo: Doug Gifford. ABT “The Nutcracker” was performed at the Segerstrom Center for the Arts in Costa Mesa, California on December 20, 2018,
In addition, The Joffrey Ballet and Gerald Arpino Foundation répétiteur Christine Rocas will stage and teach excerpts from two of Gerald Arpino’s well-known works, further highlighting the cultural exchange initiatives championed by the International Dance Day Festival.
Get your tickets now at Ticketworld and be part of this extraordinary celebration of dance! International Dance Day Fest 2026 is brought to you by Ayala Land, Make it Makati, Circuit Makati, the Samsung Performing Arts Theater, with additional partnership support from Ayala Corporation, and Steps Dance Foundation.
For more information, please follow CPATOfficial on Facebook and Instagram.
TALES OF THE MANUVU MAR. 28-29 PROSCENIUM THEATER ROCKWELL, MAKATI
Alice Reyes Dance Philippines (ARDP), in collaboration with the University of the Philippines, the National Commission for Culture and the Arts, and the Cultural Center of the Philippines, with the generous support of the Office of Senator Pia Cayetano, is proud to announce the 2026 restaging of Tales of the Manuvu.
Premiered in 1977, this production is the first Filipino rock opera ballet, masterfully weaving indigenous mythology with the vibrant energy of rock and pop music.Catch the strictly limited run at the Proscenium Theater in Rockwell, Makati, on March 28–29.
A Historic Artistic Collaboration This masterpiece was born from the creative synergy of legendary Filipino artists. National Artist Alice Reyes provided the visionary direction and choreography, while National Artist Bienvenido Lumbera penned the libretto. Crucial to its iconic sound was the music composed by OPM icon Dero Pedero, with additional music by the rock band Afterbirth. The original production also featured stars of the Philippine theater and music scene, including Boy Camara, Anthony Castelo, Haji Alejandro, Celeste Legaspi, and the debut of newfound talent, Leah Navarro.
Reflecting on the production’s origins, National Artist Alice Reyes notes: “In 1976, Bien Lumbera and I were both delighted by E. Arsenio Manuel’s folk tales… We agreed that the tales could be rich material for a rock-opera ballet, a dance concept still in its nascent state in the Philippines. We opened on February 25, 1977, to a packed house in the CCP and never looked back. Forty-nine years later—and almost to the day—Tales of the Manuvu makes a strong comeback… Although dance is about change and movement, ARDP puts value and currency in proven works. It continues to foster a collaborative environment for Filipino artists—all in a mission to keep dance as an art form that provokes, excites, and engages the national spirit and consciousness.”
The 2026 Restaging The 2026 production is restaged by ARDP Ballet Master Lester Reguindin. This iteration features new set and costume designs by award-winning director and designer Loy Arcenas, and lighting design by Barbara Tan-Tiongco.
A Stellar Cast of Voices and Movement The production features a powerhouse ensemble of singers and dancers, continuing the tradition of featuring live vocalists and a rock band alongside technical brilliance. With a rotating cast, the production offers a unique experience at every performance.Audiences are invited to catch the different artistic interpretations of both the singers and dancers.
The Singers: • Manama / First Man: Portrayed by Joshua Cadeliña, alternating withversatile theater artist Adonis Villanueva. • Ogassi: Brought to life by international a cappella sensation Almond Bolante Almond Pondevida Bolante, sharing the role with distinguished baritone Greg De Leon Greg Abelardo De Leon . • First Woman: Featuring rising stars Christy Lagapa Cb Lagapa , alternating with Toni Carm Santos.
Ejay Arisola as Ogassi in Alice Reyes’ Tales of the Manuvu (Photo by Erica Jacinto – 2025)Ejay Arisola as Ogassi, John Ababon as Manama, and Renzen Arboleda as First Man in Alice Reyes’ Tales of the Manuvu (Photo by I.R. Arenas – 2026)Krislynne Buri as First Woman and Renzen Arboleda as First Man in Alice Reyes’ Tales of the Manuvu (Photo by I.R. Arenas – 2026) (2)Renzen Arboleda as First Man in Alice Reyes’ Tales of the Manuvu (Photo by I.R. Arenas – 2026)Ejay Arisola as Ogassi, Krislynne Buri as First Woman, and Renzen Arboleda as First Man in Alice Reyes’ Tales of the Manuvu (Photo by I.R. Arenas – 2026)
The Dancers: • Manama: John Ababon, alternating with Ghian Renzen Arboleda. • Ogassi: Earl John Arisola, sharing the role with seasoned choreographer and dance artist Erl Erl Sorilla. • First Man: Renzen Arboleda and James Galarpe. • First Woman: Krislynne Buri and Francine Beltran
Supporting Artists and the Community All proceeds from ticket sales will cover production expenses and provide essential financial support to ARDP dancers, musicians, and the artists involved in bringing this epic production to life. By purchasing tickets, patrons directly contribute to sustaining the legacy of Filipino dance and supporting the livelihoods of dedicated performing artists.
March 28 – Fundraising Gala (7:30 PM) Your Gala ticket is a direct investment in the future of ARDP, providing vital support for our dancers and the preservation of the works of National Artists like Alice Reyes and Agnes Locsin. • Orchestra Center: 5,000 • Orchestra Side: 4,000 • Dress Circle: 2,500 For Fundraising Gala Tickets, contact Joey Trinidad: ticketingofficer@ardp.ph | +63 945 664 1010.
March 29 – Regular Performances • Matinee (2:00 PM): Orchestra Center (2,500) Orchestra Side (1,800) Dress Circle (1,800) • Evening (6:00 PM): Orchestra Center (3,000) Orchestra Side (2,000) Dress Circle (2,000)
Early Bird Offer: 10% OFF for a limited time. Discounts: PWD (20%), Senior Citizen (20%), and Student (50%) discounts apply.
Join the Priority List today to secure early access and the best available seats. Click here to reserve https://bit.ly/4rJIznA
About Alice Reyes Dance Philippines (ARDP) ARDP is a premier dance company dedicated to the preservation of Filipino dance heritage and the promotion of contemporary excellence. By maintaining a repertoire of both classical and modern masterpieces, ARDP ensures that Filipino artistry remains a vibrant part of the national consciousness.
Thai GL stars Phinyanech Aungsuwan and Desoraya Techapaibul, collectively known as TKNur, are finally bringing their undeniable on-screen chemistry to the Philippines, as they gear up for their highly anticipated first fan meeting in Manila.
Titled “TKNur 1st Fan Meeting in Manila [In Our Bloom: Love in Full Blossom],” the special event is set to take place on March 29, 2026, at Samsung Hall. This marks a milestone moment for the rising Thai actresses, who will be meeting their Filipino fans face-to-face for the very first time in a night filled with heartfelt interactions, performances, and unforgettable memories.
TKNur rose to prominence through their breakout roles in the hit Girls’ Love (GL) drama Dangerous Queen, a compelling adaptation of the novel of the same name. The series follows the story of Bonita, portrayed by Nur, a young woman navigating life within a deeply troubled and abusive household. Her fate takes a dramatic turn when she crosses paths with Queen, played by TK, a powerful and enigmatic CEO whose presence introduces both danger and unexpected solace. As their worlds collide, the narrative unfolds into an emotionally charged journey of resilience, healing, and love that resonates deeply with viewers.
The series quickly gained a loyal following, with audiences praising not only its gripping storyline but also the natural and captivating chemistry between TK and Nur. Their portrayal of complex, emotionally layered characters struck a chord with fans, cementing their status as one of the most promising GL pairings to watch.
With their upcoming Manila fan meeting, fans can expect that same magnetic connection to come alive on stage. The event promises an immersive experience, featuring live performances, interactive games, and candid segments that will allow attendees to see a more personal and playful side of the duo. Beyond the stage, fans will also have the opportunity to get closer to the actresses through exclusive fan benefits, including photo opportunities, soundcheck access, and hi-touch sessions. Special merchandise such as signed polaroids and limited-edition photocards will also be available, making the night even more memorable for attendees.
Presented by S9T Concert, S.nur Entertainment, and CDM Entertainment, “In Our Bloom: Love in Full Blossom” is poised to be a heartfelt celebration of TKNur’s journey and the ever-growing bond they share with their global fanbase, especially the passionate Filipino fans who have long awaited this moment.
SEVENTEEN triumphantly concluded the Asia leg of their “NEW_” world tour in Bulacan with a powerful, emotionally charged concert that celebrated their evolution, global dominance, and decade-long unbreakable bond with Filipino CARATs.
K-pop icon SEVENTEEN continues to ignite global stages with unmatched force, drawing approximately 840,000 spectators combined across in-person and online shows throughout their ongoing world tour, “SEVENTEEN WORLD TOUR [NEW_]”, an achievement that reaffirms their standing as one of the most formidable live acts in music today. With every city they conquer, the group not only performs but transforms arenas and stadiums into immersive experiences, where storytelling, music, and connection collide on a grand scale.
That energy reached a powerful peak on March 21, as SEVENTEEN successfully concluded the Asia leg of their “SEVENTEEN WORLD TOUR [NEW_]” at the Philippine Sports Stadium. Serving as the final stop of a sprawling tour that covered 29 performances across 14 cities since September 2025, the Bulacan show was a celebration of a journey defined by growth, reinvention, and unwavering connection with fans across continents. The Asia leg itself marked a triumphant return, capping off a historic touring year that placed SEVENTEEN among the world’s top three touring acts on Billboard’s 2025 midyear Boxscore and earned them the distinction of having the second-highest-grossing K-pop tour on the year-end chart.
“Just like the title of our world tour, it seems like we have opened a new world here tonight.”
SEUNGKWAN
Photo courtesy of PLEDIS Entertainment
From its earliest moments, “NEW_” made clear its intent to signal transformation. The tour’s title—anchored by the underscore (_)—represents an open space, a symbol of limitless potential and evolution beyond the group’s decade-long career. This philosophy was brought to life through a carefully curated setlist that blended fresh material from their 5th studio album Happy Burstday with reinvented versions of beloved hits, creating a show that felt both forward-looking and deeply rooted in their history.
The night in Bulacan opened with a visually striking VCR, drawing fans into a cinematic prelude before the members emerged, one after the other, to ignite the stage with “Bad Influence,” a sleek collaboration with Pharrell Williams. The track’s confident groove and understated swagger set the tone for what would become an evening of constant momentum. Without pause, the group launched into “HBD” and “THUNDER,” delivering back-to-back performances that married explosive choreography with larger-than-life production. “HBD” radiated celebratory energy, its vibrant soundscape capturing the spirit of rebirth and festivity, while “THUNDER” lived up to its name with booming instrumentals and electrifying formations that rippled through the stadium like a sonic storm.
Photo courtesy of PLEDIS Entertainment
As the show unfolded, SEVENTEEN showcased the full breadth of their artistry with the electrifying full-group performance of “Domino”, followed by a captivating unit stage and a series of dynamic solo stages. “Network Love,” performed by Joshua, Jun, The8, and Vernon, became a visual spectacle of precision and flow, each movement seamlessly triggering the next in perfect synchronization, echoing the track’s hypnotic rhythm. The solo stages, drawn from Happy Burstday, offered a more intimate look into each member’s individuality. Dino’s “Trigger” pulsed with intensity, driven by hard-hitting beats and razor-sharp choreography that highlighted his evolution into a commanding performer. Jun’s “Gemini” explored duality through shifting tones and emotive delivery, while Vernon’s “Shining Star” provided a laid-back yet introspective moment, its effortless cool underscored by thoughtful lyricism.
The emotional core of the concert emerged during “SOS,” a track whose urgent plea for change and resilience resonated deeply with the audience as its urgent message mirrors the complexities of the current global climate and the people’s ongoing drive for hope and progress. The crowd turned every lyric into a shared expression of solidarity, reflection, and the collective desire for a better future. The atmosphere grew even more poignant with “F*ck My Life,” a raw and cathartic expression of frustration and vulnerability that transformed the vast stadium into a shared emotional space. Closing this segment with “LOVE, MONEY, FAME,” SEVENTEEN reflected on ambition and identity, balancing polished production with introspective themes.
Photo courtesy of PLEDIS EntertainmentPhoto courtesy of PLEDIS EntertainmentPhoto courtesy of PLEDIS Entertainment
A shift in tone followed as the members returned with softer, more heartfelt solo performances. Joshua’s “Fortunate Change” enveloped the audience in warmth, while DK’s “Happy Virus” lived up to its name with bright, uplifting energy that had fans smiling throughout. Seungkwan’s “Raindrops” added emotional depth, his vocals carrying a lingering sense of longing. Yet the calm proved temporary, as the stage soon erupted into a fiercer atmosphere. The8’s “Skyfall” combined elegance with explosive movement, Mingyu’s “Shake It Off” exuded charisma and playful confidence, and S.Coups’ “Jungle” closed the solo segment with a dark, primal intensity that commanded attention from every corner of the venue.
The transition into the concert’s high-energy core came without warning. “HOT,” “HIGHLIGHT,” “ROCK,” and “HIT” arrived in rapid succession, each performance pushing the group’s stamina and stage presence to exhilarating heights. Flames, lights, and synchronized choreography converged in a relentless display of power, leaving the audience in awe. After delivering such electrifying stages, the members expressed their heartfelt gratitude to CARATs, whose boundless energy fueled them through even the most demanding performances, allowing them not only to complete the set with strength but to truly revel in every moment on stage. S.Coups shared, “I’m not lying. Today is the most enjoyable,” a sentiment that perfectly captured the synergy between SEVENTEEN and their Filipino fans.
That connection has been years in the making, and it shone brightly during the concert’s more playful segments. CARATs waved tiger paws in homage to Hoshi’s signature introduction, revisited earlier eras with a snippet of “MANSAE,” and erupted in excitement during “SNAPSHOOT,” a song that has grown into a beloved staple in the Philippines since their Be The Sun tour. The crowd’s enthusiastic response, particularly during our bunso, Dino’s iconic part, once again demonstrated the unique bond and history shared between SEVENTEEN and Filipino CARATs.
Further enriching the set were unit performances like the Hip-Hop Team’s “GAME BO1,” alongside special stages of CXM’s “For You” and DXS’s “Blue,” which also heightened anticipation for upcoming subunit activities of The8 and Vernon. DK added another memorable moment by opening “Rock With You” with a live drum performance, elevating the track into a full-scale rock spectacle that culminated in a breathtaking fireworks display lighting up the night sky.
Photo courtesy of PLEDIS EntertainmentPhoto courtesy of PLEDIS Entertainment
As the concert moved into its final act, the atmosphere shifted into one of celebration and gratitude. During CARAT TIME, fans danced and sang along with Bongbongie, turning the stadium into a festival of shared joy. The encore began with “_WORLD,” “A-TEEN,” and “9TEEN,” as the members rode carts around the venue, closing the distance between themselves and the audience. This sense of closeness reached its peak with “To You,” a heartfelt serenade that served as a love letter to CARATs.
One by one, the members delivered their messages, expressing gratitude and promising to remain together through every chapter ahead. In response, fans raised banners declaring “SEVENTEEN FOREVER” and “SEVENTEEN, let’s be together for a long, long time,” messages that echoed throughout the stadium not just in words but in emotion. It was a moment of quiet understanding, a promise shared between SEVENTEEN and CARATs.
Photo courtesy of PLEDIS Entertainment
“I really received a lot of love and support from you guys today. I will not forget the gratitude in my heart, and will show you more beautiful things. I always say this, the reason I exist is because of CARATs. Because you listen to my music, the reason I get to dance and get to sing is because of CARATs. Thank you very much. Mahal kita.”
DINO
“Whether in solos, in units, and in different types of forms, we will make sure to reach you. Please continue to support us. I myself will do my best. Remember, the 13 members of SEVENTEEN will never separate. Mahal kita! I love you!”
S.COUPS
“I’m glad we get to spend the last stop with you guys… By the next time we come back to the Philippines, hopefully, it will all be the 13 of us. Like S.Coups said, we’ll never be apart. All 13 of us are gonna stay together forever…”
JOSHUA
Photo courtesy of PLEDIS EntertainmentPhoto courtesy of PLEDIS EntertainmentPhoto courtesy of PLEDIS Entertainment
“Thank you for filling up this stadium tonight. Thanks to you all, we had a lot of beautiful memories and really enjoyed today… We will make sure to do our best in our own position, in our own place. In the future, we will be complete once again.”
THE8
“This is the last stop for our Asia tour. Honestly, I’m just so happy that it was the Philippines… Hopefully, we can see each other again… You guys are so beautiful. Thank you so much…”
VERNON
“Philippine CARATs are the best! Thanks to you guys I can say we had the best day today… Through the tour we had together, we were so happy. I will never forget today. I hope you guys continue to cherish the memory we made tonight. Magkita tayo ulit. Mahal kita!”
DK
Photo courtesy of PLEDIS EntertainmentPhoto courtesy of PLEDIS EntertainmentPhoto courtesy of PLEDIS Entertainment
“I had so much fun today, everyone… I want to meet more CARATs from all over the world continuously. I hope you continue to love all SEVENTEEN members. Please be healthy and stay happy. Thank you so much. I love you so much. I’ll always miss you so much. Pilseung!”
MINGYU
“Honestly, when we started this tour with nine members, we were worried we wouldn’t be able to fill the void of the four members who were not with us. But we did our best to fill the gaps. Those worries disappeared because of you. Thank you to everyone for filling up such big stadium. Like what Kuya Coups said a while ago, it will take a while before you see us complete, but we will come back cooler than ever. So I hope our CARATs can stay healthy and happy. Please continue to love whatever our members will do… Thank you so much for today. Mahal kita! Salamat po!”
SEUNGKWAN
“Thank you very much to all the CARATs who came today. Salamat po… Once there was a fan who told me a line from a children’s book, ‘I love you to the moon and back.’ We started together, and in the future, we will once again meet each other under the moon. Please stay healthy.”
JUN
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But SEVENTEEN ensured the night would end not in stillness, but in celebration. The encore transformed into a full-blown party with “EYES ON YOU” and the ever-iconic “AJU NICE,” extending into a 30-minute finale that included “LEFT & RIGHT,” “CLAP,” “MARCH,” “SUPER,” “DON QUIXOTE,” “TOGETHER,” “FIGHTING,” and “WATER.” It was a joyous explosion of sound and movement, a fitting conclusion to a night that had encompassed every facet of SEVENTEEN’s artistry.
For a decade, the Philippines has remained a constant presence in SEVENTEEN’s journey. From their Shining Diamond Asia tour in 2016, Diamond Edge in 2017, Ideal Cut in 2018, and Ode to You in 2020, each visit has deepened a connection that continues to grow stronger. Their reunion with Filipino CARATs during Be The Sun in 2022, their historic performances in Bulacan, and subsequent milestones with FOLLOW TO BULACAN and RIGHT HERE have all contributed to a shared legacy that is uniquely their own.
This year, SEVENTEEN added yet another milestone by becoming the first artist to stage three consecutive concert tours at the Philippine Sports Stadium, further solidifying the country’s place as a cornerstone of their global touring history. Every visit writes a new chapter, painted in rose quartz and serenity, the official colors that now symbolize a bond built on passion, joy, and unwavering support.
Photo courtesy of PLEDIS Entertainment
Globally, SEVENTEEN’s impact continues to expand. With millions of total attendees across their tours, historic performances at major international festivals, and consistent recognition on global charts, they stand firmly among the world’s elite musical acts. Yet beyond the accolades and records, it is their ability to connect genuinely and deeply with their fans that defines their legacy.
As the “NEW_” world tour approaches its final chapter with encore shows at Incheon Asiad Main Stadium, anticipation continues to build. Tickets for the encore sold out during the first day of fan club pre-sale, a testament to the enduring demand for SEVENTEEN’s live performances.
From past to present, and into whatever the future may hold, one truth remains unwavering—on every stage, in every city, and in every shared moment: It is always only SEVENTEEN.
Photo courtesy of PLEDIS EntertainmentPhoto courtesy of PLEDIS Entertainment
The P-Pop trailblazers have officially announced the track list for their sophomore album, including collaborations with Queen of C-Pop JOLIN and Japanese boy band BE:FIRST.
Trailblazing Filipino group SB19 announces the release of the highly anticipated full-length album, Wakas at Simula—a turning point record that encapsulates the closure of one creative era and the launch of its new chapter. Following the global success of their Simula at Wakas World Tour and the announcement of their stint at the upcoming Lollapalooza Festival this year, the sophomore album positions SB19 at the vanguard of P-Pop’s continued rise on the international stage.
“Wakas at Simula closes the chapter of proving ourselves,” SB19 explains in a press statement. “In the beginning, we were focused on finding our place, building our identity, and earning people’s trust. This album honors that journey while also guiding us into a more grounded and intentional version of SB19.”
SB19 shares that with this album, they’re learning to take bolder steps without overthinking every move. “Our years of experience have given us the confidence to create and share what feels true to us, even if we are still growing. At the same time, this marks a new beginning. We hope to express ourselves more openly, explore deeper and more relatable themes, and move forward with clarity, care, and creative freedom, ready to face new challenges together.”
Conceptually anchored in duality and transformation, Wakas at Simula unifies the group’s trilogy of acclaimed EPs (Pagsibol, Pagtatag, and Simula at Wakas) while introducing six new tracks that push the boundaries of pop music with newfound confidence and sonic adventurism. Notably, the album features collaborations with Queen of C-Pop JOLIN (a Household name in the Mandarin-speaking world) on “Emoji” and Japanese group BE:FIRST on the dance-pop track “Toyfriend,” showcasing a deliberate expansion for cross-cultural appeal.
SB19’s Stell considers the collaboration with international artists a valuable learning experience for both the acclaimed P-Pop quintet and 1Z, giving them insights into how established labels outside the country operate in scale and strategy. “Since SB19 built its own system from the ground up, one that is pro-artist and pro-team, these collaborations helped us see how we can refine and evolve that approach. The impact goes beyond music, as it opens opportunities for 1Z to grow and adapt to global practices. At the end of the day, it highlights how a young team can build meaningful connections and continue learning while expanding on a global stage.”
Other new songs in the album traverse a wide sonic spectrum: from the understated elegance of R&B track “Memories” to the experimental, industrial textures of “Everblack,” the P-Pop royalty’s combined influences take the record to exciting new places in terms of production and songwriting.
Complementing the new tracks are reworked versions from the P-Pop powerhouse’s 2021 EP, Pagsibol. The re-recorded songs embody SB19’s artistic and emotional growth, where the delivery has become more intentional and personal, shaped by their lived experiences.
“When we first recorded them, we were coming from a place of hunger and hope, performing based on how we initially understood and absorbed the lyrics,” SB19 admits. Now, with more experience and perspective, the emotions naturally run deeper, and the lyrics carry greater meaning. It was not about changing the songs completely but allowing them to grow with us.”
The release of their sophomore album will culminate in a major live event, the Wakas at Simula Concert, happening on April 18, 2026, at the SMDC Festival Grounds. It will serve as the finale to their Simula at Wakas tour, which supported the release of their three-part EP (Pagsibol, Pagtatag, and Simula at Wakas). While the group will not be holding a world tour this time around, they will be playing shows across North America, Europe, and the Middle East in the latter half of the year, including major international festivals such as Lollapalooza in Chicago, USA, and more to be announced!
Tracklist:
VISA
Memories
Toyfriend
Everblack
Emoji
Wakas
What? (Wakas At Simula)
MAPA (Wakas At Simula)
Mana (Wakas At Simula)
Bazinga (Wakas At Simula)
Ikako (Wakas At Simula)
SLMT (Wakas At Simula)
GENTO
I WANT YOU
CRIMZONE
ILAW
LIHAM
FREEDOM
DAM
Time
8TonBall
Quit
Shooting for the Stars
DUNGKA!
SB19’s Wakas at Simula will be released this Friday, March 27, 2026, on all digital music platforms worldwide via Sony Music Entertainment. Pre-save it here.
An emotional farewell performance marked the closing show of Bagets The Musical.
With diplomas held high and caps tossed in the air, the Class of ‘85 bid their farewell on stage. On March 22, Bagets The Musical successfully mounted its closing performances at the Newport Performing Arts Theater, concluding a 36-show run. The musical’s finale saw the barkada of Adie, Tonton, Gilbert, Arnel, and Topee, gather one last time as the stage erupted into a nostalgic ’80s party.
Newport World Resorts President and CEO Nilo Thaddeus Rodriguez expressed appreciation to theatergoers for supporting Bagets The Musical and the Philippine live theater.
During the curtain call, Newport World Resorts President and CEO Nilo Rodriguez recognized the partners and production team behind Bagets The Musical, including Viva Communications, The Philippine STAR, and PETA Plus. He also acknowledged director Maribel Legarda, the creative team, cast, musicians, and crew, and thanked audiences who supported the production throughout its run.
“Thank you for celebrating with us as we close the curtain on this 80s party onstage. Bagets The Musical is the latest chapter in what we have been building here: a stronger platform for live theater, powered by Filipino talent. Over the past year, this theater has welcomed different stories and different audiences, with one clear outcome: live performance grows when people choose to build it together,” Rodriguez said.
Following the remarks, the finale brought the story of the Class of ’85 to a close. The scene then shifted from the show’s ’80s setting to the disco nightlife of the ’70s, as the stage transformed into a Coco Banana–inspired party, recalling Manila’s iconic nightclub scene of the era.
A Coco Banana–themed performance revealed Bongga Ka, ’Day!: The Annie Batungbakal Musical as the next production at the Newport Performing Arts Theater.
The cast launched into an upbeat mashup of “Bongga Ka Day” and “Manila,” two hits associated with the pioneering OPM band Hotdog, whose music helped define the Manila Sound that dominated the airwaves in the late 1970s and early 1980s. From there, the performance transitioned into “Annie Batungbakal,” another Hotdog classic about a hardworking dispatcher from Frisco (San Francisco del Monte) who becomes a glamorous “disco queen” at Coco Banana. Serving as the surprise reveal, the performance ultimately announced Bongga Ka, ‘Day!: The Annie Batungbakal Musical as the next major production coming to the Newport Performing Arts Theater stage. With its final curtain call, Bagets The Musical concludes its run, while passing the spotlight to the next chapter in Newport World Resorts’ lineup of all-Filipino stage productions. More details on Bongga Ka, ‘Day!: The Annie Batungbakal Musical must be revealed soon. Sign up for waitlist and be the first in line https://premier.ticketworld.com.ph/shows/show.aspx?sh=phwaitl6.
For more information on Newport World Resorts, visit www.newportworldresorts.com and follow @newportworldresorts on Facebook, Instagram, and TikTok. Join Newport World Resorts Viber Community at https://newportwr.com/nwrvibercommunity for exclusive updates. Every visit is made more rewarding with an Epic Rewards membership, download the Epic Rewards Mobile App for free at the Apple App Store and Google Play Store.
Apo Hiking Society is set to headline “Wish Date: Rewrite,” happening on April 12, 2026, at the Mall of Asia Arena.
Presented by Wish 107.5 and KDR Music House, the concert brings together some of today’s notable OPM acts for a night of music that bridges generations.
With a catalog that has defined OPM for decades, Apo Hiking Society takes top billing in the upcoming 20th edition of Wish Date. Boboy Garrovillo, Jim Paredes, and the rest of the band are expected to deliver timeless hits that continue to resonate with both longtime fans and newer audiences.
Apo Hiking Society’s highly anticipated Wish Date debut follows their recognition as KDR Icon of Musical Excellence at the 11th Wish Music Awards, celebrating the group’s indelible contribution to the Filipino music industry.
“It’s flattering talaga… kasi the love songs that we’ve done like 40 years ago, [people are] still listening to [them] now. In fact, a lot of people are just discovering them now. So it’s nice for us, na ‘Uy, there’s a new audience for us. So maybe we can last another 50 years.’” Boboy Garrovillo shared in an interview with Wish 107.5.
Also joining the lineup is Over October, which has recently been making the rounds online for its tribute to Apo Hiking Society during the 11th WMAs. The concert will also feature up-and-coming act Aquila Packing. The Baguio City-based singer-pianist has been captivating hearts with her heartfelt renditions of OPM classics.
Both acts have previously graced the Wish Date stage.
A short film will also be featured as part of the production, starring Vivoree, Joao Constancia, Lienel Navidad, and Shaun Salvador, with special participation from Susan Africa.
Since its launch in 2022, Wish Date has stood out for its unique format, offering not just live musical performances but also a film and some live-acting segments. Its latest installment further strengthens this legacy with an all-OPM setlist, grounding the experience in music that is sure to resonate deeply with Filipino music fans.Tickets for Wish Date: Rewrite are available via SM Tickets: SVIP (Reserved Seating) – ₱6,300; VIP (Reserved Seating) – ₱4,000; Box Premium (Reserved Seating) – ₱2,300; and Box Regular (Reserved Seating) – ₱1,200. For more details, follow Wish 107.5 on social media.
After continuously bringing vibrant energy to the music industry, the highly talented artist pami from Juicey is back with her latest sassy single, cry jar, her first release since her highly acclaimed debut album puffette, and fresh out of her “Best Hidden Gem of the Year” award win at the prestigious TOTY Music Awards in Thailand yesterday.
This pop track features a light, easy-listening vibe contrasted with biting lyrics that challenge everyone to evaluate the cost of heartbreak in their relationships. ‘cry jar’ represents the transformation of pain into something measurable through the concept of an “emotional compensation” jar.
“If you don’t want to try in love, then fine! Pay the price. Every time you make me cry, those tears go into the jar as proof that the pain isn’t disappearing—it’s piling up,” said pami about the single.
‘cry jar’ was written by pami during a song camp in Sydney, Australia, an environment that sparked new inspirations for her. The track is designed with a playful, bright, and almost sweet sound to contrast its straightforward and sarcastic lyrics.
pami adds: “I didn’t want this song to feel heavy or dramatic. I wanted it to be a dark joke that reflects the truth: if someone keeps hurting you without care, that damage comes with a price.”
pami is a Thai singer-songwriter who debuted in 2024, quickly catching the attention of fans worldwide with her pop sensibilities and warm vocals in her debut EP out of nowhere. This was quickly followed by her debut album puffette in 2025, which introduced pami to a wider audience that has followed her growth since.
Over the past year, pami has stood out as one of the brightest young and rising acts in Asia, playing in festivals across multiple countries such as LaLaLa Festival in Indonesia, BiKN Shibuya in Japan, Zandari Festa in South Korea and Bangkok Music City in Thailand.
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