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Start the year right and join the Broken Hearts Club Music Festival on January 7, 2026 at the SM MOA Arena.
Demo Power brings a lineup of the greatest OPM artists who will make you feel all kinds of emotion—from your first heartbreak to your biggest breakup recovery stage.
Ushering in a new year of hope, energy, and transformation, Ayala Land, the local government of Makati, and Make It Makati invite the public to welcome 2026 with “Makati in Full Color: Ayala Avenue New Year’s Eve Countdown to 2026.” Part of the broader Makati in Color campaign, the celebration brings together music, community, and Filipino pride in one of the country’s most iconic city streets. The New Year’s eve countdown at Ayala Avenue has been championing global Filipino artists since it was relaunched 3 years ago in 2023.
On December 31, Ayala Avenue transforms into a vibrant, people-first celebration starting 6:00 PM, as the city opens its streets for a night of live performances, shared moments, and collective countdown energy. Designed as a proudly Pinoy New Year’s Eve celebration, the event spotlights homegrown talent, Filipino creativity, and the joy of coming together as one community.
Headlining the night are two of the country’s most beloved acts: rock icon Ely Buendia, whose music has shaped generations, and chart-topping band Cup of Joe, bringing a fresh, contemporary sound that resonates with today’s audiences. Other notable performers are Morissette, Juan Karlos, Sofronio Vasquez III, Divine Divas, and Theater Group Asia’s “A Chorus Line”. Their performances set the tone for an evening that bridges nostalgia and the future, much like Makati itself.
As the clock strikes midnight, the Makati skyline comes alive with a spectacular fireworks display accompanied by a Filipino version of the ball drop, welcoming 2026 in full color and marking the moment with optimism, hope, and shared celebration.
For those looking to enjoy the countdown with added comfort and exclusivity, VIP tickets are available via TicketWorld, offering access to a dedicated VIP lounge with a buffet dinner, prime viewing areas, and a more relaxed way to experience the festivities while remaining at the heart of the celebration.
The night doesn’t end at midnight. Guests are invited to keep the energy going at the street party with beats by DJ Cupcakes. This is followed by an after party with beats by The Studio Dance Club, at Ayala Triangle Gardens, extending the festivities into the early hours of the new year.
More than a countdown, Makati in Full Color is a celebration that reflects Makati’s continued evolution as a city that champions culture, creativity, and community. As 2026 begins, Makati once again opens its street, inviting everyone to celebrate the future together.
“Makati in Full Color” is presented by Ayala Land, the local government of Makati, Make It Makati, together with Ayala Corporation, Globe Telecom and Circuit Makati with additional support from Avida.
Tickets can be purchased through Ticket World at https://premier.ticketworld.com.ph/. For updates, ticket information, and event details, follow Make It Makati on Facebook.
Going to Lee Dong Wook’s “My Sweet Home” fan meeting on December 20, 2025, at The Theatre at Solaire was like magic. It was an early Christmas present that lived up to all the hype!
From the moment the lights dimmed, Lee Dong Wook’s charismatic presence filled the venue with warmth and joy. Known for his iconic roles as the stoic Grim Reaper in Goblin and the fierce gumiho in Tale of the Nine Tailed, Wookie did not shy away and showed his playful, affectionate side and was genuinely touched by the love from Filipino fans.
The event was perfectly themed around “home,” which made it feel like a warm family gathering. The visuals were stunning, the sound was great, and there were festive holiday touches that made it feel like a family gathering.
WookDong talked about his career and shared personal stories from his series and behind-the-scenes of his work. He also talked about how he got from his early dramas to his most recent projects. He joked, “What, Pogi?” when he heard his new nicknames, “POGI” and “Mahal.” He said, “Hindi niyo lang naman sinasabi sakin yan; pati sa ibang artista sinasabi niyo yan,” which drew a loud scream from the crowd.
The games’ part was so funny. He was cool and competitive, but he failed every mission, which made it even funnier. He was charming, his quick wit was spot-on, and everything about him was lovable. Seeing him talk to fans during the Q&A, answer questions, and take requests made him seem more like an old friend than a distant star.
Lee Dong Wook kept saying that Manila feels like a second home to him, and Filipino Noehee’s energy was electric. He was truly humble when he thanked his Filipino fans. “Since My Girl 20 years ago, the love you gave me has left a big space in my heart, and whenever I hear the Philippines, you’re what I remember most.”
Whether you’re a Wookie fan or not, this fan meeting was an unforgettable night of laughter, “Sana ol Moments,” screams, and pure bliss. The sweetest gift of all this Christmas! It is intimate, heartfelt, and worth every peso—we can’t wait for him to come back! All thanks to Solaire for making this happen!
Concert Features One Piece Composer Kohei Tanaka’s Score
Performed Live by the Filharmonika Orchestra
Led by a Guest Conductor
January 11, 2026, at The Theatre at Solaire
Manila, Philippines – December 2025 – This Christmas season, spread the Grand Line holiday cheer and gather with your crew for an unforgettable experience. Film Concerts PH invites fans to the return of ONE PIECE Music Symphony on January 11, 2026 (Sunday) at 5:00 PM at The Theatre at Solaire.
To celebrate the season of giving and the spirit of Nakama, Film Concerts PH has launched a special holiday bundle, Crew Up & SAVE—buy two CAT B tickets and enjoy 45% off the third ticket. Limited quantities available.
The ONE PIECE Music Symphony brings over 25 years of the Straw Hat Crew’s legendary journey to life. Featuring the legendary scores of composer Kohei Tanaka, performed live by more than 70 musicians from the Filharmonika Orchestra, led by another guest conductor. Specially prepared arrangements for this world tour include the latest opening “UUUUUS!”, alongside beloved favorites such as “Haha naru Umi” (Mother Sea), “Sekai no ichiban oden da!!”, and “Ore no saikouchiten” (Luffy’s Gear 5 Theme).
This Christmas, share an experience that celebrates adventure and friendship. Whether experienced with family or friends, fans are encouraged to come in cosplay and bring the spirit of the Grand Line with them.
Gather your crew. Share the adventure. Make this holiday season one to remember.
Tickets are available at TicketWorld.com.ph and all authorized TicketWorld outlets.
ABOUT FILM CONCERTS PH – Facebook | Instagram | TikTok | Website
Film Concerts PH is reimagining live entertainment in the Philippines by presenting cinema, video games, anime, and television series through the power of live music. Founded in 2024, the company stages immersive productions featuring orchestras, ranging from full symphony to chamber ensembles, performing scores that elevate each story. Whether performed in sync with on-screen visuals or as standalone symphonic experiences, every concert offers audiences a powerful new way to connect with the content they love.
ABOUT THE FILHARMONIKA ORCHESTRA
The Filharmonika Orchestra, affiliated with Film Concerts PH, is a Manila-based ensemble founded in 2005 by conductor Gerard Salonga and revived in 2024 after a decade-long hiatus. Many of its musicians hail from the former ABS-CBN Philharmonic Orchestra, which Salonga led until 2020.
ABOUT ONE PIECE MUSIC SYMPHONY
Premiered on July 30, 2013, ONE PIECE Music Symphony is the only official One Piece concert, arranged and curated in collaboration with original composer Kohei Tanaka and licensed by TOEI ANIMATION.
In 2026, ONE PIECE Music Symphony celebrates its 13th year in Asia, 12th year in Europe, and 4th year in America. The world’s most renowned concert venues, including the Dolby Theatre in Los Angeles, the Philharmonie in Paris, and the Beijing Workers’ Stadium, have all sold out for the performance. It has also been performed by national orchestras, such as the Royal Philharmonic Concert Orchestra, the Aarhus Symfoniorkester, and the national orchestras of Strasbourg, Marseille, and Mulhouse in France.
With videos perfectly synchronized with the anthology soundtrack and projected in HD onto a giant screen, action, adventure, and emotions are guaranteed. Enhanced by a symphony orchestra of more than 60 musicians, each show is a chance to experience the most famous music from the TV series live.
ABOUT ONE PIECE
Holding the Guinness World Record as the top-selling manga title of all time, One Piece has more than 500 million copies printed and over 108 volumes. Created by Eiichiro Oda and produced by Toei Animation, this anime TV series debuted in Japan in October 1999 and continues to captivate audiences worldwide. The story follows pirate Monkey D. Luffy and his Straw Hat crew on their epic quest to find “The One Piece,” the legendary treasure of the former King of the Pirates, Gol D. Roger.
Over 25 years later, the One Piece franchise encompasses 15 feature films (including the recent movie “One Piece Film Red”), video games, home videos, and a vast catalog of licensed merchandise, such as accessories, toys, games, furniture, housewares, apparel, and novelties. In addition to being available on Hulu, Netflix, and Tubi, One Piece is simulcast on Crunchyroll in the United States.
For more information on One Piece, please visit toei-animation-usa.com/one-piece
ABOUT KOHEI TANAKA (COMPOSER)
Japanese composer, arranger, and singer Kohei Tanaka has written musical scores for numerous famous anime TV series, OVAs, movies, computer games, and tokusatsu series—among them One Piece, Sakura Taisen, Jojo’s Bizarre Adventure, and Gunbuster.
Tanaka began playing the piano at an early age. After graduating from Osaka Seiko Gakuin High School, Tanaka studied music composition under Tomojirō Ikenouchi at Tokyo National University of Fine Arts and Music. Once he graduated, Tanaka worked for three years in the advertising department of Victor Music Industries before spending two years at the Berkley College of Music in Boston, Massachusetts. He then returned to Japan to pursue a career as a pianist and a composer.
ABOUT SOUND OF FAERIES (PRODUCER)
The Wild Faery Group’s Hong Kong division, Sound of Faeries, specializes in producing film concerts and presenting video games, anime, and movies worldwide. It is a leading concert production company in Hong Kong.
For more information, please visit http://www.wildfaery.com
Last December 3, 2025, Billboard Philippines hosted their Off The Charts: The Top Artists of 2025 party, honoring the year’s chart-topping OPM artists and bands who have profoundly shaped the Filipino music landscape this 2025. The event celebrated their groundbreaking contributions, and among the highlights was Shanti Dope’s recognition as the Billboard’s No. 4 artist of 2025, underscoring his pivotal role in elevating the scene.
As a cornerstone of the Filipino hip-hop and rap scene, Shanti Dope continues to inspire local talent with his relentless output. This year alone, he delivered monthly releases: “YG Gang,” “No Snitches,” “No Sleep,” “Tunay,” “Kukuhanin Ko,” “Pusher,” “Rehab,” “Industriya,” “8000,” and “Kwintas.”
2025 has been a year full of milestones and awards with Shanti’s back-to-back Spotify accolades. He got the number 7 spot on Spotify’s Most Streamed Filipino Artists of 2025, number 17 on the Spotify Top Artists of 2025 Philippines list, and his song “City Girl” took the number 27 spot on Spotify Top Tracks of 2025 Philippines.
Let’s continue to support our rap phenom! Don’t forget to catch Shanti Dope’s newest releases out now on all major music streaming platforms!
As the world continues to redefine femininity, women who have paved the way and inspired a new generation of women—Tyla and Doja Cat—took over the SM Mall of Asia (MOA) Arena with unforgettable performances, proving once again that girls truly run the world.
Queen of Popiano Tyla debuts at MOA Arena
Thriving in her early 20s, South African singer-songwriter Tyla made the SM Mall of Asia (MOA) Arena shake last December 3, inspiring a renewed sense of confidence among the audience. Many concertgoers embraced a deeper appreciation for body positivity and the freedom to dress in ways that reflect their own energy and self-assurance, drawing inspiration from Tyla herself.
From “Water” and “Chanel” to “Art” and “Truth or Dare,” the young diva made her Philippine debut with a performance like no other, showcasing dance culture not just as an art form, but as a powerful means of expression and self-confidence.
Tyla heats up the SM Mall of Asia Arena with her opening number.
Pop-Rap Royalty Doja Cat Commands Attention
Amala Ratna Zandile Dlamini, known professionally as Doja Cat, championed female rappers worldwide, delivering bars from iconic, trending songs that celebrate femininity on December 9.
Following her fiery performances of “Kiss Me More,” “Paint the Town Red,” “Agora Hills,” and “Woman,” the Queen of Pop-Rap solidified her throne as one of the generation’s brightest rappers. The SM MOA Arena buzzed with energy, fans roaring in unison as the stage came alive in a dazzling spectacle of lights and sound.
Doja Cat takes the venue by storm in her red polka dot body suit.
South Korean singer and songwriter Chen will return to the Philippines for an intimate solo performance as part of his CHEN CONCERT TOUR <Arcadia>, scheduled for February 28, 2026, at 4 p.m. at the FYM Hall, EVM Convention Center.
Known for his powerful and emotionally expressive vocals, Chen has earned widespread recognition as one of K-pop’s leading vocalists. His body of work includes numerous popular K-drama original soundtracks that have resonated strongly with listeners, highlighting his ability to convey depth and vulnerability through music. His contributions to OSTs have been recognized with the Best OST by a Male Artist award at the Seoul International Youth Film Festival.
Chen’s solo career reflects his continued artistic growth and musical range. Since the release of his debut mini-album “April, and a Flower,” he has steadily built a discography that includes “Dear My Dear,” “Last Scene,” “Polaris,” “Door,” and his most recent release, “Arcadia.” Each project explores themes of healing, reflection and emotional honesty, further strengthening his connection with fans.
The <Arcadia> tour invites audiences to experience Chen’s music in a more personal setting, emphasizing sincerity, vocal performance and audience connection. The Manila stop is expected to offer a close-up concert experience that highlights both his musical versatility and the bond he shares with his supporters.
VIP ticket holders will receive a VIP ID tag and lanyard, as well as access to an exclusive soundcheck session. All attendees will take part in a send-off session featuring a selfie opportunity with Chen. In addition, VIP and CAT 1 ticket holders will be eligible to win signed posters through a raffle draw, while exclusive event-only photocards will be distributed to concertgoers.
Tickets are priced between Php 7,000 and 11,500, exclusive of ticketing charges, and will go on sale January 11, 2026, at noon via tapyourtickets.com.
The CHEN CONCERT TOUR <Arcadia> in MANILA is organized by Three Angles Production.
This holiday season, give the gift of timeless music and unforgettable memories! Legendary soft-rock duo Air Supply is bringing their 50th Anniversary World Tour to the Philippines in January 2026, and there’s a special limited-time promotion that’s perfect for Christmas gifting.
PERFECT Christmas Gift! Celebrate the season with a special Air Supply deal — grab 4 tickets for the price of 3 during the promotion running from 17 to 21 December.
Limited tickets available — while stocks last! Promotion may end earlier if LIMITED discounted tickets are sold out!
Air Supply 50th Anniversary World Tour
Date: 11 January 2026 (Sunday) I 7PM
Venue: City of Passi Arena, Passi City, Iloilo
https://sistic.com.sg/events/airsupplypca0126
https://premier.ticketworld.com.ph/shows/show.aspx?sh=AIRUPPUM26
Date: 24 January 2026 I 8PM
Venue: Jose Rizal Coliseum, Calamba City, Laguna
https://sistic.com.sg/events/airsupplyjrc0126
https://premier.ticketworld.com.ph/shows/Show.aspx?sh=AIRSUPIL26
Date: 27 January 2026 I 8 PM
Venue: Waterfront Cebu City Hotel and Casino, Cebu
https://sistic.com.sg/events/airsupplycebu0126
https://smtickets.com/events/view/15745
The band brings their most personal and sonically adventurous album on vinyl, reaffirming the enduring value of physical media
Award-winning Filipino pop-rock powerhouse IV OF SPADES continues to ramp up the celebration of their highly anticipated comeback with the exclusive vinyl release of their critically acclaimed album, Andalucia.
The new record will be available in a thousand copies for its first vinyl pressing, with a few of them already available during the first and second day of IV OF SPADES’ concert, which took place at the SM Mall of Asia Arena on December 12 and 13, 2025.
For those unable to attend the concert, worry not! Andalucia will be available starting December 15, 2025, through Backspacer Records via their official website.
“Andalucia feels like a special snapshot of where we are in our lives right now,” shares the acclaimed quartet in a press statement. “This is the first vinyl of IV OF SPADES. Pangarap din namin ito.”
Hailed as one of the most astounding creative rebirths in OPM for the last decade, Andalucia stands as a testament to renewed brotherhood and friendship. Shaped by years of individual growth and nearly seven years of separation, the album was forged through trust, mutual respect, and a deep appreciation for the members’ creative process.
The twelve-track album also traverses a rich spectrum of sound and experiment, while remaining anchored in the band’s signature introspection, emotional honesty, and meticulous sonic craftmanship.
IV OF SPADES’ new album, Andaluciais out now on all digital music platforms worldwide via Sony Music Entertainment.
Fast-rising Singapore-based bands return home to share the stage with Philippine bands
Bistro Rising 2025 returns to Manila with a renewed sense of purpose, bringing together some of the most promising Filipino indie artists from Singapore and the Philippines in a cross-cultural music showcase. The highly anticipated event will take place at 70’s Bistro in Quezon City on December 29, 2025.
Co-headlining the show are three Singapore-based Filipino bands that have steadily gained recognition within the Lion City’s underground music circuit: soul-pop act iLaya, indie rock outfitNostress, and ‘80s new wave-inspired band The Next Wave. The trio will share the stage with Shumi, a Bulacan-based city pop band, and Rooftop Reveries, an indie pop-rock group known for their compelling songwriting and polished live performances.
Bistro Rising 2025 is presented by Mushi Entertainment. The show is part of a broader effort to strengthen creative ties between the Philippines and Singapore, both of which are linked by an increasingly visible community of Filipino musicians and talents.
“This event is a testament to the vibrant and growing indie music community in both Singapore and the Philippines, creating opportunities for creative collaboration and talent showcase,” Requiem Rising Singapore General Manager and Founder Monx Moncayo shares.
Tickets to Bistro Rising 2025 are available here.
About Mushi Entertainment
Based in the Philippines, Mushi Entertainment is an emerging production company dedicated to creating rich, cross-cultural music experiences. They’ve made a name for themselves by frequently collaborating with Requiem Rising of Singapore, mounting gigs and concerts that showcase the convergence of diasporic and homegrown Filipino artistry in a single setting.
K-pop hitmaker Jang Yi-jeong, more popularly known for his pseudonym EL CAPITXN, finally took the Manila stage last December 12 at the SM North EDSA Skydome and transformed it into a space where artistry, vulnerability, and raw sound collided. Primarily known as one of K-pop’s most respected producers of this age, EL CAPITXN‘s concert was not a typical idol showcase and more of an invitation into the mind of a creator who has spent years shaping other artists’ voices, and is now more ready to show another side of himself to the world.
Best known as one of K-pop’s most influential producers, EL CAPITXN has shaped the sound of some of the industry’s most iconic tracks. Debuting as a member of the boy group HISTORY in 2013 before transitioning fully as a producer after the group disbanded, he built a reputation as a hitmaker with a distinct emotional and sonic identity. As a producer and songwriter, he has been instrumental in shaping the sound of worldwide artists, most notably through his long-running collaboration with SUGA of BTS. His production credits include globally recognized songs such as “Eight” by IU, “Telepathy” and “Take Two” by BTS, “Daechwita” and “AMYGDALA “by Agust D, all known for their emotional depth and layered storytelling. He also contributed to music for artists like PSY, Heize, TOMORROW x TOGETHER, PLAVE, ZEROBASEONE, and AHOF, establishing himself as a producer who balances mainstream appeal with introspective artistry.
The Manila concert marked a significant moment in his evolution as a solo performer, bringing the music he once crafted behind the scenes directly to the stage. Opening with a gothic-themed VCR drenched in shadows and crimson hues, EL CAPITXN set the tone for a night that was equal parts intensity and intimacy. The visual set the tone most especially for the first part of his set list, with tracks such as “The Vampires”, “THEY”, “WHO KILLED EL?” and “Bite Down!”.
Clad in black, tattoos on full display, and commanding the stage with understated confidence and effortless charisma, he stepped fully into the spotlight as a compelling artist in his own right. Rather than relying on elaborate choreography, the performance focused on atmosphere and sound, allowing the music’s intensity to take centerstage.
The concert unfolded as a carefully curated narrative, balancing high-energy electronic tracks with darker, introspective moments. Heavy basslines and cinematic synths filled the venue, while quieter segments revealed EL CAPITXN‘s more vulnerable side.
“Boys Gang!” took a turn towards the end the moment sounds of a gong in exact intervals were mixed in the song. As if bringing us to a new side of EL CAPITXN‘s world in the second part of his setlist, he took off his jacket and wore a long black robe with thick golden cuffs and waistband, alluding to hanbok worn by kings in Korea in the olden days as he introduced the next song.
“Daechwita” signaled the start of the second half of the setlist, and the crowd erupted the instant the familiar clash of kkwaenggwari, a flat gong of Korean traditional music, rang through the Skydome. EL CAPITXN led the chant, shouting “Daechwita! Daechwita!” in unison with the audience, even rapping along to sections of the song, and played the “shibal” remix made famous during Agust D’s world tour, where he also played a key role. He followed with other collaborations with Agust D, including “Haegeum”, before pushing the energy even higher with BTS staples like “Fake Love”, “MIC Drop (feat. Desiigner)”, “Ddaeng”, “UGH!”, and “IDOL”. PSY’s “That That” proved to be a crowd-pleaser, sending the entire arena into motion as the audience danced along.
He also mixed in tracks by other artists, including CORTIS’s “FaSHioN” and “Go!”, before surprising the audience with selections from BIGBANG. During “Bad Boy” and “We Like 2 Party”, he stepped down into the crowd to interact with fans, followed by G-DRAGON’s “Crooked” which pushed the energy higher as the audience chanted along. As a change of mood, EL CAPITXN performed AHOF’s “Rendezvous”, playing both keyboard and bass guitar and extending the track with a prolonged coda. Earlier, he played AHOF’s “Pinocchio” while forming the group’s signature hand sign as he looked out at the crowd. As AHOF’s producer and a major contributor to their sound, his onstage involvement offered a rare look at his work beyond production, emphasizing his direct musical connection to the group’s catalog.
As the set drew to a close, EL CAPITXN shifted the mood with Radiohead’s “No Surprises“, standing under pinspot lights as he watched the audience wave their phone flashlights. The energy briefly lifted with Earth, Wind and Fire’s “September”, a cross-generational favorite that had him grooving with his tour band onstage. He then moved to the keyboard and announced the final song, dedicating it to “the friend I love the most in the world,” before playing the opening chords of “Dear My Friend“ which he co-wrote with Agust D. Performed on piano and extended with a lingering coda played on the bass guitar gifted to him by Agust D, the closing moment conveyed vulnerability and gratitude, leaving the audience visibly moved.
EL CAPITXN paused to address the audience, thanking them for attending the first show of his tour and encouraging continued support for the artists he collaborates with most, notably AHOF and “his most precious friend, Min Yoongi (Agust D/SUGA from BTS).” He also took a moment to offer a heartfelt message of gratitude to Yoongi, expressing that their friendship was one he intended to carry for life.
For fans, the night carried added significance. Hearing and singing along songs they have cherished, now performed by the creator himself, offered a rare and affirming connection between artist and audience. As the concert came to a close, the emotion in the room suggested not an ending, but a release, leaving both EL CAPITXN and the crowd visibly moved.
EL CAPITXN’s Manila concert served as a statement, affirming his identity, not only as a celebrated producer, but as an artist worthy of paying attention to in his own right. For those in attendance, December 12 was a reminder that some of the most memorable voices belong to those who first shaped music from behind the scenes before stepping once again into the spotlight.
EL CAPITXN continued his Philippine leg to Bacolod on December 14, and is set to continue his first world tour in early 2026, including cities in Mexico, Los Angeles, New York, and Canada.
Special thanks to CDM Entertainment!
by Mariel Blanco
The Tourism Promotions Board (TPB) Philippines has just appointed two major Korean stars—Kim Myung Soo and Choi Bo Min—as their newest Tourism Ambassadors for Korea. It’s a bold step to strengthen the bond between the Philippines and South Korea, especially in the realm of travel.
The official announcement took place on December 14, 2025, at Consuelo by Chef Vince Garcia, where the two artists appeared in custom creations by Filipino designer Avel Bacudio. Their outfits featured intricate embroidery inspired by iconic Filipino elements such as jeepneys, the bahay kubo, and street vendors, and were crafted from handwoven abaca, piña, silk cocoon, and inabel. More than just celebrated personalities, Kim Myung Soo and Choi Bo Min are now officially partners of TPBPHL, with a shared mission to inspire more Korean travelers to visit and explore the Philippines.
They wasted no time getting started. The two stars arrived in the Philippines from December 13 to 14 for a fast-paced trip full of specially curated experiences. They began their visit with a round of golf at Beverly Place Golf Club in Clark, Pampanga—known for its beautiful scenery, excellent facilities, and a premium leisure atmosphere. It’s exactly the kind of destination that highlights the country’s wellness and luxury appeal.
The following day brought even more excitement. Both stars took part in the PUMA Clark Half Marathon. Choi Bo Min joined the 5K run alongside local fans, while Kim Myung Soo took the stage with TPB’s Chief Operating Officer, Marga Nograles. He mentioned his desire to visit Siargao soon and even hinted at inviting his fellow INFINITE members for the next trip.
So, why were these two chosen? The answer is simple. Both Kim Myung Soo and Choi Bo Min have genuine connections to the Philippines and a significant influence across Asia. Kim Myung Soo—actor and member of K-Pop group INFINITE—has visited the Philippines multiple times for concerts and fan meetings. Over the years, he has formed a meaningful bond with the Philippines, rooted in his continued presence and strong relationship with Filipino fans. He’s also preparing for new projects, which will only expand his global reach.
Choi Bo Min’s journey is equally noteworthy. He has been steadily building a loyal Filipino fanbase since joining the local TV series Beauty Empire, spending a total of four months traveling back and forth to the Philippines. This extended time allowed him to immerse himself in the culture, explore different locations, and experience local cuisine, further strengthening his familiarity with the country. With a new drama set to premiere next year, his profile is on the rise, helping to bridge even more Korean fans to the Philippines.
The two artists are supported in the Philippines through local management and agent services provided by GLXY Talent Management, a subsidiary of Universal Records Inc.
Now, as official TPBPHL Tourism Ambassadors, we’ll be seeing more of Kim Myung Soo and Choi Bo Min soon—from destination tours and digital campaigns to a variety of promotional events. Whether it’s beaches, city attractions, wellness getaways, or cultural landmarks, they’ll be showcasing it all. The goal is to leverage their star power and authentic love for the Philippines to inspire more Koreans to discover the country for themselves.
With these two leading the way, the partnership marks a new chapter in promoting Philippine tourism. It’s not just about beautiful destinations—it’s about encouraging people to create lasting, meaningful memories in the Philippines.
For over four decades, Bagets has remained one of Philippine cinema’s most iconic coming-of-age films. Audiences still remember the bright energy of the barkada, the unforgettable school scenes, the prom sequence, and the way the film captured the feeling of being young in the ‘80s. The characters Adie, Topee, Tonton, Arnel, and Gilbert have lived on in popular culture, and the movie continues to be discovered by new generations.
In its newest stage adaptation, the creative team offers audiences a new perspective on the five women behind the boys’ journey. This time, the ermats, or mothers, of the original barkada move from the sidelines to the center of the story in Bagets The Musical.
The ermats of Bagets The Musical: Women with depth, complexity, and heart
The musical presents a spectrum of ’80s Filipina womanhood—working moms, high society wives, single parents, hustlers, and creatives. Once background characters, they now emerge as layered and vulnerable, grappling with the same themes that remain relevant today: the mental load of mothers, the fear of failing her child, the struggle to communicate, and the hope for healing.
A talented line-up of actresses brings these characters to life including Carla Guevara-Laforteza as Virgie (Adie’s mother), Neomi Gonzales as Anna (Topee’s mother), Kakai Bautista and Natasha Cabrera alternating as Delia (Tonton’s mother), Mayen Bustamante-Cadd as Ditas (Arnel’s mother), and Ring Antonio as Luz (Gilbert’s mother).
Carla Guevara-Laforteza as Virgie (Mother of Adie)
Virgie is the quintessential ’80s working mother who is educated, constantly busy, and terrified of stillness. Carla approaches her with grounded realism, drawing from her own life as a mother: “I have to find myself in the character so that it is genuine.”
As a multi-award winning performing artist, Carla Guevara-Laforteza brings three decades of acclaimed theater work to the role, having graced the international theater scene with roles such as Kim and Gigi in the original West End production of Miss Saigon at the Theatre Royal Drury Lane in London, as the Club singer and Flo Manero for the Asian tour of Saturday Night Fever, and as one of the official vocalists for the Disney in Concert tour around Asia, to name a few.
In the Philippines, she has starred in Original Filipino Musicals which include Ang Huling El Bimbo, Joseph the Dreamer, Rak of Aegis, IBARRA the Musical, One More Chance: The Musical, Binondo o Tsinoy Musical, 3 Stars and a Sun, The Quest for the Adarna, Come from Away, and Into The Woods. Carla staged her first major solo concert at the CCP as part of the “Triple Threat Series” in 2024 to celebrate her 30 years in the industry.
This past year alone, Carla has received five awards. Having been recognized as one of the Top 50 Most Influential by Tiger Magazine, Outstanding Filipino Achiever of the Year, and Outstanding Performer in Theater Arts and Music given by the American Association of the Philippines, Carla is a premiere character actress, leading lady, singer and host, known for being on the strongest and most fearless stage performers in the Philippines.
Neomi Gonzales is Anna, the mother of Jeff Moses and Sam Shoaf’s Topee.
Neomi Gonzales as Anna (Mother of Topee)
Anna is a single mother and an ambitious actress, constantly performing for the world. Neomi relates deeply to her exhaustion as a teacher, freelancer, and homemaker: “Mothers are always auditioning: for work, for family, for life.”
Her defining moment is choosing her son over a career-making Brocka film—a dilemma women still face today amidst social pressure and perfection standards.
Stepping into the role of Anna is Neomi Gonzales. The Gawad Buhay and LEAF Award–winning performer known for her roles in Walang Aray, Rak of Aegis, One More Chance: The Musical, Rose, Tabing Ilog The Musical, Eto Na: Musicakal nAPO sila, and Himala: Isang Musikal, where she also reprised her role as Chayong in the 2024 film adaptation of “Isang Himala”. As a long-time PETA artist-teacher, vocal coach, and homeschool mom, she brings authentic insight into the life of a performer balancing many roles.
Mayen Bustamante-Cadd is Ditas, the mother of Ethan David and KD Estrada’s Arnel.
Mayen Bustamante-Cadd as Ditas (Mother of Arnel)
Ditas was raised to prioritize image, tradition, and reputation. Mayen plays her with empathy, showing a woman shaped by strict upbringing and societal pressure. Her arc softens when she realizes: “I can love my son even if he’s going against the grain.”
If she lived today, Ditas might thrive with more freedom or struggle with modern pace. One thing is for sure: Her journey toward acceptance remains universal.
Mayen brings in more than thirty years of professional theater experience from productions such as Alice in Wonderland, Joseph the Dreamer, Hairspray, The Bluebird of Happiness, Come from Away, and Going Home to Christmas.
With her vast experience in the world of acting on stage and on screen, singing, doing VOs and ad jingles, hosting for live events, directing shows and plays, and teaching Acting & Musical Theatre to teens and adults, Mayen Bustamante-Cadd brings the emotional precision needed to portray a mother learning acceptance in a world evolving faster than she expected.
Ring Antonio is Luz, the mother of Tomas Rodriguez and Noel Comia Jr.’s Gilbert.
Ring Antonio as Luz (Mother of Gilbert)
Luz is the ’80s Filipina hustler married to a gambling husband and juggling endless ‘rakets’ or side gigs to keep the family afloat. As a single mom of a teenage boy herself, Ring Antonio understands Luz’s exhaustion and fierce love.
Aireen Melanie Antonio or professionally known as Ring, has built more than 15 years of stage experience with roles in Newport World Resorts’ Full House Theater Company productions such as Delia D.: A Musical featuring songs of Jonathan Manalo, Annie, Bitiuin Walang Ningning, Priscilla: Queen of the Dessert, Cinderella, King And I, Buruguduystunstugudunstuy: Parokya ni Edgar The Musical, and Side Show.
Her experience as a theater actress and head teacher of Children’s Musical Theater has honed her ability to ground characters in emotional truth, as she makes connections with the character and the audience – strengthening Luz’s journey on stage.
Kakai Bautista and Natasha Cabrera alternate as Delia, the mother of Milo Cruz and Migo Valid’s Tonton.
Kakai Bautista and Natasha Cabrera as Delia (Mother of Tonton)
Delia is the talakera—the loud, loving, nagging mom shaped by fear of failing her family. Bautista and Cabrera reveal her not as a caricature but as a woman doing her best with the tools she had.
Her awakening arrives during a pivotal confrontation where she realizes that love requires listening, not just protecting. Their powerful number “State of the Nation” becomes Delia’s mirror – showing the impact of loud affection and the need for gentleness.
Catherine Herrera Bautista, professionally known as Kakai Bautista, may have gained recognition for her supporting roles playing comedic or villainous characters in TV shows and movies such as Hello, Love, Goodbye and Four Sisters Before the Wedding, but her career began in theater back in 2000.
For over a decade, she has been a consistent performer in the musical Rak of Aegis. Kakai’s achievements, discipline, and work ethics on stage and on screen truly showcases her emotional and comedic versatility.
As for Natasha Cabrera, she has appeared in Delia D.: A Musical Featuring the Songs of Jonathan Manalo, Buruguduystunstugudunstuy: Ang Parokya ni Edgar Musical, Kung Paano Ako Naging Leading Lady, Bar Boys The Musical, and Ang Huling El Bimbo the Musical.
She has also played various roles in local productions such as Lapu-Lapu: Ang Datu ng Mactan, Corazon Negro, Sandosenang Sapatos, Paglayang Minamahal, Ding! Ang Bato, the Silent Soprano, Rizal X, and Shock Value.
A University of the Philippines Theater Arts alumna, and the recipient of the Gawad Kumintang sa Sining sa Larangan ng Teatro from the Batangas Culture and Arts Council in 2024, Natasha has earned recognition for her vocal power and crisp character work.
Bagets The Musical expands the audience’s view of the story by highlighting the mothers’ roles in the lives of the barkada. Their experiences and relationships provide a different perspective that complements the original film’s coming-of-age narrative.
Audiences can look forward to new insights when the five mothers—Virgie, Anna, Ditas, Luz, and Delia—step into the spotlight.
A production of Newport World Resorts with Philippine STAR and VIVA communications, the show is staged by PETA plus led by director Maribel Legarda, playwright J-mee Katanyag, and musical director Vince Lim. This show is also presented in cooperation with Sun Life Philippines.
Bagets The Musical runs from January 23 to March 2026 at the Newport Performing Arts Theater. Tickets are now available at Newport World Resorts Box Office, Ticketworld, and Ticket2Me: PHP 4,000 (SVIP), PHP 3,500 (VIP), PHP 3,000 (GOLD), PHP 2,000 (SILVER), and PHP 1,000 (BRONZE). For inquiries, contact Customer Care at 7908-8888.
For more information on Bagets The Musical, visit Learn more about the artists and the production through VIVA Communications Inc. (@vivaartistsagency), The Philippine STAR (@philippinestar), and Newport World Resorts (@newportworldresorts) on Facebook, Instagram, and TikTok.
Much like their music, The Fray played through their each song in their debut album How to Save a Life, plus some of their newer material, with unobstructed grace and warmth, which the Filipino crowd welcomed with open arms.
On December 12, The Fray returned to the Philippine concert stage after 13 long years. Their How to Save a Life 20th Anniversary World Tour at the Araneta Coliseum marked our country as the only stop in Asia as well the venue for their grand finale – two factors that made the evening extra special for longtime fans of the band. Presented by Midas Promotions, the show was one to be remembered.
In the mid-2000s, The Fray’s debut album became a spectacular hit, receiving two Grammy nominations and receiving multiple Billboard Awards which included Digital Album of the Year. The band is known for their heart-tugging, piano-driven pop-rock songs – the kind that you want to listen to when you need a warm hug. Their lyrics, filled with dramatic push and pull of life and human relationships, were uplifting and reassuring.
In pop culture, their influence was also greatly felt as their songs became soundtracks to a lot of popular TV shows back then such as Grey’s Anatomy, One Tree Hill and The Vampire Diaries. When you play “Over My Head (Cable Car)” or “How to Save a Life”, you could be almost sure that any millennial will recognize the song in an instant; and just like any millennial would tell you: it would be quite difficult to say that it has been 20 years since then.
Still, 20 years did take its toll for the band. Since then, the band had released 4 studio albums, with their latest Helios released in 2014. The Fray is currently composed of Joe King, Dave Welsh, Ben Wysocki and touring members Dane Poppin and Kai Welch. In 2022, after a long hiatus, their previous lead singer, Isaac Slade, left the band due to personal reasons. It wasn’t until 2024 when they started releasing new music with their EP The Fray Is Back. Shortly after, they announced a world tour for their iconic debut album to celebrate the 20th anniversary of How to Save a Life, selling out majority of the dates worldwide.
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Filipino rock band December Avenue opened the show with their hits “Huling Sandali” and “Sa Ngalan Ng Pag-Ibig”. Frontman Zel Bautista thanked the crowd for their support this year, and hinted at a possible Valentine’s concert next year.
When it was time for The Fray to take the stage, they made their entrance with “She Is”, “All At Once” and “Look After You”. Their connection with the crowd ignited an immediate spark. One second, it was silent; the next, people were sweetly singing ‘be my baby; in unison.
The stage set-up was simple. There were 2 elevated platforms for the drummer and the guitarist. Flower patches adorned the floor while a flowing curtain which reflected gradients of light served as the backdrop. There were no LED screens at the back and the sides. No flashy visualization and no loud decorations; it seemed the band wanted to focus on the music and rightfully so. Following a theater set-up, each person in the crowd was assigned a specific seat.
As the concert was primarily a celebration of the 20th anniversary of their debut album, The Fray made sure to play the entire tracklist, arranged as if to tell a story. Hearing “Fall Away” felt like being drawn back to a time warp, followed by the somberly foreboding tones of “Little House” and “Dead Wrong”, only to be washed away to the gently comforting tides of “Trust Me” and “Heaven Forbid”. An extended piano intro was played for the haunting melodies of “Hundred” and “Vienna”, making the songs more impactful.
While the crawling tick-tock sound of “Over My Head (Cable Car)” was playing, Joe King took the time to address a specific person in the crowd. “I’d like to dedicate this song to this incredible human being, back there vibing, dancing to our music”, he said. During the early part of the concert, there was a guy at the patron area who stood up by himself, singing and dancing all alone as the audience remained seated. A security personnel later approached him to tell him to sit down which Joe also apologized for.
Encouraging the rest of the crowd, Joe shouted, “If you want, you can stand up, and you can feel however you wanna feel, and you can sing it however you want to sing it, because that is what music does, it’s free!” The whole arena then got on their feet and did exactly like the guy did: immerse themselves in the music. This tremendous energy was sustained until the end of the show.
By the time The Fray played “How to Save a Life”, the entirety of the Big Dome was like a huge karaoke choir, singing each word in unison. This was made even more special when people started raising their flash lights in the dark. What started as a few lights in the upper part of crowd spread all over the arena gradually, until it filled the entire venue.
Beyond their debut album, The Fray also performed a few of their newer tracks including the flaring “My Heart’s a Crowded Room” and the EDM-tinged “Hurricane”, during which Joe King personally went down the stage to meet the crowd.
“Thank you for sharing this evening with us. We’ll never forget it. This tour is the last night of the tour for us, we’ve had an absolute dream,” Joe said toward the end of the show. He shared the tour lasted 5 months, they had played in 16 countries and around 85 shows, more that they had ever played in 15 years.
Reminiscing about what the tour meant to them, he said, “Music is healing, and it can save you, and it saves us. Music is connecting, it brings you to who you are, brings you to where you were… reminds you that we’re not alone, that we’re all connected, we’re all in this together.” He reiterated that it has both been an honor and a dream to play these songs after 20 years, expressing his gratitude for allowing them to be part of their story.
For the encore, The Fray performed “Love Don’t Die” followed their latest single “Songs I’d Rather Not Sing”. For the grand finale, they played “Never Say Never”, a song that took a life of its own when the audience repeatedly sang the line ‘don’t let me go’ as the band took their bow on stage.
The song and the album How to Save a Life really did save lives, and it continues to do so until today, 20 years after it was released. Since then, a lot of things had changed both in the band’s landscape and their fans’ lives as well. It had been well over 13 years since The Fray’s last concert in Manila yet the intense energy the crowd had when singing along to their old songs felt exactly the same. As Joe said, music has the power to heal, and that is precisely what the fans could come back to time and time again. Beyond the nostalgia for old times, The Fray’s music has now found a home in people’s lives.
Special thanks to Midas Promotions!
Words by Sandra Mae Laureano
A heavy, cathartic breakaway from what once was
After revealing two different sides of themselves with “Hijacker” and “Nakaraan,” Metro Manila-based band semiclone pushes into their most intense territory yet with “TTG.” The single confronts the moment when emotional exhaustion reaches its limit and leaving becomes the only way forward. It is a song built on clarity earned through hurt, and the release that follows once the truth is finally accepted.
“TTG” tells the story of holding on despite all the warning signs. The lyrics move between Tagalog and English, reflecting confusion, resentment, and the quiet resignation that grows with every unanswered question. The hook captures the breaking point with stark honesty, repeating the final decision without hesitation. It is time to go, and this time there is no turning back.
The band delivers its heaviest sound yet. Guitars fly with sharp, restless energy. Vocals hit with full emotion, raw and unfiltered. The drums keep a steady pulse that carries the weight of the moment while the bass drives underneath, anchoring the track with force. The performance builds a sense of inevitability, mirroring the emotional release woven into the song.
“TTG” marks a powerful evolution in semiclone’s catalogue, proving they can shift from playful, to vulnerable, to explosive without losing their identity.
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